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Home › X Stories › X-T50: Mindy Tan x Family Photography

X-T50: Mindy Tan x Family Photography

29.05.2024
Written by... Mindy Tan

Mindy Tan is a Singapore-born documentary photographer whose emotive work revolves around the lives of everyday people.




She began her career as a newspaper journalist for breaking news, migrant labour and community issues, and won the Society of Publishers Asia Award for Excellence in Human Rights Reporting. In 2008, she switched roles to become a documentary photographer.


Today, using a journalistic approach, her photography assignments vary from lifestyle to sports, having covered like the Beijing Paralympics 2008, the Singapore F1 GP, and WTA Championships.


International editorial clients include National Geographic, Bloomberg and Die Zeit.

Commercial clients include Singapore Tourism Board, McDonalds, Nike, Microsoft, Uniqlo, and Samsung.


As a Fujifilm ambassador, Mindy’s has been involved giving photography workshops and talks in Singapore, Japan and Germany.


In 2019, she worked with Fujifilm to write and narrate the 90-min documentary film, "Camera Punk”. She was hand-picked among 500 global ambassadors undertake the global project, filming in 9 countries that year.


She also produced and hosted the YouTube series, “FujiGirl”.

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Family photography is central to many wonderful memories of childhood. They are the most precious gifts for our children, a source for comfort, a blanket for the cold

Entire video is filmed on 4K with Nostalgic Neg film simulation, Highlight -1, Shadow -1

They remind us of our safe place and unconditional love. It is in these photos how other family members will remember you, or even how you’ll remember yourself.  
 
That is why its important to have a camera lying around the house to create these memories – one that is easy to bring around and easy for different family members to operate.

With family, alot of moments happen indoors, where light is low. A wide aperture is a must to capture moments in the darkness of the bedroom, in the fuzziness of falling asleep. The XT50 body balances well in weight and size with F2 prime lenses, such as the XF23mm F2, the XF16mm F2.8, XF35mm F2, XF50mm F2, and my all-time favourite 35mm F1.4 lens.

Acros film simulation, with XF23mm F2. Highlights -1, Shadow +1, and photograph it half a stop underexposed. The final decision on how you would shoot it also depends on the ambient lighting in the room

Inside the home, I often shoot at F2, a shutter speed of 1/30 to 1/125, combined with a high ISO. The X-T50 40MP sensor tolerates ISOs well into 12800. A small trick is to turn on the Grain effect button at high ISO, to mask, or overlap the noise.

Nostalgic Neg film simulation, photographed with one arm raised to the ceiling on the XF16mm F2.8, while breastfeeding my daughter. with XF23mm F2, at a daring ISO8000, because the room is so dim

When I first received the Fujifilm X-T50, I added customisations and assigned a shortcut (Function setting) to access the customizations.  

 
These are your C1, C2, C3 etc.. buttons, where you can fix a wide range of customizations of operability from focus mode and eye detection, to colour preferences such as colour chrome, grain effect and so on.  
 
As I want to create film recipes which I can easily get to, I decided to customise colour tones, and I renamed the buttons ‘Intense’, ‘Muted’, ‘Stark’, ‘Extreme’ and ‘Normal’.

With each button, I changed the Tone curve, Colour and Colour Chrome effect.  

 
For example, in the ‘Extreme’ customisation, I have my Highlight set at +2, Shadow at +4.  
For Muted customization, my Highlights are -2 and Shadow -2.  
 
I then turn the film simulation dial on the top left, to pair it with the various tonalities I have set.  

Nostalgic Negative film simulation pairs really well with my Muted customization, where highlights and shadow are both -2. I find that this brings out the look of nostalgia the best, and the soft look retains all the warmth in the colour produced by this simulation. 

Warmly lit indoor photo, photographed using the Nostalgic negative film simulation, with Highlights -2, Shadow -2, with the goal to even out the spectrum of the image and get as much detail as possible.
Outdoors Nostalgic Negative film simulation photo. Notice how the blacks retain detail. Although shot on a sunny day, the range of tonalities can be examined clearly with Highlights -2 and Shadows -2.
The Classic Neg film simulation, paired with Shadows +2 and highlights +1, for a stark look. I find that Classic Neg always looks great with there is blue in the image

Acros film simulation pairs well with a Stark look, where highlights and shadows are +2 and +4, it creates more contrast to the image, especially on a sunny day. 

In different situations and locations ranging from the bedroom to the beach, it’s fun to turn the film simulations dial for a quick preview of how your images might turn out, and eventually choose different looks to quickly change the mood of the photography. 
 

The X-T50 allows for a change of lenses that would come in handy when taking the family out on holiday, a camping trip, or a day at the beach.   
 
It’s like an X-T5, but mini. Small cameras are necessary as a push factor for them to be carried around, so you don’t ever miss a moment.  

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