FUJIFILM Logo
  • PRODUCTS
    PRODUCTS
    • Browse
      • Cameras
      • Lenses
      • Accessories
      • Software
      • Help Me Choose
    • By System
      • GFX Series
        • Cameras
        • Lenses
      • X Series
        • Cameras
        • Lenses
    • Group Items ( Link disabled )
      • Compare
        • Cameras
      • About Our Technology
        • Filmmaking
        • Film Simulation
        • X-Trans CMOS
    • B2B Customers
      • Digital Imaging Solution
      • IR Camera
      • Camera Control SDK
    GFX Series View all
    Cameras Mirrorless Digital Camera
    • GFX100 II
      GFX100 II
    • GFX100S II
      GFX100S II
    Fixed Lens Camera
    • GFX100RF
      GFX100RF
    Filmmaking Camera
    • GFX ETERNA 55
      GFX ETERNA 55
    GFX Series View all
    Lenses Prime
    • GF23mmF4 R LM WR
      GF23mmF4 R LM WR
    • GF30mmF3.5 R WR
      GF30mmF3.5 R WR
    • GF45mmF2.8 R WR
      GF45mmF2.8 R WR
    • GF50mmF3.5 R LM WR
      GF50mmF3.5 R LM WR
    • GF55mmF1.7 R WR
      GF55mmF1.7 R WR
    • GF63mmF2.8 R WR
      GF63mmF2.8 R WR
    • GF80mmF1.7 R WR
      GF80mmF1.7 R WR
    • GF110mmF2 R LM WR
      GF110mmF2 R LM WR
    • GF120mmF4 R LM OIS WR Macro
      GF120mmF4 R LM OIS WR Macro
    • GF250mmF4 R LM OIS WR
      GF250mmF4 R LM OIS WR
    • GF500mmF5.6 R LM OIS WR
      GF500mmF5.6 R LM OIS WR
    Zoom
    • GF20-35mmF4 R WR
      GF20-35mmF4 R WR
    • GF32-64mmF4 R LM WR
      GF32-64mmF4 R LM WR
    • GF32-90mmT3.5 PZ OIS WR
      GF32-90mmT3.5 PZ OIS WR
    • GF35-70mmF4.5-5.6 WR
      GF35-70mmF4.5-5.6 WR
    • GF45-100mmF4 R LM OIS WR
      GF45-100mmF4 R LM OIS WR
    • GF100-200mmF5.6 R LM OIS WR
      GF100-200mmF5.6 R LM OIS WR
    Tilt-Shift
    • GF30mmF5.6 T/S
      GF30mmF5.6 T/S
    • GF110mmF5.6 T/S Macro
      GF110mmF5.6 T/S Macro
    Teleconverter
    • GF1.4X TC WR
      GF1.4X TC WR
    X Series View all
    Cameras Mirrorless Digital Camera
    • X-H2S
      X-H2S
    • X-H2
      X-H2
    • X-Pro3
      X-Pro3
    • X-T5
      X-T5
    • X-S20
      X-S20
    • X-T50
      X-T50
    • X-T30 III
      X-T30 III
    • X-E5
      X-E5
    • X-M5
      X-M5
    Fixed Lens Camera
    • X100VI
      X100VI
    • X half
      X half
    X Series View all
    Lenses Prime
    • XF8mmF3.5 R WR
      XF8mmF3.5 R WR
    • XF14mmF2.8 R
      XF14mmF2.8 R
    • XF16mmF1.4 R WR
      XF16mmF1.4 R WR
    • XF16mmF2.8 R WR
      XF16mmF2.8 R WR
    • XF18mmF1.4 R LM WR
      XF18mmF1.4 R LM WR
    • XF18mmF2 R
      XF18mmF2 R
    • XF23mmF1.4 R LM WR
      XF23mmF1.4 R LM WR
    • XF23mmF2 R WR
      XF23mmF2 R WR
    • XF23mmF2.8 R WR
      XF23mmF2.8 R WR
    • XF27mmF2.8 R WR
      XF27mmF2.8 R WR
    • XF30mmF2.8 R LM WR Macro
      XF30mmF2.8 R LM WR Macro
    • XF33mmF1.4 R LM WR
      XF33mmF1.4 R LM WR
    • XF35mmF1.4 R
      XF35mmF1.4 R
    • XF35mmF2 R WR
      XF35mmF2 R WR
    • XF50mmF1.0 R WR
      XF50mmF1.0 R WR
    • XF50mmF2 R WR
      XF50mmF2 R WR
    • XF56mmF1.2 R WR
      XF56mmF1.2 R WR
    • XF60mmF2.4 R Macro
      XF60mmF2.4 R Macro
    • XF80mmF2.8 R LM OIS WR Macro
      XF80mmF2.8 R LM OIS WR Macro
    • XF90mmF2 R LM WR
      XF90mmF2 R LM WR
    • XF200mmF2 R LM OIS WR
      XF200mmF2 R LM OIS WR
    • XF500mmF5.6 R LM OIS WR
      XF500mmF5.6 R LM OIS WR
    • XC35mmF2
      XC35mmF2
    Zoom
    • XF8-16mmF2.8 R LM WR
      XF8-16mmF2.8 R LM WR
    • XF10-24mmF4 R OIS WR
      XF10-24mmF4 R OIS WR
    • XF16-50mmF2.8-4.8 R LM WR
      XF16-50mmF2.8-4.8 R LM WR
    • XF16-55mmF2.8 R LM WR II
      XF16-55mmF2.8 R LM WR II
    • XF16-80mmF4 R OIS WR
      XF16-80mmF4 R OIS WR
    • XF18-120mmF4 LM PZ WR
      XF18-120mmF4 LM PZ WR
    • XF18-135mmF3.5-5.6 R LM OIS WR
      XF18-135mmF3.5-5.6 R LM OIS WR
    • XF50-140mmF2.8 R LM OIS WR
      XF50-140mmF2.8 R LM OIS WR
    • XF55-200mmF3.5-4.8 R LM OIS
      XF55-200mmF3.5-4.8 R LM OIS
    • XF70-300mmF4-5.6 R LM OIS WR
      XF70-300mmF4-5.6 R LM OIS WR
    • XF100-400mmF4.5-5.6 R LM OIS WR
      XF100-400mmF4.5-5.6 R LM OIS WR
    • XF150-600mmF5.6-8 R LM OIS WR
      XF150-600mmF5.6-8 R LM OIS WR
    • XC13-33mmF3.5-6.3 OIS
      XC13-33mmF3.5-6.3 OIS
    • XC15-45mmF3.5-5.6 OIS PZ
      XC15-45mmF3.5-5.6 OIS PZ
    • XC50-230mmF4.5-6.7 OIS II
      XC50-230mmF4.5-6.7 OIS II
    Teleconverter
    • XF1.4X TC WR
      XF1.4X TC WR
    • XF2X TC WR
      XF2X TC WR
    Cine
    • MKX18-55mmT2.9
      MKX18-55mmT2.9
    • MKX50-135mmT2.9
      MKX50-135mmT2.9
  • Support
    SUPPORT
    • Downloads
      • Firmware
      • Software
      • LUT
      • Technical Data
    • Manuals
      • Cameras
      • Lenses
      • Accessories
      • Software
    • Compatibility
      • Cameras
      • Lenses
      • Accessories
      • Software
    • More Links
      • FAQ
      • FUJIFILM Service Centre
      • FUJIFILM X | GFX Members
      • FUJIFILM Professional Services (FPS)
  • News
  • Events
  • Promotions
  • Shop
  • X-Photographers
    • Galleries
    • Photographer
  • X Stories
    • X Stories
    • Learning Centre
©FUJIFILM Corporation.

