{"id":65876,"date":"2023-04-20T14:00:01","date_gmt":"2023-04-20T05:00:01","guid":{"rendered":"https:\/\/fujifilmnxtc.wpenginepowered.com\/?post_type=xstories&#038;p=4214188"},"modified":"2024-05-01T23:00:20","modified_gmt":"2024-05-01T14:00:20","slug":"frame-io-camera-to-cloud-narrative-filmmaking-with-cameron-carr","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-be\/stories\/frame-io-camera-to-cloud-narrative-filmmaking-with-cameron-carr\/","title":{"rendered":"Frame.io Camera to Cloud: Narrative Filmmaking with Cameron Carr"},"content":{"rendered":"<p><div class=\"embed-responsive\"><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Iatyd-VJlyI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<h5>Director Cameron Carr utilizes Fujifilm\u2019s new integration with Frame.io Camera to Cloud (C2C) on his latest project, Harlem Fragments<\/h5>\n<p>Effective collaboration is at the heart of a great production. At least that\u2019s the opinion of New York-based director and creative producer Cameron Carr. In order to work together effectively, you need a team that\u2019s positive, relaxed and level-headed. It\u2019s this belief that forms the foundation of his directing style.<\/p>\n<p>\u201cMy grandpa used to call me \u2018cool breeze\u2019, because I\u2019m steady and on an even keel,\u201d smiles Cameron. \u201cThat\u2019s crucial on set, because it all starts with the director. If you want to assemble the dream team, they have to want to show up and be excited about the work. But if you have someone in a director role who\u2019s a little more angsty, that can quickly permeate through.\u201d<\/p>\n<p>Ensuring a relaxed environment on a busy set can be challenging, so finding ways to streamline processes and remove obstacles is extremely important to Cameron.<\/p>\n<p>His most recent project, Harlem Fragments, was a case in point. With a complex narrative, tight schedule, and cramped set, being able to utilize Fujifilm\u2019s new integration with <a href=\"https:\/\/fujifilmxcom.wpenginepowered.com\/lp\/fujifilm-x-frame-io\/\" rel=\"nofollow noopener\" target=\"_blank\">Frame.io Camera to Cloud (C2C)<\/a> was a real advantage.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2023\/03\/C2C-Narrative-Filmmaking-with-Cameron-Carr-2.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2023\/03\/C2C-Narrative-Filmmaking-with-Cameron-Carr-2.jpg\" alt=\"FUJIFILM X-H2 with cinema lens attached with flip put LCD open showing Camera to Cloud connection menu\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<p><p>\u201cIt\u2019s relentlessly ambitious, which also aligns with my personality,\u201d chuckles Cameron. \u201cWe developed this project in under two months, so it was probably the fastest production I\u2019ve worked on.\u201d<\/p>\n<p>Cameron worked with director of photography Nona Catusanu-Popp, using <a href=\"https:\/\/fujifilmxcom.wpenginepowered.com\/global\/products\/cameras\/x-h2s\/\" rel=\"nofollow noopener\" target=\"_blank\">FUJIFILM X-H2S<\/a> equipped with <a href=\"https:\/\/fujifilmxcom.wpenginepowered.com\/global\/products\/accessories\/ft-xh\/\" rel=\"nofollow noopener\" target=\"_blank\">FT-XH File Transmitter<\/a>. With an active internet connection, this combination enabled the team to automatically upload proxy files directly from the camera to their <a href=\"https:\/\/frame.io\/c2c\" target=\"_blank\" rel=\"noopener nofollow\">Frame.io<\/a> account.<\/p>\n<p>They were then able to create and share a secure link to the Frame.io project folder, allowing the entire production and post-production team to view, annotate, and download the footage immediately \u2013 regardless of location. All they needed was a device with access to the internet. <a href=\"https:\/\/fujifilmxcom.wpenginepowered.com\/lp\/fujifilm-x-frame-io\/\" rel=\"nofollow noopener\" target=\"_blank\">Find out more about C2C connections here.<\/a><\/p>\n<p>\u201cI\u2019ve been on so many sets where there\u2019s this unknown period of time between production and post-production, when all the footage is being unloaded and organized ready for the editors. I\u2019m always thinking about ways to help expedite that process,\u201d says Cameron.<\/p>\n<p>\u201cWith C2C, the second you make the footage, it pops up on a screen and you can review it in an easily digestible way. Having that on a film set was eye-opening,\u201d he reveals.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2023\/03\/C2C-Narrative-Filmmaking-with-Cameron-Carr-3.