[{"id":355348,"date":"2026-04-30T01:54:41","date_gmt":"2026-04-30T01:54:41","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=355348"},"modified":"2026-04-30T01:54:49","modified_gmt":"2026-04-30T01:54:49","slug":"gfx100rf-x-giulio-di-sturco","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/gfx100rf-x-giulio-di-sturco\/","title":{"rendered":"GFX100RF x Giulio Di Sturco"},"content":{"rendered":"\n<div class=\"wp-block-fujifilm-youtube-modal alignfull\"><div class=\"block-video-player py-5 md:py-10\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"parallax-item\"><span class=\"aspect-w-16 aspect-h-9 block\"><\/span><div class=\"block-video-player__splash-img js-btn--modal-youtube\" data-id=\"MtDzqw_B75I\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/Thumbnail_GFX-100RF-GDS-Camargue-BTS-scaled.jpg\" alt=\"Thumbnail_GFX 100RF GDS Camargue BTS\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button\"><\/span><\/div><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"MtDzqw_B75I\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"MtDzqw_B75I\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-MtDzqw_B75I\" data-id=\"MtDzqw_B75I\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Giulio Di Sturco x GFX100RF<\/strong><br><strong>La Camargue : \u00e0 la crois\u00e9e de la tradition et de l\u2019avenir <\/strong>\u00a0<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_1.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228614\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_1.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_1.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_1.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_1.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_1.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_1.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_1.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Au c\u0153ur de la Camargue, o\u00f9 les zones humides s\u2019\u00e9tendent \u00e0 perte de vue, le temps semble jouer un d\u00e9licat num\u00e9ro d\u2019\u00e9quilibriste. Ce coin unique du sud de la France, nich\u00e9 dans le delta du Rh\u00f4ne, est un paysage plein de contrastes, o\u00f9 la beaut\u00e9 brute et sauvage coexiste avec des traditions s\u00e9culaires. Ici, la vie \u00e9volue \u00e0 son propre rythme, fa\u00e7onn\u00e9e par l\u2019eau, le sel et les vents toujours pr\u00e9sents. C\u2019est un lieu qui semble suspendu entre les \u00e9chos du pass\u00e9 et les murmures d\u2019un avenir incertain.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_2.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228615\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_2.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_2.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_2.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_2.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_2.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_2.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_2.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Tel fut le cadre de mon dernier projet, <strong><em>La Camargue : \u00e0 la crois\u00e9e de la tradition et de l\u2019avenir<\/em><\/strong>. C\u2019est une histoire de r\u00e9silience et de transformation, sur les personnes qui voient cette terre comme leur foyer, et sur l\u2019\u00e9quilibre d\u00e9licat qu\u2019elles s\u2019efforcent de maintenir entre h\u00e9ritage et d\u00e9veloppement. Et c\u2019est ici, au milieu de chevaux galopants et de marais salants scintillants, que j\u2019ai d\u00e9couvert le compagnon id\u00e9al pour mon voyage : le FUJIFILM <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/gfx100rf\/\" target=\"_blank\" rel=\"noreferrer noopener\">GFX100RF<\/a>.&nbsp;<\/p>\n\n\n\n<p>La Camargue n\u2019est pas un lieu ordinaire. Ses vastes zones humides constituent un \u00e9cosyst\u00e8me fragile, un paradis pour les oiseaux migrateurs, et abritent les fameux chevaux blancs et les taureaux noirs de la r\u00e9gion. Les habitants d\u2019ici sont tout aussi remarquables : gardiens, \u00e9leveurs de taureaux, sauniers et riziculteurs qui vivent et travaillent sur cette terre depuis des g\u00e9n\u00e9rations.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_3.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228616\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_3.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_3.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_3.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_3.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_3.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_3.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_3.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Pourtant, m\u00eame ici, le changement est in\u00e9vitable. \u00c0 deux pas de l\u00e0, dans la ville d\u2019Arles, la gentrification remod\u00e8le les quartiers, soulevant des questions sur l\u2019identit\u00e9 et l\u2019avenir. C\u2019est une juxtaposition \u00e0 la fois poignante et po\u00e9tique. &nbsp;<\/p>\n\n\n\n<p>Capturer cette histoire exigeait un appareil photo capable de suivre le rythme de ma vision et de s\u2019adapter \u00e0 la nature impr\u00e9visible de l\u2019environnement. Le GFX100RF a jou\u00e9 ici un r\u00f4le essentiel. \u00c0 premi\u00e8re vue, comment ne pas succomber \u00e0 son design \u00e9pur\u00e9 et minimaliste ? Mais comme tout photographe le sait, l\u2019apparence ne fait pas tout. Cet appareil photo tient ses promesses l\u00e0 o\u00f9 cela compte vraiment. \u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_4.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228617\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_4.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_4.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_4.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_4.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_4.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_4.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_4.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Avec son objectif fixe de 35 mm (\u00e9quivalent \u00e0 28 mm sur un plein format), le GFX100RF offre l\u2019\u00e9quilibre parfait pour mes besoins. Aussi bien pour les vastes paysages, les portraits intimes ou les d\u00e9tails fugaces, son objectif ne m&#8217;a jamais d\u00e9\u00e7u. Sa polyvalence m\u2019a permis de construire un r\u00e9cit \u00e0 la fois coh\u00e9rent et imm\u00e9diat. N\u2019avoir qu\u2019un seul objectif pour raconter une histoire a un effet profond\u00e9ment lib\u00e9rateur : cela vous oblige \u00e0 penser, faire preuve de cr\u00e9ativit\u00e9, ne faire qu\u2019un avec la sc\u00e8ne. &nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_5.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228618\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_5.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_5.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_5.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_5.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_5.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_5.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_5.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>La l\u00e9g\u00e8ret\u00e9 et la portabilit\u00e9 du GFX100RF ont chang\u00e9 la donne. Lorsque vous avancez dans l\u2019eau jusqu\u2019aux genoux pour photographier des chevaux galopant \u00e0 travers les marais, chaque gramme compte. Cet appareil photo compact m\u2019a permis d\u2019\u00e9voluer librement et de m\u2019approcher autant que n\u00e9cessaire sans me sentir intrusif. Dans ces moments-l\u00e0, je pouvais dispara\u00eetre dans la sc\u00e8ne, ne faire qu&#8217;un avec l\u2019environnement. L&#8217;autofocus ? Rapide et pr\u00e9cis. Rien n\u2019a \u00e9chapp\u00e9 \u00e0 ma prise de vue, pas m\u00eame les \u00e9claboussures d\u2019eau au moment o\u00f9 le sabot d\u2019un cheval heurtait le marais.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_6.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228619\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_6.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_6.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_6.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_6.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_6.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_6.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_6.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Et puis il y a la qualit\u00e9 d\u2019image. On ne soulignera jamais assez \u00e0 quel point les fichiers de cet appareil photo sont \u00e9poustouflants. La plage dynamique et la pr\u00e9cision des couleurs m\u2019ont permis de repousser les limites en post-traitement sans jamais avoir l\u2019impression de compromettre l\u2019int\u00e9grit\u00e9 de l\u2019image. L\u2019appareil \u00e9tait indulgent m\u00eame en cas d\u2019\u00e9ventuelles erreurs : les d\u00e9tails et la richesse des fichiers RAW fournissaient suffisamment de marge pour les corriger et les affiner. Chaque image ressemblait \u00e0 une peinture, vivante avec texture et profondeur. \u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_7.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228620\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_7.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_7.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_7.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_7.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_7.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_7.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_7.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Un de mes moments pr\u00e9f\u00e9r\u00e9s a eu lieu lors de ma visite \u00e0 l\u2019\u00c9cole du Domaine du Possible, une \u00e9cole exp\u00e9rimentale au c\u0153ur de la Camargue. Les \u00e9tudiants y apprennent \u00e0 fusionner connaissances traditionnelles et innovation moderne. Je suivais un groupe qui travaillait sur des techniques agricoles durables, les mains couvertes de terre, les yeux brillants de d\u00e9termination. Le GFX100RF a excell\u00e9 dans la capture des nuances de ces sc\u00e8nes : l\u2019interaction de la lumi\u00e8re et de l\u2019ombre, l\u2019\u00e9motion brute grav\u00e9e sur les visages. C\u2019\u00e9tait comme si l\u2019appareil photo savait exactement ce que je voulais, traduisant sans effort ma vision en r\u00e9alit\u00e9. &nbsp;<\/p>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_8.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228621\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_8.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_8.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_8.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_8.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_8.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_8.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_8.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_9.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228622\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_9.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_9.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_9.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_9.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_9.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_9.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_9.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Le GFX100RF n\u2019est pas seulement un outil, c\u2019est un partenaire. Sa r\u00e9sistance aux intemp\u00e9ries m\u2019a permis de photographier en toute confiance dans des conditions difficiles, sans h\u00e9sitation. Qu\u2019il s\u2019agisse des \u00e9claboussures dans les mar\u00e9cages ou de la poussi\u00e8re soulev\u00e9e par les taureaux au galop, je n\u2019ai jamais eu \u00e0 m&#8217;inqui\u00e9ter de la robustesse de l\u2019appareil photo. Cette libert\u00e9 m\u2019a permis de me concentrer enti\u00e8rement sur l\u2019histoire qui se d\u00e9roulait sous mes yeux.