[{"id":358912,"date":"2026-05-28T08:04:34","date_gmt":"2026-05-28T08:04:34","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358912"},"modified":"2026-05-28T08:04:38","modified_gmt":"2026-05-28T08:04:38","slug":"zimmer-303-ein-projekt-von-alec-soth","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/de-at\/stories\/zimmer-303-ein-projekt-von-alec-soth\/","title":{"rendered":"Zimmer 303: Ein Projekt von Alec Soth"},"content":{"rendered":"\n<div class=\"wp-block-fujifilm-youtube-modal alignfull\"><div class=\"block-video-player py-5 md:py-10\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"PTkzMfVae1c\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_1_main.png\" alt=\"Alec Soth_Room303_1_main\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button\"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"PTkzMfVae1c\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"PTkzMfVae1c\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-PTkzMfVae1c\" data-id=\"PTkzMfVae1c\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column col-mit-text is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Im legend\u00e4ren Hotel Danieli in Venedig hat der Magnum-Fotograf Alec Soth eine faszinierende Bilderserie geschaffen. <\/strong><\/p>\n\n\n\n<p>Seine Inspiration sch\u00f6pfte er aus den farbenfrohen Bildern der fr\u00fchen Werke seiner Magnum-Kollegen Dennis Stock und Erich Hartmann.<\/p>\n\n\n\n<p class=\"has-border-color has-dark-gray-border-color has-dark-gray-background-color has-background\" style=\"border-width:50px\"><strong>\u201eFotografie ist stets ein Balanceakt zwischen Realit\u00e4t und Fantasie. In Venedig konnte ich diesen mythischen Ort nur durch die Grenzen meines Hotelzimmers begreifen.\u201c<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_2.jpg?width=819&#038;height=1024\" alt=\"\" class=\"wp-image-312333\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_2.jpg?width=819&amp;height=1024 819w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_2.jpg?width=240&amp;height=300 240w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_2.jpg?width=768&amp;height=960 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_2.jpg?width=365&amp;height=456 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_2.jpg?width=600&amp;height=750 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_2.jpg?width=717&amp;height=896 717w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<style>\n.col-mit-text p {padding-right:30px !important; padding-bottom:50px !important}\n.content-wrap > p {margin-bottom:1.5rem !important; margin-top:1.5rem !important;}\n.content-wrap > .wp-block-heading {margin-top:3.5rem !important}\n.volles-bild {padding:0 !important}\n.volles-bild img {width: 100%; object-fit: cover;}\n.kleiner-text {font-size: .75rem;line-height: 1.2rem;margin-top:10px !important; font-style:italic}\n.fivepics .wp-element-caption {font-size:.5rem}\n.fivepics .wp-block-column {padding-right:3px !important}\n\/*.recommended-products {display:none}*\/\n<\/style>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><strong>A World in Color: Zusammenarbeit von Magnum Photos und Fujifilm<\/strong><\/strong><\/h2>\n\n\n\n<p>Alec Soths neues Projekt \u201eRoom 303\u201c entstand im Rahmen von \u201eA World in Color\u201c, einer Kooperation zwischen Magnum Photos und Fujifilm. F\u00fcr das Vorhaben digitalisieren Fachleute Dias aus dem Magnum-Archiv in Paris unter Einsatz von Fujifilm-Ger\u00e4ten, wobei die spiegellose Mittelformatkamera <a href=\"https:\/\/www.fujifilm-x.com\/de-at\/products\/cameras\/gfx100-ii\/\"><strong>FUJIFILM GFX100 II<\/strong><\/a> zum Einsatz kommt. Die <strong>digitalisierten Farbdiapositive<\/strong> werden erstmals im Rahmen der FUJIKINA pr\u00e4sentiert, einem europaweiten Fujifilm-Event.<\/p>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column col-mit-text is-layout-flow wp-block-column-is-layout-flow\">\n<p>Anfang des Jahres durchforstete Alec Soth das <strong>umfangreiche italienische Archiv von Magnum<\/strong> \u2013 \u00fcber 5.000 unver\u00f6ffentlichte Farbfotos, die <strong>Landschaften, Traditionen und das pulsierende Stra\u00dfenleben Italiens<\/strong> zeigen. <\/p>\n\n\n\n<p>Angeregt von den visuellen Geschichten Venedigs <strong>w\u00e4hlte er zehn unver\u00f6ffentlichte Aufnahmen<\/strong> der Stadt aus den 1960er- bis 1980er-Jahren aus und \u00f6ffnete so ein Fenster in ihre Vergangenheit.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_3.jpg?width=1024&#038;height=819\" alt=\"\" class=\"wp-image-312335\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_3.jpg?width=1024&amp;height=819 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_3.jpg?width=300&amp;height=240 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_3.jpg?width=768&amp;height=614 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_3.jpg?width=375&amp;height=300 375w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_3.jpg?width=365&amp;height=292 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_3.jpg?width=600&amp;height=480 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_3.jpg?width=717&amp;height=574 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_3.jpg?width=936&amp;height=749 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column col-mit-text is-layout-flow wp-block-column-is-layout-flow\">\n<p>F\u00fcr die FUJIKINA in Mailand erhielt Alec Soth die spannende Mission, das <strong>dritte Kapitel von \u201eA World in Color\u201c f\u00fcr Magnum zu kuratieren<\/strong> \u2013 ein farbenfrohes Tribut an Italien und Venedig. Anhand unver\u00f6ffentlichter Dias aus dem Magnum-Archiv reflektierte Soth dar\u00fcber, wie er die Geschichte dieser traumhaften Stadt \u2013 einem der meistbesuchten und zugleich klischeehaftesten Orte der Welt \u2013 narrativ aufbereiten k\u00f6nne.<\/p>\n\n\n\n<p>Dennis Stock inspirierte Soth dazu, erstmals nach Venedig zu reisen, genauer gesagt ins Hotel Danieli, um dort eine neue Serie als Reaktion auf seine Kuration zu erstellen. Das Hotel wurde f\u00fcr ihn zum Nicht-Ort. Zimmer 303, in dem er einige Tage verbrachte, verwandelte sich in ein tempor\u00e4res Fotostudio, sein Atelier. Mit der GFX100 II fotografierte er eine Serie, die wie ein <strong>visuelles Tagebuch<\/strong> wirkt. Sie verbindet Vergangenheit und Gegenwart in einem poetischen Dialog und offenbart eine pers\u00f6nliche, r\u00e4tselhafte Vision der Stadt.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_4.jpg?width=819&#038;height=1024\" alt=\"\" class=\"wp-image-312336\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_4.jpg?width=819&amp;height=1024 819w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_4.jpg?width=240&amp;height=300 240w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_4.jpg?width=768&amp;height=960 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_4.jpg?width=365&amp;height=456 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_4.jpg?width=600&amp;height=750 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_4.jpg?width=717&amp;height=896 717w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>\u201eF\u00fcr dieses Projekt verwandelte ich das Hotelzimmer in mein Atelier und setzte die <strong>GFX100 II als mein Hauptwerkzeug<\/strong> ein\u201c, erz\u00e4hlt Alec Soth und gibt Einblick in seinen experimentellen Ansatz. Ich verwende die Kamera auf vielf\u00e4ltige Weise: Zum einen mit einem <strong>Teleobjektiv f\u00fcr Aufnahmen durch das Fenster<\/strong>, zum anderen mit einem <strong>Tilt-Shift-Objektiv f\u00fcr Stillleben<\/strong>. Erstmals habe ich auch gefilmt \u2013 Video war ein weiteres Element, das ich hinzugef\u00fcgt habe.\u201c<br>&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_5.jpg?width=1024&#038;height=819\" alt=\"\" class=\"wp-image-312337\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_5.jpg?width=1024&amp;height=819 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_5.jpg?width=300&amp;height=240 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_5.jpg?width=768&amp;height=614 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_5.jpg?width=375&amp;height=300 375w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_5.jpg?width=365&amp;height=292 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_5.jpg?width=600&amp;height=480 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_5.jpg?width=717&amp;height=574 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/09\/Alec-Soth_Room303_5.jpg?width=936&amp;height=749 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>\u201eRoom 303\u201c zeigt Venedig durch das Fenster eines Hotels und zugleich aus dessen Innerem. Der Magnum-Fotograf taucht gleichzeitig tief in sein Inneres ein \u2013 ganz typisch f\u00fcr seine Arbeit, die lieber das \u201eInnere\u201c als das \u201e\u00c4u\u00dfere\u201c ins Rampenlicht stellt. Soth erkl\u00e4rt: \u201eIch habe beschlossen, Venedig gr\u00f6\u00dftenteils in meiner Vorstellung zu belassen. <strong>Die Gondeln lagen direkt vor meinem Fenster, doch ich blieb im Hotel<\/strong>. Das Zimmer 303 im Hotel Danieli diente mir als <strong>Kunstatelier, um die vor meinem Fenster liegende Traumwelt zu verarbeiten<\/strong>.\u201c<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Im legend\u00e4ren Hotel Danieli in Venedig hat der Magnum-Fotograf Alec Soth eine faszinierende Bilderserie geschaffen. Seine Inspiration sch\u00f6pfte er aus den farbenfrohen Bildern der fr\u00fchen Werke seiner Magnum-Kollegen Dennis Stock und Erich Hartmann. \u201eFotografie ist stets ein Balanceakt zwischen Realit\u00e4t und Fantasie. In Venedig konnte ich diesen mythischen Ort nur durch die Grenzen meines Hotelzimmers [&hellip;]<\/p>\n","protected":false},"author":417,"featured_media":312380,"template":"","category":[2084,1006,1202,3113,11345,1937,10267,1055,3701,320,3652,565],"post_tag":[],"class_list":["post-358912","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-g-mount","category-gf110mmf56-ts-macro","category-gfx-series","category-gfx100-ii","category-lenses","category-gfx-series-mirrorless","category-products","category-tilt-shift","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-04 10:25:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story\/358912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/users\/417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media\/312380"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media?parent=358912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/category?post=358912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/post_tag?post=358912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358890,"date":"2026-05-28T07:05:19","date_gmt":"2026-05-28T07:05:19","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358890"},"modified":"2026-05-28T07:05:25","modified_gmt":"2026-05-28T07:05:25","slug":"x-t30-iii-x-keiko-watanabe","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/de-at\/stories\/x-t30-iii-x-keiko-watanabe\/","title":{"rendered":"X-T30 III x Keiko Watanabe"},"content":{"rendered":"\n<div class=\"wp-block-fujifilm-youtube-modal alignfull\"><div class=\"block-video-player py-5 md:py-10\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"YGRNvZDq04Y\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_8.jpg\" alt=\"JP_Keiko Watanabe_Stories_8\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button\"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"YGRNvZDq04Y\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"YGRNvZDq04Y\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-YGRNvZDq04Y\" data-id=\"YGRNvZDq04Y\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>Ich bin mit der <strong>Reiselust und Leidenschaft f\u00fcr Fotografie meines Vaters<\/strong> aufgewachsen. Sein Einfluss weckte in mir den Drang, jede Gelegenheit zum Reisen und Fotografieren zu nutzen. Doch nach meiner Heirat und der Geburt meiner Kinder legte ich die Kamera eine Zeit lang beiseite. Erst Instagram brachte mich zur\u00fcck hinter die Kamera.<\/p>\n\n\n\n<p><strong>In dieser Phase entdeckte ich die FUJIFILM X-T30.<\/strong><\/p>\n\n\n\n<p>Als Liebhaberin von Filmkameras begeisterte mich ihr nostalgisches Design sofort. Nun, mit der M\u00f6glichkeit, das Nachfolgemodell <a href=\"https:\/\/www.fujifilm-x.com\/de-at\/products\/cameras\/x-t30-iii\/\" target=\"_blank\" rel=\"noreferrer noopener\" title=\"Zur Kamera FUJIFILM X-T30 III\">FUJIFILM X-T30 III<\/a> zu nutzen, f\u00fchlt sich das fast wie eine F\u00fcgung an.<\/p>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column col-mit-text is-layout-flow wp-block-column-is-layout-flow\">\n<p>Obwohl ich schon so lange FUJIFILM-Kameras verwende, hatte ich die <a href=\"https:\/\/www.fujifilm-x.com\/de-at\/products\/film-simulation\/\" target=\"_blank\" rel=\"noreferrer noopener\" title=\"FUJIFILM Filmsimulationen\">Filmsimulationen<\/a> bisher nicht vollst\u00e4ndig genutzt.<\/p>\n\n\n\n<p>Der Grund war einfach: Die Bedienung war etwas umst\u00e4ndlich. <\/p>\n\n\n\n<p>Um die Filmsimulation zu \u00e4ndern, musste ich immer ins Kameramen\u00fc wechseln, was mich davon abhielt, sie regelm\u00e4\u00dfig zu verwenden.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_2.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-314658\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_2.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_2.