{"id":264483,"date":"2025-03-25T03:30:45","date_gmt":"2025-03-25T03:30:45","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=camera&p=264483"},"modified":"2025-04-11T00:09:57","modified_gmt":"2025-04-11T00:09:57","slug":"specifications","status":"publish","type":"camera","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/gfx100rf\/specifications\/","title":{"rendered":"Caract\u00e9ristiques techniques"},"content":{"rendered":"
\n\t\t
\n\t\t
\n\t\t\t
Model Name<\/h6>\n\t\t<\/div>\n\t\t
FUJIFILM GFX100RF<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Image Sensor<\/h6>\n\t\t<\/div>\n\t\t
43.8mm\u00d732.9mm GFX 102MP CMOS II avec filtre de couleurs primaires<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Number Of Effective Pixels<\/h6>\n\t\t<\/div>\n\t\t
102 millions de pixels<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Image Processing Engine<\/h6>\n\t\t<\/div>\n\t\t
X-Processor 5<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Storage Media<\/h6>\n\t\t<\/div>\n\t\t
SD Card (-2GB)<\/div>
SDHC Card (-32GB)<\/div>
SDXC Card (-2TB)<\/div>
UHS-I<\/div>
UHS-II<\/div>
Video Speed Class V90<\/div>
SSD (-2TB)<\/div>
* Voir le site Fujifilm pour v\u00e9rifier la compatibilit\u00e9 des cartes (https:\/\/fujifilm-x.com\/support\/compatibility\/cameras\/).<\/div><\/div>\n\t<\/div>
\n\t
File Format Of Still Image<\/h6>\n\t
\n\t\t
DCF<\/div>
Compatible avec le syst\u00e8me de fichier pour appareil photo num\u00e9rique (DCF2.0)<\/div>
JPEG<\/div>
Exif Ver.2.32<\/div>
HEIF<\/div>
4:2:2 10bit<\/div>
RAW<\/div>
14bit \/ 16bit RAW (RAF format original)<\/div>
TIFF<\/div>
8bit \/ 16bit RGB (In-camera Raw Conversion Only)<\/div>
Notes<\/div>
* Exif 2.32 est un format de fichier d’appareil photo num\u00e9rique contenant diverses informations de prise de vue pour une impression optimale.<\/div>\n\t<\/div>\n<\/div>\t
\n\t\t
Number Of Recorded Pixels<\/h6>\n\t\t
\n\t
[L]<\/div>\n\t
4:3: 11648 x 8736\r
3:2: 11648 x 7768\r
16:9: 11648 x 6552\r
65:24: 11648 x 4304\r
176: 11648 x 4112\r
5:4: 10928 x 8736\r
7:6: 10192 x 8736\r
1:1: 8736 x 8736\r
3:4: 6544 x 8736<\/div><\/div>
\n\t
[M]<\/div>\n\t
4:3: 8256 x 6192\r
3:2: 8256 x 5504\r
16:9: 8256 x 4640\r
65:24: 8256 x 3048\r
176: 8256 x 2912\r
5:4: 7744 x 6192\r
7:6: 7232 x 6192\r
1:1: 6192 x 6192\r
3:4: 4640 x 6192<\/div><\/div>
\n\t
[S]<\/div>\n\t
4:3: 4000 x 3000\r
3:2: 4000 x 2664\r
16:9: 4000 x 2248\r
65:24: 4000 x 1480\r
176: 4000 x 1408\r
5:4: 3744 x 3000\r
7:6: 3504 x 3000\r
1:1: 2992 x 2992\r
3:4: 2240 x 3000<\/div><\/div>\n\t<\/div>
\n\t
Lens<\/h6>\n\t
\n\t\t
Type<\/div>