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_10.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228623\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_10.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_10.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_10.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_10.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_10.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_10.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_10.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Pour moi, la photographie ne s\u2019est jamais limit\u00e9e \u00e0 la simple capture d\u2019images. C&#8217;est une question de connexion : avec les gens, les lieux, les moments qui, sans cela, passeraient inaper\u00e7us. Avec le GFX100RF, j\u2019avais comme une extension de cette philosophie. Suivant l\u2019essence du moyen format, c\u2019est un appareil photo qui vous invite \u00e0 ralentir, vous immerger dans votre environnement, \u00e0 \u00eatre pr\u00e9sent. Et pourtant, quand la vitesse est essentielle, il est toujours pr\u00eat, toujours fiable.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_11.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228624\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_11.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_11.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_11.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_11.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_11.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_11.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_11.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Si je repense \u00e0 mon s\u00e9jour en Camargue, je suis frapp\u00e9 de voir \u00e0 quel point le GFX100RF est devenu une partie int\u00e9grante de mon travail. Il est rare de trouver un appareil photo qui coche toutes les cases : l\u00e9ger, rapide, polyvalent et capable de fournir une qualit\u00e9 d\u2019image \u00e9poustouflante. Pour un photographe documentaire comme moi, en qu\u00eate constante d\u2019une qualit\u00e9 d&#8217;image exceptionnelle, c\u2019est le second bo\u00eetier parfait. \u00c0 vrai dire, c\u2019\u00e9tait souvent le seul bo\u00eetier dont j\u2019avais besoin. \u00a0<\/p>\n\n\n\n<p>Alors, \u00e0 la Camargue &#8211; terre de contrastes, de liens et de beaut\u00e9 sauvage ! Et au GFX100RF, l\u2019appareil photo gr\u00e2ce auquel j\u2019ai pu raconter son histoire. Ensemble, ils m\u2019ont rappel\u00e9 le pouvoir qu\u2019a la photographie de pr\u00e9server le pass\u00e9, d\u2019embrasser le pr\u00e9sent et d\u2019imaginer l\u2019avenir. \u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_12_main.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-228612\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_12_main.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_12_main.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_12_main.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_12_main.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_12_main.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_12_main.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/03\/IT_Giulio-di-Sturco_article-image_12_main.jpg?width=717&amp;height=538 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Giulio Di Sturco x GFX100RFLa Camargue : \u00e0 la crois\u00e9e de la tradition et de l\u2019avenir \u00a0 Au c\u0153ur de la Camargue, o\u00f9 les zones humides s\u2019\u00e9tendent \u00e0 perte de vue, le temps semble jouer un d\u00e9licat num\u00e9ro d\u2019\u00e9quilibriste. Ce coin unique du sud de la France, nich\u00e9 dans le delta du Rh\u00f4ne, est un [&hellip;]<\/p>\n","protected":false},"author":208,"featured_media":228637,"template":"","category":[2084,1006,1202,13884,13885,1937,13886,320,565],"post_tag":[],"class_list":["post-355348","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-fixed-lens-camera","category-gfx-series-fixed-lens-camera","category-gfx-series","category-gfx100rf","category-products","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-08 12:56:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/355348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/228637"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=355348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=355348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=355348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":355552,"date":"2026-04-21T02:23:30","date_gmt":"2026-04-21T02:23:30","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=355552"},"modified":"2026-04-21T02:23:37","modified_gmt":"2026-04-21T02:23:37","slug":"apprendre-par-la-pratique-la-photographie-de-paysage-avec-andy-mumford","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/apprendre-par-la-pratique-la-photographie-de-paysage-avec-andy-mumford\/","title":{"rendered":"Apprendre par la pratique\u00a0: la photographie de paysage avec Andy Mumford"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Le photographe de paysage Andy Mumford d\u00e9crit son mat\u00e9riel, explique sa technique et donne des conseils sur la prise de vue.<\/h2>\n\n\n\n<p>Si Andy Mumford vit actuellement sous le soleil de Lisbonne, sa cr\u00e9ation d\u2019images l\u2019a conduit aux quatre coins du monde. Photographe de paysage et de voyage, il est \u00e9galement un professeur de photographie passionn\u00e9 qui partage son expertise en animant des ateliers destin\u00e9s aux cr\u00e9atifs en herbe.<\/p>\n\n\n\n<p>\u00ab&nbsp;Les gens arrivent g\u00e9n\u00e9ralement \u00e0 la photographie de paysage par deux chemins&nbsp;\u00bb, commence Andy. \u00ab&nbsp;Soit ils sont vraiment int\u00e9ress\u00e9s par la photographie et les appareils photo, soit, comme moi, ils sont passionn\u00e9s de randonn\u00e9e et de nature.<\/p>\n\n\n\n<p>D\u00e8s mon plus jeune \u00e2ge, j\u2019ai beaucoup pratiqu\u00e9 le camping avec mes parents et les randonn\u00e9es dans le Peak District. J\u2019ai toujours aim\u00e9 \u00eatre dehors dans la nature. Pour moi, tout est question d\u2019exp\u00e9rience \u2013 ce qu\u2019on ressent \u00e0 cet endroit \u2013 et la photographie permet d\u2019immortaliser ces sensations.&nbsp;\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Andy-Mumford-X-Story_01.jpg\" alt=\"\"\/ loading=\"lazy\"><\/figure>\n\n\n\n<p>Photo 2019 \u00a9\u00a0Andy Mumford | FUJIFILM X-T3 et FUJINON XF10-24mmF4\u00a0R\u00a0OIS, 1\/125\u00a0sec \u00e0 f\/9, 160\u00a0ISO<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Essais et erreurs<\/h2>\n\n\n\n<p>Andy admet lui-m\u00eame que les premi\u00e8res tentatives d\u2019Andy en photographie de paysage n\u2019\u00e9taient pas particuli\u00e8rement r\u00e9ussies. Mais plut\u00f4t que se d\u00e9courager, il a voulu comprendre pourquoi certaines photos \u00e9taient meilleures que d\u2019autres.<\/p>\n\n\n\n<p>\u00ab&nbsp;Je me souviens que, quand j\u2019\u00e9tais enfant, nous emportions un appareil photo argentique en vacances. Devant les photos d\u00e9velopp\u00e9es, on disait&nbsp;: \u00ab&nbsp;Celle-ci est r\u00e9ussie&nbsp;; celle-ci est rat\u00e9e.&nbsp;\u00bb Mais je ne m\u2019\u00e9tais jamais interrog\u00e9 sur ce que cela signifiait&nbsp;\u00bb, se souvient Andy. \u00ab&nbsp;Qu\u2019est-ce que cela signifie lorsqu\u2019une photo est r\u00e9ussie ou non \u2013 et pourquoi&nbsp;? Qu\u2019est-ce qui a caus\u00e9 le flou ou la surexposition&nbsp;?&nbsp;\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Andy-Mumford-X-Story_02.jpg?width=640&amp;height=854\" alt=\"\"\/ loading=\"lazy\"><\/figure>\n\n\n\n<p>Photo 2019 \u00a9\u00a0Andy Mumford | FUJIFILM X-T3 et FUJINON XF10-24mmF4\u00a0R\u00a0OIS, 1\/30\u00a0sec \u00e0 f\/8, 160\u00a0ISO<\/p>\n\n\n\n<p>\u00ab\u00a0J\u2019ai commenc\u00e9 \u00e0 me pencher sur la question et j\u2019ai cherch\u00e9 \u00e0 comprendre pourquoi j\u2019aimais certaines photos alors que d\u2019autres \u00e9taient vraiment rat\u00e9es, et j\u2019ai rejoint les premi\u00e8res communaut\u00e9s de photographie en ligne. J\u2019ai progress\u00e9 et j\u2019ai vite \u00e9t\u00e9 rattrap\u00e9 par l\u2019obsession de prendre des photos de plus en plus belles, par exemple des expositions longues, l\u2019attente de l\u2019heure dor\u00e9e, etc. J\u2019ai tout appris tout seul, mais j\u2019ai trouv\u00e9 ma source d\u2019inspiration principale dehors dans la nature.\u00a0\u00bb<\/p>\n\n\n\n<p>Refl\u00e9tant cet amour du plein air, la photographie d&#8217;Andy cherche avant tout \u00e0 communiquer le ressenti d&#8217;un lieu plut\u00f4t que de cr\u00e9er une repr\u00e9sentation documentaire du paysage.<\/p>\n\n\n\n<p>\u00ab&nbsp;Ce n\u2019est pas vraiment l\u2019endroit que vous photographiez&nbsp;\u00bb, songe-t-il. \u00ab&nbsp;Vous cherchez \u00e0 photographier ce que cet endroit suscite en vous. C&#8217;est l&#8217;objectif ultime de toute photo, en particulier dans la photographie de paysage.&nbsp;\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Andy-Mumford-X-Story_03.jpg?width=640&amp;height=854\" alt=\"\"\/ loading=\"lazy\"><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Photo 2020 \u00a9 Andy Mumford | FUJIFILM X-T3 et FUJINON XF10-24mmF4\u00a0R\u00a0OIS, 25\u00a0sec \u00e0 f\/9, 160\u00a0ISO<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">Cr\u00e9er une ambiance<\/h2>\n\n\n\n<p>\u00ab&nbsp;Je ne suis pas pointilleux sur la perfection technique. Avant, je me souciais beaucoup de la perte de d\u00e9tails dans les hautes lumi\u00e8res par exemple, mais \u00e0 mesure que vous gagnez en confiance en photographie, vous apprenez \u00e0 accepter les imperfections&nbsp;\u00bb, sugg\u00e8re Andy.<\/p>\n\n\n\n<p>\u00ab&nbsp;Il m\u2019arrive ainsi de photographier une sc\u00e8ne o\u00f9 rien ne se passe dans le ciel. Dans beaucoup d\u2019endroits o\u00f9 je travaille, comme en Namibie, le ciel est g\u00e9n\u00e9ralement tr\u00e8s vide. Cela signifie que ce n\u2019est fondamentalement pas un \u00e9l\u00e9ment int\u00e9ressant dans la photographie&nbsp;\u00bb, remarque-t-il. \u00ab&nbsp;Ce que vous pouvez faire dans ce cas, c\u2019est surexposer le ciel pour le rendre blanc et brumeux.&nbsp;\u00bb<\/p>\n\n\n\n<p>Certes, les aspects techniques peuvent \u00eatre modifi\u00e9s et manipul\u00e9s, mais selon Andy, il n\u2019est pas possible de faire de compromis sur une composition forte. \u00ab&nbsp;La composition doit \u00eatre harmonieuse&nbsp;\u00bb, affirme-t-il. \u00ab&nbsp;Il existe toutes sortes de r\u00e8gles de composition, mais au bout du compte, l\u2019essentiel est de cr\u00e9er un \u00e9quilibre visuel. Il doit y avoir une harmonie dans la mani\u00e8re dont les diff\u00e9rents \u00e9l\u00e9ments s\u2019assemblent.&nbsp;\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Andy-Mumford-X-Story_04.jpg?width=683&amp;height=1024\" alt=\"\"\/ loading=\"lazy\"><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Photo 2017 \u00a9 Andy Mumford | FUJIFILM X-T2 et FUJINON XF10-24mmF4\u00a0R\u00a0OIS, 1\/6\u00a0sec \u00e0 f\/11, 200\u00a0ISO<\/p>\n\n\n\n<p class=\"has-text-align-left\">Un \u00e9l\u00e9ment crucial, mais plus difficile \u00e0 d\u00e9finir, pour une photo r\u00e9ussie est l\u2019ambiance. \u00ab\u00a0Ce qui fait la diff\u00e9rence entre une bonne photo et une excellente photo, c\u2019est l\u2019ambiance\u00a0\u00bb, poursuit Andy. \u00ab\u00a0Pour cela, il vous faut de bonnes conditions, \u00e0 savoir une part de chance. Au fur et \u00e0 mesure de mes progr\u00e8s, j\u2019ai appris \u00e0 faire face aux intemp\u00e9ries et \u00e0 la lumi\u00e8re diffuse pour trouver ou cr\u00e9er une ambiance, que ce soit en sous-exposant ou en post-traitement pour introduire des niveaux de contraste plus \u00e9lev\u00e9s. Vous avez besoin d\u2019une ambiance pour donner du relief \u00e0 votre image. C&#8217;est si important que m\u00eame les personnes qui n&#8217;ont pas de compr\u00e9hension technique ou d&#8217;int\u00e9r\u00eat pour la photographie la remarqueront et pourront ressentir quelque chose en regardant la photo.