[{"id":365295,"date":"2026-06-22T00:17:58","date_gmt":"2026-06-22T00:17:58","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=365295"},"modified":"2026-06-22T00:18:06","modified_gmt":"2026-06-22T00:18:06","slug":"momentos-medidos-fotografia-de-viajes-con-luke-davis","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/es-es\/stories\/momentos-medidos-fotografia-de-viajes-con-luke-davis\/","title":{"rendered":"Momentos medidos: Fotograf\u00eda de viajes con Luke Davis"},"content":{"rendered":"\n

Luke Davis, fot\u00f3grafo de estilo de vida y viajes, habla sobre el equipo, las decisiones estil\u00edsticas y c\u00f3mo las limitaciones pueden estimular la creatividad<\/h2>\n\n\n\n

Luke Davis es un fot\u00f3grafo de viajes y estilo de vida de Dorset, al suroeste de Inglaterra. La \u00faltima vez que hablamos con Luke<\/a>, describi\u00f3 su estilo de imagen como un intento de crear una sensaci\u00f3n atemporal de nostalgia. \u201cNo estoy intentando emular estrictamente la pel\u00edcula, pero definitivamente intento aprovechar algunas de esas caracter\u00edsticas\u201d, explica ahora. \u201cLa suavidad, las texturas granulosas… tambi\u00e9n una paleta de colores c\u00e1lidos\u201d.<\/p>\n\n\n\n

\u201cDir\u00eda que mi estilo se ha inclinado m\u00e1s hacia el lado colorido y vibrante: definitivamente mis im\u00e1genes han ido adoptando un car\u00e1cter m\u00e1s v\u00edvido durante el \u00faltimo a\u00f1o m\u00e1s o menos\u201d, a\u00f1ade. \u201cPero la premisa de querer que mis im\u00e1genes se perciban m\u00e1s como un recuerdo sigue siendo el n\u00facleo de mi estilo.
<\/p>\n\n\n\n

\u201cLa palabra \u2018escapismo\u2019 es probablemente la forma perfecta de decirlo. Hay muchos fot\u00f3grafos que hacen muy bien las fotos de viaje de estilo documental. Sin embargo, mi objetivo principal es llamar la atenci\u00f3n sobre los detalles m\u00e1s peque\u00f1os, dar una sensaci\u00f3n de calma y crear una versi\u00f3n rom\u00e1ntica de la vida\u201d.<\/p>\n\n\n\n

\"A
Fotograf\u00eda 2026 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 y FUJINON XF35mmF2 R WR, 1\/1800\u00a0s en f6.4, ISO\u00a0500
<\/figcaption><\/figure>\n\n\n\n

Un amplio espectro<\/h2>\n\n\n\n

Algunos fot\u00f3grafos de viajes acuden a un lugar buscando cumplir un encargo concreto. El enfoque de Luke es mucho m\u00e1s abierto. \u201cNo tengo una intenci\u00f3n deliberada\u201d, dice. \u201cNo voy a un lugar para contar una historia en particular. A menudo, no se trata m\u00e1s que de m\u00ed mismo asimil\u00e1ndolo por primera vez y viendo lo que veo: esa es toda la premisa\u201d.<\/p>\n\n\n\n

\u201cMi \u00fanico objetivo real es observar un lugar de arriba abajo tan atentamente como pueda. Intento no centrarme en la gran imagen principal. Adem\u00e1s, no me fijo solo en peque\u00f1os detalles. Quiero tener una amplia variedad de fotos para mostrar: intento imagin\u00e1rmelo como si estuviera creando un \u00e1lbum de fotos de ese lugar\u201d.<\/p>\n\n\n\n

\u201cQuiero tener esa gran imagen de portada, pero tambi\u00e9n quiero ver c\u00f3mo son las personas y mostrar algunos de esos peque\u00f1os detalles que podr\u00edan pasarse por alto. Trato de conseguir momentos grandes y peque\u00f1os para mostrar un amplio espectro\u201d.<\/p>\n\n\n\n

\"An
Fotograf\u00eda 2024 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 y FUJINON XF23mmF1.4 R LM WR, 1\/20\u00a0000\u00a0s en f1.4, ISO\u00a0500<\/figcaption><\/figure>\n\n\n\n

Un buen fot\u00f3grafo de viajes sabe c\u00f3mo aprovechar de forma eficiente el tiempo limitado en un lugar. \u201cTener un itinerario aproximado ayuda\u201d, dice Luke. \u201cIntento trazar una l\u00ednea: tener algunas zonas que quiero explorar, pero luego permitirme libertad entre esos momentos. As\u00ed es como logro el equilibrio. Normalmente tienes un l\u00edmite de tiempo, y presi\u00f3n para crear tu mejor trabajo en cada lugar. Pero \u00faltimamente he aprendido a intentar que fluya\u201d.<\/p>\n\n\n\n