Objectif \u00e0 focale fixe FUJINON <\/div>
Focal Length<\/div>
f=35mm (28mm au format 24×36)<\/div>
Max. Aperture<\/div>
F4<\/div>
Lens Configuration<\/div>
10 lentilles r\u00e9parties en 8 groupes (incluant 2 lentilles asph\u00e9riques)<\/div>
ND Filter<\/div>
Oui (4 stops)<\/div>\n\t<\/div>\n<\/div>\t
\n\t\t
\n\t\t\t
Aperture<\/h6>\n\t\t<\/div>\n\t\t
F4 – F22 incr\u00e9ment : 1\/3IL (contr\u00f4l\u00e9 par un diaphragme de 9 lamelles)<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Minimum focus distance (measured from the front of the lens)<\/h6>\n\t\t<\/div>\n\t\t
Approx. 0.2m<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Digital Tele-Converter<\/h6>\n\t\t<\/div>\n\t\t
80mm(63mm)\r
63mm(50mm)\r
45mm(36mm)\r
\r
\r
OFF\r
* Les valeurs entre parenth\u00e8ses sont \u00e9quivalentes au format 24×36<\/div>\n\t<\/div>\t
\n\t\t
Sensitivity<\/h6>\n\t\t
\n\t
Still Image<\/div>\n\t
\n\t
Standard Output<\/div>\n\t
AUTO1<\/div>
AUTO2<\/div>
AUTO3<\/div>
80 ISO~12800 (1\/3 step)<\/div><\/div>\n<\/div>
\n\t
Extended Output<\/div>\n\t
40 ISO<\/div>
25600 ISO<\/div>
51200 ISO<\/div>
102400 ISO<\/div><\/div>\n<\/div><\/div><\/div>
\n\t
Movie<\/div>\n\t
\n\t
Standard Output<\/div>\n\t
AUTO<\/div>
100 ISO~12800 (1\/3 step)<\/div><\/div>\n<\/div>
\n\t
Extended Output<\/div>\n\t
25600 ISO<\/div><\/div>\n<\/div><\/div><\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Exposure Control<\/h6>\n\t\t<\/div>\n\t\t
Mesure TTL sur 256 zones\r
Multi\r
Spot\r
Moyenne\r
Centre Pond\u00e9r\u00e9<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Exposure Mode<\/h6>\n\t\t<\/div>\n\t\t
P (Program AE)\r
A (Priorit\u00e9 \u00e0 l’ouverture AE)\r
S (Priorit\u00e9 \u00e0 la vitesse d’obturation AE)\r
M (Exposition manuelle)<\/div>\n\t<\/div>
\n\t
Exposure Compensation<\/h6>\n\t
\n\t\t
Still<\/div>
-5.0EV~+5.0EV par incr\u00e9ment de 1\/3IL<\/div>
Movie<\/div>
-2.0EV~+2.0EV par incr\u00e9ment de 1\/3IL<\/div>\n\t<\/div>\n<\/div>
\n\t
Image Stabilizer<\/h6>\n\t
\n\t\t
Digital Image Stabilization<\/div>
Oui (mode vid\u00e9o uniquement)<\/div>
IS MODE BOOST<\/div>
Oui (mode vid\u00e9o uniquement)<\/div>\n\t<\/div>\n<\/div>\t
\n\t\t
\n\t\t\t
Shutter Type<\/h6>\n\t\t<\/div>\n\t\t
Obturateur d’objectif<\/div>\n\t<\/div>\t
\n\t\t
Shutter Speed<\/h6>\n\t\t
\n\t
Mechanical Shutter<\/div>\n\t
\n\t
P Mode<\/div>\n\t
30sec. \u00e0 1\/4000sec.<\/div>\n<\/div>
\n\t
A Mode<\/div>\n\t
30sec. \u00e0 1\/4000sec.<\/div>\n<\/div>
\n\t
S\/M Mode<\/div>\n\t
60min. \u00e0 1\/4000sec.<\/div>\n<\/div>
\n\t
Bulb<\/div>\n\t
jusqu’\u00e0 60min.<\/div>\n<\/div><\/div><\/div>
\n\t
Electronic Shutter<\/div>\n\t