\u00a0\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Andy-Mumford-X-Story_05.jpg?width=717&amp;height=478\" alt=\"\"\/ loading=\"lazy\"><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Photo 2019 \u00a9\u00a0Andy Mumford | FUJIFILM X-T3 et FUJINON XF10-24mmF4\u00a0R\u00a0OIS, 1\/60\u00a0sec \u00e0 f\/8, 160\u00a0ISO<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\u00c9l\u00e9ments de spontan\u00e9it\u00e9<\/h2>\n\n\n\n<p>Dans le monde de la photographie de paysage, la planification joue un r\u00f4le essentiel, explique Andy&nbsp;: \u00ab&nbsp;Je travaille avec un partenaire qui n\u2019accorde aucune valeur aux images spontan\u00e9es. Il passe un temps fou \u00e0 scruter les pr\u00e9visions m\u00e9t\u00e9orologiques et Google Earth et trouve sa satisfaction quand toutes les pi\u00e8ces s\u2019assemblent comme il l\u2019avait pr\u00e9vu.&nbsp;\u00bb<\/p>\n\n\n\n<p>Si le travail d&#8217;Andy repose aussi sur une planification approfondie, il appr\u00e9cie de laisser de la place aux impr\u00e9vus dans sa photographie. \u00ab&nbsp;Il y a presque toujours un \u00e9l\u00e9ment inattendu. Vous savez que la lumi\u00e8re interagira d\u2019une certaine mani\u00e8re, mais il arrive qu\u2019une portion de la sc\u00e8ne se retrouve \u00e9clair\u00e9e de mani\u00e8re inattendue. Vous devez donc \u00eatre flexible et pr\u00eat \u00e0 vous adapter.<\/p>\n\n\n\n<p>Imaginons que, dans une image, vous ayez un premier plan \u00e0 environ 6&nbsp;m\u00e8tres et votre sujet \u00e0 des kilom\u00e8tres. Entre votre premier plan et votre arri\u00e8re-plan, il peut se passer toutes sortes de choses. Votre premier plan peut se retrouver dans l\u2019ombre, alors qu\u2019une trou\u00e9e dans les nuages, ou un autre ph\u00e9nom\u00e8ne impr\u00e9vu, \u00e9clairera votre arri\u00e8re-plan.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Andy-Mumford-X-Story_06.jpg?width=717&amp;height=478\" alt=\"\"\/ loading=\"lazy\"><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Photo 2023 \u00a9 Andy Mumford | FUJIFILM X-T5 et FUJINON XF70-300mmF4-5.6\u00a0R\u00a0LM\u00a0OIS\u00a0WR, 1\/2000\u00a0sec \u00e0 f\/6.4, 640\u00a0ISO<\/p>\n\n\n\n<p>\u00ab\u00a0Dans ce cas, vous pouvez retirer votre objectif grand-angle et utiliser par exemple le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/xf70-300mmf4-56-r-lm-ois-wr\/\">FUJINON XF70-300mmF4-5.6\u00a0R\u00a0LM\u00a0OIS WR<\/a>. Vous \u00e9liminez alors le premier plan, zoomez dans le paysage lointain et composez votre image diff\u00e9remment.<\/p>\n\n\n\n<p>Si je consid\u00e8re mon portfolio, beaucoup d\u2019images sont planifi\u00e9es&nbsp;: nous attendons la lumi\u00e8re recherch\u00e9e et prenons la photo. Mais m\u00eame dans ce cas, il faut souvent trouver un premier plan particulier qui fonctionne avec l\u2019arri\u00e8re-plan que nous avions rep\u00e9r\u00e9, ou la lumi\u00e8re se comporte de mani\u00e8re inattendue. Vous vous dites alors simplement que cela va marcher.&nbsp;\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Andy-Mumford-X-Story_07.jpg?width=717&amp;height=448\" alt=\"\"\/ loading=\"lazy\"><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Photo 2023 \u00a9 Andy Mumford | FUJIFILM X-T5 et FUJINON XF70-300mmF4-5.6\u00a0R\u00a0LM\u00a0OIS\u00a0WR, 1\/15\u00a0sec \u00e0 f\/5.6, 160\u00a0ISO<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">L&#8217;\u00e9quipement de photographie de paysage d&#8217;Andy<\/h2>\n\n\n\n<p>Dans une discipline qui peut combiner photographie et longues journ\u00e9es de randonn\u00e9e, Andy doit arbitrer entre la portabilit\u00e9 et la pure qualit\u00e9 optique lors du choix de son \u00e9quipement. \u00ab\u00a0Les appareils photo et les objectifs sont tellement meilleurs qu\u2019\u00e0 mes d\u00e9buts, il y a 15\u00a0\u00e0\u00a020\u00a0ans\u00a0\u00bb, souligne-t-il. \u00ab\u00a0Nous avons beaucoup de chance. En g\u00e9n\u00e9ral, les objectifs de la plus haute qualit\u00e9 sont plus lourds, c\u2019est pourquoi j\u2019utilise le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/gfx-series\/\">syst\u00e8me GFX<\/a> si je veux m\u2019extasier sur la qualit\u00e9. Mais quand je recherche la portabilit\u00e9, mon choix se porte sur le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/x-t5\/\">FUJIF<\/a><a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/x-t5\/\">IFUJIFILM X-T5<\/a><a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/x-t5\/\">LM X-T5<\/a>. Et les objectifs moins chers de Fujifilm \u2013 ceux qui ne sont pas tout en haut de la gamme \u2013 sont excellents pour mes besoins. En g\u00e9n\u00e9ral, plut\u00f4t que d\u2019emporter les focales fixes les plus performantes et les plus nettes et des zooms f\/2.8, j\u2019opte pour la l\u00e9g\u00e8ret\u00e9.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Andy-Mumford-X-Story_08.jpg?width=683&amp;height=1024\" alt=\"\"\/ loading=\"lazy\"><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Photo 2023 \u00a9 Andy Mumford | FUJIFILM X-T5 et FUJINON XF70-300mmF4-5.6\u00a0R\u00a0LM\u00a0OIS\u00a0WR, 1\/40\u00a0sec \u00e0 f\/6.4, 640\u00a0ISO<\/p>\n\n\n\n<p>\u00ab\u00a0J\u2019emporte toujours un zoom grand-angle, comme le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/xf10-24mmf4-r-ois-wr\/\">FUJINON XF10-24mmF4\u00a0R\u00a0OIS\u00a0WR<\/a> et aussi un zoom t\u00e9l\u00e9objectif, comme le XF70-300mmF4-5.6\u00a0R\u00a0LM\u00a0OIS\u00a0WR. Puis au milieu, j\u2019ai un zoom standard. Celui que j\u2019utilise est le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/xf16-50mmf2-8-4-8-r-lm-wr\/\">FUJINON XF16-50mmF2.8-4.8\u00a0R\u00a0LM\u00a0WR<\/a>. C\u2019est un superbe objectif qui ne p\u00e8se que 240\u00a0g. Avec un objectif comme le XF70-300mmF4-5.6, qui ne p\u00e8se que 580\u00a0g, vous avez une configuration l\u00e9g\u00e8re avec une couverture incroyable.<\/p>\n\n\n\n<p>Je ne suis pas obs\u00e9d\u00e9 par l\u2019utilisation des objectifs les plus nets possible. Si c\u2019\u00e9tait le cas, j\u2019utiliserais par exemple le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/xf50-140mmf28-r-lm-ois-wr\/\">FUJINON XF50-140mmF2.8\u00a0R\u00a0LM\u00a0OIS\u00a0WR<\/a>, le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/xf16-55mmf28-r-lm-wr-ii\/\">XF16-55mmF2.8\u00a0R\u00a0LM\u00a0WR\u00a0II<\/a> et le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/xf8-16mmf28-r-lm-wr\/\">XF8-16mmF2.8\u00a0R\u00a0LM\u00a0WR<\/a>. Ce sont des objectifs incroyables avec des ouvertures fixes \u00e0 f\/2,8, mais plus lourds.<\/p>\n\n\n\n<p>La plupart des gens ne verront jamais ce pourcentage suppl\u00e9mentaire de nettet\u00e9 dans mon travail. Je le remarquerai peut-\u00eatre si je zoome \u00e0 100&nbsp;%, mais pour les tirages que je vends ou mes images destin\u00e9es \u00e0 des campagnes en ligne, on ne voit pas la diff\u00e9rence.&nbsp;\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Andy-Mumford-X-Story_09.jpg?width=683&amp;height=1024\" alt=\"\"\/ loading=\"lazy\"><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Photo 2019 \u00a9 Andy Mumford | FUJIFILM X-T3 et FUJINON XF10-24mmF4\u00a0R\u00a0OIS, 30\u00a0sec \u00e0 f\/13, 160\u00a0ISO<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Comment am\u00e9liorer vos paysages<\/h2>\n\n\n\n<p>Il est certes important d\u2019emporter l\u2019\u00e9quipement adapt\u00e9 \u00e0 la mission, mais aux yeux d\u2019Andy, ce n\u2019est pas la priorit\u00e9 pour les photographes paysagistes d\u00e9butants, loin s\u2019en faut. \u00ab&nbsp;Ne vous focalisez pas sur l\u2019\u00e9quipement&nbsp;\u00bb, note-t-il. \u00ab&nbsp;Ce sur quoi vous devez vous concentrer, c\u2019est vous am\u00e9liorer en tant que photographe.<\/p>\n\n\n\n<p>Le golfeur Gary Player a d\u00e9clar\u00e9&nbsp;: \u00ab&nbsp;Plus je m\u2019entra\u00eene, plus j\u2019ai de chance.&nbsp;\u00bb Plus vous irez dehors, plus vous vous trouverez dans des endroits offrant des opportunit\u00e9s de photos r\u00e9ussies. Vous n\u2019avez pas besoin d\u2019aller loin&nbsp;\u00bb, ajoute Andy. \u00ab&nbsp;Une grande partie de mon apprentissage s\u2019est d\u00e9roul\u00e9e \u00e0 moins de 45&nbsp;minutes de chez moi, en photographiant le littoral pr\u00e8s de Lisbonne. La plupart des gens vivent \u00e0 proximit\u00e9 d\u2019un espace naturel accessible en voiture. Ce qui est important, c\u2019est de sortir \u00e0 des heures qui ne sont pas n\u00e9cessairement confortables. Se lever dans le froid pour le lever du soleil n\u2019est pas agr\u00e9able. \u00catre dehors au coucher du soleil est synonyme de d\u00eeners tr\u00e8s tardifs. Mais cela vaut la peine d\u2019entrer dans cette zone d\u2019inconfort.&nbsp;\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Andy-Mumford-X-Story_10.jpg?width=640&amp;height=854\" alt=\"\"\/ loading=\"lazy\"><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Photo 2023 \u00a9 Andy Mumford | FUJIFILM X-T5 et FUJINON XF150-600mmF5.6-8\u00a0R\u00a0LM\u00a0OIS\u00a0WR, 1\/800\u00a0sec \u00e0 f\/7.1, 1000\u00a0ISO<\/p>\n\n\n\n<p>Pour s\u2019am\u00e9liorer, il ne faut pas s\u2019en tenir \u00e0 cr\u00e9er des photos. R\u00e9fl\u00e9chir \u00e0 votre travail est un \u00e9l\u00e9ment crucial du processus, sugg\u00e8re Andy. \u00ab&nbsp;Vous devez \u00e9galement faire preuve d\u2019esprit critique au niveau de la composition. Avec les appareils photo actuels, il est relativement facile d&#8217;obtenir une bonne exposition et une bonne mise au point. Reste la composition, qui est une chose ph\u00e9nom\u00e9nalement complexe \u00e0 comprendre.<\/p>\n\n\n\n<p>C\u2019est la chose la plus difficile \u00e0 enseigner. C\u2019est comme essayer d\u2019enseigner \u00e0 quelqu\u2019un pourquoi une certaine disposition de notes musicales fait une belle m\u00e9lodie, alors que si vous les r\u00e9arrangez, cela sonne faux. C\u2019est quelque chose que nous ressentons presque inconsciemment. Pourquoi certaines formes sont-elles attrayantes&nbsp;? Pourquoi un arbre isol\u00e9 est-il plus attrayant que cinq arbres&nbsp;? Il faut s\u2019entra\u00eener \u2014 et continuer \u00e0 examiner ses photos pour savoir ce qui fonctionne et ce qui ne fonctionne pas.&nbsp;\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le photographe de paysage Andy Mumford d\u00e9crit son mat\u00e9riel, explique sa technique et donne des conseils sur la prise de vue. Si Andy Mumford vit actuellement sous le soleil de Lisbonne, sa cr\u00e9ation d\u2019images l\u2019a conduit aux quatre coins du monde. Photographe de paysage et de voyage, il est \u00e9galement un professeur de photographie passionn\u00e9 [&hellip;]<\/p>\n","protected":false},"author":127,"featured_media":354187,"template":"","category":[2084,1006,1202,1055,3211,320,3162,1986,565,7180,8503,9140,9238,9189,3358],"post_tag":[],"class_list":["post-355552","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-lenses","category-x-series-mirrorless","category-products","category-x-mount","category-x-series","category-stories","category-x-t5","category-xf10-24mmf4-r-ois","category-xf10-24mmf4-r-ois-wr","category-xf150-600mmf5-6-8-r-lm-ois-wr","category-xf70-300mmf4-5-6-r-lm-ois-wr","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-08 12:56:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/355552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/354187"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=355552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=355552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=355552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":354458,"date":"2026-04-20T02:14:59","date_gmt":"2026-04-20T02:14:59","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=354458"},"modified":"2026-04-20T02:17:19","modified_gmt":"2026-04-20T02:17:19","slug":"malta-archive-project","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/malta-archive-project\/","title":{"rendered":"Guardians of Memory: FUJIFILM GFX System preserves the Cultural Heritage of MALTA"},"content":{"rendered":"\n<p>The Maltese Islands are a living museum \u2014 their streets and landscapes rich with millennia of human endeavour, collective memory, and visual history. Central to understanding this cultural tapestry are the photographic archives that document Malta\u2019s past: the evocative images of the <strong>Richard Ellis Archive<\/strong>, the official record holdings of the <strong>National Archives of Malta<\/strong>, and the meticulously curated collections of the <strong>Malta Image Preservation Archive (<a href=\"https:\/\/mipa.com.mt\/\" data-type=\"link\" data-id=\"https:\/\/mipa.com.mt\/\" rel=\"nofollow noopener\" target=\"_blank\">MIPA<\/a>)<\/strong>. These priceless materials \u2014 fragile, deteriorating, and often unique \u2014 demand preservation that is both technically rigorous and respectful of their heritage value. In response to that challenge, digital photography is no longer just a convenience tool: it has become a preservation imperative.