\u201cSe trata de dejarme experimentar un lugar. No deber\u00eda presionarme demasiado para crear, porque eso al final afectar\u00e1 a mi disfrute de un lugar y, por ende, a mi fotograf\u00eda\u201d.<\/p>\n\n\n\n

\u201cNormalmente me emociono mucho cuando llego a un lugar: solo quiero empezar a fotografiar de inmediato. Pero ahora he empezado a interiorizar el lugar antes de sacar la c\u00e1mara. Es bueno dedicar unos instantes a estar presente, porque as\u00ed es como se logra comprender un lugar un poco mejor, lo cual a\u00f1ade profundidad a tus im\u00e1genes\u201d.<\/p>\n\n\n\n

\"\"
Fotograf\u00eda 2024 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 y FUJINON XF23mmF1.4 R LM WR, 1\/6000\u00a0s en f4, ISO\u00a0500<\/figcaption><\/figure>\n\n\n\n

El equipo adecuado<\/h2>\n\n\n\n

Luke ha encontrado la alianza creativa perfecta para su enfoque de la fotograf\u00eda de viajes: la serie X de FUJIFILM. \u201cQuiero tener im\u00e1genes de muy alta resoluci\u00f3n, pero tambi\u00e9n quiero ese aspecto anal\u00f3gico m\u00e1s suave: una combinaci\u00f3n de esos dos mundos. FUJIFILM ejemplifica c\u00f3mo imbricar esas dos \u00e1reas y encontrar el mejor equilibrio entre ellas\u201d, dice.
<\/p>\n\n\n\n

\u201cFUJIFILM se apoya en su legado de la era de la fotograf\u00eda anal\u00f3gica, y eso se muestra en la forma en que dise\u00f1an sus c\u00e1maras y crean sus simulaciones de pel\u00edcula. Ponen el alma en el equipo a la vez que aprovechan las ventajas de la tecnolog\u00eda de las c\u00e1maras digitales\u201d.
<\/p>\n\n\n\n

\u201cMi c\u00e1mara preferida es la FUJIFILM X-T5<\/a>. No paro de volver a ella: lo hace todo. Tiene toda la resoluci\u00f3n que necesito, el autoenfoque es excelente, tiene un IBIS tremendo, graba v\u00eddeos incre\u00edbles y tampoco tiene un tama\u00f1o tan grande. Para m\u00ed, es lo m\u00e1s cerca que vas a estar de conseguir una c\u00e1mara perfecta\u201d.
<\/p>\n\n\n\n

\"\"
Fotograf\u00eda 2024 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 y FUJINON XF18mmF1.4 R LM WR, 1\/18\u00a0s en f5.6, ISO\u00a0500
<\/figcaption><\/figure>\n\n\n\n

Luke destaca la importancia de plantearse en serio la portabilidad del equipo de fotograf\u00eda de viajes. \u201cEl tama\u00f1o y el peso son factores clave, y eso es algo que he llegado a valorar mucho m\u00e1s en el \u00faltimo a\u00f1o o dos\u201d, reflexiona. \u201cHe aprendido a entender lo que me gusta de mis objetivos y a elegir cuidadosamente qu\u00e9 llevar\u201d.<\/p>\n\n\n\n

\u201cCuando empec\u00e9 a hacer esto, met\u00eda todo mi equipo en una bolsa y ten\u00eda todas las opciones listas para usar. Hoy en d\u00eda, mi kit es mucho m\u00e1s minimalista. Llevo conmigo dos, quiz\u00e1 tres objetivos. Hace unos a\u00f1os, habr\u00edan sido seis o siete\u201d.
<\/p>\n\n\n\n

\u201cLa par\u00e1lisis por demasiadas opciones es real. Podr\u00edas pasarte el tiempo cambiando de objetivo y dudando sobre qu\u00e9 distancia focal se adaptar\u00eda a cada situaci\u00f3n, o simplemente aceptar llevar un objetivo de 35\u00a0mm y asumir sin agobio que puedes perder im\u00e1genes que podr\u00edas haber conseguido con algo diferente\u201d.<\/p>\n\n\n\n

\u201cTener esa limitaci\u00f3n fomenta la creatividad, ya que te obliga a abordar las cosas de una manera que no te plantear\u00edas si tuvieras todas las distancias focales posibles a tu disposici\u00f3n\u201d.<\/p>\n\n\n\n

\"\"
Fotograf\u00eda 2024 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 y FUJINON XF18mmF1.4 R LM WR, 1\/2000\u00a0s en f4, ISO\u00a0500
<\/figcaption><\/figure>\n\n\n\n