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_2.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_2.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_2.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_2.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_2.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_2.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Filmsimulation: CLASSIC Neg.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<style>.col-mit-text p {padding-right:30px !important; padding-bottom:50px !important}\n.content-wrap > p {margin-bottom:1.5rem !important; margin-top:1.5rem !important;}\n.content-wrap > .wp-block-heading {margin-top:3.5rem !important}\n.volles-bild {padding:0 !important}\n.volles-bild img {width: 100%; object-fit: cover;}\n.kleiner-text {font-size: .75rem;line-height: 1.2rem;margin-top:10px !important; font-style:italic}\n.fivepics .wp-element-caption {font-size:.5rem}\n.fivepics .wp-block-column {padding-right:3px !important}\n\/*.recommended-products {display:none}*\/<\/style>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column col-mit-text is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Das hat sich mit der X-T30 III ge\u00e4ndert<\/strong>. Hier l\u00e4sst sich die Filmsimulation ganz leicht einstellen: Man dreht einfach am Filmsimulationsrad. <\/p>\n\n\n\n<p>Das geht spielend leicht und macht so viel Spa\u00df, dass man sofort Lust bekommt, noch mehr zu fotografieren. Die Kamera hat inzwischen ihren festen Platz im Wohnzimmer. Ich habe sie stets griffbereit, um die einzigartigen Momente im Alltag meiner Kinder festzuhalten.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_3.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-314659\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_3.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_3.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_3.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_3.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_3.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_3.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_3.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_3.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Filmsimulation: NOSTALGIC Neg.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_4.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-314660\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_4.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_4.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_4.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_4.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_4.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_4.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_4.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_4.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Filmsimulation: Nostalgic Neg.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column col-mit-text is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Diese kleinen, kostbaren Augenblicke, in denen Kinder pl\u00f6tzlich so bezaubernd wirken, entstehen oft aus dem Nichts. <\/strong><\/p>\n\n\n\n<p>Dann ist die Kamera sofort zur Stelle, und die Gesichts- und Augenerkennung macht solche spontanen Momente oft zu wahren Gl\u00fcckstreffern.<\/p>\n\n\n\n<p>Und dann waren sie endlich da: die lang ersehnten Sommerferien.<\/p>\n\n\n\n<p>Mit meiner neuen Begleiterin, der XT-30 III, machte ich mich auf den Weg in meine geliebte Pr\u00e4fektur Fukushima. <\/p>\n\n\n\n<p>Als Kit-Objektiv nutzte ich das <a href=\"https:\/\/www.fujifilm-x.com\/de-at\/products\/lenses\/xc13-33mmf35-63-ois\/\" target=\"_blank\" rel=\"noreferrer noopener\" title=\"Zum Ibjektiv FUJINON XC13-33mmF3.5-6.3 OIS\">FUJINON XC13-33mmF3.5-6.3 OIS<\/a>, das ideal zur Kamera passt.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_5.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-314661\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_5.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_5.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_5.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_5.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_5.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_5.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Filmsimulation:REALA ACE<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_7.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-314663\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_7.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_7.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_7.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_7.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_7.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_7.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_7.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_7.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Filmsimulation: NOSTALGIC Neg.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column col-mit-text is-layout-flow wp-block-column-is-layout-flow\">\n<p>Dieses Motiv habe ich bewusst f\u00fcr die Verwendung von CLASSIC Neg. ausgew\u00e4hlt.<\/p>\n\n\n\n<p>Die Filmsimulation harmonisiert ideal mit der stillen Atmosph\u00e4re des verlassenen Busses und bringt die <strong>ged\u00e4mpften Gr\u00fcnt\u00f6ne wunderbar zur Geltung<\/strong>.<\/p>\n\n\n\n<p>Mit der X-T30 III entdecke ich Reiseziele neu: Nicht mehr das Motiv bestimmt die Filmsimulation, sondern die Filmsimulation das Motiv.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_8.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-314664\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_8.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_8.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_8.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_8.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_8.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_8.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_8.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_8.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Filmsimulation: CLASSIC Neg.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_9.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-314665\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_9.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_9.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_9.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_9.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_9.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_9.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_9.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_9.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Filmsimulation: REALA ACE<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column col-mit-text is-layout-flow wp-block-column-is-layout-flow\">\n<p>Auf dieser Reise beeindruckte mich die Leichtigkeit der X-T30 III.<\/p>\n\n\n\n<p>Mit Kindern zu reisen bedeutet ohnehin viel Gep\u00e4ck. Eine schwere Kamera w\u00fcrde da nur zus\u00e4tzlich belasten. Doch ihr <strong>geringes Gewicht<\/strong>, das selbst ein Kind m\u00fchelos mit einer Hand halten kann, erwies sich als gro\u00dfer Vorteil.<\/p>\n\n\n\n<p><strong>Mit dieser Kamera werde ich die Zeit mit meinen Kindern bewahren und jeden Moment samt seiner Gef\u00fchle einfangen.<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_10.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-314666\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_10.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_10.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_10.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_10.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_10.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_10.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_10.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/JP_Keiko-Watanabe_Stories_10.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Filmsimulation: CLASSIC Neg.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ich bin mit der Reiselust und Leidenschaft f\u00fcr Fotografie meines Vaters aufgewachsen. Sein Einfluss weckte in mir den Drang, jede Gelegenheit zum Reisen und Fotografieren zu nutzen. Doch nach meiner Heirat und der Geburt meiner Kinder legte ich die Kamera eine Zeit lang beiseite. Erst Instagram brachte mich zur\u00fcck hinter die Kamera. In dieser Phase [&hellip;]<\/p>\n","protected":false},"author":417,"featured_media":314656,"template":"","category":[2084,1006,1202,1055,3211,320,3162,1986,565,13936,13937,3358],"post_tag":[],"class_list":["post-358890","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-lenses","category-x-series-mirrorless","category-products","category-x-mount","category-x-series","category-stories","category-x-t30-iii","category-xc13-33mmf3-5-6-3-ois","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-04 10:25:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story\/358890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/users\/417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media\/314656"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media?parent=358890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/category?post=358890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/post_tag?post=358890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358889,"date":"2026-05-28T06:10:31","date_gmt":"2026-05-28T06:10:31","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358889"},"modified":"2026-05-28T06:10:36","modified_gmt":"2026-05-28T06:10:36","slug":"gfx-eterna-55-development-stories-5-gf32-90mmt3-5-pz-ois-wr","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/de-at\/stories\/gfx-eterna-55-development-stories-5-gf32-90mmt3-5-pz-ois-wr\/","title":{"rendered":"GFX ETERNA 55 Development Stories #5 GF32-90mmT3.5 PZ OIS WR"},"content":{"rendered":"\n<div class=\"wp-block-fujifilm-youtube-modal alignfull\"><div class=\"block-video-player py-5 md:py-10\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"mRUXUm2_geg\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna-development-story-5-scaled.jpg\" alt=\"gfx-eterna-development-story-5\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button\"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"mRUXUm2_geg\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"mRUXUm2_geg\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-mRUXUm2_geg\" data-id=\"mRUXUm2_geg\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>Wenn eine neue Kamera vorgestellt wird, liegt der Fokus rasch auf dem n\u00e4chsten wichtigen Element im System: <strong>dem Objektiv<\/strong>. Zur Markteinf\u00fchrung der GFX ETERNA 55 pr\u00e4sentierte Fujifilm das <a href=\"https:\/\/www.fujifilm-x.com\/de-at\/products\/lenses\/gf32-90mmt35-pz-ois-wr\/\" target=\"_blank\" rel=\"noreferrer noopener\" title=\"Zum Objektiv GF32-90mmT3.5 PZ OIS WR\">GF32-90mmT3.5 PZ OIS WR<\/a>. Dieses Standard-Zoomobjektiv ist <strong>f\u00fcr die gro\u00dfformatigen Bildsensoren der GFX Serie konzipiert<\/strong> und deckt den Brennweitenbereich von 32 bis 90 mm (KB-\u00e4quivalent 25 bis 71 mm). Es ist ferner das <strong>erste GF-Objektiv mit motorisierter Power-Zoom-Steuerung<\/strong>.<\/p>\n\n\n\n<p>Das GF32-90mmT3.5 basiert auf einem innovativen Konzept: Es adaptiert die Designphilosophie der bekannten FUJINON Premista PL-Mount-Filmobjektive, im Gegensatz zu diesen werden jedoch <strong>alle Antriebsmechanismen elektronisch gesteuert<\/strong>. Interne Motoren nehmen die Einstellungen von <strong>Fokus, Zoom und Blende<\/strong> vor. Das gew\u00e4hrleistet die gewohnte Bedienbarkeit und Bildqualit\u00e4t sowie die <strong>Kinoreife des Objektivs<\/strong>. In Kombination mit der GFX ETERNA 55 k\u00f6nnen die Einstellungen f\u00fcr Fokus, Zoom und Blende direkt \u00fcber die <strong>Einstellr\u00e4der der Kamera<\/strong> vorgenommen werden. Zudem verf\u00fcgt das Objektiv \u00fcber eine <strong>Autofokus-Funktion<\/strong>.<\/p>\n\n\n\n<style>\n.col-mit-text p {padding-right:30px !important; padding-bottom:50px !important}\n.content-wrap > p {margin-bottom:1.5rem !important; margin-top:1.5rem !important;}\n.content-wrap > .wp-block-heading {margin-top:3.5rem !important}\n.volles-bild {padding:0 !important}\n.volles-bild img {width: 100%; object-fit: cover;}\n.kleiner-text {font-size: .75rem;line-height: 1.2rem;margin-top:10px !important; font-style:italic}\n.fivepics .wp-element-caption {font-size:.5rem}\n.fivepics .wp-block-column {padding-right:3px !important}\n\/*.recommended-products {display:none}*\/\n<\/style>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=1024&#038;height=576\" alt=\"\" class=\"wp-image-322098\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=1024&amp;height=576 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=300&amp;height=169 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=768&amp;height=432 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=400&amp;height=225 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=365&amp;height=205 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=600&amp;height=338 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=417&amp;height=235 417w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=717&amp;height=403 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=936&amp;height=527 936w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_02.jpg?width=512&amp;height=288 512w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Das Objektiv wurde so entwickelt, dass es analog zu den Premista-Objektiven eingesetzt werden kann. Alle Einstellringe \u2013 f\u00fcr Blende, Zoom und Fokus \u2013 weisen einen Zahnradabstand von 0,8 Millimetern auf. Sie sind somit mit g\u00e4ngigem <strong>Zubeh\u00f6r wie Follow-Focus-Systemen und Objektivmotoren kompatibel.