{"id":74267,"date":"2019-01-06T00:39:11","date_gmt":"2019-01-05T15:39:11","guid":{"rendered":"https:\/\/fujifilmnxtc.wpenginepowered.com\/stories\/composition-high-and-low\/"},"modified":"2024-05-02T04:21:37","modified_gmt":"2024-05-01T19:21:37","slug":"intermediate-month-1-composition-2-high-and-low","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/en-us\/stories\/intermediate-month-1-composition-2-high-and-low\/","title":{"rendered":"Composition \u2013 High and Low"},"content":{"rendered":"

Changing your viewpoint is not only a great way to see your subject differently, but can unblock your creativity if you\u2019re having difficulty finding an approach<\/h2>\n

Taking photographs is a simple enough process. We switch on our camera, raise it to our eye \u2013 or compose with the rear LCD \u2013 and take the shot, right? There\u2019s nothing wrong with this, of course, but when was the last time you took a picture at anything other than head height? If it\u2019s been a while, then your images may be suffering as a result. Consistently shooting from the same height can lead to a visual monotony, so it\u2019s time to inject some life into your shots by trying alternative viewpoints. Here\u2019s how.<\/p>\n<\/p>\n

Hit the Ground<\/h3>\n

\nLet\u2019s start at the bottom and go for some ground-level shooting. Most FUJIFILM cameras offer a tilting LCD, so get the screen flipped to 90\u00b0 and hold the camera down as low as possible. You can easily support it using a rolled-up jacket or camera bag. This type of approach is great for close-up subjects, including flowers and tame animals, but it can also be really cool to emphasize the height of buildings. Pointing your camera up to shoot tall buildings results in a phenomenon known as converging verticals, where the top of the building leans in, but this can be used to dramatic effect.
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\nWide-angle lenses often go hand in hand with low viewpoints for powerful shots. They don\u2019t suit every subject, but optics like the XF16mmF2.8 R WR or XF18mmF2 R are certainly worth a try!<\/p>\n<\/p>\n

\"Learn\u00a9 Michael Melford<\/p>\n<\/p>\n

Shoot from the Hip<\/h3>\n

\nKeep that screen flipped out to 90\u00b0 for this technique and see how the world looks when you compose shots from waist height. It only represents a subtle change from head height shooting, but it can make a big difference, especially if you use it to shoot subjects, including portraits of kids or animals. This lower viewpoint can work on sports subjects as well; you\u2019ll see photographers at sporting events sitting on cases around the outside of a field for this reason.
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\nThe shooting-from-the-hip technique also works for street photography. If your FUJIFILM camera has touch AF, make sure it\u2019s switched on for easy focusing and capture. If you don\u2019t, try presetting exposure and focus manually. Prefocus your lens to around 2m away, then set a shutter speed of 1\/125 sec, an aperture of F5.6 and leave the ISO on auto \u2013 it will help you work quickly and get plenty of shots in focus.<\/p>\n<\/p>\n

\"Learn\u00a9 Afton Almaraz<\/p>\n<\/p>\n

Put Your Hands Up<\/h3>\n

\nLove or hate selfies, they have taught us the benefits of holding our cameras above our heads! But rather than pointing the camera at yourself, point it away from you and see how it can change the way you photograph different subjects.
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\nIf you own a FUJIFILM camera with a tilting screen, be sure to angle it 45\u00b0 down so you can see the screen easily when it\u2019s held above you. You might also need to increase screen brightness to make it easier to compose. To do this, select SET UP > SCREEN SET-UP > LCD BRIGHTNESS.
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\nShooting with the camera held above your head is a great way of shooting over crowds and can also make for dynamic portraits, eye-catching landscapes and \u2013 when combined with a wide angle lens \u2013 fully immersive sports shots.
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\nBe sure to have the camera strap wrapped around your wrist for added security and to avoid injury.<\/p>\n<\/p>\n

\"Learn\u00a9 Tiffany Reed Briley<\/p>\n<\/p>\n

Head for Heights<\/h3>\n

\nHolding a camera above your head still not high enough? You need to climb. Up some steps, up a ladder, a hill, a mountain, a skyscraper; anything that gets you to a higher viewpoint and, in turn, a very different view of the world. Once you\u2019ve reached your lofty perch, try using both wide angle and telephoto lenses to emphasize space or pick out details according to the effect you\u2019re trying to create.
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\nObviously, whenever you go for an elevated viewpoint, please do so safely. You don\u2019t need to put your life at risk to create awesome photographs.<\/p>\n<\/p>\n

\"Learn\u00a9 Michael Melford<\/p>\n<\/p>\n

Your Next Steps<\/h3>\n