\n\t
P Mode<\/div>\n\t
30sec. \u00e0 1\/16000sec.<\/div>\n<\/div>
\n\t
A Mode<\/div>\n\t
30sec. \u00e0 1\/16000sec.<\/div>\n<\/div>
\n\t
S\/M Mode<\/div>\n\t
60min. \u00e0 1\/16000sec.<\/div>\n<\/div>
\n\t
Bulb<\/div>\n\t
1sec. Fix\u00e9<\/div>\n<\/div>
\n\t
Notes<\/div>\n\t
* L’obturateur \u00e9lectronique ne convient pas aux sujets en mouvement rapide ni \u00e0 la prise de vue \u00e0 main lev\u00e9e. Le flash ne peut pas \u00eatre utilis\u00e9.<\/div>\n<\/div><\/div><\/div>
\n\t
Mechanical + Electronic Shutter<\/div>\n\t
\n\t
P Mode<\/div>\n\t
30sec. \u00e0 1\/16000sec.<\/div>\n<\/div>
\n\t
A Mode<\/div>\n\t
30sec. \u00e0 1\/16000sec.<\/div>\n<\/div>
\n\t
S\/M Mode<\/div>\n\t
60min. \u00e0 1\/16000sec.<\/div>\n<\/div>
\n\t
Bulb<\/div>\n\t
jusqu’\u00e0 60min.<\/div>\n<\/div>
\n\t
Notes<\/div>\n\t
* L’obturateur m\u00e9canique fonctionne jusqu’\u00e0 1\/4000sec.\r
* L’obturateur \u00e9lectronique ne convient pas aux sujets en mouvement rapide ou aux prises de vue \u00e0 main lev\u00e9e. Le flash ne peut pas \u00eatre utilis\u00e9.<\/div>\n<\/div><\/div><\/div>
\n\t
Movie<\/div>\n\t
\n\t
4K\/DCI4K<\/div>\n\t
1\/4000sec. \u00e0 1\/8 sec.<\/div>\n<\/div>
\n\t
FHD<\/div>\n\t
1\/4000sec. \u00e0 1\/8 sec.<\/div>\n<\/div>
\n\t
Notes<\/div>\n\t
* Impossible de choisir une vitesse d’obturation plus lente que le taux de rafra\u00eechissement pour certains param\u00e8tres.<\/div>\n<\/div><\/div><\/div>\n\t<\/div>\t
\n\t\t
Continuous Shooting<\/h6>\n\t\t
CH<\/strong><\/div>\t
\n\t\t
\n\t\t\tElectronic Shutter<\/span>\n\t\t\tApprox. 3.0ips\n\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t
JPEG<\/div>\t
\n\t\t+ 1000 images\n\t<\/div>
Compressed RAW<\/div>\t
\n\t\t508 images\n\t<\/div>
Lossless Compressed RAW<\/div>\t
\n\t\t45 images\n\t<\/div>
Uncompressed RAW<\/div>\t
\n\t\t20 images\n\t<\/div>
Compressed RAW + JPEG<\/div>\t
\n\t\t41 images\n\t<\/div>
Lossless Compressed RAW + JPEG<\/div>\t
\n\t\t29 images\n\t<\/div>
Uncompressed RAW + JPEG<\/div>\t
\n\t\t16 images\n\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\tMechanical Shutter<\/span>\n\t\t\tApprox. 6.0ips\n\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t
JPEG<\/div>\t
\n\t\t296 images\n\t<\/div>
Compressed RAW<\/div>\t
\n\t\t40 images\n\t<\/div>
Lossless Compressed RAW<\/div>\t
\n\t\t20 images\n\t<\/div>
Uncompressed RAW<\/div>\t
\n\t\t17 images\n\t<\/div>
Compressed RAW + JPEG<\/div>\t
\n\t\t19 images\n\t<\/div>
Lossless Compressed RAW + JPEG<\/div>\t
\n\t\t15 images\n\t<\/div>
Uncompressed RAW + JPEG<\/div>\t