<\/strong> Der Zoomring l\u00e4sst sich gleichm\u00e4\u00dfig \u00fcber einen Drehwinkel von 90 Grad bewegen, der Fokusring \u00fcber 200 Grad, wie es der MK-Serie entspricht. Das bietet eine <strong>vertraute Handhabung<\/strong> und erm\u00f6glicht Aufnahmen durch eine einzelne Person an der Kamera. Eine hochentwickelte elektronische Steuerung erfasst die Ringbewegungen und steuert die Motoren praktisch verz\u00f6gerungsfrei. <strong>Das Bediengef\u00fchl \u00e4hnelt dem mechanischer Objektive stark.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"540\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_03.jpg?width=1024&#038;height=540\" alt=\"\" class=\"wp-image-322095\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_03.jpg?width=1024&amp;height=540 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_03.jpg?width=300&amp;height=158 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_03.jpg?width=768&amp;height=405 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_03.jpg?width=400&amp;height=211 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_03.jpg?width=365&amp;height=193 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_03.jpg?width=600&amp;height=317 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_03.jpg?width=717&amp;height=378 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_03.jpg?width=936&amp;height=494 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Die <strong>optische Leistung entspricht der Premista-Serie und \u00fcbertrifft sie teilweise<\/strong>. Drei asph\u00e4rische Linsen sowie drei ED-Linsen sind daf\u00fcr optimal positioniert. Erstmals bei einem Wechselobjektiv kommt eine <strong>Blende mit 13 Lamellen<\/strong> zum Einsatz, die das Bokeh besonders weich zeichnet. Zur Reduktion des Fokus-Breathings wurde die Fokusgruppe von Frontfokus auf Backfokus umgestellt. Zus\u00e4tzlich verringert die <strong>Nano-GI-Beschichtung<\/strong> unerw\u00fcnschte Geisterbilder.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"540\" data-id=\"322096\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_04.jpg?width=1024&#038;height=540\" alt=\"\" class=\"wp-image-322096\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_04.jpg?width=1024&amp;height=540 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_04.jpg?width=300&amp;height=158 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_04.jpg?width=768&amp;height=405 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_04.jpg?width=400&amp;height=211 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_04.jpg?width=365&amp;height=193 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_04.jpg?width=600&amp;height=317 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_04.jpg?width=717&amp;height=378 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_04.jpg?width=936&amp;height=494 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"540\" data-id=\"322097\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_05.jpg?width=1024&#038;height=540\" alt=\"\" class=\"wp-image-322097\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_05.jpg?width=1024&amp;height=540 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_05.jpg?width=300&amp;height=158 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_05.jpg?width=768&amp;height=405 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_05.jpg?width=400&amp;height=211 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_05.jpg?width=365&amp;height=193 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_05.jpg?width=600&amp;height=317 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_05.jpg?width=717&amp;height=378 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_05.jpg?width=936&amp;height=494 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Bemerkenswert sind die <strong>kompakten Abmessungen<\/strong> und das geringe Gewicht: Mit einer L\u00e4nge von etwa 222 Millimetern und einem Gewicht von rund 2,1 Kilogramm ist das Objektiv <strong>k\u00fcrzer und leichter als die Premista-Serie<\/strong>. Fujifilms langj\u00e4hrige Erfahrung im Objektivbau erm\u00f6glichte diese Bauweise ohne Abstriche bei der optischen Leistung.<\/p>\n\n\n\n<p>Zudem bietet das Objektiv eine <strong>optische Bildstabilisierung (OIS)<\/strong>, was die Handhabung verbessert und den Betrieb im Ein-Personen-Setup erleichtert.<br><br>Fujifilm treibt die Entwicklung und Weiterentwicklung innovativer Objektivtechnologien kontinuierlich voran \u2013 gepr\u00e4gt durch <strong>jahrzehntelange Erfahrung aus der Kinoindustrie<\/strong>. Dabei vereint das Unternehmen die optische Leistung und Handhabung der Premista-Serie mit einer modernen elektronischen Steuerung. Das erweitert den kreativen Spielraum am Set und <strong>erleichtert die Umsetzung anspruchsvoller Bildideen<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"540\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_08.jpg?width=1024&#038;height=540\" alt=\"\" class=\"wp-image-322099\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_08.jpg?width=1024&amp;height=540 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_08.jpg?width=300&amp;height=158 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_08.jpg?width=768&amp;height=405 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_08.jpg?width=400&amp;height=211 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_08.jpg?width=365&amp;height=193 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_08.jpg?width=600&amp;height=317 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_08.jpg?width=717&amp;height=378 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna_development-5_08.jpg?width=936&amp;height=494 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Wenn eine neue Kamera vorgestellt wird, liegt der Fokus rasch auf dem n\u00e4chsten wichtigen Element im System: dem Objektiv. Zur Markteinf\u00fchrung der GFX ETERNA 55 pr\u00e4sentierte Fujifilm das GF32-90mmT3.5 PZ OIS WR. Dieses Standard-Zoomobjektiv ist f\u00fcr die gro\u00dfformatigen Bildsensoren der GFX Serie konzipiert und deckt den Brennweitenbereich von 32 bis 90 mm (KB-\u00e4quivalent 25 bis [&hellip;]<\/p>\n","protected":false},"author":417,"featured_media":322094,"template":"","category":[1006,1202,13909,3113,13911,13910,1937,1055,320,2280,565,3554],"post_tag":[],"class_list":["post-358889","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-g-mount","category-gf32-90mmt35-pz-ois-wr","category-gfx-eterna-55","category-gfx-series","category-lenses","category-products","category-technology","category-stories","category-g-mount-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-04 10:25:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story\/358889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/users\/417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media\/322094"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media?parent=358889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/category?post=358889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/post_tag?post=358889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358888,"date":"2026-05-28T06:09:12","date_gmt":"2026-05-28T06:09:12","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358888"},"modified":"2026-05-28T06:09:28","modified_gmt":"2026-05-28T06:09:28","slug":"gfx-eterna-55-development-stories-4-product-design","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/de-at\/stories\/gfx-eterna-55-development-stories-4-product-design\/","title":{"rendered":"GFX ETERNA 55 Development Stories #4 Product Design"},"content":{"rendered":"\n<div class=\"wp-block-fujifilm-youtube-modal alignfull\"><div class=\"block-video-player py-5 md:py-10\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"ebs0b1ueFF0\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/gfx-eterna-55-development-story-4-scaled.jpg\" alt=\"gfx-eterna-55-development-story-4\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button\"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"ebs0b1ueFF0\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"ebs0b1ueFF0\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-ebs0b1ueFF0\" data-id=\"ebs0b1ueFF0\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>Das Design der GFX ETERNA 55 folgt einer klaren Idee: Eine <strong>handliche Mittelformatkamera mit hoher Funktionalit\u00e4t<\/strong>.<\/p>\n\n\n\n<p>Das Geh\u00e4use integriert einen elektronischen <strong>ND-Filter<\/strong>, welcher den Gro\u00dfformatsensor vollst\u00e4ndig abdeckt. Die Abmessungen des Filters erforderten eine Kameravorderseite, die ausreichend Raum f\u00fcr Sensor und Filter bereitstellt. Die Front wurde so dimensioniert, dass sie Sensor und Filter aufnehmen kann. Anschlie\u00dfend optimierten die Entwickler die Positionierung der Seitenw\u00e4nde sowie der Anschl\u00fcsse an der R\u00fcckseite, um die <strong>Kompaktheit des Geh\u00e4uses<\/strong> zu maximieren.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03.jpg?width=1024&#038;height=576\" alt=\"\" class=\"wp-image-336034\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03-scaled.jpg?width=1024&amp;height=576 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03-scaled.jpg?width=300&amp;height=169 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03-scaled.jpg?width=768&amp;height=432 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03-scaled.jpg?width=400&amp;height=225 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03-scaled.jpg?width=365&amp;height=205 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03-scaled.jpg?width=600&amp;height=338 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03-scaled.jpg?width=417&amp;height=235 417w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03-scaled.jpg?width=717&amp;height=403 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03-scaled.jpg?width=936&amp;height=527 936w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Shaved_design_03-scaled.jpg?width=512&amp;height=288 512w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<style>\n.col-mit-text p {padding-right:30px !important; padding-bottom:50px !important}\n.content-wrap > p {margin-bottom:1.5rem !important; margin-top:1.5rem !important;}\n.content-wrap > .wp-block-heading {margin-top:3.5rem !important}\n.volles-bild {padding:0 !important}\n.volles-bild img {width: 100%; object-fit: cover;}\n.kleiner-text {font-size: .75rem;line-height: 1.2rem;margin-top:10px !important; font-style:italic}\n.fivepics .wp-element-caption {font-size:.5rem}\n.fivepics .wp-block-column {padding-right:3px !important}\n\/*.recommended-products {display:none}*\/\n<\/style>\n\n\n\n<p>Das \u201eSogi-Design\u201c (\u524a\u304e\u306e\u30c7\u30b6\u30a4\u30f3), das erstmals bei der GFX100 II zum Einsatz kam, findet sich auch bei der GFX ETERNA 55 wieder. Dieser Designansatz l\u00e4sst die Kamera kleiner erscheinen, da \u00fcberfl\u00fcssige Ecken und Kanten der ansonsten schlichten Kubusform entfallen. Bei diesem spezifischen Modell sind die <strong>Ober- und Unterseite stark verk\u00fcrzt<\/strong>, was zu einer achteckigen Geh\u00e4useform f\u00fchrt. Das verleiht dem Kamerageh\u00e4use eine <strong>kompaktere und schlankere \u00c4sthetik<\/strong>. Zudem tr\u00e4gt das Sogi-Design zur <strong>Robustheit <\/strong>der Kamera bei: Im Falle eines Aufpralls sch\u00fctzen die abgeschr\u00e4gten Fl\u00e4chen die Bedienelemente, da sie den direkten Kontakt mit dem Untergrund vermeiden.<\/p>\n\n\n\n<p>Das Feedback von Anwenderinnen und Anwendern hatte bei der Entwicklung der Kamera h\u00f6chste Priorit\u00e4t. Hierbei wurde stets hervorgehoben: \u201eDie <strong>Aufzeichnung muss auch bei l\u00e4ngerer Aufnahmedauer kontinuierlich erfolgen<\/strong> und darf nicht unterbrochen werden.\u201c Das Entwicklungsteam \u00fcberarbeitete aus diesem Grund das gesamte Verdrahtungskonzept. Bei fr\u00fcheren Produktversionen mangelte es hier noch an systematischer Planung, was zu einer wenig strukturierten Verdrahtung f\u00fchrte. Testpersonen berichteten, dass herausragende Kabel ein Risiko f\u00fcr Verfangen und H\u00e4ngenbleiben darstellen. Sie \u00e4u\u00dferten den Wunsch nach einem flacheren Design der Kabelf\u00fchrung. Infolgedessen <strong>optimierte das Team die Positionierung der Monitor- und Steuerkabel<\/strong>. Die Geh\u00e4useoberfl\u00e4che bleibt bei angeschlossenem Monitorkabel eben \u2013 das Kabel ragt nicht mehr nach au\u00dfen und verf\u00e4ngt sich somit weniger leicht an der Umgebung.