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"387\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_02.jpg?width=1024&#038;height=387\" alt=\"\" class=\"wp-image-354459\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_02.jpg?width=1024&amp;height=387 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_02.jpg?width=300&amp;height=113 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_02.jpg?width=768&amp;height=290 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_02.jpg?width=400&amp;height=151 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_02.jpg?width=365&amp;height=138 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_02.jpg?width=600&amp;height=227 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_02.jpg?width=717&amp;height=271 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_02.jpg?width=936&amp;height=353 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p><strong>The largest online repository of archival photographic history material pertaining to Malta, the Malta Image Preservation Archive (<a href=\"https:\/\/mipa.com.mt\/\" data-type=\"link\" data-id=\"https:\/\/mipa.com.mt\/\" rel=\"nofollow noopener\" target=\"_blank\">MIPA<\/a>), uses FUJIFILM GFX camera systems exclusively to digitise all archival material.<\/strong><\/p>\n\n\n\n<p><strong>The Digital Imperative in Cultural Heritage<br><\/strong>Photographic prints, negatives, and transparencies are vulnerable to time. Silver mirroring, physical abrasions, and chemical degradation progressively obscure detail and diminish informational content. Digitisation not only stabilises the present state of these objects but also creates a durable surrogate that can be studied, shared, and safeguarded for future generations. But digitisation is only as good as the technology used to capture it.<\/p>\n\n\n\n<p>For cultural heritage institutions \u2014 especially those tasked with archiving national memory \u2014 the technical criteria for digitisation are exacting. Accurate tonal reproduction, high resolution, minimal noise, and faithful colour rendition are essential if digital surrogates are to be trustworthy representations of the originals. Enter Fujifilm\u2019s large-format digital systems: the <strong>FUJIFILM GFX100S and GFX100 II.<\/strong><\/p>\n\n\n\n<p><strong>FUJIFILM GFX: Large-format for Maximum Fidelity<br><\/strong>At the heart of both the FUJIFILM GFX100S and the GFX100 II is a <strong>102-megapixel large-format CMOS sensor<\/strong> \u2014 significantly larger than the typical 35 mm full-frame sensor. This increased sensor area translates directly into higher native resolution, finer tonal gradation, and enhanced dynamic range. For archival digitisation work, this means micro-texture \u2014 the subtle interplay of grain, detail, and shadow \u2014 is resolved with remarkable clarity.<\/p>\n\n\n\n<p><strong>Technical strengths that matter for heritage work include:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>High Resolution and Detail Capture<\/strong><br>The 102 MP sensor captures extraordinarily fine detail, enabling archival masters that can be used for large-format reproduction without loss of fidelity.<\/li>\n\n\n\n<li><strong>Dynamic Range and Tonal Depth<\/strong><br>Both systems deliver approximately 14+ stops of dynamic range. This allows archivists to preserve detail in highlights and shadows \u2014 crucial for aged or unevenly processed originals.<\/li>\n\n\n\n<li><strong>Colour Accuracy and Reproducibility<\/strong><br>Fujifilm\u2019s color science, combined with high-bit RAW capture, ensures faithful rendering of subtle hues in historical documents, delicate tonality in early black-and-white photography, and the varied palette of colour emulsions.<\/li>\n\n\n\n<li><strong>Low Noise and High ISO Integrity<\/strong><br>Even at lower light levels often encountered in archive studios, the sensor\u2019s performance maintains clarity with minimal noise \u2014 a valuable asset when copying old negatives that cannot be aggressively illuminated.<\/li>\n\n\n\n<li><strong>Stability and Workflow Efficiency<\/strong><br>The GFX systems\u2019 ergonomic design, weather-sealed bodies, and reliable autofocus \u2014 often paired with high-quality FUJINON GF Lenses \u2014 streamline extended digitisation sessions, reducing operator fatigue and improving output consistency.<\/li>\n<\/ul>\n\n\n\n<p>Between the <strong>GFX100S<\/strong> \u2014 a more compact, cost-efficient medium-format solution \u2014 and the <strong>GFX100 II<\/strong> \u2014 boasting enhanced processing speed, refined autofocus, and improved handling \u2014 heritage digitisation programmes gain flexibility without compromising image quality. Using the two FUJIFIILM GFX bodies provided by Ciancio 1913 Co. Ltd. Malta, as well as the FUJINON GF32-64mmF4 R LM WR and GF120mmF4 R LM OIS WR MACRO ensured a complete two camera system suitable for digitising all sizes of artifacts, prints and negatives from 35mm all the way to A0 size, up to 400-megapixels in size.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"876\" height=\"1024\" data-id=\"354460\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_03.jpg?width=876&#038;height=1024\" alt=\"\" class=\"wp-image-354460\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_03.jpg?width=876&amp;height=1024 876w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_03.jpg?width=257&amp;height=300 257w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_03.jpg?width=768&amp;height=898 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_03.jpg?width=365&amp;height=427 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_03.jpg?width=600&amp;height=702 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_03.jpg?width=717&amp;height=839 717w\" sizes=\"auto, (max-width: 876px) 100vw, 876px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/figure>\n\n\n\n<p><strong>Photo captured by Richard Ellis of the bow view of HMS Vulcan, in drydock August 1897, digitised from the 12 x 10 inch gelatin glass plate negative using FUJIFILM GFX100S and FUJINON GF32-64mmF4 R LM WR. Courtesy of the Richard Ellis Archive.<\/strong><\/p>\n\n\n\n<p><strong>Digitising the Maltese Photographic Legacy<br><\/strong>Institutions such as the <strong>National Archives of Malta<\/strong> hold official records that chronicle civic life, public works, and national development. Their photographic collections, including those of Guido Stilon and Sigrid Neubert, digitised using FUJIFILM GFX systems, trace Malta\u2019s evolving identity. The <strong>Richard Ellis Archive<\/strong> contains evocative imagery that is both documentary and artistic, capturing people, places, and narratives seldom preserved elsewhere. Meanwhile, the <strong>Malta Image Preservation Archive<\/strong> acts as a custodian for thousands of community-sourced and professional images \u2014 each one a thread in the visual history of the islands, such as the collections of David Wrightson and Gerald Formosa.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"716\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_04.jpg?width=1024&#038;height=716\" alt=\"\" class=\"wp-image-354461\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_04.jpg?width=1024&amp;height=716 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_04.jpg?width=300&amp;height=210 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_04.jpg?width=768&amp;height=537 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_04.jpg?width=400&amp;height=280 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_04.jpg?width=365&amp;height=255 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_04.jpg?width=600&amp;height=419 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_04.jpg?width=717&amp;height=501 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_04.jpg?width=936&amp;height=654 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p><strong>Guido Stilon\u2019s Exacta camera, digitised using FUJIFILM GFX 100 II and FUJINON GF120mmF4 R LM OIS WR Macro. Courtesy of MIPA.<\/strong><\/p>\n\n\n\n<p>Using FUJIFILM GFX systems in these contexts means:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Producing high-resolution digital masters suitable for long-term storage and access.<\/li>\n\n\n\n<li>Delivering images that support research, publication, and exhibition without risking damage to the originals.<\/li>\n\n\n\n<li>Enabling digital preservation workflows that align with international standards for archival imaging.<\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_05.jpg?width=819&#038;height=1024\" alt=\"\" class=\"wp-image-354462\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_05.jpg?width=819&amp;height=1024 819w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_05.jpg?width=240&amp;height=300 240w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_05.jpg?width=768&amp;height=960 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_05.jpg?width=365&amp;height=456 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_05.jpg?width=600&amp;height=750 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_05.jpg?width=717&amp;height=896 717w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_06.jpg?width=819&#038;height=1024\" alt=\"\" class=\"wp-image-354463\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_06.jpg?width=819&amp;height=1024 819w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_06.jpg?width=240&amp;height=300 240w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_06.jpg?width=768&amp;height=960 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_06.jpg?width=365&amp;height=456 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_06.jpg?width=600&amp;height=750 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_06.jpg?width=717&amp;height=896 717w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"793\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_08_add.jpg?width=793&#038;height=1024\" alt=\"\" class=\"wp-image-354889\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_08_add.jpg?width=793&amp;height=1024 793w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_08_add.jpg?width=232&amp;height=300 232w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_08_add.jpg?width=768&amp;height=992 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_08_add.jpg?width=365&amp;height=471 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_08_add.jpg?width=600&amp;height=775 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_08_add.jpg?width=717&amp;height=926 717w\" sizes=\"auto, (max-width: 793px) 100vw, 793px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p><strong>Two milestone publications produced using the material digitised using FUJIFILM GFX equipment, namely <em>100 Years of Photography in Malta, 1839\u20131939<\/em> and <em>Victorian Malta<\/em>, both published in 2025. Courtesy of the author, Dr Charles Paul Azzopardi &amp; Midsea Books.