Objetivos de la serie X para fotograf\u00eda de viajes<\/h2>\n\n\n\n

\u201cSiempre he preferido los objetivos est\u00e1ndar, algo en torno a ese equivalente a 50\u00a0mm\u201d, afirma Luke. \u201cNo siempre llevo un objetivo gran angular en la bolsa, pero cuando lo llevo, me encanta tener la perspectiva de 18\u00a0mm. No es demasiado gran angular, pero tampoco est\u00e1 demasiado comprimido. Para un gran angular, se queda justo en ese punto intermedio\u201d.<\/p>\n\n\n\n

El FUJINON XF 18mmF1.4 R LM WR<\/a>, un objetivo profesional resistente a la intemperie con una distancia focal equivalente en formato completo de 27\u00a0mm, ofrece una calidad \u00f3ptica excepcional con una distancia focal gran angular. \u201cPara m\u00ed, es genial como objetivo de referencia\u201d, dice Luke. \u201cSi pienso como si estuviera creando un fotolibro de un lugar, el XF18mmF1.4 es el objetivo que imagino que usar\u00eda para la imagen de portada: algo que abarque el lugar en su conjunto\u201d.<\/p>\n\n\n\n

\"\"
Fotograf\u00eda 2026 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 y FUJINON XF18mmF1.4 R LM WR, 1\/1100\u00a0s en f4.5, ISO 500<\/figcaption><\/figure>\n\n\n\n

FUJINON XF23mmF1.4 R LM WR<\/a> ofrece una calidad \u00f3ptica similar pero una perspectiva ligeramente m\u00e1s estrecha. \u201cLo describir\u00eda como un objetivo para todo\u201d, se\u00f1ala Luke. \u201cHay una raz\u00f3n por la que c\u00e1maras como la FUJIFILM X100VI<\/a> son tan populares, con un objetivo fijo a esa distancia focal: es un punto ideal muy vers\u00e1til. Puedes recortarlo en un apuro para acercarte un poco, y tiene suficiente compresi\u00f3n como para conseguir esas tomas de detalle m\u00e1s planas. Pero tambi\u00e9n tiene un campo de visi\u00f3n lo suficientemente amplio como para que puedas dar un par de pasos atr\u00e1s y obtener una muy buena toma de referencia. Si tuviera que llevarme solo un objetivo para un viaje, ser\u00eda ese\u201d.<\/p>\n\n\n\n

Los XF18mmF1.4 y XF23mmF1.4 tienen dise\u00f1os \u00f3pticos excepcionales y ofrecen una claridad asombrosa en todo el encuadre.\u00a0<\/p>\n\n\n\n

\"\"
Fotograf\u00eda 2024 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 y FUJINON XF23mmF1.4 R LM WR, 0,8\u00a0s en f11, ISO\u00a0500<\/figcaption><\/figure>\n\n\n\n

\u201cSiempre me impresiona lo n\u00edtidos que son esos objetivos a m\u00e1xima apertura. Si quisieras, podr\u00edas dejarlos en F1.4 y olvidarte. Esa amplia apertura ofrece ventajas obvias: buen rendimiento en condiciones de poca luz y una profundidad de campo reducida. Pero he utilizado objetivos en el pasado que te obligan a cerrar el diafragma para obtener un rendimiento \u00f3ptimo. No tener esa restricci\u00f3n me quita un gran peso de encima\u201d.<\/p>\n\n\n\n

\u201cLa mayor ventaja es poder trabajar a m\u00e1xima apertura sin preocuparse de que se comprometa la calidad de imagen. Y aunque son ligeramente m\u00e1s grandes, siguen siendo bastante compactos. Al final, sigue siendo un objetivo APS-C: cuando le quito el parasol a uno de ellos, es aproximadamente del tama\u00f1o de una lata de refresco\u201d.<\/p>\n\n\n\n

\"\"
Fotograf\u00eda 2025 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 y FUJINON XF18mmF1.4 R LM WR, 1\/1600\u00a0s en f5.6, ISO\u00a0250<\/figcaption><\/figure>\n\n\n\n

Para un objetivo fijo a\u00fan m\u00e1s compacto, hay muchas opciones muy port\u00e1tiles en la gama de objetivos de la Serie X. \u201cPor supuesto, tienes los objetivos F2, que son a\u00fan m\u00e1s peque\u00f1os\u201d, a\u00f1ade Luke. \u201cPueden ofrecer una opci\u00f3n de viaje especialmente poco invasiva\u201d. Por ejemplo, el FUJINON XF35mmF2 R WR<\/a>, resistente a la intemperie, proporciona una ic\u00f3nica distancia focal equivalente de 53\u00a0mm, con un peso de solo 170\u00a0g y una longitud de solo 45,9\u00a0mm.<\/p>\n\n\n\n