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01.jpg?width=1024&#038;height=576\" alt=\"\" class=\"wp-image-336035\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01-scaled.jpg?width=1024&amp;height=576 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01-scaled.jpg?width=300&amp;height=169 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01-scaled.jpg?width=768&amp;height=432 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01-scaled.jpg?width=400&amp;height=225 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01-scaled.jpg?width=365&amp;height=205 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01-scaled.jpg?width=600&amp;height=338 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01-scaled.jpg?width=417&amp;height=235 417w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01-scaled.jpg?width=717&amp;height=403 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01-scaled.jpg?width=936&amp;height=527 936w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Cable_connecter_01-scaled.jpg?width=512&amp;height=288 512w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Der <strong>Monitor misst nunmehr 12,7 cm (5 Zoll) in der Diagonale<\/strong>. Anwenderbefragungen best\u00e4tigten diese Gr\u00f6\u00dfe als optimalen Kompromiss: Das Format erm\u00f6glicht eine <strong>komfortable Bedienung bei gleichzeitig hoher Kompaktheit<\/strong>, wodurch die Handhabung des Ger\u00e4ts erleichtert wird.&nbsp; Mit einer Helligkeit von 2.000 Nits gew\u00e4hrleistet der Bildschirm eine <strong>ausgezeichnete Ablesbarkeit, selbst bei direkter Sonneneinstrahlung im Au\u00dfenbereich<\/strong>. Die Implementierung einer \u201eDirektbeleuchtung\u201c mit dicht angeordneter Mini-LEDs sichert eine gleichm\u00e4\u00dfige Lichtverteilung ohne st\u00f6rende Unregelm\u00e4\u00dfigkeiten. Der 12,7 cm gro\u00dfe Monitor bietet eine umfassende Live-Ansicht und h\u00e4lt gleichzeitig gen\u00fcgend Raum f\u00fcr die Darstellung von Statusinformationen bereit. Die Benutzeroberfl\u00e4che wurde neu gestaltet, sodass sie das angezeigte Bild nicht \u00fcberdeckt, was die Sichtbarkeit zus\u00e4tzlich verbessert. Des Weiteren erm\u00f6glicht die optimierte Farbdarstellung die direkte Beurteilung von Bildkomposition, Fokussierung und Farbmanagement \u00fcber das Display. Folglich ersetzt der Monitor die Notwendigkeit externer Zusatzger\u00e4te und <strong>maximiert die Mobilit\u00e4t<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display.jpg?width=1024&#038;height=576\" alt=\"\" class=\"wp-image-336037\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display-scaled.jpg?width=1024&amp;height=576 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display-scaled.jpg?width=300&amp;height=169 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display-scaled.jpg?width=768&amp;height=432 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display-scaled.jpg?width=400&amp;height=225 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display-scaled.jpg?width=365&amp;height=205 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display-scaled.jpg?width=600&amp;height=338 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display-scaled.jpg?width=417&amp;height=235 417w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display-scaled.jpg?width=717&amp;height=403 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display-scaled.jpg?width=936&amp;height=527 936w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/Monitor_infomation_display-scaled.jpg?width=512&amp;height=288 512w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Die <strong>Kamera verf\u00fcgt auf beiden Seiten \u00fcber 7,6 cm (3 Zoll) gro\u00dfe LCD-Panels<\/strong>, sodass Nutzer Status- und Men\u00fcinformationen von beiden Seiten ablesen k\u00f6nnen. Dieses Design wurde speziell f\u00fcr typische Drehsituationen entwickelt, in denen Kameramann und Assistent sich gegen\u00fcberstehen. Die <strong>unabh\u00e4ngigen Displays machen den Arbeitsablauf deutlich effizienter<\/strong> und zuverl\u00e4ssiger als ein einzelnes Panel. Zwar f\u00fchrten die zus\u00e4tzlichen Seitenpanels zu h\u00f6heren Kosten und konstruktionsbedingten Herausforderungen, doch bei der GFX ETERNA 55 \u2013 einem Modell sp\u00e4terer Generation \u2013 lag der Fokus darauf, Funktionen bereitzustellen, die an professionellen Sets wirklich ben\u00f6tigt werden. Das Design bricht mit traditionellen Vorstellungen von Videokameras und nutzt die technischen M\u00f6glichkeiten voll aus.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"540\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/UI_MenuDesign.jpg?width=1024&#038;height=540\" alt=\"\" class=\"wp-image-336036\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/UI_MenuDesign-scaled.jpg?width=1024&amp;height=540 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/UI_MenuDesign-scaled.jpg?width=300&amp;height=158 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/UI_MenuDesign-scaled.jpg?width=768&amp;height=405 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/UI_MenuDesign-scaled.jpg?width=400&amp;height=211 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/UI_MenuDesign-scaled.jpg?width=365&amp;height=192 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/UI_MenuDesign-scaled.jpg?width=600&amp;height=316 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/UI_MenuDesign-scaled.jpg?width=717&amp;height=378 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/UI_MenuDesign-scaled.jpg?width=936&amp;height=494 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Das Leitprinzip bei der Gestaltung der Benutzeroberfl\u00e4che lautete: \u201eDas Offensichtliche offensichtlich machen.\u201c Ziel war es, den Anwendern eine <strong>intuitive und verz\u00f6gerungsfreie Kamerabedienung<\/strong> zu erm\u00f6glichen. Das Design priorisiert Universalit\u00e4t und Intuition gegen\u00fcber reinen Neuheiten. Um langfristig ein <strong>relevantes Werkzeug in der Filmproduktion<\/strong> zu bleiben, liegt der Fokus auf den <strong>grundlegenden Funktionen<\/strong> und nicht auf kurzlebigen Entwicklungen. <\/p>\n\n\n\n<p>Die Benutzerfreundlichkeit einer Kamera als Werkzeug definiert ihre \u00c4sthetik. <br><strong>Die GFX ETERNA 55 verk\u00f6rpert diese Philosophie.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Das Design der GFX ETERNA 55 folgt einer klaren Idee: Eine handliche Mittelformatkamera mit hoher Funktionalit\u00e4t. Das Geh\u00e4use integriert einen elektronischen ND-Filter, welcher den Gro\u00dfformatsensor vollst\u00e4ndig abdeckt. Die Abmessungen des Filters erforderten eine Kameravorderseite, die ausreichend Raum f\u00fcr Sensor und Filter bereitstellt. Die Front wurde so dimensioniert, dass sie Sensor und Filter aufnehmen kann. Anschlie\u00dfend [&hellip;]<\/p>\n","protected":false},"author":417,"featured_media":322092,"template":"","category":[1006,1202,13909,13910,1937,320,2280,565],"post_tag":[],"class_list":["post-358888","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-gfx-eterna-55","category-gfx-series","category-products","category-technology","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-04 10:25:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story\/358888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/users\/417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media\/322092"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media?parent=358888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/category?post=358888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/post_tag?post=358888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358887,"date":"2026-05-28T06:08:04","date_gmt":"2026-05-28T06:08:04","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358887"},"modified":"2026-05-28T06:08:10","modified_gmt":"2026-05-28T06:08:10","slug":"gfx-eterna-55-development-stories-3-color-science","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/de-at\/stories\/gfx-eterna-55-development-stories-3-color-science\/","title":{"rendered":"GFX ETERNA 55 Development Stories #3 \u2013 Color Science"},"content":{"rendered":"\n<div class=\"wp-block-fujifilm-youtube-modal alignfull\"><div class=\"block-video-player py-5 md:py-10\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"ZJpNBhNlGfA\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/DS_OP03_00239-scaled.jpg\" alt=\"DS_OP03_00239\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button\"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"ZJpNBhNlGfA\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"ZJpNBhNlGfA\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-ZJpNBhNlGfA\" data-id=\"ZJpNBhNlGfA\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>Farben mit Ger\u00e4ten zu messen, hei\u00dft Kolorimetrie. Fujifilm glaubt jedoch, dass eine technisch pr\u00e4zise Farbwiedergabe nicht immer der beste Ansatz f\u00fcr die Filmproduktion ist. Das Blau des Himmels, das Gr\u00fcn der Bl\u00e4tter, nat\u00fcrliche Hautt\u00f6ne \u2013 Fujifilm hat \u00fcber Jahrzehnte daran gefeilt, die <strong>angenehmste Farbbalance<\/strong> zu schaffen. Dieses Wissen aus Kino-, Foto- und Digitalkameras flie\u00dft in die GFX ETERNA 55 ein. Die Kamera b\u00fcndelt <strong>Fujifilms gesamte Farblehre und Erfahrung<\/strong>. Die unternehmenseigene Philosophie pr\u00e4gt dabei nicht nur die Filmsimulationen, sondern auch die Log-Videofunktionen.<\/p>\n\n\n\n<p>Das Aufzeichnungsformat \u201eF-Log2 C\u201c wurde eigens f\u00fcr die GFX ETERNA 55 entwickelt. Es erlaubt Aufnahmen mit <strong>gro\u00dfem Dynamikumfang und erweitertem Farbraum<\/strong>, wodurch <strong>besonders detailreiche Bilder<\/strong> entstehen. Der Farbraum, Ergebnis intensiver Tests, hei\u00dft \u201eF-Gamut C\u201c. Fujifilm strebte nicht nur an, \u201eBT. 2020\u201c zu \u00fcbertreffen, sondern schuf gezielt einen Farbraum, der nat\u00fcrliche Farben dank eigener Sensoren so realistisch und ausgewogen wie m\u00f6glich darstellt.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"313406\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_15.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-313406\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_15.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_15.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_15.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_15.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_15.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_15.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_15.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_15.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"313405\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_16.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-313405\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_16.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_16.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_16.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_16.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_16.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_16.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_16.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_16.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Die <strong>verbesserte Bildverarbeitung<\/strong> macht die Nachbearbeitung flexibler. Der Sensor holt Details aus den Schatten, sodass aufgehellte Bilder nat\u00fcrlich erscheinen. <strong>Lichter flie\u00dfen sanft \u00fcber<\/strong>, ohne die Farbtreue zu st\u00f6ren. <strong>Diese feinen Abstufungen sind f\u00fcr alle Motive entscheidend, besonders f\u00fcr Hautt\u00f6ne<\/strong>. Hier kommt es auf pr\u00e4zise Farb\u00fcberg\u00e4nge von dunkel zu hell an, um ein <strong>durchgehend nat\u00fcrliches Bild<\/strong> zu schaffen.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"313403\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_19.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-313403\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_19.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_19.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_19.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_19.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_19.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_19.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_19.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_19.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"313404\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_20.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-313404\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_20.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_20.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_20.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_20.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_20.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_20.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_20.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_20.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Die GFX100 II setzt auf <strong>maximale Sch\u00e4rfe<\/strong> und hebt die Aufl\u00f6sungsleistung der GF-Objektive von Beginn an hervor. Im Gegensatz dazu pr\u00e4gt bei der GFX ETERNA 55 das verwendete Objektiv st\u00e4rker den Bildcharakter. Dank ihres <strong>optischen Tiefpassfilters<\/strong> erzeugt sie weichere, nat\u00fcrlichere Bilder, ohne an Aufl\u00f6sung einzub\u00fc\u00dfen. So bewahrt sie sowohl die Eigenheiten des Objektivs als auch die <strong>Stimmung der Szene<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"313408\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_17.