\n\t\t12 images\n\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\tMechanical Shutter<\/span>\n\t\t\tApprox. 4.0ips\n\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t
JPEG<\/div>\t
\n\t\t+ 1000 images\n\t<\/div>
Compressed RAW<\/div>\t
\n\t\t83 images\n\t<\/div>
Lossless Compressed RAW<\/div>\t
\n\t\t25 images\n\t<\/div>
Uncompressed RAW<\/div>\t
\n\t\t18 images\n\t<\/div>
Compressed RAW + JPEG<\/div>\t
\n\t\t38 images\n\t<\/div>
Lossless Compressed RAW + JPEG<\/div>\t
\n\t\t21 images\n\t<\/div>
Uncompressed RAW + JPEG<\/div>\t
\n\t\t13 images\n\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div><\/div>
CL<\/strong><\/div>\t
\n\t\t
\n\t\t\tMechanical Shutter<\/span>\n\t\t\tApprox. 2.0ips\n\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\t\t\t
JPEG<\/div>\t
\n\t\t+ 1000 images\n\t<\/div>
Compressed RAW<\/div>\t
\n\t\t+ 1000 images\n\t<\/div>
Lossless Compressed RAW<\/div>\t
\n\t\t337 images\n\t<\/div>
Uncompressed RAW<\/div>\t
\n\t\t26 images\n\t<\/div>
Compressed RAW + JPEG<\/div>\t
\n\t\t312 images\n\t<\/div>
Lossless Compressed RAW + JPEG<\/div>\t
\n\t\t42 images\n\t<\/div>
Uncompressed RAW + JPEG<\/div>\t
\n\t\t20 images\n\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div><\/div>\n\t\t\t\t
\n\t\t\t
Notes<\/div>\n\t\t\t
* Le nombre d’images enregistrables est calcul\u00e9 sur la base d’un d\u00e9marrage avec une carte vierge.
\r\n* Le nombre d’images enregistrables d\u00e9pend du support d’enregistrement.
\r\n* La vitesse de la rafale d\u00e9pend des conditions de la prise de vue et des images prises.<\/div>\n\t\t<\/div>\n\t<\/div>
\n\t
Drive Mode<\/h6>\n\t
\n\t\t
AE Bracketing<\/div>
2 images\r
3 images\r
5 images\r
7 images\r
9 images\r
* incr\u00e9ment par 1\/3IL jusqu’\u00e0 \u00b13IL<\/div>
Filmsimulation Bracketing<\/div>
A 3 types types de simulation de film au choix<\/div>
Dynamic Range Bracketing<\/div>
100%\r
200%\r
400%<\/div>
ISO Sensitivity Bracketing<\/div>
\u00b11\/3IL\r
\u00b12\/3IL\r
\u00b11IL<\/div>
White Balance Bracketing<\/div>
\u00b11\r
\u00b12\r
\u00b13<\/div>
Focus Bracketing<\/div>
AUTO\r
MANUEL<\/div>
Multiple Exposure<\/div>
Oui (Max. 9 images)\r
Cumulatif\r
Moyen\r
Lumineux\r
Sombre<\/div>\n\t<\/div>\n<\/div>\t
\n\t\t
Focus<\/h6>\n\t\t
\n\t
Mode<\/div>\n\t
AF Simple\r
AF Continu\r
MF<\/div><\/div>
\n\t
Type<\/div>\n\t
AF Intelligent Hybrid (AF TTL par contraste \/ AF TTL par d\u00e9tection de phase)<\/div><\/div>
\n\t
Low-light Performance<\/div>\n\t
\n\t
Contrast<\/div>\n\t
-0.0IL<\/div>\n<\/div>
\n\t
Phase Detection<\/div>\n\t
-3.0IL<\/div>\n<\/div><\/div><\/div>
\n\t
AF Frame Selection<\/div>\n\t
\n\t
Single Point AF<\/div>\n\t