\u201cMe encanta ese campo de visi\u00f3n\u201d, dice Luke entusiasmado. \u201cAunque me quedar\u00eda con el XF23mmF1.4 por versatilidad, elegir\u00eda algo con esa distancia focal de 35\u00a0mm como mi favorita: es la distancia focal que me llevar\u00eda a una isla desierta. Ofrece un poco de margen, y eso me da algo de espacio para trabajar. Y tiene una compresi\u00f3n plana, casi pict\u00f3rica, que me encanta en mis im\u00e1genes. Dir\u00eda que al menos en la mitad de mi trabajo utilizo esa distancia focal\u201d.<\/p>\n\n\n\n

\"\"
Fotograf\u00eda 2026 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 y FUJINON XF35mmF2 R WR, 1\/2000\u00a0s en f5.6, ISO\u00a0500<\/figcaption><\/figure>\n\n\n\n

Para lo \u00faltimo en flexibilidad, Luke sugiere un zoom de apertura fija como el FUJINON XF16-80mmF4 R OIS WR<\/a>. Recientemente regres\u00f3 de un viaje a Jap\u00f3n, donde confi\u00f3 en gran medida en un zoom est\u00e1ndar para adaptarse constantemente al entorno.<\/p>\n\n\n\n

\u201cCreo que surgi\u00f3 de esa idea de versatilidad\u201d, dice. \u201cNo todo mi trabajo requiere una apertura muy amplia, as\u00ed que en ese caso \u2014especialmente siendo Jap\u00f3n un lugar de esos que hay que visitar s\u00ed o s\u00ed para m\u00ed\u2014 no quer\u00eda perderme nada. Contar con todo ese rango fue perfecto. A\u00fan llevaba conmigo un objetivo fijo est\u00e1ndar, por si acaso quer\u00eda esa somera profundidad de campo o me encontraba con poca luz. Pero empec\u00e9 con el zoom en la c\u00e1mara, y eso fue lo que acab\u00e9 usando el 90\u00a0% del tiempo\u201d.<\/p>\n\n\n\n

\"\"
Fotograf\u00eda 2025 \u00a9\u00a0Luke Davis | FUJIFILM X-E5 y FUJINON XF16-55mmF2.8 R LM WR II, 1\/9000\u00a0s en f2.8, ISO\u00a0500<\/figcaption><\/figure>\n\n\n\n

Im\u00e1genes de \u00e1lbum que tienen impacto<\/h2>\n\n\n\n

El entusiasmo de Luke por la fotograf\u00eda, combinado con su exploraci\u00f3n de un nuevo lugar, a menudo hace que genere un gran n\u00famero de fotos durante un viaje. \u201cDe hecho, he empezado a seleccionar a medida que avanzo\u201d, admite. \u201cAntes nunca lo hac\u00eda: simplemente disparaba sin parar y luego volv\u00eda a casa con 6000\u00a0fotos que revisar.<\/p>\n\n\n\n

\u201dHoy en d\u00eda, reviso el men\u00fa de reproducci\u00f3n en la parte posterior de la c\u00e1mara al final de cada d\u00eda. Al pulsar el bot\u00f3n AEL (bloqueo de exposici\u00f3n), aparece la valoraci\u00f3n por estrellas. Lo uso para repasar y marcar con una estrella todo lo que quiero conservar. Ahorra mucho tiempo cuando vuelvo a casa\u201d.<\/p>\n\n\n\n

\u201dProviene puramente de mi amor por la fotograf\u00eda. Me hace much\u00edsima ilusi\u00f3n ver las im\u00e1genes del d\u00eda. Me gusta verlas y pensar: \u2018\u00bfEs una imagen de \u00e1lbum?\u2019.\u201d<\/p>\n\n\n\n

\"\"
Fotograf\u00eda 2026 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 y FUJINON XF35mmF2 R WR, 1\/12\u00a0800\u00a0s en f2, ISO\u00a0500<\/figcaption><\/figure>\n\n\n\n

\u00bfHay algo espec\u00edfico que defina una \u201cimagen de \u00e1lbum\u201d para Luke?\u00a0 \u201cEs dif\u00edcil decirlo exactamente\u201d, admite. \u201cIntento no mirarlo desde la perspectiva de si coincide o no con \u2018mi estilo\u2019. Solo tiene que despertar algo en m\u00ed\u201d.<\/p>\n\n\n\n

\u201dQuiz\u00e1s, un sujeto humano con una expresi\u00f3n determinada. O que la composici\u00f3n sea geom\u00e9tricamente satisfactoria. Quiz\u00e1s la hora del d\u00eda y las condiciones meteorol\u00f3gicas hayan permitido que la luz se alinee perfectamente. Hay una gran cantidad de factores que influyen en ello: tiene que ser la suma de todas las partes\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