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-313408\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_17.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_17.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_17.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_17.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_17.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_17.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_17.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_17.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"313409\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_18.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-313409\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_18.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_18.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_18.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_18.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_18.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_18.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_18.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_18.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Mit \u00fcber 90 Jahren Erfahrung in der Filmwelt, von Kino- bis Fotofilmen, beherrscht Fujifilm die Kunst der Farbwiedergabe. Dieses Wissen \u00fcbertr\u00e4gt das Unternehmen erfolgreich in die digitale Welt. Die Filmsimulationen der Digitalkameras werden stetig verfeinert. Mit der GFX ETERNA 55 bietet Fujifilm nun zehn LUTs (Look-Up Tables) f\u00fcr Videos an, darunter <strong>Simulationen von Positivfilmen wie PROVIA und Velvia<\/strong>. Diese erm\u00f6glichen Ausdrucksformen, die nur digital umsetzbar sind. Fujifilm m\u00f6chte Kreativen die Freiheit geben, ihre eigenen Farben zu w\u00e4hlen, um Geschichten spannend und immersiv zu erz\u00e4hlen. <\/p>\n\n\n\n<p><strong>Mit der GFX ETERNA 55 bringt das Unternehmen die \u00c4sthetik des Films ins digitale Zeitalter.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=1024&#038;height=576\" alt=\"\" class=\"wp-image-313407\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=1024&amp;height=576 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=300&amp;height=169 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=768&amp;height=432 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=400&amp;height=225 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=365&amp;height=205 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=600&amp;height=338 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=417&amp;height=235 417w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=717&amp;height=403 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=936&amp;height=527 936w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-3_03.jpg?width=512&amp;height=288 512w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Farben mit Ger\u00e4ten zu messen, hei\u00dft Kolorimetrie. Fujifilm glaubt jedoch, dass eine technisch pr\u00e4zise Farbwiedergabe nicht immer der beste Ansatz f\u00fcr die Filmproduktion ist. Das Blau des Himmels, das Gr\u00fcn der Bl\u00e4tter, nat\u00fcrliche Hautt\u00f6ne \u2013 Fujifilm hat \u00fcber Jahrzehnte daran gefeilt, die angenehmste Farbbalance zu schaffen. Dieses Wissen aus Kino-, Foto- und Digitalkameras flie\u00dft in [&hellip;]<\/p>\n","protected":false},"author":417,"featured_media":313401,"template":"","category":[1006,1202,13909,13910,1937,320,2280,565],"post_tag":[],"class_list":["post-358887","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-gfx-eterna-55","category-gfx-series","category-products","category-technology","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-04 10:25:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story\/358887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/users\/417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media\/313401"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media?parent=358887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/category?post=358887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/post_tag?post=358887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358886,"date":"2026-05-28T06:07:48","date_gmt":"2026-05-28T06:07:48","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358886"},"modified":"2026-05-28T06:07:54","modified_gmt":"2026-05-28T06:07:54","slug":"gfx-eterna-55-entwicklungsgeschichte-2-sensor","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/de-at\/stories\/gfx-eterna-55-entwicklungsgeschichte-2-sensor\/","title":{"rendered":"GFX ETERNA 55 Entwicklungsgeschichte # 2 \u2013 Sensor"},"content":{"rendered":"\n<div class=\"wp-block-fujifilm-youtube-modal alignfull\"><div class=\"block-video-player py-5 md:py-10\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"Tz5A9hDflUY\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/DS_OP02_00239-scaled.jpg\" alt=\"DS_OP02_00239\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button\"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"Tz5A9hDflUY\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"Tz5A9hDflUY\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-Tz5A9hDflUY\" data-id=\"Tz5A9hDflUY\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>Die GFX ETERNA 55 nutzt den fortschrittlichen Sensor der GFX100 II. Auff\u00e4llig ist ihr spezieller L\u00fcfter, der sie von einer Fotokamera unterscheidet. Da die Kamera f\u00fcr Filmaufnahmen entwickelt wurde, muss sie ununterbrochen aufzeichnen k\u00f6nnen. Der dabei st\u00e4ndig aktive <strong>Sensor erzeugt W\u00e4rme, die effizient abgef\u00fchrt werden muss<\/strong>. Ziel der Entwicklung war es, <strong>unbegrenzte Aufnahmedauer<\/strong> zu erm\u00f6glichen. Daf\u00fcr integrierten die Ingenieure w\u00e4rmeleitende Metallteile und passten die innere Struktur so an, dass die Kamera \u2013 anders als Fotokameras \u2013 auch langen Aufnahmen standh\u00e4lt.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=1024&#038;height=576\" alt=\"\" class=\"wp-image-313386\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=1024&amp;height=576 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=300&amp;height=169 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=768&amp;height=432 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=400&amp;height=225 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=365&amp;height=205 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=600&amp;height=338 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=417&amp;height=235 417w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=717&amp;height=403 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=936&amp;height=527 936w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_10.jpg?width=512&amp;height=288 512w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Um Filmschaffenden die Arbeit zu erleichtern, hat man ein neues <strong>Dual-Base-ISO-System<\/strong> entwickelt. Es erlaubt, flexibel zwischen ISO 800 und ISO 3200 zu wechseln. <\/p>\n\n\n\n<p>Die <strong>GFX ETERNA 55 unterst\u00fctzt nativ den G-Mount<\/strong> und bietet einen <strong>PL-Mount-Adapter<\/strong>. <\/p>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column col-mit-text is-layout-flow wp-block-column-is-layout-flow\">\n<p>Damit ist sie, wie die GFX100 II, <strong>mit vielen Objektiven kompatibel<\/strong> und erm\u00f6glicht <strong>Aufnahmen in verschiedenen Formaten<\/strong>.  <\/p>\n\n\n\n<p>Besonders beeindruckt der neue Open-Gate-Modus mit <strong>48 Bildern pro Sekunde<\/strong>. Er nutzt die gesamte lichtempfindliche Sensorfl\u00e4che (43,63 mm \u00d7 32,71 mm) und erlaubt 4:3-Aufnahmen mit h\u00f6herer vertikaler Aufl\u00f6sung und einem plastischen Bildeindruck.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=1024&#038;height=576\" alt=\"\" class=\"wp-image-313387\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=1024&amp;height=576 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=300&amp;height=169 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=768&amp;height=432 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=400&amp;height=225 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=365&amp;height=205 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=600&amp;height=338 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=417&amp;height=235 417w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=717&amp;height=403 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=936&amp;height=527 936w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_05.jpg?width=512&amp;height=288 512w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<style>\n.col-mit-text p {padding-right:30px !important; padding-bottom:50px !important}\n.content-wrap > p {margin-bottom:1.5rem !important; margin-top:1.5rem !important;}\n.content-wrap > .wp-block-heading {margin-top:3.5rem !important}\n.volles-bild {padding:0 !important}\n.volles-bild img {width: 100%; object-fit: cover;}\n.kleiner-text {font-size: .75rem;line-height: 1.2rem;margin-top:10px !important; font-style:italic}\n.fivepics .wp-element-caption {font-size:.5rem}\n.fivepics .wp-block-column {padding-right:3px !important}\n\/*.recommended-products {display:none}*\/\n<\/style>\n\n\n\n<p>Der erste Schritt, um den Sensor f\u00fcr den Filmeinsatz anzupassen, war, einen <strong>optischen Tiefpassfilter (OLPF)<\/strong> vor dem Sensor einzusetzen. Dieser Filter justiert das RGB-Bayer-Array pr\u00e4ziser und liefert dem Sensor <strong>klare, genaue Farbinformationen<\/strong>. W\u00e4hrend herk\u00f6mmlicher Film RGB-Daten in drei Schichten aufnimmt, erzeugt der OLPF einen film\u00e4hnlichen Effekt. So entsteht eine vergleichbare visuelle Weichheit, w\u00e4hrend er <strong>Moir\u00e9- und Falschfarben-Artefakte reduziert<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large volles-bild\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=1024&#038;height=576\" alt=\"\" class=\"wp-image-313389\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=1024&amp;height=576 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=300&amp;height=169 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=768&amp;height=432 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=400&amp;height=225 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=365&amp;height=205 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=600&amp;height=338 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=417&amp;height=235 417w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=717&amp;height=403 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=936&amp;height=527 936w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_12.jpg?width=512&amp;height=288 512w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Eine Neuerung ist der integrierte <strong>elektronische ND-Filter, speziell f\u00fcr den gro\u00dfen Sensor entwickelt<\/strong>. Er regelt die Lichtmenge stufenlos von zwei bis sieben Blendenstufen (ND 0,6 bis ND 2,1) und bietet <strong>f\u00fcnf Zwischenstufen<\/strong> f\u00fcr sanfte \u00dcberg\u00e4nge. Die Entwicklung startete ein Jahr vor der Einf\u00fchrung der GFX ETERNA 55 und durchlief zahlreiche Prototypen, unterst\u00fctzt von Beitr\u00e4gen aus verschiedenen Abteilungen.<\/p>\n\n\n\n<p>Besonders beeindruckend ist, wie <strong>pr\u00e4zise<\/strong> sich die Lichtd\u00e4mpfung in Schritten von 0,05 Blendenstufen (ND 0,015) steuern l\u00e4sst. Diese Genauigkeit erm\u00f6glicht flie\u00dfende, kaum wahrnehmbare <strong>Belichtungs\u00fcberg\u00e4nge<\/strong> und geh\u00f6rt zu den gr\u00f6\u00dften St\u00e4rken der GFX ETERNA 55. Fujifilm erreicht dies, indem jede Einheit individuell und sorgf\u00e4ltig abstimmt \u2013 eine Kunst, die das Unternehmen seit den ersten Fotokameras meisterhaft beherrscht.<\/p>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column col-mit-text is-layout-flow wp-block-column-is-layout-flow\">\n<p>Die <strong>Gr\u00f6\u00dfe des Filters<\/strong> stellte eine technische Herausforderung dar, da gr\u00f6\u00dfere optische Komponenten zu Verzerrungen neigen. <\/p>\n\n\n\n<p>Durch <strong>umfangreiche Tests <\/strong>konnte jedoch sichergestellt werden, dass sich das System ohne Einbu\u00dfen bei der Bildqualit\u00e4t in die Kamera integrieren l\u00e4sst.