Learning Centre

  • twitter
  • facebook
Image © Onyi Moss

> 8 minute read

10 Simple Tips for Better Travel Photos

As a subject, travel photography is as wide as the world we live in. You can shoot almost any style, anywhere. So, what does it take to make great travel photos with your X Series camera and lenses? As you’ll see from the following tips, success is just as much about approach, as it is camera skills or settings...

Pack Like a Pro

That doesn’t mean pack everything. Actually, it’s the opposite. X Series cameras and lenses are designed to be lightweight and portable, but overpack and you’ll risk turning your photographic treat into a gruelling task. After all, if you’re tired from carrying a bag full of gear, will you even feel like taking pictures? Ultimately, it’s better to have one lens and get the best out of that, than a clutter of options that tire and distract you.

XF16-80mmF4 R OIS WR and XF18-135mmF3.5-5.6 R LM OIS WR are both great travel options, providing all-in-one versatility and low weight. Or you can go for a standard lens, like XF27mmF2.8 R WR, giving a natural view of all sorts of subjects.

Alternatively, if you feel there are certain bits of kit you simply can’t leave at home, consider two bags. Leave the larger one at your accommodation, or in your vehicle, with the majority of your kit – while you take a smaller bag, with a more streamlined kit, on excursions.

For more top tips on packing for trips, check out our dedicated article via this link. It has advice for day trips, weekend breaks and dedicated photo holidays.

