{"id":57584,"date":"2017-09-01T10:55:36","date_gmt":"2017-09-01T13:55:36","guid":{"rendered":"https:\/\/fujifilmnxtc.wpenginepowered.com\/stories\/working-with-the-gfx-by-david-anthony-williams\/"},"modified":"2024-05-02T04:58:53","modified_gmt":"2024-05-01T19:58:53","slug":"working-with-the-gfx-by-david-anthony-williams","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/en-au\/stories\/working-with-the-gfx-by-david-anthony-williams\/","title":{"rendered":"Working with the GFX"},"content":{"rendered":"<p><p>The opportunity to work with the Fujifilm GFX 50s was (to say the least) exciting \u2013 but for less obvious reasons than you may think\u2026..<br \/>\nFor almost 20 years I worked with large format film cameras \u2013 especially square format 6x6cm. It left an indelible mark on me, and adjusting to the wide horizontal rectangle of most digital cameras has always been hard.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_04.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img data-preload-after-window-load=\"preload\" data-preload-delay=\"300\" width=\"1200\" height=\"1200\" class=\"wp-image-57586\" decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_04.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_04.jpg?width=1200 1200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_04.jpg?width=150&amp;height=150 150w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_04.jpg?width=300&amp;height=300 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_04.jpg?width=768&amp;height=768 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_04.jpg?width=1024&amp;height=1024 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<\/div>\n<p><p>My FUJIFILM X-Pro2\u2019s had already given me the reality of composing and shooting square in camera. That combined with being able to choose a very high-quality film simulation for black &amp; white (ACROS) was taking me to a whole other level of predetermination when making portraits.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_06.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img data-preload-after-window-load=\"preload\" data-preload-delay=\"300\" width=\"1200\" height=\"1200\" class=\"wp-image-57587\" decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_06.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_06.jpg?width=1200 1200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_06.jpg?width=150&amp;height=150 150w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_06.jpg?width=300&amp;height=300 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_06.jpg?width=768&amp;height=768 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_06.jpg?width=1024&amp;height=1024 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<\/div>\n<p><p>You might wonder \u2018why was the film simulation important to me?\u2019. Fujifilm cameras have always had an outstanding reputation for excellent quality JPEG files. For other camera manufacturers, JPEGS are treated as somewhat of a compromise \u2013 and the RAW file as the \u2018vehicle of choice\u2019 for finalizing an image.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_01.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img data-preload-after-window-load=\"preload\" data-preload-delay=\"300\" width=\"1200\" height=\"1200\" class=\"wp-image-57588\" decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_01.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_01.jpg?width=1200 1200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_01.jpg?width=150&amp;height=150 150w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_01.jpg?width=300&amp;height=300 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_01.jpg?width=768&amp;height=768 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_01.jpg?width=1024&amp;height=1024 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<\/div>\n<p><p>So, what if the image is made in a totally controlled environment? Where the content of the JPEG is pretty-much what is finally required? This was most certainly the case with the images I made with the GFX. The RAW was there as a back-up. It always amazes me how much shadow information is in a Fujifilm JPEG file.<br \/>\nWhat surprised me about the GFX 50s was its compact size \u2013 sure, the lenses have a presence one associates with large format \u2013 but the body is \u2018neat\u2019.<br \/>\nThe \u2018icing on the cake\u2019 for me was the beautifully designed and made viewfinder adapter (EVF Tilt Adaptor) This unit allows much more comfort when operating the camera on a tripod \u2013 indeed it adds up to the equivalent of the waist-level finder, the 45 degree finder and anything in between. Being able to automatically switch between the rear display and the viewfinder is wonderful \u2013 and fast.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_02.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img data-preload-after-window-load=\"preload\" data-preload-delay=\"300\" width=\"1200\" height=\"1200\" class=\"wp-image-57589\" decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_02.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_02.jpg?width=1200 1200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_02.jpg?width=150&amp;height=150 150w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_02.jpg?width=300&amp;height=300 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_02.jpg?width=768&amp;height=768 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_02.jpg?width=1024&amp;height=1024 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<\/div>\n<p><p>My experience with the GFX was almost all tripod based. Having said that, the optional vertical grip makes the whole package very comfortable \u2013 and easily manageable on a wedding or other function requiring hand-held operation.<br \/>\nSo, to my created image of the \u2018actor backstage\u2019\u2026.<br \/>\nIt was photographed in the car park of the building I live in. A few trash bins were moved, and then the \u2018set\u2019 was dressed with a sign, business cards and advertisements for acting classes and a little graffiti here and there.