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=1024&#038;height=576\" alt=\"\" class=\"wp-image-313388\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=1024&amp;height=576 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=300&amp;height=169 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=768&amp;height=432 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=400&amp;height=225 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=365&amp;height=205 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=600&amp;height=338 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=417&amp;height=235 417w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=717&amp;height=403 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=936&amp;height=527 936w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/10\/gfx-eterna-55_delopment-stories-2_04.jpg?width=512&amp;height=288 512w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Der Erfolg der GFX ETERNA 55 und ihres speziellen Sensors liegt in der gelungenen Verbindung von analogem und digitalem Know-how. Wir hoffen, dass Kreative die filmischen M\u00f6glichkeiten dieser Kamera, die sich vor allem dank des Tiefpassfilters und des elektronischen ND-Filters ergeben, voll nutzen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Die GFX ETERNA 55 nutzt den fortschrittlichen Sensor der GFX100 II. Auff\u00e4llig ist ihr spezieller L\u00fcfter, der sie von einer Fotokamera unterscheidet. Da die Kamera f\u00fcr Filmaufnahmen entwickelt wurde, muss sie ununterbrochen aufzeichnen k\u00f6nnen. Der dabei st\u00e4ndig aktive Sensor erzeugt W\u00e4rme, die effizient abgef\u00fchrt werden muss. Ziel der Entwicklung war es, unbegrenzte Aufnahmedauer zu erm\u00f6glichen. [&hellip;]<\/p>\n","protected":false},"author":417,"featured_media":313385,"template":"","category":[1006,1202,13909,13910,1937,320,2280,565],"post_tag":[],"class_list":["post-358886","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-gfx-eterna-55","category-gfx-series","category-products","category-technology","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-04 10:25:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story\/358886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/users\/417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media\/313385"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media?parent=358886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/category?post=358886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/post_tag?post=358886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358133,"date":"2026-05-27T05:00:00","date_gmt":"2026-05-27T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358133"},"modified":"2026-05-19T08:39:51","modified_gmt":"2026-05-19T08:39:51","slug":"pro-neg-std-fs-recipe-x-paolo-emanuele-barretta","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/de-at\/stories\/pro-neg-std-fs-recipe-x-paolo-emanuele-barretta\/","title":{"rendered":"PRO Neg.Std\u00a0FS RECIPE\u00a0x Paolo Emanuele Barretta"},"content":{"rendered":"\n<p>The FS RECIPE\u201cVelvet Hase\u201d\u00a0was created from the desire to translate my visual language into a coherent and recognizable Film Simulation, starting from the tones of PRO Neg. Std.<\/p>\n\n\n\n<p>In my portrait and fashion portrait work, I have always aimed to move away from strict realism, favoring instead a more emotional, suspended, almost cinematic image. This FS RECIPE is an attempt to make that atmosphere consistent and intentional, directly in-camera.<\/p>\n\n\n\n<p>The starting point was the way I use light in the studio. I often work with controlled lighting, both flash and continuous, seeking a balance between softness and structure. I am not interested in an overly sharp or clinical rendering of the skin, but in images that suggest more than they reveal. For this reason, I developed a simulation with slightly denatured tones and a delicate yet intentional color palette, capable of reducing saturation without flattening the image. The colors become quieter, allowing emotion and presence to take precedence.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358134\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>SHADOW play a central role in \u201cVelvet Hase\u201d. I chose to keep them deep and defined, because for me SHADOW is not a flaw to be eliminated, but a narrative element. SHADOW defines volume, create mystery, and add visual weight. In this FS RECIPE, it does not serve to conceal, but to build a sense of intimacy and distance at the same time, a visual tension that feels closer to the language of cinema than to traditional fashion photography.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358135\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>The \u201cvelvet\u201d aspect of the name refers to the rendering of skin tones and HIGHLIGHTS. I worked to ensure smooth, gradual tonal transitions, without harsh or abrupt separations. HIGHLIGHTS are controlled and never overpowering, while skin textures appear softer and less descriptive. This approach helps maintain an elegant, timeless aesthetic, suitable for professional portraiture and editorial fashion work, especially in studio environments where every detail is intentional.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358136\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>\u201cVelvet Hase\u201d&nbsp;is designed to be a reliable, restrained simulation rather than an extreme one. It does not impose itself on the subject, but accompanies it. It reflects the way I photograph: observing, subtracting, simplifying. The final image is never entirely realistic, yet never fully abstract. It exists in an in-between space, dreamlike, where light and color work together to create a feeling rather than a description.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358137\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Creating this FS RECIPE was also a way to slow down my creative process. Having a coherent visual foundation allows me to focus more on the relationship with the subject, on pose and expression. The FS RECIPE becomes an integral part of the workflow, not a step added in post-production, but a conscious choice made at the moment of capture.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358138\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Ultimately,&nbsp;\u201cVelvet Hase\u201d&nbsp;represents a synthesis of my approach to portraiture: an image that is soft yet structured, emotional yet controlled, where fashion meets cinema and photography becomes a space for interpretation. This FS RECIPE is designed for those who seek atmosphere, depth, and a less literal, more evocative sense of beauty.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358139\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The FS RECIPE\u201cVelvet Hase\u201d\u00a0was created from the desire to translate my visual language into a coherent and recognizable Film Simulation, starting from the tones of PRO Neg. Std. In my portrait and fashion portrait work, I have always aimed to move away from strict realism, favoring instead a more emotional, suspended, almost cinematic image. This [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":358233,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,13923,320,3162,1986,565,13898,8307,8356],"post_tag":[],"class_list":["post-358133","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr","category-xf56mmf12-r-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-04 10:25:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story\/358133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media\/358233"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media?parent=358133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/category?post=358133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/post_tag?post=358133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":357796,"date":"2026-05-27T05:00:00","date_gmt":"2026-05-27T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=357796"},"modified":"2026-05-26T04:04:27","modified_gmt":"2026-05-26T04:04:27","slug":"mauro-fiore-captures-childhood-and-imagination-with-gfx-eterna-55","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/de-at\/stories\/mauro-fiore-captures-childhood-and-imagination-with-gfx-eterna-55\/","title":{"rendered":"Mauro Fiore Captures Childhood and Imagination with GFX ETERNA 55"},"content":{"rendered":"<h1 class=\"wp-block-post-title\">Mauro Fiore Captures Childhood and Imagination with GFX ETERNA 55<\/h1>\n\n\n<h3 class=\"wp-block-heading\">Inside the Cinematography of Dove Sono Mamma e Pap\u00e0? \u2013 Left Alone<\/h3>\n\n\n\n<p><em>Dove Sono Mamma e Pap\u00e0?<\/em> (<em>Left Alone<\/em>) is a short film that lies at the intersection of narrative sensitivity and cinematic craft, offering a measured exploration of medium-format cinematography and using the FUJIFILM GFX ETERNA 55. Directed by Fabio Rao, with cinematography by Oscar-winning Director of Photography Mauro Fiore ASC, the film serves as a case study in how image format, visual intent, and storytelling can align when technology is approached as a narrative partner rather than as a defining gesture.<\/p>\n\n\n\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"FftwxVgegfw\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/DSMEP_POSTER_ITA_100X140_ITA_1-scaled.jpg\" alt=\"DSMEP_POSTER_ITA_100X140_ITA_1\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"FftwxVgegfw\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"FftwxVgegfw\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-FftwxVgegfw\" data-id=\"FftwxVgegfw\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>The project builds on an ongoing collaboration between Rao and Fujifilm, developed over several years across both motion and still photography. The short film <em>Nightbirds<\/em> marked Rao\u2019s first encounter with medium format in motion, paving the way for <em>Dove sono Mamma e Pap\u00e0? <\/em>(<em>Left Alone<\/em>). \u201cWith this film, I felt it was the right moment to fully embrace medium-format cinematography, using GFX ETERNA 55, a camera that immediately resonated with the emotional scale and sensitivity of the story we wanted to tell.\u201d<\/p>\n\n\n\n<p>For Mauro Fiore, the project also represents an opportunity to test a new cinematic tool within a narrative framework that values restraint, perception, and emotional proximity.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358115\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Storytelling and visual approach<\/h3>\n\n\n\n<p>At its core, <em>Dove Sono Mamma e Pap\u00e0? <\/em>unfolds from a simple narrative premise that gradually opens into more ambiguous emotional terrain. Leo and Nesto are two close friends immersed in the everyday rituals of childhood, videogames, drones, and casual mischief, until they wake one morning to discover that all adults have vanished. What initially feels like complete freedom slowly reveals deeper implications. Without authority or imposed rules, imagination flourishes, but responsibility begins to surface.<\/p>\n\n\n\n<p>Visually, the film avoids over stylization. Rao\u2019s intention was clear: \u201cFrom the very beginning, my intention was for the camera to quietly serve the story rather than call attention to itself. Every shot had a narrative purpose.\u201d That restraint became the foundation upon which Fiore built the film\u2019s visual language.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=1024&#038;height=436\" alt=\"\" class=\"wp-image-358562\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=1024&amp;height=436 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=300&amp;height=128 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=768&amp;height=327 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=400&amp;height=170 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=365&amp;height=155 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=600&amp;height=255 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=717&amp;height=305 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=800&amp;height=340 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=688&amp;height=293 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=490&amp;height=208 490w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=936&amp;height=398 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>As Mauro Fiore explains, \u201cThe visual approach of this film was very interesting in how it came about, because I had many discussions with Fabio. He wanted to place the story in a situation that felt like fantasy, reality, and hyper-reality. So, we discussed all these possibilities.\u201d Rather than separating these dimensions through distinct visual treatments, the filmmakers chose continuity and subtle modulation, allowing shifts in perception to emerge naturally within the frame.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=1024&#038;height=436\" alt=\"\" class=\"wp-image-358559\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=1024&amp;height=436 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=300&amp;height=128 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=768&amp;height=327 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=400&amp;height=170 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=365&amp;height=155 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=600&amp;height=255 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=717&amp;height=305 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=800&amp;height=340 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=688&amp;height=293 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=490&amp;height=208 490w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=936&amp;height=398 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>The camera often remains close to the characters, and sometimes uncomfortably so, before occasionally opening up to reveal the surrounding world. This balance between intimacy and distance becomes central to how the story is experienced, keeping the audience aligned with the characters\u2019 evolving sense of freedom and unease.