<\/strong><\/p>\n\n\n\n<p>By digitising such holdings with technical precision and archival integrity, these institutions ensure Malta\u2019s visual heritage remains accessible to researchers, educators, and the public \u2014 not just today, but for generations to come. This has already resulted in the publication of several milestone landmark publications documenting Maltese photographic history, such as the de facto encyclopaedia of Maltese photographic history, <em>100 Years of Photography in Malta, 1839\u20131939<\/em> (published in 2025 and already sold out), as well as the milestone exhibit documenting the 150th anniversary of the Richard Ellis Archive in 2022.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"150 | Richard Ellis | Exhibition Promo | 2022\/2023\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/odNsyVxzIc0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>150 \u2013 Ellis curator vignette<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_07.jpg?width=1024&#038;height=683\" alt=\"\" class=\"wp-image-354464\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_07.jpg?width=1024&amp;height=683 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_07.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_07.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_07.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_07.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_07.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_07.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Malta_GFX-Project_07.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p><strong>The installation of the 150 \u2013 Ellis exhibit in 2022 commemorated the 150<sup>th<\/sup> anniversary of the Richard Ellis Archive. All the material for the exhibit was digitised using FUJIFILM GFX100S and  FUJINON GF32-64mmF4 R LM WR in a 400-megapixel multi-shot modality. Courtesy of the Richard Ellis Archive.<\/strong><\/p>\n\n\n\n<p><strong>The Broader Cultural Impact<br><\/strong>Preserving Malta\u2019s photographic heritage through digitisation does more than safeguard images: it nurtures collective memory. Digitised archives become platforms for exploration, education, and interpretation. They empower scholars to conduct comparative research, allow communities to rediscover their past, and support cultural tourism with authentic visual narratives grounded in history.<\/p>\n\n\n\n<p>As Malta embraces digital preservation, the choice of equipment matters. The FUIFILM GFX 100S and GFX100 II offer the combination of resolution, fidelity, and reliability needed for archival excellence. In the meticulous work of capturing the nuances of a nation\u2019s visual record, these cameras are not just tools \u2014 they are partners in the stewardship of cultural memory.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.maltarti.tv\/portfolio\/100-years-of-photography\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.maltarti.tv\/portfolio\/100-years-of-photography<\/a><br><em>100 Years of Photography in Malta, 1839\u20131939 featurette<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Maltese Islands are a living museum \u2014 their streets and landscapes rich with millennia of human endeavour, collective memory, and visual history. Central to understanding this cultural tapestry are the photographic archives that document Malta\u2019s past: the evocative images of the Richard Ellis Archive, the official record holdings of the National Archives of Malta, [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":354465,"template":"","category":[2084,1006,1202,3113,10365,10806,1937,10267,3505,565],"post_tag":[],"class_list":["post-354458","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-g-mount","category-gf120mmf4-r-lm-ois-wr-macro","category-gf32-64mmf4-r-lm-wr","category-gfx-series","category-gfx100-ii","category-g-mount-prime","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-08 12:56:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/354458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/354465"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=354458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=354458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=354458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":355424,"date":"2026-04-18T09:04:34","date_gmt":"2026-04-18T09:04:34","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=355424"},"modified":"2026-04-18T09:04:40","modified_gmt":"2026-04-18T09:04:40","slug":"x-m5-tino-renato-x-votre-journee-speciale","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/x-m5-tino-renato-x-votre-journee-speciale\/","title":{"rendered":"X-M5 : Tino Renato x Votre journ\u00e9e sp\u00e9ciale"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"X-M5: &quot;Your One Day&quot; x Tino Renato\/ FUJIFILM\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/gkDlDYgkuWc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">TEST DU X-M5 : UN APPAREIL PUISSANT AU FORMAT COMPACT POUR TOUS LES PHOTOGRAPHES<\/h2>\n\n\n\n<p>Si vous \u00eates un photographe recherchant la flexibilit\u00e9 et la commodit\u00e9 sans sacrifier la qualit\u00e9 d&#8217;image, le Fujifilm <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/x-m5\/\" target=\"_blank\" rel=\"noreferrer noopener\">X-M5<\/a> est fait pour vous. Alors que de nombreux appareils photo hybrides vous obligent \u00e0 choisir entre portabilit\u00e9 et performance, le X-M5 offre cet \u00e9quilibre parfait. Il est id\u00e9al pour ceux qui appr\u00e9cient la spontan\u00e9it\u00e9 et la cr\u00e9ativit\u00e9 dans leur photographie, gr\u00e2ce \u00e0 son impressionnant ensemble de fonctionnalit\u00e9s, son design l\u00e9ger et sa facilit\u00e9 d&#8217;utilisation.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0294.jpg?width=683&#038;height=1024\" alt=\"\" class=\"wp-image-160363\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0294.jpg?width=683&amp;height=1024 683w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0294.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0294.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0294.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0294.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Design l\u00e9ger et compact : toujours pr\u00eat \u00e0 saisir l\u2019instant<\/h2>\n\n\n\n<p>Le X-M5 est un r\u00eave pour ceux qui veulent un appareil photo toujours pr\u00eat \u00e0 l\u2019emploi. Que vous soyez un photographe professionnel en mission ou que vous aimiez simplement explorer le monde, le X-M5 est con\u00e7u pour \u00eatre un compagnon facile \u00e0 transporter, toujours pr\u00eat \u00e0 capturer la photo parfaite. Avec un poids d&#8217;un peu moins de 500 grammes, il se glisse facilement dans un petit sac ou m\u00eame dans une grande poche de veste, ce qui le rend id\u00e9al pour les voyages, la photographie de rue ou d&#8217;une sortie quotidienne. Dites adieu aux \u00e9quipements lourds !<\/p>\n\n\n\n<p>En plus de sa portabilit\u00e9, l&#8217;appareil photo est con\u00e7u pour une prise de vue rapide et spontan\u00e9e. Inutile de se lancer dans une configuration \u00e9tendue ou des r\u00e9glages compliqu\u00e9s avant de commencer la prise de vue. Les commandes intuitives et le d\u00e9marrage rapide du X-M5 vous permettent d\u2019immortaliser des moments fugaces sans h\u00e9sitation. Que vous soyez sur un march\u00e9 anim\u00e9, \u00e0 la plage ou au c\u0153ur de la ville, cet appareil photo est toujours pr\u00eat \u00e0 l\u2019emploi.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0120.jpg?width=1024&#038;height=683\" alt=\"\" class=\"wp-image-160364\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0120.jpg?width=1024&amp;height=683 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0120.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0120.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0120.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0120.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0120.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0120.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Simulations de film : recr\u00e9er le look Fujifilm classique<\/h2>\n\n\n\n<p>Les simulations de film sont l&#8217;une des fonctionnalit\u00e9s les plus appr\u00e9ci\u00e9es des appareils photo Fujifilm, et le X-M5 ne fait pas exception. Cette fonctionnalit\u00e9 permet aux photographes de reproduire l&#8217;aspect et la rendu de la photographie argentique Fujifilm classique, apportant un \u00e9l\u00e9ment de nostalgie et de style artistique \u00e0 la photographie num\u00e9rique, avec des options de couleurs vives ou de magnifiques images monochromes.<\/p>\n\n\n\n<p>Pour les photographes qui appr\u00e9cient l&#8217;art de l\u2019argentique mais qui souhaitent aussi la commodit\u00e9 du num\u00e9rique, les simulations de film du X-M5 offrent le meilleur. Que vous photographiiez des paysages, des portraits ou des sc\u00e8nes de rue, vous pouvez exp\u00e9rimenter diff\u00e9rents rendus de film en fonction de l&#8217;ambiance et de l&#8217;atmosph\u00e8re de votre prise de vue. Cette adaptabilit\u00e9 est un atout majeur pour les photographes qui aiment jouer avec diff\u00e9rents styles et esth\u00e9tiques.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0148.jpg?width=683&#038;height=1024\" alt=\"\" class=\"wp-image-160365\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0148.jpg?width=683&amp;height=1024 683w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0148.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0148.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0148.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0148.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Qualit\u00e9 exceptionnelle des images : nettes, d\u00e9taill\u00e9es et fid\u00e8les \u00e0 la r\u00e9alit\u00e9<\/h2>\n\n\n\n<p>Au coeur de tout appareil photo exceptionnel se trouve la capacit\u00e9 de fournir des images de haute qualit\u00e9, et le Fujifilm X-M5 ne d\u00e9\u00e7oit pas ! \u00c9quip\u00e9 d&#8217;un capteur APS-C, le X-M5 produit des images avec un excellent niveau de d\u00e9tail, une grande nettet\u00e9 et une remarquable fid\u00e9lit\u00e9 des couleurs. Il g\u00e8re aussi bien les conditions de forte et de faible luminosit\u00e9, ce qui vous permet d\u2019obtenir des images nettes et \u00e9clatantes, quelle que soit la situation.<\/p>\n\n\n\n<p>Pour les photographes inspir\u00e9s par les jeux de lumi\u00e8re et d\u2019ombre, le capteur du X-M5 offre des performances exceptionnelles. Que vous capturiez les teintes dor\u00e9es d\u2019un coucher de soleil ou le contraste de la lumi\u00e8re et de l\u2019ombre dans un cadre int\u00e9rieur, cet appareil photo reproduit la sc\u00e8ne avec une pr\u00e9cision remarquable. M\u00eame dans des conditions d\u2019\u00e9clairage difficiles, vous avez l\u2019assurance de conserver les d\u00e9tails des lumi\u00e8res fortes et des ombres.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0085.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-160366\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0085.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0085.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0085.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0085.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0085.