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Home › X Stories › X-T4: “Photography in Motion” Jack Picone

X-T4: “Photography in Motion” Jack Picone

26.04.2020
Written by... Jack Picone

Jack Picone, geboren in Moree in New South Wales (Australien), ist ein international bekannter Fotojournalist und Dokumentarfotograf, der derzeit in Bangkok lebt und arbeitet.

In den 1990er Jahren begleitete er acht verschiedene Kriege fotografisch, manche mehrfach. Darunter gehören die Konflikte in den Ländern Armenien, Jugoslawien, Somalia, Ruanda, Palästina, Irak, Liberia, Sudan, Angola und Zentralasien.

Picone gilt als eine neue Generation von australischen Fotografen zugehörig, die in den 1990er Jahren heranreiften. Eine Gruppe von Fotografen, die nicht nur Schnappschüsse aktueller Ereignisse liefern, sondern tiefer graben, um soziale Entwicklungen zu dokumentieren. Sehr deutlich wird dieser Umstand im Dokumentationsprojekt von Jack, das die weltweite Entwicklung von AIDS-Erkrankungen begleitet.Eine der wichtigsten Stärken seiner Arbeit ist, dass er überlegt und unaufdringlich fotografiert, seine Motive nicht unter Druck setzt. Ein gutes Beispiel hierfür sind seine Aufnahmen in den Nuba-Bergen im Sudan. Jack versucht, das Leben anderer in Bildern zu erfassen - zuerst auf einem sehr kleinen, persönlichen Level, dann zunehmend basierend auf stetiger Kommunikation und auf einer kulturellen Ebene.

Picone ist einer der Gründer des australischen Fotofestivals REPORTAGE und der Gründer der "The Jack Picone Photography and Stephen Dupont Documentary Workshops", in denen er seine Erfahrungen mit Interessierten teilt. Jack erhielt außerdem viele wichtige und prestigeträchtige Auszeichnungen in den Bereichen Fotojournalismus und Dokumentation.

© Courtesy of T&G Publishing

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What I love about shooting the FUJIFILM X-T4 in Kathmandu is its unobtrusiveness. Its retro design synchs seamlessly with Kathmandu’s urban and fluid landscape.

Like Kathmandu itself, the X-T4 has a dual personality on the outside; it resonates retro with classic design lines not eclipsed by time. On the inside, it is all twenty-first-century space-age technology. It’s a compelling combination.

Nepal is a spiritually multi-dimensional and creative place. Much of its creativity is rooted in Hinduism. In Kathmandu, Hinduism is omnipresent in life and death. Hinduism is a conversation between life and death. It is reflected in Nepalese culture in its religious iconography, art, writing, graffiti, music and its cremations on the banks of the sacred Bagmati river. Unlike most Western countries, the Nepalese people are unconcerned with the documentation of their dead. They are inclusive of it. It is an intrinsic part of the Hindu religion to share life’s experiences to promote a culture of understanding between people everywhere. Hindus believe we are all the same and we are all in this life together. Sharing death is part of that philosophy.

Photographing the ritual of death is mostly about respect, unobtrusiveness and speed. There can be beauty in pathos, and poetic and sorrowful photographs can be made or lost – forever – in microseconds. I found while documenting the cremations at Pashupatinath Temple in Kathmandu that the fold away screen, large dials and controls on the top of the X-T4 allowed me to work fast, be present, stay in the moment, and learn about the Nepalese peoples’ conversation about death. The opposite of the preceding glued to the screen scrolling through endless menu pages is a lessor experience.

I push my cameras to the extreme ‘edge’ of what they are capable of. Having six and a half stops of image stabilization, lighting fast autofocus, lots of film simulations and extra battery life keeps me on ‘the edge’ where most of the potent photographs happen.

The FUJIFILM X-T4 is intuitive, fast, fluid and a natural extension of me and my creativity.

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