Luke Davis, fot\u00f3grafo de estilo de vida y viajes, habla sobre el equipo, las decisiones estil\u00edsticas y c\u00f3mo las limitaciones pueden estimular la creatividad Luke Davis es un fot\u00f3grafo de viajes y estilo de vida de Dorset, al suroeste de Inglaterra. La \u00faltima vez que hablamos con Luke, describi\u00f3 su estilo de imagen como un […]<\/p>\n","protected":false},"author":437,"featured_media":361999,"template":"","category":[2084,1006,1202,3211,3260,3309,320,3162,1986,565,7180,13238,13835,9091,8209,8258,7768,3358],"post_tag":[],"class_list":["post-365295","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-x-series-mirrorless","category-x-series-premium-compact","category-x-mount-prime","category-products","category-x-mount","category-x-series","category-stories","category-x-t5","category-x100vi","category-xf16-55mmf2-8-r-lm-wr-ii","category-xf16-80mmf4-r-ois-wr","category-xf18mmf1-4-r-lm-wr","category-xf23mmf14-r-lm-wr","category-xf35mmf2-r-wr","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-29 01:07:09","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/story\/365295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/users\/437"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/media\/361999"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/media?parent=365295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/category?post=365295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/post_tag?post=365295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":364087,"date":"2026-06-19T05:00:00","date_gmt":"2026-06-19T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=364087"},"modified":"2026-06-15T05:41:27","modified_gmt":"2026-06-15T05:41:27","slug":"reala-ace-fs-recipe-x-sirirat-kongkaew","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/es-es\/stories\/reala-ace-fs-recipe-x-sirirat-kongkaew\/","title":{"rendered":"REALA ACE FS RECIPE x Sirirat Kongkaew"},"content":{"rendered":"\n

A Love of Travel, A Love of Seeing<\/strong><\/h2>\n\n\n\n

I am deeply in love with traveling. I believe that every location possesses its own unique beauty, whether it is found in the expansive landscape, the specific color palette, the scents, the atmosphere, or the small details that collectively inspire me to capture them through photography. My interest in travel began at the same time I started using a camera, and my first experience with photography was with a Fujifilm camera.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Photography as a Way to Share What Words Can\u2019t<\/strong><\/h2>\n\n\n\n

Often, the beauty of the places I visit is closely linked to fragments of my personal memories. There have been many occasions when I wanted to share these wonderful feelings with others so they could experience them as well. However, it is often impossible to convey everything through words alone, which is why I chose photography as my primary medium. It has become an essential tool for recording memories, because a photograph can often tell a story more effectively than words.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Why REALA ACE for Landscapes<\/strong><\/h2>\n\n\n\n

When it comes to landscape photography, REALA ACE is my preferred choice. It reproduces natural tones exceptionally well, making every scene feel more meaningful while remaining entirely realistic. The character of REALA ACE is simple, unpretentious, and subtle. It is not flashy, yet it carries a profound depth.<\/p>\n\n\n\n

I recall a clear day when I walked to the beach to photograph the sea. The sky and the water shared very similar tones, and REALA ACE successfully highlighted the special qualities of that moment. It perfectly conveyed my emotions, which were gentle and calm.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Stillness in Nature, Captured in Tone<\/strong><\/h2>\n\n\n\n

When I observed the mountain landscapes, with their beautiful ridges reflected on the water, it brought a sense of true peace. It felt as if nature was waiting to embrace and comfort me, allowing me to breathe more easily after leaving the hustle and bustle of the city behind. Seeing flocks of birds soaring high above the mountains felt like a performance by nature itself. It was a moment of tranquility that made me feel free and light.<\/p>\n\n\n\n

These were the emotions I experienced, and REALA ACE helped me capture their true tones. The balance between the blue of the sky and the soft orange light of the evening harmonized the landscape perfectly, creating a truly memorable moment.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Peace as a Priority<\/strong><\/h2>\n\n\n\n

In my professional life, I encounter various challenges, both difficult and easy. That is why finding moments of peace is incredibly valuable to me. Photography allows me to embrace the joys of life and prioritize my well-being, even if those moments are rare. Combining travel with photography is one of my greatest passions.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

The Look: Premium Realism<\/strong><\/h2>\n\n\n\n

The most impressive aspect of REALA ACE is its premium realism. The tones are soft, deep, and vibrant without being distracting. It is perfectly suited for landscape photography. Whenever you want a tone that feels comfortable, straightforward, and easy to understand, REALA ACE provides the ideal solution.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Preserving Feelings Before They Fade<\/strong><\/h2>\n\n\n\n

In this fast-paced world, things often move too quickly for us to remember every feeling. Time passes, and it cannot be reversed, and many moments quietly fade from our memory. Photography helps preserve these fragments. I can look back at what I saw, the feelings I had, and even the thoughts I did not express.<\/p>\n\n\n\n

The tone of an image plays a vital role in reconstructing memory. REALA ACE helps me recall the specific time of day and, more importantly, reflects my identity, preferences, and mood as someone who loves taking photos.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What REALA ACE Taught Me<\/strong><\/strong><\/h2>\n\n\n\n