13×9 \/ 25×17 (Taille modifiable du cadre AF)<\/div>\n<\/div>
\n\t
Zone AF<\/div>\n\t
3×3 \/ 5×5 \/ 7×7 \/ Personnalis\u00e9 1-3 parmi 117 zones sur une grille de 13\u00d79<\/div>\n<\/div>
\n\t
All<\/div>\n\t
Yes<\/div>\n<\/div><\/div><\/div>
\n\t
Subject Detection<\/div>\n\t
Oui (Animaux\/Oiseaux\/Automobile\/Moto & V\u00e9lo\/Avion\/Train)<\/div><\/div>\n\t<\/div>\t
\n\t\t
Flash<\/h6>\n\t\t
\n\t
Shoe Mount Flash<\/div>\n\t
\n\t
Sync. Mode<\/div>\n\t
1er rideau<\/div>
2nd rideau<\/div><\/div>\n<\/div>
\n\t
Flash Mode<\/div>\n\t
TTL (TTL AUTO \/ STANDARD \/ SLOW SYNC. )<\/div>
MANUAL<\/div>
MULTI *Quand le EF-X500 est r\u00e9gl\u00e9 <\/div>
OFF<\/div><\/div>\n<\/div><\/div><\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Hot Shoe<\/h6>\n\t\t<\/div>\n\t\t
Oui (Flash TTL d\u00e9di\u00e9 compatible)<\/div>\n\t<\/div>\t
\n\t\t
Viewfinder<\/h6>\n\t\t
\n\t
EVF<\/div>\n\t
\n\t
EVF<\/div>\n\t
Viseur couleur OLED de 0.5 pouces\/Approx. 5.76 millions de points\r
Approx. 5.76 millions de points<\/div>\n<\/div>
\n\t
Coverage Of Viewing Area Vs. Capturing Area<\/div>\n\t
Approx. 100%<\/div>\n<\/div>
\n\t
Eyepoint<\/div>\n\t
Approx. 24mm (depuis l’oculaire de l’appareil)<\/div>\n<\/div>
\n\t
Diopter Adjustment<\/div>\n\t
-5~+3m-1<\/sup><\/div>\n<\/div>
\n\t
Magnification<\/div>\n\t
0.84x avec un objectif 50mm (Equivalent 35mm) \u00e0 l’infini avec une correction dioptrie sur -1.0m-1<\/sup><\/div>\n<\/div>
\n\t
Diagonal Angle Of View<\/div>\n\t
approx. 40\u00b0 (angle de vue horizontal : approx. 32\u00b0 )<\/div>
Capteur oculaire int\u00e9gr\u00e9<\/div><\/div>\n<\/div><\/div><\/div>\n\t<\/div>\t
\n\t\t
LCD Monitor<\/h6>\n\t\t
\n\t
LCD Monitor<\/div>\n\t
\u00c9cran tactile couleur LCD inclinable de 3,15 pouces<\/div><\/div>
\n\t
Aspect Ratio<\/div>\n\t
3:2<\/div><\/div>
\n\t
Dots<\/div>\n\t
Approx. 2.10 millions de points<\/div><\/div>\n\t<\/div>
\n\t
Touch Screen Mode<\/h6>\n\t
\n\t\t
Shooting Mode<\/div>
AF<\/div>
Zone de mise au point<\/div>
OFF<\/div>
R\u00e9glage double tap (ON\/OFF)<\/div>
R\u00e9glage fonction tactile (ON\/OFF)<\/div>
R\u00e9glage de la zone de l’\u00e9cran tactile EVF <\/div><\/div>
Playback Mode<\/div>
Swipe<\/div>
Pincement avant \/ pincement arri\u00e8re<\/div>
Double-tap<\/div>
Glisser<\/div><\/div>\n\t<\/div>\n<\/div>\t
\n\t\t
Movie Recording<\/h6>\n\t\t
\n\t
File Format<\/div>\n\t
\n\t
MOV<\/div>\n\t
Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)<\/div>
Apple ProRes 422, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)<\/div>
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)<\/div>
HEVC\/H.265, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)<\/div>