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2023\/03\/C2C-Narrative-Filmmaking-with-Cameron-Carr-3.jpg\" alt=\"FUJIFILM X-H2 with cinema lens attached with flip put LCD open showing Camera to Cloud connection menu\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<p><h2>A More Organized Production<\/h2>\n<p>Harlem Fragments is an autobiographical story of the breakdown of a black family in Harlem, New York, following the 2008 financial crisis. The story is told via a series of flashbacks through the eyes of a young boy, as he revisits the family home shortly after his parents\u2019 divorce.<\/p>\n<p>\u201cIt\u2019s loosely based on what happened to my family at the time,\u201d says Cameron. \u201cI used that as a framing reference point and condensed our ten-year divorce journey into fragments, so the film operates as a kind of family scrapbook.\u201d<\/p>\n<p>The nature of the story meant recording many seemingly unrelated \u2018fragments\u2019 of footage that included reality, memory, and climactic moments. These all needed to be identified and edited together with separately produced animations to create a single narrative. Such a complex production could easily become confusing for even the most experienced editor.<\/p>\n<p>\u201cThe vision is all up here,\u201d explains Cameron, tapping his head, \u201cso I must make sure my editor understands that vision, especially when working with a film that\u2019s jumping around, manipulating time and space in these flashbacks.<\/p>\n<p>\u201cWith C2C, we could clearly identify what footage was captured on A cam and what footage was captured on B cam, all ordered chronologically. It wasn\u2019t just a raining waterfall of footage, it was organized.\u201d<\/p>\n<p>Such accurate organization made it easy for Cameron\u2019s editor and animator to collaborate in real time, dramatically streamlining the process.<\/p>\n<p>\u201cWhile my editor was working on his assembly cut, my animator was working on the animated segments that stitch in at key moments. This meant he could see how the live action flowed into his moments and out of them. It made everyone so much more in sync,\u201d recalls Cameron.<\/p>\n<p>The process was so efficient that Cameron\u2019s editor was able to provide the beginnings of a first assembly by the time they had finished on set.<\/p>\n<p>\u201cIt\u2019s surreal, to be able to see 90 seconds of your film at wrap \u2013 that capability was astonishing,\u201d Cameron enthuses.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2023\/03\/C2C-Narrative-Filmmaking-with-Cameron-Carr-4.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2023\/03\/C2C-Narrative-Filmmaking-with-Cameron-Carr-4.jpg\" alt=\"Close up of hands using smartphone screen to review takes\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<p><h2>Convenient On-Set Monitoring<\/h2>\n<p>Harlem Fragments was created on location inside the actual home Cameron lived in when he experienced the ordeal that inspired the film.<\/p>\n<p>This undoubtedly added essential poignancy to the story, but working with a large crew in a confined space also led to logistical challenges.<\/p>\n<p>\u201cWe were creating a bunch of quite distinctive pieces of footage, including wide angle, dolly, and Steadicam, and quite often Nona and I couldn\u2019t view our individual monitors,\u201d explains Cameron. \u201cBeing able to huddle together and view the takes side by side immediately on Frame.io helped keep us on the same page.<\/p>\n<p>\u201cThat process in itself is a new level of operating. Now it\u2019s possible for your whole crew to instantly access and review footage; the old way of working doesn\u2019t compare or compete. After experiencing C2C, there\u2019s no going back.\u201d<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2023\/03\/C2C-Narrative-Filmmaking-with-Cameron-Carr-5.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2023\/03\/C2C-Narrative-Filmmaking-with-Cameron-Carr-5.jpg\" alt=\"Her the shoulder photo of hands using smartphone to review takes on set.\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<p><h2>Commercial Applications for Camera to Cloud<\/h2>\n<p>With a background as a creative producer in the advertising industry, Cameron drew comparisons between this project and commercial brand projects he had worked on \u2013 both for the fast turnaround and the way it was filmed.