REALA ACE has shown me that nature does not require excessive embellishment to be beautiful; it simply needs someone to take the time to truly see it. I also learned that peace is not a frightening silence. This realization came through using REALA ACE, which helped me see more clearly and understand new perspectives.<\/p>\n\n\n\n

solation can be difficult. It can make you feel disconnected, or hesitant to engage with others. However, REALA ACE reminded me that realistic tones remain true regardless of the location. Truth is always beautiful when viewed with love and deep intention. Even mountains that are rarely visited become beautiful in my eyes.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201cReala Stillness\u201d<\/strong><\/h2>\n\n\n\n

I named my REALA ACE FS RECIPE \u201cReala Stillness\u201d, inspired by the serene feeling of the images before me and the beauty hidden in the ordinary moments of my travels. It represents a tranquility that is not empty, where everything unfolds naturally.<\/p>\n\n\n\n

Whether it is the morning light reflecting on the waves or birds soaring under the golden evening sky, I see beauty in this simplicity. Everything I observe is real, and REALA ACE reflects that truth perfectly.<\/p>\n","protected":false},"excerpt":{"rendered":"

A Love of Travel, A Love of Seeing I am deeply in love with traveling. I believe that every location possesses its own unique beauty, whether it is found in the expansive landscape, the specific color palette, the scents, the atmosphere, or the small details that collectively inspire me to capture them through photography. My […]<\/p>\n","protected":false},"author":135,"featured_media":364096,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,7327],"post_tag":[],"class_list":["post-364087","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf56mmf12-r"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-29 01:07:09","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/story\/364087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/media\/364096"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/media?parent=364087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/category?post=364087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/post_tag?post=364087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":359268,"date":"2026-06-12T05:00:00","date_gmt":"2026-06-12T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=359268"},"modified":"2026-06-05T01:41:08","modified_gmt":"2026-06-05T01:41:08","slug":"reala-ace-fs-recipe-x-guillaume-flandre","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/es-es\/stories\/reala-ace-fs-recipe-x-guillaume-flandre\/","title":{"rendered":"REALA ACE\u00a0FS RECIPE\u00a0x Guillaume Flandre"},"content":{"rendered":"\n

I created \u201cSteel City\u201d with a clear objective in mind: to translate what London reveals in winter, when the city is cold, dense, and often quiet despite constant movement. A restrained FS RECIPE that reflects the city as it is experienced day to day.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

The starting point was REALA ACE. It\u2019s a deliberately understated, almost restrained simulation, and that\u2019s precisely what makes it relevant for urban photography. It doesn\u2019t force colours, doesn\u2019t dramatise scenes, and respects textures. In London, especially around the Southbank, everything is about surfaces: concrete, steel, glass, wet asphalt, low skies, reflections in the Thames. REALA ACE allows this reality to remain intact, without trying to correct it.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

The choice of settings was built around a simple idea: embracing the cold. The images were taken in the heart of the London winter, under grey, diffuse, often uniform light. By shifting the white balance toward cooler, bluish tones and reducing the presence of reds, I aimed to reproduce this visual temperature. The city appears more mineral, more distant, but also more truthful. The people photographed are not isolated from their environment; they are part of it. They move through the city in harmony with it.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Contrast plays an important role. London is a city of passage: people crossing, lingering briefly, then disappearing. By deepening the SHADOWS while keeping HIGHLIGHTS under control, shapes take precedence over details. Silhouettes stand out, bodies become graphic elements within the architecture. The DR200 setting is essential here: it makes it possible to retain both bright skies and fa\u00e7ades, as well as dark areas under bridges or around brutalist buildings, without crushing the image.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Colour is intentionally restrained. London is not devoid of colour, but it appears in touches: a coat, a sign, a reflection, something in motion. By reducing overall saturation, these elements naturally stand out when they appear. Strong COLOR CHROME adds density to mid-tones, gives weight to materials, and reinforces the sense of a \u201csolid\u201d city. Boosting the blues supports the overall atmosphere.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

I slightly reduced clarity to avoid an overly digital harshness. The city is already full of sharp angles and hard textures, there\u2019s no need to add more. This subtle softness helps preserve fluidity, especially in scenes with movement: hurried walkers, skaters, blurred passers-by. Grain is present, discreet, like a texture, to emphasize a natural city that is never perfectly smooth.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Most of these images were taken around the Southbank: a space that is both open and brutal, where people coexist with architecture without necessarily stopping to engage with it. Skaters on concrete, passers-by beneath buildings, silhouettes lost in volumes too large for them. What interested me was the silent interaction between Londoners and their city: how they move through it, occupy it, and gradually make it their own.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201cSteel City\u201d does not try to beautify the city. This FS RECIPE aims to show it as it is: cold, functional, sometimes distant, but inhabited. A city that reveals a great deal to those who take the time to look.<\/p>\n","protected":false},"excerpt":{"rendered":"