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Adaptabilit\u00e9 : un appareil photo pour tous les types de photographes<\/h2>\n\n\n\n<p>L\u2019une des plus grandes forces du FUJIFILM X-M5 est son adaptabilit\u00e9. Que vous soyez un photographe amateur d\u00e9butant ou un professionnel chevronn\u00e9 \u00e0 la recherche d&#8217;un appareil photo fiable, le X-M5 vous conviendra. Son interface conviviale et son menu intuitif le rendent accessible aux d\u00e9butants, tandis que ses fonctionnalit\u00e9s avanc\u00e9es, telles que les commandes manuelles et la prise de vue RAW, s\u00e9duiront les photographes plus exp\u00e9riment\u00e9s qui recherchent davantage de contr\u00f4le cr\u00e9atif.<\/p>\n\n\n\n<p>Le syst\u00e8me autofocus rapide de l&#8217;appareil photo garantit une mise au point rapide sur votre sujet, m\u00eame dans des environnements de prise de vue rapides ou impr\u00e9visibles. Cela s&#8217;av\u00e8re particuli\u00e8rement utile pour les photographes qui capturent des sc\u00e8nes d&#8217;action ou des moments sur le vif. Que vous photographiez un sujet en mouvement dans la rue ou les \u00e9motions subtiles d\u2019un portrait, le X-M5 est rapide et r\u00e9actif, et vous ne manquerez jamais une prise de vue.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0108.jpg?width=1024&#038;height=683\" alt=\"\" class=\"wp-image-160368\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0108.jpg?width=1024&amp;height=683 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0108.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0108.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0108.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0108.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0108.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0108.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Simplicit\u00e9 d\u2019utilisation : un appareil photo qui ne vous g\u00eane pas<\/h2>\n\n\n\n<p>\u00c0 une \u00e9poque o\u00f9 de nombreux appareils photo sont dot\u00e9s de fonctionnalit\u00e9s qui peuvent parfois submerger les utilisateurs, le Fujifilm X-M5 brille par sa simplicit\u00e9 et sa facilit\u00e9 d&#8217;utilisation. Son interface simple permet aux photographes de se concentrer pleinement sur leur prise de vue plut\u00f4t que sur des r\u00e9glages compliqu\u00e9s. Les boutons de r\u00e9glage de l\u2019exposition, de la vitesse d\u2019obturation et de l\u2019ouverture sont intuitifs, offre une exp\u00e9rience fluide qui facilite l&#8217;ajustement des param\u00e8tres \u00e0 la vol\u00e9e.<\/p>\n\n\n\n<p>De plus, le X-M5 propose des boutons et des menus personnalisables, permettant aux photographes d&#8217;adapter l&#8217;appareil photo \u00e0 leur style de prise de vue. Que vous pr\u00e9f\u00e9riez une configuration minimale avec seulement les \u00e9l\u00e9ments essentiels ou une configuration plus complexe, vous pouvez personnaliser l&#8217;appareil photo en fonction de vos besoins. Ce niveau de personnalisation est un \u00e9norme avantage, en particulier pour les photographes qui appr\u00e9cient l&#8217;efficacit\u00e9 et la rapidit\u00e9 lorsqu&#8217;ils travaillent sur le terrain.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0031.jpg?width=1024&#038;height=683\" alt=\"\" class=\"wp-image-160369\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0031.jpg?width=1024&amp;height=683 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0031.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0031.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0031.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0031.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0031.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2024\/11\/DSCF0031.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusion : un outil fiable et polyvalent pour les photographes<\/h2>\n\n\n\n<p>Le FUJIFILM X-M5 est bien plus qu&#8217;un simple appareil photo hybride au format compact : c&#8217;est un outil puissant qui s&#8217;adapte aux besoins de tout photographe. La combinaison de portabilit\u00e9, de qualit\u00e9 d&#8217;image et de facilit\u00e9 d&#8217;utilisation en fait un mod\u00e8le qui se d\u00e9marque dans le monde des appareils photo num\u00e9riques. Que vous soyez un professionnel \u00e0 la recherche d\u2019une alternative l\u00e9g\u00e8re \u00e0 votre \u00e9quipement lourd ou un d\u00e9butant en qu\u00eate d\u2019un appareil photo convivial dot\u00e9 de fonctionnalit\u00e9s avanc\u00e9es, le X-M5 est \u00e0 la hauteur sur tous les plans.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TEST DU X-M5 : UN APPAREIL PUISSANT AU FORMAT COMPACT POUR TOUS LES PHOTOGRAPHES Si vous \u00eates un photographe recherchant la flexibilit\u00e9 et la commodit\u00e9 sans sacrifier la qualit\u00e9 d&#8217;image, le Fujifilm X-M5 est fait pour vous. Alors que de nombreux appareils photo hybrides vous obligent \u00e0 choisir entre portabilit\u00e9 et performance, le X-M5 offre [&hellip;]<\/p>\n","protected":false},"author":208,"featured_media":160361,"template":"","category":[2084,1006,1202,3211,320,1986,565,13837],"post_tag":[],"class_list":["post-355424","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-x-series-mirrorless","category-products","category-x-series","category-stories","category-x-m5"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-08 12:56:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/355424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/160361"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=355424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=355424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=355424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":355423,"date":"2026-04-18T09:03:06","date_gmt":"2026-04-18T09:03:06","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=355423"},"modified":"2026-04-18T09:03:13","modified_gmt":"2026-04-18T09:03:13","slug":"x-e5-x-haruki-fujimoto","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/x-e5-x-haruki-fujimoto\/","title":{"rendered":"X-E5 x Haruki Fujimoto"},"content":{"rendered":"\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"Izic_vzdgDQ\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_KV_Haruki-Fujimoto_3.jpg\" alt=\"X-E5_KV_Haruki Fujimoto_3\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"Izic_vzdgDQ\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"Izic_vzdgDQ\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-Izic_vzdgDQ\" data-id=\"Izic_vzdgDQ\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">X-E5 x Haruki Fujimoto<\/h2>\n\n\n\n<p>Lorsque je prends une photo, ce qui m\u2019int\u00e9resse le plus, c\u2019est de savoir si j\u2019ai pris conscience de quelque chose \u00e0 ce moment-l\u00e0.<br>Dans la plupart des cas, je prends des photos en fonction de mes propres \u00ab prises de conscience \u00bb.<br>Plut\u00f4t que de viser consciemment un objet pr\u00e9cis, <br>j\u2019appuie naturellement sur le d\u00e9clencheur lorsque mon c\u0153ur m&#8217;y invite.<br>Cette fois, je me suis rendu \u00e0 Paris avec l\u2019appareil photo<a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/x-e5\/\" target=\"_blank\" rel=\"noreferrer noopener\"> X-E5<\/a>.<br>Je voulais voir comment cet appareil photo au design classique s\u2019harmoniserait avec le paysage urbain fran\u00e7ais et j\u2019ai d\u00e9cid\u00e9 de l\u2019utiliser pour immortaliser les rues de Paris.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_1.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278100\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_1.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_1.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_1.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_1.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_1.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_1.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_1.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_2.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-278101\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_2.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_2.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_2.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_2.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_2.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_3.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278102\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_3.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_3.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_3.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_3.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_3.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_3.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_3.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Comme j\u2019utilise g\u00e9n\u00e9ralement le X-Pro3 et le GFX50R \u00e0 des fins professionnelles et personnelles, le X-E5, qui poss\u00e8de le m\u00eame style de t\u00e9l\u00e9m\u00e8tre, m\u2019a imm\u00e9diatement paru familier entre mes mains.<br>\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_4.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278103\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_4.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_4.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_4.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_4.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_4.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_4.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_4.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>J\u2019ai commenc\u00e9 mon parcours par un simple petit-d\u00e9jeuner \u00e0 Paris.<br>Gr\u00e2ce \u00e0 cet appareil photo au format compact, j\u2019ai pu prendre des photos de mon repas sans d\u00e9ranger les personnes qui m\u2019entouraient.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_5.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278104\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_5.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_5.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_5.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_5.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_5.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_5.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_5.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Je travaille principalement comme photographe publicitaire.<br>Alors que mon travail habituel implique la photographie commerciale dans un monde \u00ab mis en sc\u00e8ne \u00bb,<br>la photographie de rue me permet d\u2019immortaliser le v\u00e9ritable caract\u00e8re d\u2019un lieu et de ses habitants, sans aucune mise en sc\u00e8ne.<br>J\u2019aime capturer l\u2019\u00e9nergie g\u00e9n\u00e9r\u00e9e par l\u2019histoire d\u2019un lieu et de ses habitants.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_6.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278105\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_6.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_6.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_6.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_6.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_6.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_6.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_6.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_7_main.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278099\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_7_main.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_7_main.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_7_main.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_7_main.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_7_main.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_7_main.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_7_main.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Chaque recoin de Paris est captivant.