[{"id":358592,"date":"2026-06-03T05:00:00","date_gmt":"2026-06-03T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=358592"},"modified":"2026-06-01T09:27:06","modified_gmt":"2026-06-01T09:27:06","slug":"pro-neg-std-fs-recipe-x-gyu-yeon-lee","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/pro-neg-std-fs-recipe-x-gyu-yeon-lee\/","title":{"rendered":"PRO Neg.STD\u00a0FS RECIPE\u00a0x Gyu-yeon Lee"},"content":{"rendered":"\n

When I photograph, my attention often turns to the atmosphere that surrounds fleeting moments of everyday life\u2014the impressions shaped by light, and the quiet temperature of the spaces themselves. The subtle resonance that can be felt without explanation is, perhaps, the very reason I continue to make photographs.<\/p>\n\n\n\n

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People sometimes say that my photographs resemble me. In a way, that phrase has come to feel like the most accurate way to describe my work. To me, photography is ultimately a mirror that reflects the inner world of the person behind the camera. A photograph carries not only the scene itself, but also the photographer\u2019s way of seeing\u2014their attitude and sensibility\u2014quietly embedded within the frame. Rather than adding more, I have gradually come to search for a sense of simplicity. Through that process, my photographs have naturally found their own inner direction. Perhaps each image quietly reflects my gaze, deepening little by little over time.<\/p>\n\n\n\n

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In that sense, PRO Neg. Std felt closely aligned with the intention behind this work. With this FS RECIPE, I wanted to express the atmosphere of subjects, landscapes, and spaces in a quieter, more contemplative way. Instead of pushing saturation or creating dramatic contrast, I was drawn to the way it gently softens color and balances the tones with restraint.<\/p>\n\n\n\n

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Even under strong light, its soft density prevents the image from becoming harsh. This allowed me to render the natural texture of the subject without exaggeration, while preserving the quiet, mist-like stillness that flows through the entire scene. The process of discovering a resonance between my own way of seeing and the character of this FS RECIPE ultimately became the most meaningful part of this work.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

When I photograph, my attention often turns to the atmosphere that surrounds fleeting moments of everyday life\u2014the impressions shaped by light, and the quiet temperature of the spaces themselves. The subtle resonance that can be felt without explanation is, perhaps, the very reason I continue to make photographs. People sometimes say that my photographs resemble […]<\/p>\n","protected":false},"author":135,"featured_media":359150,"template":"","category":[2084,1006,1202,13607,1055,3211,13923,320,3162,1986,565,13393,13835,3358],"post_tag":[],"class_list":["post-358592","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-t50","category-xf16-55mmf2-8-r-lm-wr-ii","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-10 06:59:29","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/358592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/359150"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=358592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=358592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=358592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":359229,"date":"2026-06-03T00:33:54","date_gmt":"2026-06-03T00:33:54","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=359229"},"modified":"2026-06-03T00:33:59","modified_gmt":"2026-06-03T00:33:59","slug":"recette-simulation-de-film-pro-neg-std-x-paolo-emanuele-barretta","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/recette-simulation-de-film-pro-neg-std-x-paolo-emanuele-barretta\/","title":{"rendered":"Recette simulation de film PRO Neg.Std\u00a0\u00a0x Paolo Emanuele Barretta"},"content":{"rendered":"\n

La recette de simulation de film \u00ab Velvet Hase \u00bb est n\u00e9e du d\u00e9sir de traduire mon langage visuel en une simulation de film coh\u00e9rente et reconnaissable, en m’inspirant des couleurs de PRO Neg. Std.<\/p>\n\n\n\n

En tant que portraitiste et photographe de mode, j’ai toujours cherch\u00e9 \u00e0 m’\u00e9loigner du strict r\u00e9alisme, en privil\u00e9giant une image plus \u00e9motionnelle, suspendue, presque cin\u00e9matographique. Cette recette de simulation de film vise \u00e0 rendre cette atmosph\u00e8re coh\u00e9rente et intentionnelle, directement depuis l’appareil photo.<\/p>\n\n\n\n

Le point de d\u00e9part a \u00e9t\u00e9 la fa\u00e7on dont j\u2019utilise la lumi\u00e8re en studio. Je travaille souvent avec un \u00e9clairage contr\u00f4l\u00e9, \u00e0 la fois au flash et en lumi\u00e8re continue, en recherchant un \u00e9quilibre entre douceur et structure. Je ne suis pas int\u00e9ress\u00e9 par un rendu de la peau trop net ou clinique, mais par des images qui sugg\u00e8rent plus qu\u2019elles ne r\u00e9v\u00e8lent. C\u2019est pourquoi j\u2019ai d\u00e9velopp\u00e9 une simulation aux tons l\u00e9g\u00e8rement d\u00e9natur\u00e9s et \u00e0 la palette de couleurs d\u00e9licate mais intentionnelle, capable de r\u00e9duire la saturation sans aplatir l\u2019image. Les couleurs s\u2019att\u00e9nuent, laissant la priorit\u00e9 \u00e0 l\u2019\u00e9motion et \u00e0 la pr\u00e9sence.<\/p>\n\n\n\n