I created \u201cSteel City\u201d with a clear objective in mind: to translate what London reveals in winter, when the city is cold, dense, and often quiet despite constant movement. A restrained FS RECIPE that reflects the city as it is experienced day to day. The starting point was REALA ACE. It\u2019s a deliberately understated, almost […]<\/p>\n","protected":false},"author":135,"featured_media":359277,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,8307],"post_tag":[],"class_list":["post-359268","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-29 01:07:09","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/story\/359268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/media\/359277"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/media?parent=359268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/category?post=359268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/post_tag?post=359268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":359046,"date":"2026-06-05T05:00:00","date_gmt":"2026-06-05T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=359046"},"modified":"2026-06-05T03:59:39","modified_gmt":"2026-06-05T03:59:39","slug":"reala-ace-fs-recipe-x-simon-kim","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/es-es\/stories\/reala-ace-fs-recipe-x-simon-kim\/","title":{"rendered":"REALA ACE FS RECIPE x Simon Kim"},"content":{"rendered":"\n

My photography is rooted in the belief of carrying a camera every day<\/em>. Not for special occasions, not for dramatic scenes, but for the quiet in between moments that make up most of life.<\/p>\n\n\n\n

\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF2.8 R WR, 1\/60 sec at f\/8, ISO 500<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/300 sec at f\/5.6, ISO 500<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Living in Vancouver, light and colour are often limited. muted skies, muted streets, concrete surfaces. Because of that, I\u2019ve learned to appreciate light and colour more, not less. When they appear, even subtly, they matter. Soft, di\ufb00used light has become something I pay attention to instinctively, not because it is impressive, but because oftentimes it is rare.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/2000 sec at f\/2, ISO 500<\/figcaption><\/figure>\n\n\n\n

Fuji\ufb01lm cameras enabled that way of seeing for me. The experience of slowing down, framing deliberately, and committing to a moment trained my attention toward what already exists, rather than what needs to be chased. “CLOCKWISE ACE” came out of that habit.<\/p>\n\n\n\n

\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/340 sec at f\/11, ISO 500<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/750 sec at f\/16, ISO 500<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Why I Built This FS Recipe<\/h2>\n\n\n\n

I created “CLOCKWISE ACE” to support how I actually photograph. I wanted a FS RECIPE that stays close to reality while allowing everyday scenes to feel considered and intentional. I chose REALA ACE as the base because it already carried a sense of balance and restraint. It felt neutral without being \ufb02at, and calm without feeling detached. Rather than reshaping it into something else, I treated it as a foundation that could be gently re\ufb01ned.<\/p>\n\n\n\n

The goal was never to impose a look. It was to let light, colour, and texture behave naturally, especially in environments where nothing is exaggerated.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF2.8 R WR, 1\/550 sec at f\/8, ISO 500<\/figcaption><\/figure>\n\n\n\n

Shaping “CLOCKWISE ACE”<\/h2>\n\n\n\n

The adjustments I made to REALA ACE were minimal and deliberate. Highlights were toned down and shadows lifted to soften overall contrast. This allows tones to transition more gently and keeps images from feeling tense or overly de\ufb01ned. Colour was restrained slightly so it remains present without overwhelming the frame.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/4000 sec at f\/2, ISO 500<\/figcaption><\/figure>\n\n\n\n

Because of this softer contrast, I normally compose my images about one third to two thirds of a stop brighter. That exposure approach works with the FS RECIPE, allowing mid tones and subtle colour to settle naturally while preserving detail across the image.<\/p>\n\n\n\n

“CLOCKWISE ACE” is not about adding character. It is about removing friction between what I see and how it is rendered.<\/p>\n\n\n\n

Finding Attention in the Everyday<\/h2>\n\n\n\n

I enjoy creating images that catch attention immediately. What makes them noticeable, however, is not spectacle, but where they come from.<\/p>\n\n\n\n

\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF2.8 R WR, 1\/400 sec at f\/8, ISO 500<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/2500 sec at f\/1.4, ISO 500<\/figcaption><\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

Most of the images I make are crafted by noticing small things in everyday life. A shift in light. A colour relationship. A moment that would normally pass without being acknowledged. They stand out because they exist within the mundane, not outside of it. Soft, di\ufb00used light plays a big role in that. It allows details to surface quietly and colours to relate to each other honestly. “CLOCKWISE ACE” supports this by staying responsive rather than dominant, present without overpowering the scene.<\/p>\n\n\n\n

A FS Recipe for Daily Carry<\/h2>\n\n\n\n

“CLOCKWISE ACE” was built for daily use. soft days, window light, streets walked without a destination, interiors lived in rather than styled.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/2200 sec at f\/2.8, ISO 500<\/figcaption><\/figure>\n\n\n\n

It re\ufb02ects how I approach photography as a whole. Carrying a camera. Noticing what is already there. Appreciating light and colour precisely because they are not guaranteed.<\/p>\n\n\n\n