<br>Si les rues parisiennes sont extr\u00eamement populaires et difficiles \u00e0 photographier en raison de la foule, on peut d\u00e9couvrir de nombreuses belles ruelles en se promenant dans les rues \u00e0 l\u2019\u00e9cart.<br>Gr\u00e2ce aux b\u00e2timents bas de Paris, la lumi\u00e8re tamis\u00e9e du soleil et la mani\u00e8re dont elle p\u00e9n\u00e8tre dans ces espaces sont particuli\u00e8rement belles.<br>M\u00eame les petites rues de Paris ont des noms et chaque rue a sa propre histoire, ce qui la rend fascinante.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_8.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278106\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_8.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_8.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_8.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_8.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_8.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_8.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_8.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>L\u2019une des raisons pour lesquelles j\u2019utilise les appareils photo FUJIFILM est leur excellente reproduction des couleurs et des tonalit\u00e9s sans retouche.<br>Le fait de pouvoir v\u00e9rifier sur l&#8217;\u00e9cran les images proches de la tonalit\u00e9 finale recherch\u00e9e,  cela me stimule pendant la prise de vue, que je les retouche ou non plus tard sur mon ordinateur.<br>Gr\u00e2ce \u00e0 la fonction Simulation de film, je peux me rapprocher de la tonalit\u00e9 de couleur id\u00e9ale sur l\u2019appareil photo et la v\u00e9rifier \u00e0 l\u2019\u00e9cran.<br>C\u2019est un avantage majeur de l\u2019utilisation des appareils photo FUJIFILM.<br>Ma simulation de film pr\u00e9f\u00e9r\u00e9e est \u00ab PRO Neg. Hi \u00bb, qui est particuli\u00e8rement adapt\u00e9e \u00e0 la photographie de portrait.<br>Au cours de ce voyage \u00e0 Paris, je l\u2019ai exp\u00e9riment\u00e9e en activant FS1-FS3, par exemple \u00ab NOSTALGIC Neg. \u00bb et \u00ab CLASSIC Neg. \u00bb pendant la prise de vue.<br>En photographiant les paysages urbains parisiens traditionnels, j\u2019ai senti que la \u00ab NOSTALGIC Neg. \u00bb \u00e9tait particuli\u00e8rement bien adapt\u00e9e.<br>La molette de Simulation de film \u00e9tant plac\u00e9e sur le dessus de l&#8217;appareil photo, j\u2019ai pu modifier facilement les param\u00e8tres et me concentrer sur la prise de vue.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_9.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-278107\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_9.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_9.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_9.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_9.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_9.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_10.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278108\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_10.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_10.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_10.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_10.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_10.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_10.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_10.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Mon objectif en tant que photographe<br>est de prendre des photos qui \u00e9meuvent les gens.<br>Cet objectif s\u2019applique \u00e9galement \u00e0 mon travail de photographie publicitaire.<br>\u00c0 long terme, j\u2019esp\u00e8re m\u2019engager dans des activit\u00e9s qui transmettent la joie et la profondeur de la photographie.<br>Pour moi, la photographie est l\u2019\u0153uvre de ma vie et je ne cesserai jamais de la pratiquer.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_11.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278109\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_11.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_11.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_11.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_11.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_11.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_11.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_11.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Si les appareils photo ont besoin de fonctionnalit\u00e9s avanc\u00e9es et d&#8217;une excellente qualit\u00e9 d&#8217;image, il est rare d&#8217;en trouver un comme le X-E5 : sa forme et la sensation qu\u2019il suscite rappellent celles d&#8217;un appareil photo argentique, avec un design qui rend hommage \u00e0 l&#8217;essence de la photographie. Je pense que la philosophie de la s\u00e9rie X-E de FUJIFILM se perp\u00e9tue avec fid\u00e9lit\u00e9 dans ce X-E5.<br>Le X-E5 sera un excellent partenaire pour ceux qui int\u00e8grent la photographie dans leur quotidien.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_12.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278110\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_12.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_12.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_12.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_12.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_12.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_12.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_12.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_13.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-278111\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_13.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_13.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_13.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_13.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_13.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_13.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/JP_Haruki-Fujimoto_X-E5_Article_Image_13.jpg?width=717&amp;height=478 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>X-E5 x Haruki Fujimoto Lorsque je prends une photo, ce qui m\u2019int\u00e9resse le plus, c\u2019est de savoir si j\u2019ai pris conscience de quelque chose \u00e0 ce moment-l\u00e0.Dans la plupart des cas, je prends des photos en fonction de mes propres \u00ab prises de conscience \u00bb.Plut\u00f4t que de viser consciemment un objet pr\u00e9cis, j\u2019appuie naturellement sur [&hellip;]<\/p>\n","protected":false},"author":208,"featured_media":279001,"template":"","category":[2084,1006,1202,3211,320,1986,565,13898],"post_tag":[],"class_list":["post-355423","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-x-series-mirrorless","category-products","category-x-series","category-stories","category-x-e5"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-08 12:56:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/355423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/279001"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=355423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=355423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=355423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":355419,"date":"2026-04-18T09:00:30","date_gmt":"2026-04-18T09:00:30","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=355419"},"modified":"2026-04-18T09:00:37","modified_gmt":"2026-04-18T09:00:37","slug":"x-e5-x-dawn-eagleton","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/x-e5-x-dawn-eagleton\/","title":{"rendered":"X-E5 x Dawn Eagleton"},"content":{"rendered":"\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"JJbBX5KfNCE\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/07\/X-E5_KV_Dawn-Eagleton_2\u306e\u30b3\u30d4\u30fc.jpg\" alt=\"X-E5_KV_Dawn Eagleton_2\u306e\u30b3\u30d2\u309a\u30fc\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"JJbBX5KfNCE\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"JJbBX5KfNCE\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-JJbBX5KfNCE\" data-id=\"JJbBX5KfNCE\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__0.jpg?width=1024&#038;height=684\" alt=\"\" class=\"wp-image-279116\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__0.jpg?width=1024&amp;height=684 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__0.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__0.jpg?width=768&amp;height=513 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__0.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__0.jpg?width=365&amp;height=244 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__0.jpg?width=600&amp;height=401 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__0.jpg?width=717&amp;height=479 717w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dawn Eagleton | FUJIFILM X-E5 et FUJINON XF35mmF1.4 R, 1\/60 sec &#8211; F1.4, 200 ISO<\/figcaption><\/figure>\n\n\n\n<p><strong>Avertissement : toutes les personnes mentionn\u00e9es dans cet article ont donn\u00e9 leur accord pour la publication de ce contenu.<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">X-E5 : Photographie de rue x Dawn Eagleton<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Dawn Eagleton, la photographe de rue britannique arpente les rues de Londres avec le FUJIFILM X-E5<\/h4>\n\n\n\n<p>\u00ab J\u2019ai toujours \u00e9t\u00e9 int\u00e9ress\u00e9e par les portraits, mais ce qui me fascine vraiment, c\u2019est de photographier les gens tels quels, au naturel \u00bb, explique Dawn Eagleton, une photographe de rue bas\u00e9e au Royaume-Uni. \u00ab Je trouve qu\u2019il y a une vraie beaut\u00e9 dans nos expressions et attitudes propres.<\/p>\n\n\n\n<p>Trouver le bon sujet est un point de d\u00e9part essentiel pour tout photographe de rue, et chacun recherche des choses diff\u00e9rentes. Quant \u00e0 moi, je recherche g\u00e9n\u00e9ralement le caract\u00e8re \u00bb, explique Dawn. \u00ab Je ne parle pas de personnes exceptionnelles. Je recherche les petits d\u00e9tails qui font de nous ce que nous sommes.<\/p>\n\n\n\n<p>Le caract\u00e8re peut souvent \u00eatre confondu avec l\u2019excentricit\u00e9. Il est facile de rep\u00e9rer quelqu\u2019un qui porte une tenue voyante ou un grand chapeau. J\u2019essaie de regarder au-del\u00e0 de l\u2019apparence et d\u2019observer les d\u00e9tails plus subtils chez les gens ordinaires vaquant \u00e0 leurs occupations : le coin qui s\u2019\u00e9caille et que l\u2019on soul\u00e8ve pour r\u00e9v\u00e9ler un aspect qui ne s\u2019est pas n\u00e9cessairement visible d\u2019embl\u00e9e.<\/p>\n\n\n\n<p>Il peut s\u2019agir de tout, de l\u2019expression d\u2019une personne \u00e0 la fa\u00e7on dont elle se tient, toutes ces petites nuances qui peuvent r\u00e9v\u00e9ler quelque chose sur elle. Au fil de mes ann\u00e9es de cr\u00e9ation de ces portraits pris sur le vif, je me suis rendue compte que mon objectif \u00e9tait de d\u00e9voiler la beaut\u00e9 des gens du quotidien dans des moments spontan\u00e9s. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__1.jpg?width=684&#038;height=1024\" alt=\"\" class=\"wp-image-279117\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__1.jpg?width=684&amp;height=1024 684w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__1.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__1.jpg?width=365&amp;height=547 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__1.jpg?width=600&amp;height=899 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__1.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dawn Eagleton | FUJIFILM X-E5 et FUJINON XF35mmF1.4 R, 1\/250 sec &#8211; F2, 125 ISO<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">La fen\u00eatre de l\u2019\u00e2me<\/h3>\n\n\n\n<p>\u00c9quip\u00e9e du FUJIFILM <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/x-e5\/\" target=\"_blank\" rel=\"noreferrer noopener\">X-E5<\/a>, Dawn a pass\u00e9 du temps \u00e0 explorer Londres \u00e0 la recherche de sujets hauts en couleur. Cet appareil t\u00e9l\u00e9m\u00e9trique discret s&#8217;est av\u00e9r\u00e9 \u00eatre le compagnon id\u00e9al pour son style de photographie.