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Medium format, lenses, and spatial rhythm<\/h3>\n\n\n\n<p>The choice to shoot with FUJIFILM GFX ETERNA 55, combined with the Premista lenses, shaped not only the film\u2019s aesthetic but also its internal rhythm. The medium-format sensor allowed Fiore to hold more spatial information within each frame, reinforcing a sense of depth and dimensionality while maintaining emotional closeness to the characters.<\/p>\n\n\n\n<p>Mauro Fiore\u2019s long experience with Fujinon Premista lenses, particularly Fujinon Premista 28-100mT2.9, played a decisive role in translating this potential into practice. \u201cI have quite a bit of experience with Premista lenses, and I\u2019m especially familiar with the 28\u2013100mm. It performs amazingly well,\u201d he notes. \u201cThe format itself amplifies that vision. The expansiveness of the sensor allows us to capture more in every frame, giving the film a distinctive look and a narrative rhythm.\u201d<\/p>\n\n\n\n<p>This combination of large-format sensor and lenses proved especially valuable when working in confined spaces. Medium and even wide shots could be captured from very short distances, sometimes as close as one meter, without sacrificing spatial coherence. The result is a visual language that feels open and immersive yet never detached from the characters at its center.<strong><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358563\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358119\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Aspect ratio was approached with the same narrative sensitivity. \u201cWe had several discussions regarding filming in a 2.35 or 2.39 aspect ratio,\u201d Fiore explains. \u201cAutomatically, it makes you feel like the world around you is surrounding you.\u201d The widescreen frame subtly reinforces the film\u2019s emotional tension, mirroring the children\u2019s experience of a world that is suddenly expansive, unfamiliar, and undefined.<\/p>\n\n\n\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"nMXLKsSuNt0\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/mauro-fiore-bts-thumb.jpg\" alt=\"mauro-fiore-bts-thumb\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"nMXLKsSuNt0\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"nMXLKsSuNt0\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-nMXLKsSuNt0\" data-id=\"nMXLKsSuNt0\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Lighting the path home<\/h3>\n\n\n\n<p>Although <em>Dove Sono Mamma e Pap\u00e0? <\/em>&nbsp;is not autobiographical, its connection to place carries particular resonance for Mauro Fiore. Long based in the United States, Calabria remains his homeland and returning to shoot there added an understated but meaningful layer to the project.<\/p>\n\n\n\n<p>The film was shot entirely in real locations across the region during the height of summer, in towns and spaces that remained active and crowded throughout production. Rather than reshaping locations to fit the film, the crew adapted their methods to each place day by day. Calabria\u2019s natural light, often harsh and vertical at midday, then softer and more sculptural in the late afternoon, became an expressive element rather than a constraint.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=1024&#038;height=436\" alt=\"\" class=\"wp-image-358561\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=1024&amp;height=436 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=300&amp;height=128 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=768&amp;height=327 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=400&amp;height=170 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=365&amp;height=155 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=600&amp;height=255 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=717&amp;height=305 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=800&amp;height=340 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=688&amp;height=293 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=490&amp;height=208 490w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=936&amp;height=398 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Supported by a fully local crew, Fiore\u2019s visual approach drew on both technical precision and familiarity with the environment. The region\u2019s landscapes, light, and rhythms quietly inform the film\u2019s tone, grounding its more surreal elements in a tangible sense of place. In this way, Calabria becomes more than a setting: it is an unspoken presence within the film\u2019s visual identity.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A camera in the service of narrative<\/h3>\n\n\n\n<p>From a production standpoint, Fujifilm GFX ETERNA 55 proved itself as a Film-making camera designed for professional, narrative-driven workflows. Its robust cinema-style construction, industry-standard connections, adaptable native lens mount, and visually stepless internal electronic variable ND filter offered flexibility across a wide range of shooting conditions.<\/p>\n\n\n\n<p>The F-Log2 C profile provided substantial latitude for color grading, while Fujifilm\u2019s Film Simulations and new Film Simulation 3D LUTs, each inspired by analog film stocks, expanded creative options without imposing a predetermined aesthetic. The camera\u2019s design encouraged choice rather than prescription.<\/p>\n\n\n\n<p>Rao also explored GFX ETERNA 55 independently in a documentary context, pairing it with a rehoused Fujinon EBC 28mm lens and using ACROS Film Simulation, an experience he describes as intuitive and expressive.<\/p>\n\n\n\n<p>For Mauro Fiore, the camera also aligns with a broader creative philosophy: \u201cEvery film needs its own way of being told. Every film needs its own story. Whether it\u2019s oil paints, tempera, or pastels, it\u2019s always a matter of what is right for that narrative. I feel the same way about cameras.\u201d Within this framework, the GFX ETERNA 55 is not positioned as a universal solution, but as a tool whose value emerges through its relationship with story, place, and creative intent.<\/p>\n\n\n\n<p>Taken together, <em>Dove Sono Mamma e Pap\u00e0?<\/em> offers a considered example of how medium-format cinematography, guided by an experienced visual author, can support intimate storytelling, balancing scale and proximity while remaining firmly anchored to narrative purpose.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358121\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Dove Sono Mamma e Pap\u00e0? \u2013 Left Alone: Credits<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Produced with FUJIFILM<\/li>\n\n\n\n<li>Produced by Open Fields Productions \/ Filmora<\/li>\n\n\n\n<li>With the contribution of Calabria Film Commission<\/li>\n\n\n\n<li>In collaboration with CIAKALABRIA, AEROPIX, AUDIO PORTRAIT STUDIO<\/li>\n\n\n\n<li>With the free patronage of Municipality of Cassano all&#8217;Ionio \/ Associazione Laghi di Sibari<\/li>\n\n\n\n<li>Directed by: Fabio Rao<\/li>\n\n\n\n<li>Director of Photography: Mauro Fiore, ASC<\/li>\n\n\n\n<li>Story and screenplay: Enrico Miceli \/ Fabio Rao<\/li>\n\n\n\n<li>Produced by: Fabrizio Nucci \/ Fabio Ra<\/li>\n\n\n\n<li>Executive producers: Fabrizio Nucci \/ Marc Cattrall\/ Silvia Carapellese\/ Francesco Spisti\/ Marika Gherardi<\/li>\n\n\n\n<li>Editing: Francesca Naccarato \/ Fabio Rao<\/li>\n\n\n\n<li>Visual effects: Alessio Cagnano<\/li>\n\n\n\n<li>Original music: Alessandro Papaianni<\/li>\n\n\n\n<li>Production sound mixer: Simone Casile<\/li>\n\n\n\n<li>Production designer: Antonio Giocondo<\/li>\n\n\n\n<li>Costumes: Laura Scagliola<\/li>\n\n\n\n<li>Makeup and hair: Marinella Giorni \/ Sandra Perri<\/li>\n\n\n\n<li>Assistant director: Giulia Rossi<\/li>\n\n\n\n<li>Casting Director: Alessia Iacopetta<\/li>\n<\/ul>\n\n\n\n<p><strong>CAST<\/strong><br>Leo: Luigi Chiera<br>Nesto: Ludovico Maria Esposito<br>Martina: Maria Carmela Iris Trotta<br>Alba: Beatrice Carmela Malizia<br>Fulvia: Cecilia Mussari<br>Fiordaliso: Alessandro Castriota Scanderbeg<br>Sara: Mariasilvia Greco<br>Dario: Carlo Gallo<br>Vanda: Giovanna Chiara Pasini<br>Man with red shoes: Saverio La Ruina<br>Don Cino: Giancarlo Cauteruccio<br>Voices of Orion: Lorenzo Cordara \/ Giulia Musso<\/p>\n\n\n\n<p>With the extraordinary participation of: Dario Del Luca \/ Ivana Russo<br><br>Production manager: Carmela Bilotto<br>Production coordinator: Giusy Cervadoro<br>Script supervisor: Enrico Miceli<br>Location manager: Gianluca Salerno<br>Production supervisor: Francesco Falcone<br>Production secretary: Samuele Leogrande<br>Runner: Alessandro Morrone \/ Carlo Iozzi<br>Steadicam operator: Marco Vignoni<br>First assistant camera: Umberto Scimitto<br>Second assistant camera: Gianluca Gattabria<br>Camera assistant: Nicola Labate<br>Second camera assistant: Pasquale Remia<br>DIT: Roberto Cavalera<br>Data manager: Claudia Gull\u00e0<br>Video assist: Anselmo De Filippis<br>Set photographers: Pierpaolo Perri \/ Raffaella Arena<br>Backstage video: Francesca Naccarato<br>Drone pilots: Dario Della Mora \/ Walter Finco \/ Marco Martino<br>Key grip: Antonio \u201cLupin\u201d Caracciolo<br>Grip: Francesco Coscarella<br>Gaffer: Gianfranco Mastroianni<br>Electrician: Mattia Cristofaro<br>Assistant production designer: Agata Colao<br>Props master: Felice Adriani<br>Laborers: Emilio D\u2019Elia \/ Raffaele Lisco<br>Seamstress: Vincenza Salvino<br>Personal assistant to Mauro Fiore: Walter Carpino<\/p>\n\n\n\n<p>Color grading, deliveries: Pyramid Factory \/ Alessandro Ammendola<br>Sound editing and audio mix: Stefano Di Fiore \/ Marco Marcini<\/p>\n\n\n\n<p><strong>MUSIC<\/strong><br>Solo cello: Mattia De Angelis<br>Piano\/synthesizers\/percussion: Alessandro Papaianni<br>Solo flute\/solo French horn: Alexandre Demaan<br>Strings: RDL String Quartet<br>Recording, mix &amp; mastering of original music: Audio Portrait Studio<\/p>\n\n\n\n<p>Insurance: Howden \u2013 Assimovie<br>Workplace safety: Sicurlav<\/p>\n\n\n\n<p>The Production and the Director thank<\/p>\n\n\n\n<p>GFX ETERNA 55 DEVELOPMENT TEAM<br>BLU ACADEMY by Barbara Pasqua<br>MOVIE MOUSE FACILITY SERVICE<br>ASSOLAGHI SECURITY SERVICE<br>ISTITUTO COMPRENSIVO LAUROPOLI \u2013 SIBARI \u2013 CASSANO J.<br>THE SCHOOL PRINCIPAL PROF. MICHELE MARZANA<br>THE STUDENTS OF THE MAROS IN TEATRO SCHOOL OF ARTS<br>MAROS EVENTI &#8211; PIKEMA APS<br><br>Christina Pavl\u00ec<br>Santino Cundari<br>Mariarosaria Bianco<br>Katalin Seres<br>Rossella Ciappetta<br>Fausta Oliva<br>Domenico Nicoletti<br>Claudio Valerio<br>Andrea Solano<br>Gianpaolo Giacobini<br>Ottavio Marino<br>Tereza Lanza<br>Massimo Romanelli and family<br>Domenico Peluso and family<br>Mario Varca and Sibarifly<br>Luigi Guaragna and Sofia Maimone<br>Don Pietro Groccia and the Church of Jesus the Good Shepherd of Sibari<br>Teresa Tucci<br>Maristella Resta<br>Giovanna Giordano<br>Natale Giordano<br>Giovanni Gattabria<br>Vincenzo Gattabria<br>Imagin\u2019Hair Cosenza<br>Endless Summer House<br>Leonardo, Luciano and Francesco Golia<br>Angela Concistr\u00e8<br>Gabriele Albanesi<br>Luca Ardenti<br>Epos Film<br>Hotel Royal Cosenza<br>Roberta Giordano<br>Germana Giordano<br>Mariuccia Fiore<br>Francesco Malvaso<br>Benedetto Tucci<br>Alessandra Fucilla<br>Ruggero Fucilla<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inside the Cinematography of Dove Sono Mamma e Pap\u00e0? \u2013 Left Alone Dove Sono Mamma e Pap\u00e0? (Left Alone) is a short film that lies at the intersection of narrative sensitivity and cinematic craft, offering a measured exploration of medium-format cinematography and using the FUJIFILM GFX ETERNA 55. Directed by Fabio Rao, with cinematography by [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":357798,"template":"","category":[1006,1202,13909,13910,1937,320,2378,565],"post_tag":[],"class_list":["post-357796","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-gfx-eterna-55","category-gfx-series","category-products","category-shot-on-x","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-04 10:25:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story\/357796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media\/357798"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media?parent=357796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/category?post=357796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/post_tag?post=357796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358059,"date":"2026-05-22T05:00:00","date_gmt":"2026-05-22T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358059"},"modified":"2026-05-18T05:12:45","modified_gmt":"2026-05-18T05:12:45","slug":"pro-neg-std-fs-recipe-x-maggie-parise","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/de-at\/stories\/pro-neg-std-fs-recipe-x-maggie-parise\/","title":{"rendered":"PRO Neg. Std FS RECIPE x Maggie Paris\u00e9"},"content":{"rendered":"\n<p>For me, \u201cmuted\u201d doesn\u2019t mean dull \u2014 it means intentional. It\u2019s the choice to let light do the talking and to leave enough quiet in the frame that you can actually feel the moment.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358060\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p><em>Muted Moments<\/em> is my way of leaning into that character. I wanted a FS RECIPE that works both at home and in the studio. A look that feels calm and intentional\u2014low-saturation color, moderate contrast, and smooth tonal gradations that work beautifully in pale interiors and natural light.