Two white horses on yellow grassy hill

Image © Pete Elliott

Decompress for Success

Visiting new locations can be overwhelming. The mix of sights, sounds, smells, languages and people is a literal culture shock. You’ll want to start capturing it as quickly as possible, but there are so many choices – and that can lead to a sense of feeling overwhelmed, preventing you from doing your best work. Slow down and accept that you can’t capture everything; you’ll soon feel freer and more expressive.

Before even thinking about photography, take a while to decompress. Walk around the place you’re staying, leaving the camera behind, and let the senses adjust in their own time. Notice how you respond to all these new stimuli and what interests you the most. Figuring that out is a vital ingredient for photography – an agenda built on thoughtful inspiration, not wild reaction.

If you don’t have time to take in your surroundings – perhaps you’re just passing through a town or are on a group tour with only 15 minutes before they move you on to the next location – then try to challenge yourself to only capture a handful of images. It can be tempting to keep the shutter button held down in fear that you’ll miss that one perfect photo, but trust in yourself (and your mirrorless technology) that you can get it right first time!

Stone statue of man on tree-lined Mediterranean shore

Image © Onyi Moss

Table of Mediterranean food by water's edge

Image © Onyi Moss

Wake of boat in sea with Mediterranean coastline in distance

Image © Onyi Moss

Think Ahead

Successful shots often come from planning, so it’s great to research locations before arrival. Take note of local festivals and events which have the flavour you’re looking for. Upon arrival, seek out local galleries or postcard sellers, which can also be a great inspiration.  Look for places where locals congregate and learn how they work and play, helping you tell more authentic stories from your adventures.

If you’re into scenics, look for sunrise and sunset times using apps like PhotoPills – these show you where the light will fall during the day. Internet image searches can give an idea of what to look for in a new location, and the best vantage points for great views.

Browse and take inspiration from images online taken by previous visitors to your destination. It’s also a great challenge to figure out how to add your own take. What angles, shapes or curiosities can you bring to the table to ensure your images feel as unique as your experience was?

But, of course, any plan is subject to change, so don’t beat yourself up over a schedule. Accept that you cannot shoot everything – and concentrate on enjoying what you can.

Sunny beach with three palm trees and a small lifeguard's tower

Image © Kevin Mullins

Finding a Sense of Place

For great travel pictures, put the viewer in your shoes and give them a taste of your experience. A lot of that comes from a strong sense of place.

Try to include clues about where the shot was taken, like the unique dress of the people there, writing in the local language, or distinctive street signs. Even if these elements aren’t central to your image, and just used out of focus in the background, it will add some of the required flavour. Do the same thing with iconic buildings, monuments and landmarks.

Handbag on leather seat of speedboat

Image © Onyi Moss

Strawberry and ice cream desert in glass

Image © Onyi Moss

Driver of speedboat at the wheel

Image © Onyi Moss

Start a Project

A holiday is a great time to begin a short project. As part of getting to know your new surroundings, certain things will stand out. It could be a local custom, style of dress, or even a particular location that changes in mood from day to night. Pick out what inspires, using it as a repeating theme throughout your stay. You’ll soon create a series of similar images – and the sum will be greater than its parts.

Working in a consistent fashion really helps. Consider framing in a particular way that you can repeat; exposing with the same settings over and over to give consistent depth-of-field or subject movement; or even changing the aspect ratio of your pictures. This is done in the Image Quality Setting menu under Image Size.

If you’ve discovered FUJIFILM Film Simulation modes, you’ll know how they can add a unique and distinctive finish to images – making them perfect for themed shots. Pick a mode, and switch to it each time you take a photo for your project. You can do that right from the Q menu, or the Image Quality Setting menu.

Heart-shaped coastline of Praia da Marinha

Image © Pete Elliott

Heart-shaped coastline of Praia da Marinha with figure standing in distance

Image © Pete Elliott

Put Yourself in the Frame

When capturing landscapes on your travels, it’s sometimes difficult for people to understand the scale or geography of a place. One way to fix that is to include something they do recognise – a person. Many travel photographers do this, and sites like Instagram are full of great wide-angle images, featuring a lone figure gazing out over an exotic scene.

If you’re on your own, and can’t frame someone else in the landscape, it can still be done. Just set the camera on a tripod, switch to Single AF mode and focus on the place you’ll be in the scene. Then, either set the self-timer to 10 secs and get into position, or use the FUJIFILM Remote Camera App to trigger the shutter.

Wide Scottish highland with rainbow

Image © Pete Elliott

Widen Your Eyes

When travelling, you’ll discover amazing scenes – some of which may be just too big for the lens you have. In those situations, switch to your X Series camera’s Panorama mode. This lets you trigger an exposure, then sweep the camera left, right, up or down, recording a wider frame than a regular photo. You’ll find it on the Drive dial, or in the menu.