<\/p>\n<p>\u201cWe popped out our different sessions in takes that were one minute 30 seconds or less, so being able to move that fast, with a device that can track all those different takes so quickly, felt like we were moving at light speed.<\/p>\n<p>\u201cFor this reason, C2C could be heavily adapted into commercial advertising, because you have to move on a similarly tight schedule. Enabling your editor to prepare in such a modular way is a great advantage.\u201d<\/p>\n<p>This was reinforced by Frame.io\u2019s user-friendly interface, which ensured a hassle-free process and allowed Cameron to focus on the job at hand.<\/p>\n<p>\u201cIt was a seamless integration. Once we were grooving and moving from the first shot up, we saw these uploads appear in real time.<\/p>\n<p>\u201cBeing able to review everything in such an organized and curated fashion \u2013 and seeing this technology move mountains while on set \u2013 was incredible.\u201d<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2023\/03\/C2C-Narrative-Filmmaking-with-Cameron-Carr-6.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2023\/03\/C2C-Narrative-Filmmaking-with-Cameron-Carr-6.jpg\" alt=\"Screenshot of Frame.io user interface showing folder system\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<p><h2>Advancing the Filmmaking Industry<\/h2>\n<p>Cameron concludes by highlighting just how versatile C2C is, with a broad range of applications across the industry.<\/p>\n<p>\u201cI constantly think about how the industry can continue advancing and evolving. And this is the perfect case study to show the capabilities you can deploy.<\/p>\n<p>\u201cWhether you\u2019re working on a film, music video, or commercial shoot, so many people rely on getting dailies at the end of each session, to then operate on a fast-paced schedule and pivot into different locations.<\/p>\n<p>\u201cWith C2C, not only do you have this accessible instantly, but from any location with an internet connection. That is such a powerful tool!\u201d<\/p>\n<p><strong>Frame.io Camera to Cloud integration is now available for <a href=\"https:\/\/fujifilmxcom.wpenginepowered.com\/global\/products\/cameras\/x-h2\/\" rel=\"nofollow noopener\" target=\"_blank\">FUJIFILM X-H2<\/a> and <a href=\"https:\/\/fujifilmxcom.wpenginepowered.com\/global\/products\/cameras\/x-h2s\/\" rel=\"nofollow noopener\" target=\"_blank\">X-H2S<\/a> via firmware update. <a href=\"https:\/\/fujifilmxcom.wpenginepowered.com\/lp\/fujifilm-x-frame-io\/\" rel=\"nofollow noopener\" target=\"_blank\">Click here to learn more about the integration and sign up for updates.<\/a><\/strong><\/p>\n<h2>Behind the Scenes Footage<\/h2>\n<div class=\"embed-responsive\"><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s09gTdp2u6U\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Director Cameron Carr utilizes Fujifilm\u2019s new integration with Frame.io Camera to Cloud (C2C) on his latest project, Harlem Fragments Effective collaboration is at the heart of a great production. At least that\u2019s the opinion of New York-based director and creative producer Cameron Carr. In order to work together effectively, you need a team that\u2019s positive, [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":65877,"template":"","category":[1104,2084,1006,1202,5563,1741,1055,13039,3211,320,3162,1986,565,7082],"post_tag":[],"class_list":["post-65876","story","type-story","status-publish","has-post-thumbnail","hentry","category-accessories","category-be-inspired","category-cameras","category-category","category-file-transmitter","category-grip","category-lenses","category-mirrorless-digital-cameras","category-x-series-mirrorless","category-products","category-x-mount","category-x-series","category-stories","category-x-h2s"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-22 01:00:54","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-be\/wp-json\/wp\/v2\/story\/65876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-be\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-be\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-be\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-be\/wp-json\/wp\/v2\/media\/65877"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-be\/wp-json\/wp\/v2\/media?parent=65876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-be\/wp-json\/wp\/v2\/category?post=65876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-be\/wp-json\/wp\/v2\/post_tag?post=65876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}