MPEG-4 AVC\/H.264, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)<\/div><\/div>\n<\/div>
\n\t
MP4<\/div>\n\t
MPEG-4 AVC\/H.264, AAC<\/div>\n<\/div><\/div><\/div>
\n\t
Movie Compression<\/div>\n\t
\n\t
<\/div>\n\t
All Intra<\/div><\/div>\n<\/div>
\n\t
<\/div>\n\t
Long GOP<\/div><\/div>\n<\/div><\/div><\/div>
\n\t
DCI4K(17:9)<\/div>\n\t
\n\t
File Size<\/div>\n\t
4096 x 2160<\/div>\n<\/div>
\n\t
Frame Rate<\/div>\n\t
29.97p\r
25p\r
24p\r
23.98p<\/div>\n<\/div>
\n\t
Bitrate<\/div>\n\t
720Mbps\r
360Mbps\r
200Mbps\r
100Mbps\r
50Mbps<\/div>\n<\/div><\/div><\/div>
\n\t
4K(16:9)<\/div>\n\t
\n\t
File Size<\/div>\n\t
3840 x 2160<\/div>\n<\/div>
\n\t
Frame Rate<\/div>\n\t
29.97p\r
25p\r
24p\r
23.98p<\/div>\n<\/div>
\n\t
Bitrate<\/div>\n\t
720Mbps\r
360Mbps\r
200Mbps\r
100Mbps\r
50Mbps<\/div>\n<\/div><\/div><\/div>
\n\t
Full HD(17:9)<\/div>\n\t
\n\t
File Size<\/div>\n\t
2048 x 1080<\/div>\n<\/div>
\n\t
Frame Rate<\/div>\n\t
59.94p\r
50p\r
29.97p\r
25p\r
24p\r
23.98p<\/div>\n<\/div>
\n\t
Bitrate<\/div>\n\t
720Mbps\r
360Mbps\r
200Mbps\r
100Mbps\r
50Mbps<\/div>\n<\/div><\/div><\/div>
\n\t
Full HD(16:9)<\/div>\n\t
\n\t
File Size<\/div>\n\t
1920 x 1080<\/div>\n<\/div>
\n\t
Frame Rate<\/div>\n\t
59.94p\r
50p\r
29.97p\r
25p\r
24p\r
23.98p<\/div>\n<\/div>
\n\t
Bitrate<\/div>\n\t
720Mbps\r
360Mbps\r
200Mbps\r
100Mbps\r
50Mbps<\/div>\n<\/div><\/div><\/div>
\n\t
Notes<\/div>\n\t
* Le d\u00e9bit binaire s\u00e9lectionnable sera modifi\u00e9 en fonction du r\u00e9glage.\r
* Pour enregistrer des vid\u00e9os, utilisez une carte m\u00e9moire SD avec une classe de vitesse UHS 3 ou sup\u00e9rieure.\r
* Pour enregistrer des films en 360 Mbps, utilisez une carte m\u00e9moire SD avec une classe de vitesse vid\u00e9o 60 ou sup\u00e9rieure..\r
* Pour enregistrer des films en 720 Mbps, utilisez une carte m\u00e9moire SD avec une classe de vitesse vid\u00e9o 90 ou sup\u00e9rieure.\r
* Le mode de s\u00e9lection sera modifi\u00e9 en fonction du r\u00e9glage du \u00ab Format d’image \u00bb.\r
* Le codec Apple ProRes ne peut \u00eatre enregistr\u00e9 que sur un SSD. \r
* Le d\u00e9bit binaire du codec Apple ProRes n’est pas s\u00e9lectionnable. \r
* La dur\u00e9e d’enregistrement peut \u00eatre plus r\u00e9duite en fonction de la temp\u00e9rature et\/ou des conditions de prise de vue.<\/div><\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Film Simulation Mode<\/h6>\n\t\t<\/div>\n\t\t
20 modes<\/div>
PROVIA\/Standard<\/div>
Velvia\/Vivid<\/div>
ASTIA\/Soft<\/div>
Classic Chrome<\/div>
REALA ACE<\/div>
PRO Neg.Hi<\/div>
PRO Neg.Std<\/div>
Classic Neg.<\/div>