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Les OMBRES jouent un r\u00f4le central dans \u00ab Velvet Hase \u00bb. J\u2019ai choisi de les garder profondes et d\u00e9finies, car pour moi, l\u2019OMBRE n\u2019est pas un d\u00e9faut \u00e0 \u00e9liminer, mais un \u00e9l\u00e9ment narratif. L\u2019OMBRE d\u00e9finit le volume, cr\u00e9e du myst\u00e8re et ajoute de la profondeur visuelle. Dans cette recette de simulation de film, elle ne sert pas \u00e0 dissimuler, mais \u00e0 construire \u00e0 la fois un sentiment d\u2019intimit\u00e9 et de distance, une tension visuelle qui se rapproche davantage du langage du cin\u00e9ma que de la photographie de mode traditionnelle.<\/p>\n\n\n\n

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L\u2019aspect \u00ab velvet \u00bb du nom fait r\u00e9f\u00e9rence au rendu des tons de peau et des HAUTES LUMIERES. J\u2019ai travaill\u00e9 \u00e0 assurer des transitions tonales lisses et progressives, sans s\u00e9parations brusques ou abruptes. Les HAUTES LUMIERES sont ma\u00eetris\u00e9es et ne sont jamais envahissantes, tandis que les textures de la peau apparaissent plus douces et moins d\u00e9taill\u00e9es. Cette approche permet de conserver une esth\u00e9tique \u00e9l\u00e9gante et intemporelle, adapt\u00e9e au portrait professionnel et au travail \u00e9ditorial de mode, en particulier dans les environnements de studio o\u00f9 chaque d\u00e9tail est intentionnel.<\/p>\n\n\n\n

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\u00ab Velvet Hase \u00bb est con\u00e7ue pour \u00eatre une simulation fiable et sobre plut\u00f4t qu\u2019extr\u00eame. Elle ne s\u2019impose pas au sujet, mais l\u2019accompagne. Elle refl\u00e8te ma fa\u00e7on de photographier : observer, soustraire, simplifier. L\u2019image finale n\u2019est jamais tout \u00e0 fait r\u00e9aliste, mais jamais enti\u00e8rement abstraite non plus. Elle existe dans un espace interm\u00e9diaire, onirique, o\u00f9 la lumi\u00e8re et la couleur s\u2019associent pour cr\u00e9er une sensation plut\u00f4t qu\u2019une description.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Cr\u00e9er cette RECETTE de simulation de film \u00e9tait aussi un moyen de ralentir mon processus cr\u00e9atif. Disposer d\u2019une base visuelle coh\u00e9rente me permet de me concentrer davantage sur la relation avec le sujet, sur la pose et l\u2019expression. La RECETTE de simulation de film devient partie int\u00e9grante du flux de travail, non pas une \u00e9tape ajout\u00e9e en post-production, mais un choix conscient op\u00e9r\u00e9 au moment de la prise de vue.<\/p>\n\n\n\n

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En fin de compte, \u00ab Velvet Hase \u00bb repr\u00e9sente une synth\u00e8se de mon approche du portrait : une image \u00e0 la fois douce et structur\u00e9e, \u00e9motionnelle et ma\u00eetris\u00e9e, o\u00f9 la mode rencontre le cin\u00e9ma et o\u00f9 la photographie devient un espace d\u2019interpr\u00e9tation. Cette recette de simulation de film est con\u00e7ue pour ceux qui recherchent une atmosph\u00e8re, de la profondeur et un sens de la beaut\u00e9 moins litt\u00e9ral, plus \u00e9vocateur.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

La recette de simulation de film \u00ab Velvet Hase \u00bb est n\u00e9e du d\u00e9sir de traduire mon langage visuel en une simulation de film coh\u00e9rente et reconnaissable, en m’inspirant des couleurs de PRO Neg. Std. En tant que portraitiste et photographe de mode, j’ai toujours cherch\u00e9 \u00e0 m’\u00e9loigner du strict r\u00e9alisme, en privil\u00e9giant une image […]<\/p>\n","protected":false},"author":208,"featured_media":358233,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,13923,320,3162,1986,565,13898,8307,8356],"post_tag":[],"class_list":["post-359229","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr","category-xf56mmf12-r-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-10 06:59:29","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/359229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/358233"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=359229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=359229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=359229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358124,"date":"2026-06-01T05:00:00","date_gmt":"2026-06-01T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=358124"},"modified":"2026-05-26T03:44:12","modified_gmt":"2026-05-26T03:44:12","slug":"bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki\/","title":{"rendered":"[BTS] GFX ETERNA 55: Yu Sanbonsuge x Shortfilm “Tomei Na Zawameki”"},"content":{"rendered":"\n

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