Of course, just using Panorama mode won’t make a great image in itself. You still need to find powerful light, like sunrise, sunset or the blue hour. And you have to compose well, too, because a panorama should still have a strong focal point. Begin your sweep of the scene with the subject on the opposite side of the first frame and it should look good. Make sure to keep the camera level as you sweep across the scene, too.

Cloudy beach at dusk with two distant figures

Image © Pete Elliott

RAW for Better Exposures

Travel photography is about grabbing opportunities, and you won’t always be faced with the best light for doing so. For that reason, it’s often best to shoot in RAW or RAW+JPEG image quality mode. RAW files give far more latitude for adjustments than regular JPEGs, letting you darken, lighten, or change the white balance of an image in ways that a JPEG can’t offer.

Most of the time we would process RAW files on a computer, but access might be tricky when travelling. That’s why Fujifilm included simple in-camera RAW processing on its X Series models. Find all the options by going into Playback mode, and pressing Menu/OK.

If you shoot in RAW, remember that Film Simulation modes won’t be applied, but you can still add these via in-camera processing or Capture One software.

Don’t Forget Your Creative Toolkit

As you start to decode new surroundings, try not to be overawed and remember the creative techniques you’ve learned. These are the things that can make travel images unique. For instance, if you’ve used long exposures before, visiting cities is a great place for traffic trails. These kinds of shots can also be used to blur crowds and make scenery stand out. Another example is your camera’s multiple exposure mode; combine several scenes into one and increase the exotic flavour of travel shots.

Image © Pete Elliott

Share What You’ve Shot

The excitement of travel photography is too good not to share. Fortunately, you don’t have to wait until you get home to do it. All you need is the FUJIFILM Remote Camera App. Install, easily pair with your camera, and you’ll be able to immediately transfer images to your device to be shared to all the usual places online!

Also Try...

Using Negative Space

Which GFX Camera Body Is Right for You?

Specialised for different photographers’ needs, how do GFX bodies compare?

Three Ways to Improve Exposure on Moving Subjects

Discover some FUJIFILM X Series camera tricks to help you create great sports and action images

  • Products
    • Cameras
    • Lenses
    • Accessories
    • Software
    • Help Me Choose
  • Support
    • Download
    • Manual
    • Compatibility
    • FAQ
    • FUJIFILM X | GFX Members
    • FUJIFILM Professional Services (FPS)
    • Product Security Information
  • More
    • X-Photographers
    • X Stories
    • Learning Centre
    • Events
    • News
    • Promotions
    • Shop
Follow Us
  • UK
  • Global
FUJIFILM ©FUJIFILM Corporation.
  • Contact
  • Privacy Policy
  • Terms of Use
  • Cookie Settings
Select Your Country Or Region
  • America
    • pt-br

      Brazil

    • en-ca

      Canada

      • English
      • French
    • en-us

      USA

  • Asia Pacific
    • zh-cn

      China

    • en-in

      India

    • id-id

      Indonesia

    • ja-jp

      Japan

    • ko-kr

      Korea

    • en-my

      Malaysia

    • en-ph

      Philippines

    • en-sg

      Singapore

    • th-th

      Thailand

    • vi-vn

      Vietnam

  • Europe
    • de-at

      Austria

    • fr-be

      Belgium

      • Dutch
      • French
    • hr-hr

      Croatia

    • cs-cz

      Czechia

    • da-dk

      Denmark

    • et-ee

      Estonia

    • fi-fi

      Finland

    • fr-fr

      France

    • de-de

      Germany

    • el-gr

      Greece

    • hu-hu

      Hungary

    • is-is

      Iceland

    • en-ie

      Ireland

    • it-it

      Italy

    • lv-lv

      Latvia

    • lt-lt

      Lithuania

    • nl-nl

      Netherlands

    • no-no

      Norway

    • pl-pl

      Poland

    • pt-pt

      Portugal

    • ro-ro

      Romania

    • ru-ru

      Russia

    • sk-sk

      Slovakia

    • sl-si

      Slovenia

    • es-es

      Spain

    • sv-se

      Sweden

    • fr-ch

      Switzerland

      • French
      • German
    • tr-tr

      Turkey

    • en-gb

      UK

    • uk-ua

      Ukraine

  • Oceania
    • en-au

      Australia

    • en-nz

      New Zealand

  • Other
    • global

      Global

Stay in touch

Sign up to receive emails from FUJIFILM to be inspired by the world of X and GFX series and stay up-to-date with new product releases.

[ * ] Required fields