Nostalgic Neg.<\/div>
ETERNA\/Cinema<\/div>
ETERNA BLEACH BYPASS<\/div>
ACROS<\/div>
ACROS + Ye Filter<\/div>
ACROS + R Filter<\/div>
ACROS + G Filter<\/div>
Black & White<\/div>
Black & White + Ye Filter<\/div>
Black & White + R Filter<\/div>
Black & White + G Filter<\/div>
Sepia<\/div><\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Monochromatic Color<\/h6>\n\t\t<\/div>\n\t\t
Oui<\/div>\n\t<\/div>
\n\t
Grain Effect<\/h6>\n\t
\n\t\t
Roughness<\/div>
FORT, FAIBLE, OFF<\/div>
Size<\/div>
GRAND, PETIT<\/div>\n\t<\/div>\n<\/div>\t
\n\t\t
\n\t\t\t
Color Chrome Effect<\/h6>\n\t\t<\/div>\n\t\t
FORT, FAIBLE, OFF<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Color Chrome Blue<\/h6>\n\t\t<\/div>\n\t\t
FORT, FAIBLE, OFF<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Smooth Skin Effect<\/h6>\n\t\t<\/div>\n\t\t
FORT, FAIBLE, OFF<\/div>\n\t<\/div>\t
\n\t\t
Dynamic Range Setting<\/h6>\n\t\t
\n\t
Still<\/div>\n\t
\n\t
Still<\/div>\n\t
AUTO \/ 100% \/ 200% \/ 400%\u3000<\/div>\n<\/div>
\n\t
ISO Restriction<\/div>\n\t
DR100%: Sans limite\u3001DR200%: ISO160 ou plus\u3001DR400%: ISO320 ou plus.<\/div>\n<\/div><\/div><\/div>
\n\t
Movie<\/div>\n\t
\n\t
Movie<\/div>\n\t
100% \/ 200% \/ 400%\u3000<\/div>\n<\/div>
\n\t
ISO Restriction<\/div>\n\t
DR100%: Sans limite\u3001DR200%: ISO200 ou plus\u3001DR400%: ISO400 ou plus<\/div>\n<\/div><\/div><\/div>\n\t<\/div>\t
\n\t\t
White Balance<\/h6>\n\t\t
\n\t
Auto<\/div>\n\t
Priorit\u00e9 Blanc\r
Auto\r
Priorit\u00e9 Ambiance<\/div><\/div>
\n\t
Custom<\/div>\n\t
Personnalis\u00e9 1 – 3<\/div><\/div>
\n\t
Color Temperature Selection<\/div>\n\t
2500K~10000K<\/div><\/div>
\n\t
Preset<\/div>\n\t
Lumi\u00e8re du jour\r
Nuageux\r
Lumi\u00e8re fluorescente-1\r
Lumi\u00e8re fluorescent-2\r
Lumi\u00e8re fluorescent-3\r
Lumi\u00e8re incandescente\r
Plong\u00e9e<\/div><\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Clarity Setting<\/h6>\n\t\t<\/div>\n\t\t
\u00b15 steps<\/div>\n\t<\/div>
\n\t
Self-timer<\/h6>\n\t
\n\t\t
Still<\/div>
10sec.\r
2sec.<\/div>
Movie<\/div>
10sec.\r
5sec.\r
3sec.<\/div>\n\t<\/div>\n<\/div>\t
\n\t\t
\n\t\t\t
Interval Timer Shooting<\/h6>\n\t\t<\/div>\n\t\t
Oui (R\u00e9glage : intervalle, nombre de vues, heure de d\u00e9marrage, intervallom\u00e8tre en mode lissage, Mode de priorit\u00e9 d’intervalle)<\/div>\n\t<\/div>
\n\t
Wireless Transmitter<\/h6>\n\t
\n\t\t
Standard<\/div>
IEEE802.11a\/b\/g\/n\/ac (protocole sans fil standard)<\/div>
Encryption<\/div>
WPA\/WPA2 mode mixte, WPA3<\/div>
Access Mode<\/div>
Infrastructure<\/div>\n\t<\/div>\n<\/div>
\n\t
Bluetooth\u00ae<\/h6>\n\t
\n\t\t