<\/p>\n\n\n\n<p>I built this FS RECIPE starting with PRO Neg. Std. It\u2019s clean, professional, and adaptable, with tones that stay balanced even when the light shifts. Skin stays soft and consistent, whites stay clean, and shadows roll off smoothly.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358061\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>&#8220;<em>Muted Moments<\/em>&#8221; shines in natural and controlled light: diffused window light, open shade, a softbox if you\u2019re in a studio, or a simple reflector to lift the shadows without changing the mood. From there, I added just a touch of grain for texture. COLOR CHROME EFFECT stays subtle \u2014 enough to give depth to wood tones and fabrics, without making the image feel \u201cprocessed.\u201d For WHITE BALANCE, I left it at AUTO and then shifted it until the scene felt like it did in real life: a hint warmer in the highlights, slightly cooler in the shadows, the way winter daylight actually behaves.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358062\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>To keep everything soft and clean, I pulled down highlights and lifted shadows so nothing clips or crushes. I toned down clarity and kept sharpness gentle, so skin stays forgiving and clean, while detail stays present.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358063\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>And that\u2019s &#8220;Muted Moments&#8221;: soft, professional, clean \u2014 a look that lets the calmest frame speak the loudest.<\/p>\n\n\n\n<p><strong>FILM SIMULATION:<\/strong> PRO Neg. Std<br><strong>MONOCHROMATIC COLOR: <\/strong>N\/A<br><strong>GRAIN EFFECT<\/strong> WEAK, SMALL<br><strong>COLOR CHROME EFFECT<\/strong> WEAK<br><strong>COLOR CHROME FX BLUE<\/strong> OFF<br><strong>SMOOTH SKIN EFFECT<\/strong> OFF<br><strong>WHITE BALANCE<\/strong> AUTO\/ R +4, B -5<br><strong>DYNAMIC RANGE<\/strong> DR200<br><strong>D RANGE PRIORITY&nbsp;&nbsp;&nbsp; <\/strong>OFF<br><strong>TONE CURVE<\/strong> H -1,5, S +1<br><strong>COLOR<\/strong> 0<br><strong>SHARPNESS<\/strong> -2<br><strong>HIGH ISO NR<\/strong> 0<br><strong>CLARITY<\/strong> -1<strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For me, \u201cmuted\u201d doesn\u2019t mean dull \u2014 it means intentional. It\u2019s the choice to let light do the talking and to leave enough quiet in the frame that you can actually feel the moment. Muted Moments is my way of leaning into that character. I wanted a FS RECIPE that works both at home and [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":358064,"template":"","category":[2084,1006,1202,13607,1055,3211,13923,320,3162,1986,565,13936,13835,3358],"post_tag":[],"class_list":["post-358059","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-t30-iii","category-xf16-55mmf2-8-r-lm-wr-ii","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-04 10:25:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story\/358059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media\/358064"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media?parent=358059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/category?post=358059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/post_tag?post=358059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358050,"date":"2026-05-22T05:00:00","date_gmt":"2026-05-22T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358050"},"modified":"2026-05-18T04:56:44","modified_gmt":"2026-05-18T04:56:44","slug":"pro-neg-std-fs-recipe-x-juan-pablo","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/de-at\/stories\/pro-neg-std-fs-recipe-x-juan-pablo\/","title":{"rendered":"PRO Neg. Std FS RECIPE x Juan Pablo Viades\u00a0"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358051\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF35mmF1.4 R, 1\/160 sec at F2.8, ISO 800<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Juan Pablo Viades shares the FS RECIPE that\u2019s allowed him to bring heightened-reality portraits to life with true visual flair<\/strong><\/h2>\n\n\n\n<p>Portrait photographer Juan Pablo Viades doesn\u2019t chase perfection. He looks for texture and personality. Real skin. Real people. Then he adds subtle details that make you stop and look twice.<\/p>\n\n\n\n<p>\u201cI\u2019ve always liked portraits,\u201d Juan says, \u201cbut in the last year and a half, I found my style \u2013 what I would call realistic surrealism.\u201d<\/p>\n\n\n\n<p>It\u2019s a phrase he returns to often, but the idea itself is more grounded than it sounds. Juan isn\u2019t interested in heavy manipulation or flashy effects. His work starts in reality, then shifts slightly through color, contrast, or a carefully placed element that introduces tension.<\/p>\n\n\n\n<p>\u201cIt\u2019s a mixture of portraits of real people that show real textures of skin, with a little element of something whimsical,\u201d he explains. \u201cJust a pop of color or something interesting that grabs the eye.\u201d<\/p>\n\n\n\n<p>Most recently, he\u2019s been doing so with an in-camera look of his own devising. Fittingly, he calls it \u201cPortrait No. Juan\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358052\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF90mmF2 R LM WR, 1\/125 sec at F3.2, ISO 800<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Letting People Be Themselves<\/strong><\/h2>\n\n\n\n<p>Juan\u2019s portrait work begins with attention, not direction. He approaches each session as a collaboration shaped by the person in front of the camera. \u201cI don\u2019t like to force a pose,\u201d he says. \u201cI like to work with who they are, try to show who they are as a person, then implement my ideas into that.\u201d<\/p>\n\n\n\n<p>This mindset carries through his process, from how he engages with his subjects to how he finishes an image. The goal isn\u2019t polish or perfection \u2013 it\u2019s connection. \u201cIt feels personal,\u201d Juan says. \u201cThat\u2019s what matters to me.\u201d<\/p>\n\n\n\n<p>That focus on the individual is tangible in the final images. Nothing is overly smoothed or sanitized. The portraits feel grounded in reality, even when they push gently beyond the literal.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358053\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF35mmF1.4 R, 1\/160 sec at F2.8, ISO 800<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Natural Light, Real Texture<\/strong><\/h2>\n\n\n\n<p>Juan works mostly indoors these days, partly by choice and partly by circumstance. \u201cI\u2019m in New York right now, and it\u2019s cold,\u201d he laughs. But the setting isn\u2019t what defines the work \u2013 it\u2019s the light.<\/p>\n\n\n\n<p>\u201cI mainly work with natural lighting,\u201d he says. \u201cNone of my photos have artificial lighting.\u201d Natural light reinforces the realism Juan is drawn to and keeps attention on the subject rather than the setup.<\/p>\n\n\n\n<p>\u201cA lot of people rely heavily on lights and technology,\u201d he explains. \u201cFor me, part of what makes my photos special is that they can be achieved with just the camera, the subject, and a cool idea.\u201d Natural light requires patience and awareness. You work with what\u2019s there, not what you can build.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358054\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF33mmF1.4 R LM WR, 1\/250 sec at F2, ISO 640<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Building a Look In-Camera<\/strong><\/h2>\n\n\n\n<p>When it comes to gear, Juan favors tools that let him stay in the moment.<\/p>\n\n\n\n<p>\u201cI\u2019m a big FUJIFILM X100VI guy,\u201d he says. \u201cIt\u2019s usually my go-to because I don\u2019t have to think about the lens.\u201d<\/p>\n\n\n\n<p>That simplicity is intentional, and applies just as much to in-camera looks. \u201cI have my FS RECIPE, I make the photos, and it just feels easy,\u201d Juan explains. \u201cI don\u2019t have to think about the photos as much, I\u2019m in the moment.\u201d<\/p>\n\n\n\n<p><a><\/a>For Juan, FS RECIPEs are a creative tool for defining his style. His custom look is built on PRO Neg. Std and designed with skin tones in mind.<\/p>\n\n\n\n<p>\u201cI focus a lot on people\u2019s skin and how that comes off in a photo,\u201d he says. \u201cI wanted skin tones that felt real while still having the contrasty, punchy look I like.\u201d<\/p>\n\n\n\n<p>PRO Neg. Std gave him a neutral starting point. \u201cIt feels like a canvas you can build on,\u201d Juan explains. \u201cIt\u2019s clean and not overly saturated.\u201d That restraint is deliberate. \u201cI don\u2019t like photos that are too colorful,\u201d he says. \u201cI prefer them a little more muted.\u201d<\/p>\n\n\n\n<p>From there, he makes targeted adjustments to shape the look:<\/p>\n\n\n\n<p>Strong, large grain adds texture and a subtle film feel. Highlights are lowered and Shadows raised for crisper contrast. Color is pushed slightly for impact without oversaturation. SHARPNESS and CLARITY are reduced to avoid a brittle digital edge.<\/p>\n\n\n\n<p>\u201cI\u2019m a big fan of grain,\u201d Juan says. \u201cIt adds to the texture of the skin. It makes the photos feel more real and a little retro at the same time.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358055\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF33mmF1.4 R LM WR, 1\/160 sec at F2, ISO 800<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Why Custom FS Recipes Matter<\/strong><\/h2>\n\n\n\n<p>For Juan, custom FS RECIPEs aren\u2019t about trends. \u201cIn photography, you want to set yourself apart,\u201d he says. \u201cIt feels more genuine when you can do everything in-camera instead of relying on heavy editing.\u201d<\/p>\n\n\n\n<p>That doesn\u2019t mean starting from scratch every time. \u201cYou can take someone else\u2019s FS RECIPE, change a few settings, and suddenly you have something that\u2019s truly you,\u201d he explains. \u201cThat freedom is important.\u201d<\/p>\n\n\n\n<p>It also creates consistency. When your look is baked in, your work holds together visually without the need for a long post-processing workflow.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358056\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF35mmF1.4 R, 1\/160 sec at F2.8, ISO 800<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Making Space to Explore<\/strong><\/h2>\n\n\n\n<p>Juan sees FUJIFILM X Series cameras as a rare balance of approachability and depth. \u201cThey\u2019re beginner-friendly but still professional-adjacent,\u201d he asserts. \u201cSomeone just starting out can make something stunning, and someone more seasoned can fine-tune the details.\u201d<\/p>\n\n\n\n<p>That flexibility creates space to experiment, adjust, and grow. \u201cThe most important part is trial and error,\u201d Juan says. \u201cYou have to figure out who you are as a photographer and what you\u2019re trying to show.\u201d<\/p>\n\n\n\n<p>What matters is putting in the time and giving yourself permission to explore. \u201cHaving the right tools makes that easier,\u201d he concludes. For Juan, the right tools are the ones that fade into the background, leaving room for texture, honesty, and a hint of surreal magic.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Juan Pablo Viades\u2019 \u201cPortrait No. Juan\u201d FS RECIPE<\/strong><\/h2>\n\n\n\n<p><strong>FILM SIMULATION: <\/strong>PRO Neg. Std<br><strong>MONOCHROMATIC COLOR:<\/strong> N\/A<br><strong>GRAIN EFFECT: <\/strong>STRONG, LARGE<br><strong>COLOR CHROME EFFECT:<\/strong> STRONG<br><strong>COLOR CHROME FX BLUE:<\/strong> WEAK<br><strong>SMOOTH SKIN EFFECT: <\/strong>OFF<br><strong>WHITE BALANCE: <\/strong>5900K\/ R +2, B -3<br><strong>DYNAMIC RANGE: <\/strong>DR100<br><strong>D RANGE PRIORITY:<\/strong> OFF<br><strong>TONE CURVE:<\/strong> H -2, S +3<br><strong>COLOR: <\/strong>+4<br><strong>SHARPNESS: <\/strong>-2<br><strong>HIGH ISO NR: <\/strong>-4<br><strong>CLARITY:<\/strong> -2<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Juan Pablo Viades shares the FS RECIPE that\u2019s allowed him to bring heightened-reality portraits to life with true visual flair Portrait photographer Juan Pablo Viades doesn\u2019t chase perfection. He looks for texture and personality. Real skin. Real people. Then he adds subtle details that make you stop and look twice. \u201cI\u2019ve always liked portraits,\u201d Juan [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":358057,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,13923,320,3162,1986,565,13898,8307,7278,7376],"post_tag":[],"class_list":["post-358050","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr","category-xf35mmf1-4-r","category-xf90mmf2-r-lm-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-04 10:25:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story\/358050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media\/358057"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/media?parent=358050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/category?post=358050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/de-at\/wp-json\/wp\/v2\/post_tag?post=358050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]