By staying close to REALA ACE and adjusting only what was necessary, this FS RECIPE became a tool that supports attention rather than replacing it. When the simulation fades into the background, what remains is the everyday scene, held carefully in soft light.<\/p>\n\n\n\n

FILM SIMULATION: <\/strong>REALA ACE
MONOCHROMATIC COLOR: <\/strong>N\/A
GRAIN EFFECT: <\/strong>STRONG, SMALL
COLOR CHROME EFFECT: <\/strong>STRONG
COLOR CHROME FX BLUE: <\/strong>WEAK
SMOOTH SKIN EFFECT: <\/strong>OFF
WHITE BALANCE: <\/strong>5500K, R 0, B -1
DYNAMIC RANGE: <\/strong>DR400
D RANGE PRIORITY: <\/strong>OFF
TONE CURVE: <\/strong>H -1, S -1
COLOR: <\/strong>-1
SHARPNESS: <\/strong>-1
HIGH ISO NR: <\/strong>0
CLARITY: <\/strong>0<\/p>\n","protected":false},"excerpt":{"rendered":"

My photography is rooted in the belief of carrying a camera every day. Not for special occasions, not for dramatic scenes, but for the quiet in between moments that make up most of life. Living in Vancouver, light and colour are often limited. muted skies, muted streets, concrete surfaces. Because of that, I\u2019ve learned to […]<\/p>\n","protected":false},"author":135,"featured_media":359058,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,13899],"post_tag":[],"class_list":["post-359046","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf23mmf28-r-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-29 01:07:09","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/story\/359046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/media\/359058"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/media?parent=359046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/category?post=359046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/post_tag?post=359046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358592,"date":"2026-06-03T05:00:00","date_gmt":"2026-06-03T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=358592"},"modified":"2026-06-01T09:27:06","modified_gmt":"2026-06-01T09:27:06","slug":"pro-neg-std-fs-recipe-x-gyu-yeon-lee","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/es-es\/stories\/pro-neg-std-fs-recipe-x-gyu-yeon-lee\/","title":{"rendered":"PRO Neg.STD\u00a0FS RECIPE\u00a0x Gyu-yeon Lee"},"content":{"rendered":"\n

When I photograph, my attention often turns to the atmosphere that surrounds fleeting moments of everyday life\u2014the impressions shaped by light, and the quiet temperature of the spaces themselves. The subtle resonance that can be felt without explanation is, perhaps, the very reason I continue to make photographs.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

People sometimes say that my photographs resemble me. In a way, that phrase has come to feel like the most accurate way to describe my work. To me, photography is ultimately a mirror that reflects the inner world of the person behind the camera. A photograph carries not only the scene itself, but also the photographer\u2019s way of seeing\u2014their attitude and sensibility\u2014quietly embedded within the frame. Rather than adding more, I have gradually come to search for a sense of simplicity. Through that process, my photographs have naturally found their own inner direction. Perhaps each image quietly reflects my gaze, deepening little by little over time.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

In that sense, PRO Neg. Std felt closely aligned with the intention behind this work. With this FS RECIPE, I wanted to express the atmosphere of subjects, landscapes, and spaces in a quieter, more contemplative way. Instead of pushing saturation or creating dramatic contrast, I was drawn to the way it gently softens color and balances the tones with restraint.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Even under strong light, its soft density prevents the image from becoming harsh. This allowed me to render the natural texture of the subject without exaggeration, while preserving the quiet, mist-like stillness that flows through the entire scene. The process of discovering a resonance between my own way of seeing and the character of this FS RECIPE ultimately became the most meaningful part of this work.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

When I photograph, my attention often turns to the atmosphere that surrounds fleeting moments of everyday life\u2014the impressions shaped by light, and the quiet temperature of the spaces themselves. The subtle resonance that can be felt without explanation is, perhaps, the very reason I continue to make photographs. People sometimes say that my photographs resemble […]<\/p>\n","protected":false},"author":135,"featured_media":359150,"template":"","category":[2084,1006,1202,13607,1055,3211,13923,320,3162,1986,565,13393,13835,3358],"post_tag":[],"class_list":["post-358592","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-t50","category-xf16-55mmf2-8-r-lm-wr-ii","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-29 01:07:09","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/story\/358592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/media\/359150"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/media?parent=358592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/category?post=358592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/es-es\/wp-json\/wp\/v2\/post_tag?post=358592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358124,"date":"2026-06-01T05:00:00","date_gmt":"2026-06-01T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=358124"},"modified":"2026-05-26T03:44:12","modified_gmt":"2026-05-26T03:44:12","slug":"bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/es-es\/stories\/bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki\/","title":{"rendered":"[BTS] GFX ETERNA 55: Yu Sanbonsuge x Shortfilm “Tomei Na Zawameki”"},"content":{"rendered":"\n

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