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_07.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img data-preload-after-window-load=\"preload\" data-preload-delay=\"300\" width=\"1200\" height=\"900\" class=\"wp-image-57590\" decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_07.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_07.jpg?width=1200 1200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_07.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_07.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_07.jpg?width=1024&amp;height=768 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<\/div>\n<p><p>My subject was dressed in appropriate costume for \u2018Don Quixote\u2019 and has make-up suitable for a stage production. I liked the incongruity of the 17th century costume and the cellphone he is holding.<br \/>\nThe main light was a Phottix Indra 500 studio light through a Westcott Apollo light modifier. In between the light and the subject was a black gobo to block light getting to his white sleeve. A Phottix Mitros + unit provided a little highlight near his head. The \u2018fill-light\u2019 was the existing light in the car park. The image was shot on a tripod, and the exposure was 125th @ f13 at 800 ISO. I used the wonderful GF120mmF4 Macro lens for this image.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_03.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img data-preload-after-window-load=\"preload\" data-preload-delay=\"300\" width=\"900\" height=\"1200\" class=\"wp-image-57591\" decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_03.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_03.jpg?width=900 900w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_03.jpg?width=225&amp;height=300 225w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_03.jpg?width=768&amp;height=1024 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<\/div>\n<p><p>The portrait of young Sydney was visualized as a black &amp; White square image in camera before being shot. What I saw was exactly what I got. The cameras ability to hold detail in the lighter tones as well as the shadows is wonderful \u2013 with excellent subtle gradation.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_05.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img data-preload-after-window-load=\"preload\" data-preload-delay=\"300\" width=\"1200\" height=\"1200\" class=\"wp-image-57592\" decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_05.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_05.jpg?width=1200 1200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_05.jpg?width=150&amp;height=150 150w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_05.jpg?width=300&amp;height=300 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_05.jpg?width=768&amp;height=768 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2018\/09\/gfx_david_williams_05.jpg?width=1024&amp;height=1024 1024w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<\/div>\n<p><p>It was shot with my favorite lens &#8211; the beautiful GF110mmF2 lens used at 125th sec @ f9 using 200 ISO. Lighting was a single Phottix Indra 500 through a Westcott Apollo light modifier.<\/p>\n<p>In conclusion: Did I get the \u2018large format\u2019 camera I\u2019d been looking for?&#8230;&#8230;Yes, I did. But I got a lot more than that. To put it all into perspective, the GFX produces a 6192 x 8256 file. That equates to a 111mb RAW file, and a 146mb JPEG (when opened). But we know big files aren\u2019t the only answer. The GFX creates the look of \u2018large format\u2019 and the roundness that always distinguished it from smaller formats.<\/p>\n<p>Is it better than \u2018large format\u2019 from the past?&#8230;&#8230;.most definitely \u2013 YES.<\/p>\n<p>Toronto, ON Canada<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The opportunity to work with the Fujifilm GFX 50s was (to say the least) exciting \u2013 but for less obvious reasons than you may think\u2026.. For almost 20 years I worked with large format film cameras \u2013 especially square format 6x6cm. It left an indelible mark on me, and adjusting to the wide horizontal rectangle [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":57585,"template":"","category":[2427,2084,1006,1202,3113,10414,10365,10022,1937,1055,3701,3211,3505,3309,320,1251,1986,565,5759,7866],"post_tag":[11861,11881,12023],"b2b-solutions":[],"class_list":["post-57584","story","type-story","status-publish","has-post-thumbnail","hentry","category-articles-type-stories","category-be-inspired","category-cameras","category-category","category-g-mount","category-gf110mmf2-r-lm-wr","category-gf120mmf4-r-lm-ois-wr-macro","category-gfx-50s","category-gfx-series","category-lenses","category-gfx-series-mirrorless","category-x-series-mirrorless","category-g-mount-prime","category-x-mount-prime","category-products","category-type-stories","category-x-series","category-stories","category-x-pro2","category-xf50mmf2-r-wr","tag-canada","tag-gfx-stories","tag-portraiture"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"fujifilm_category_label":"XF50mmF2 R WR","publishpress_future_action":{"enabled":false,"date":"2026-09-29 22:52:46","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/en-au\/wp-json\/wp\/v2\/story\/57584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/en-au\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/en-au\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/en-au\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/en-au\/wp-json\/wp\/v2\/media\/57585"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/en-au\/wp-json\/wp\/v2\/media?parent=57584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/en-au\/wp-json\/wp\/v2\/category?post=57584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/en-au\/wp-json\/wp\/v2\/post_tag?post=57584"},{"taxonomy":"b2b-solutions","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/en-au\/wp-json\/wp\/v2\/b2b-solutions?post=57584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}