Standartd<\/div>
Bluetooth Ver. 4.2 (Bluetooth basse consommation)<\/div>
Operating Frequency (Center Frequency)<\/div>
2402\u301c2480MHz<\/div>\n\t<\/div>\n<\/div>
\n\t
Terminal<\/h6>\n\t
\n\t\t
Digital Interface<\/div>
USB Type-C USB 10Gbps<\/div>
HDMI Output<\/div>
Connecteur Micro HDMI (Type D)<\/div>
Others<\/div>
\u00f83.5mm, mini connecteur st\u00e9reo (Microphone & d\u00e9clencheur \u00e0 distance)\r
\u00f83.5mm, mini connecteur st\u00e9reo (casque)\r
Griffe porte-accessoires<\/div>\n\t<\/div>\n<\/div>\t
\n\t\t
Power Supply<\/h6>\n\t\t
\n\t
Power Supply<\/div>\n\t
Batterie Li-ion NP-W235 (incluse)<\/div><\/div>
\n\t
Battery Life For Still Images<\/div>\n\t
\n\t
Normal Mode<\/div>\n\t
Approx. 820 images<\/div>\n<\/div>
\n\t
Notes<\/div>\n\t
* \u00c9conomie d’\u00e9nergie automatique activ\u00e9e<\/div>\n<\/div><\/div><\/div>
\n\t
Actual Battery Life Of Movie Capture<\/div>\n\t
\n\t
4K<\/div>\n\t
Approx. 100min. (29.97p)<\/div>\n<\/div>
\n\t
Full HD<\/div>\n\t
Approx. 90min. (59.94p)<\/div>\n<\/div>
\n\t
Notes<\/div>\n\t
* D\u00e9tection des visages d\u00e9sactiv\u00e9e<\/div>\n<\/div><\/div><\/div>
\n\t
Continuance Battery Life Of Movie Capture<\/div>\n\t
\n\t
4K<\/div>\n\t
Approx. 140min. (29.97p)<\/div>\n<\/div>
\n\t
Full HD<\/div>\n\t
Approx. 140min. (59.94p)<\/div>\n<\/div>
\n\t
Notes<\/div>\n\t
* D\u00e9tection des visages d\u00e9sactiv\u00e9e\r
* Nombre approximatif d\u2019images ou dur\u00e9e d\u2019enregistrement vid\u00e9o pouvant \u00eatre prises avec une batterie enti\u00e8rement charg\u00e9e, selon la norme CIPA.<\/div>\n<\/div><\/div><\/div>\n\t<\/div>\t
\n\t\t
Dimensions<\/h6>\n\t\t
\n\t
Width<\/div>\n\t
133.5mm<\/div><\/div>
\n\t
Height<\/div>\n\t
90.4mm<\/div><\/div>
\n\t
Depth<\/div>\n\t
76.5mm<\/div><\/div>
\n\t
(Minimum Depth)<\/div>\n\t
37.2mm<\/div><\/div>\n\t<\/div>
\n\t
Weight<\/h6>\n\t
\n\t\t
Including Battery And Memory Card<\/div>
Approx. 735g<\/div>
Excluding Battery And Memory Card<\/div>
Approx. 654g<\/div>\n\t<\/div>\n<\/div>
\n\t
Operation Environment<\/h6>\n\t
\n\t\t
Operating Temperature<\/div>
-10\u2103~+40\u2103<\/div>
Operating Humidity<\/div>
10%~80% (sans condensation)<\/div>\n\t<\/div>\n<\/div>\t
\n\t\t
\n\t\t\t
Starting up period<\/h6>\n\t\t<\/div>\n\t\t
Approx. 0.6sec.<\/div>\n\t<\/div>\t
\n\t\t
\n\t\t\t
Accessories Included<\/h6>\n\t\t<\/div>\n\t\t
Batterie Li-ion NP-W235\r
C\u00e2ble USB\r
Courroie et ses accessoires de fixation\r
Bouchon bo\u00eetier\r
Pare-soleil\r
Bouchon pare soleil\r
Bague d’adaptation\r
Filtre de protection\r
Cache griffe-accessoires<\/div>\n\t<\/div><\/div>\n\n\n\n
<\/div>\n\n