<\/p>\n\n\n\n<p>\u00ab C\u2019est un appareil photo pratique, compact et l\u00e9ger \u00bb, s\u2019enthousiasme Dawn. \u00ab J\u2019\u00e9tais impatiente de voir ce que cela allait donner de ce point de vue. Lorsque vous \u00eates photographe de rue et que vous marchez pendant des heures, il est important d\u2019avoir un \u00e9quipement assez l\u00e9ger. \u00bb<\/p>\n\n\n\n<p>Le X-E5 qui p\u00e8se 445 g, dispose des caract\u00e9ristiques techniques de pointe, notamment un capteur X-Trans CMOS 5 HR de 40,2 m\u00e9gapixels et un X-Processor 5, offrant des fonctionnalit\u00e9s professionnelles en d\u00e9pit de son format compact.<\/p>\n\n\n\n<p>\u00ab Il a excell\u00e9 \u00bb, confirme Dawn. \u00ab C\u2019\u00e9tait un vrai plaisir de l\u2019utiliser. Il a r\u00e9pondu pr\u00e9sent \u00e0 chaque fois qu\u2019il y avait un moment \u00e0 immortaliser. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__2.jpg?width=684&#038;height=1024\" alt=\"\" class=\"wp-image-279118\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__2.jpg?width=684&amp;height=1024 684w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__2.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__2.jpg?width=365&amp;height=547 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__2.jpg?width=600&amp;height=899 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__2.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dawn Eagleton | FUJIFILM X-E5 et FUJINON XF35mmF1.4 R, 1\/180 sec &#8211; F2, 160 ISO<\/figcaption><\/figure>\n\n\n\n<p>Un d\u00e9tail frappant dans une grande partie du travail de Dawn, c\u2019est que ses sujets semblent souvent regarder droit devant eux. \u00ab Lorsque j\u2019ai commenc\u00e9 \u00e0 photographier des personnes, je voulais m\u2019assurer que les photos soient aussi naturelles que possible \u00bb, se souvient-elle. \u00ab Au fur et \u00e0 mesure, j\u2019ai r\u00e9alis\u00e9 que j\u2019aimais le contact visuel. Il offre au spectateur l\u2019occasion de se connecter avec le sujet. \u00bb<\/p>\n\n\n\n<p>La difficult\u00e9, souligne-t-elle, est qu\u2019elle doit d\u00e9clencher avant que son sujet ne se mette sur la d\u00e9fensive. \u00ab D\u00e8s qu\u2019une personne voit un appareil photo, son comportement change \u00bb, explique-t-elle.<\/p>\n\n\n\n<p>\u00ab On me demande souvent : la photo est-elle spontan\u00e9e si le sujet regarde l\u2019objectif ? Mais la plupart du temps, quand je prends une photo d\u2019une personne qui me regarde directement, je d\u00e9clenche au premier instant o\u00f9 elle l\u00e8ve les yeux pour voir ce que je fais, devant devant elle. C\u2019est une fen\u00eatre tr\u00e8s courte : elle a conscience que je suis l\u00e0, mais c\u2019est avant qu\u2019elle ne se rende compte que je tiens un appareil photo. \u00bb<\/p>\n\n\n\n<p>Le X-E5 est l\u2019outil id\u00e9al pour photographier de telles occasions : il combine un autofocus ultra rapide de d\u00e9tection des sujets assist\u00e9 par l\u2019IA &#8211; gr\u00e2ce au X-Processor 5 &#8211; et un syst\u00e8me de stabilisation d&#8217;image int\u00e9gr\u00e9 au bo\u00eetier (IBIS) offrant jusqu\u2019\u00e0 7,0 stops de compensation.<\/p>\n\n\n\n<p>\u00ab Parfois, dans la photographie de rue, vous devez r\u00e9agir rapidement \u00e0 un \u00e9v\u00e9nement \u00bb, remarque Dawn. \u00ab disposer de l&#8217;IBIS est une aubaine, car cela signifie que vous \u00eates moins susceptible de rater l\u2019instant. Lorsque vous essayez d\u2019\u00eatre rapide et que vous disposez d&#8217;un petit appareil photo, il vous suffit parfois de l\u2019utiliser d\u2019une seule main, et la stabilisation vous conf\u00e8re cette s\u00e9curit\u00e9 suppl\u00e9mentaire pour obtenir la photo. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__3.jpg?width=684&#038;height=1024\" alt=\"\" class=\"wp-image-279119\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__3.jpg?width=684&amp;height=1024 684w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__3.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__3.jpg?width=365&amp;height=547 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__3.jpg?width=600&amp;height=899 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__3.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dawn Eagleton | FUJIFILM X-E5 et FUJINON XF35mmF1.4 R, 1\/180 sec &#8211; F2.8, 125 ISO<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Un appareil photo \u00e0 objectif interchangeable et t\u00e9l\u00e9m\u00e8tre<\/h3>\n\n\n\n<p>Avec son style t\u00e9l\u00e9m\u00e9trique, ses performances professionnelles et son ergonomie soigneusement \u00e9tudi\u00e9e, le X-E5 \u00e9volue sur le m\u00eame terrain que l\u2019embl\u00e9matique <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/x100vi\/\">FUJIFILM X100VI<\/a> \u2013\u00a0mais avec une diff\u00e9rence cruciale pour Dawn : la possibilit\u00e9 de changer d\u2019objectif.<\/p>\n\n\n\n<p>\u00ab C\u2019est id\u00e9al pour la photographie de rue. Sa taille et son poids sont parfaits. Mais ensuite, il y a cet atout de pouvoir monter diff\u00e9rents objectifs, afin d\u2019utiliser votre longueur focale pr\u00e9f\u00e9r\u00e9e. Vous avez le t\u00e9l\u00e9convertisseur num\u00e9rique si vous le souhaitez, mais si vous en avez besoin, vous pouvez emporter deux ou trois objectifs et vous donner plus de possibilit\u00e9s. \u00bb<\/p>\n\n\n\n<p>Tout comme le X100VI, le X-E5 exploite sa r\u00e9solution exceptionnelle pour offrir des options de t\u00e9l\u00e9convertisseur num\u00e9rique \u2013 en recadrant le capteur pour un zoom num\u00e9rique 1,4x et 2x.<\/p>\n\n\n\n<p>\u00ab Je suis une utilisatrice inconditionnelle d\u2019objectifs \u00e0 focale fixe \u2013 depuis toujours \u00bb, remarque Dawn. \u00ab Il y a une longueur focale que je privil\u00e9gie. C\u2019est comme \u00e7a que je vois le monde. Pour moi, cr\u00e9er des images \u00e0 35 mm semble naturel. Cependant, vous \u00eates parfois dans une position o\u00f9 vous devez vous rapprocher, en particulier avec les portraits. Le t\u00e9l\u00e9convertisseur vous permet alors de le faire sans avoir \u00e0 changer d\u2019objectif. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__4.jpg?width=684&#038;height=1024\" alt=\"\" class=\"wp-image-279120\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__4.jpg?width=684&amp;height=1024 684w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__4.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__4.jpg?width=365&amp;height=547 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__4.jpg?width=600&amp;height=899 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__4.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dawn Eagleton | FUJIFILM X-E5 et FUJINON XF35mmF1.4 R, 1\/180 sec &#8211; F2, 125 ISO<\/figcaption><\/figure>\n\n\n\n<p>La grande nouveaut\u00e9 du X-E5 est la fonctionnalit\u00e9 :  mode Simple vue, qui \u00e9pure l\u2019affichage de l\u2019EVF pour une exp\u00e9rience photographique de retour \u00e0 l&#8217;essentiel.  \u00ab Lorsque vous regardez \u00e0 travers l\u2019EVF, il ressemble exactement \u00e0 ce que vous verriez dans un ancien appareil photo argentique avec les informations d\u2019exposition en rouge vif \u00bb, explique Dawn. \u00ab Cela ajoute un \u00e9l\u00e9ment de style. C\u2019est un domaine o\u00f9 Fujifilm excelle : am\u00e9liorer l\u2019exp\u00e9rience de l\u2019utilisateur.<\/p>\n\n\n\n<p>C\u2019est sans doute ma petite nouveaut\u00e9 pr\u00e9f\u00e9r\u00e9e \u00bb, poursuit-elle. \u00ab J\u2019ai r\u00e9cemment recommenc\u00e9 \u00e0 utiliser d\u2019anciens appareils photo argentiques, juste pour le plaisir. C\u2019\u00e9tait donc une joie de retrouver cette fonctionnalit\u00e9 sur un nouvel appareil photo num\u00e9rique Fujifilm. C\u2019est amusant. Je garderais sans aucun doute ce r\u00e9glage activ\u00e9 en permanence. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__5.jpg?width=684&#038;height=1024\" alt=\"\" class=\"wp-image-279121\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__5.jpg?width=684&amp;height=1024 684w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__5.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__5.jpg?width=365&amp;height=547 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__5.jpg?width=600&amp;height=899 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__5.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dawn Eagleton | FUJIFILM X-E5 et FUJINON XF35mmF1.4 R, 1\/500 sec &#8211; F2, 160 ISO<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Nouvelle molette simulation de film<\/h3>\n\n\n\n<p>\u00ab Fujifilm a toujours excell\u00e9 dans la conception de tr\u00e8s beaux appareils photo \u00bb, souligne Dawn. \u00ab Ce qu\u2019ils ont fait avec le X-E5, c\u2019est ajouter une plaque sup\u00e9rieure en aluminium. Il conf\u00e8re une sensation de robustesse, de tr\u00e8s bonne qualit\u00e9. \u00bb<\/p>\n\n\n\n<p>Une nouvelle molette simulation de film est int\u00e9gr\u00e9e \u00e0 cette plaque sup\u00e9rieure, qui affiche le profil actuellement s\u00e9lectionn\u00e9 via une fen\u00eatre situ\u00e9e sur le dessus. Il existe \u00e9galement d\u2019autres r\u00e9glages pour stocker des recettes de simulation de film personnalis\u00e9es.<\/p>\n\n\n\n<p>\u00ab Les simulations de film \u00e9tant faciles d\u2019acc\u00e8s, j\u2019\u00e9tais beaucoup plus encline \u00e0 passer de l\u2019une \u00e0 l\u2019autre \u00bb, remarque Dawn. \u00ab Il m\u2019est arriv\u00e9 d\u2019utiliser des appareils photo Fujifilm sans beaucoup me servir des simulations int\u00e9gr\u00e9es. C\u2019\u00e9tait donc appr\u00e9ciable d\u2019y acc\u00e9der si facilement et de d\u00e9couvrir le rendu de chacune d\u2019entre elles dans les diff\u00e9rentes sc\u00e8nes que je photographiais. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__6.jpg?width=684&#038;height=1024\" alt=\"\" class=\"wp-image-279122\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__6.jpg?width=684&amp;height=1024 684w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__6.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__6.jpg?width=365&amp;height=547 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__6.jpg?width=600&amp;height=899 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__6.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dawn Eagleton | FUJIFILM X-E5 et FUJINON XF35mmF1.4 R, 1\/500 sec &#8211; F2, 125 ISO<\/figcaption><\/figure>\n\n\n\n<p>\u00ab Je ne suis pas tr\u00e8s port\u00e9e sur le post-traitement \u00bb, explique Dawn. \u00ab J\u2019aime jouer avec la couleur et quelques \u00e9l\u00e9ments de lumi\u00e8re, mais \u00e0 part cela, il est important de bien r\u00e9gler l\u2019appareil. Je n\u2019aime pas passer plus de quelques minutes \u00e0 retoucher chaque photo, et avoir la bonne simulation de film en place peut r\u00e9duire encore plus ce temps de traitement.<\/p>\n\n\n\n<p>Si vous devez aller dans un menu pour acc\u00e9der \u00e0 ces options, vous \u00eates moins susceptible de les essayer. Si, par contre, elles sont en haut, elles seront faciles \u00e0 utiliser pendant que la sc\u00e8ne se d\u00e9roule devant vous. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__7.jpg?width=684&#038;height=1024\" alt=\"\" class=\"wp-image-279123\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__7.jpg?width=684&amp;height=1024 684w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__7.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__7.jpg?width=365&amp;height=547 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__7.jpg?width=600&amp;height=899 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__7.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dawn Eagleton | FUJIFILM X-E5 et FUJINON XF35mmF1.4 R, 1\/500 sec &#8211; F2, 125 ISO<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Des possibilit\u00e9s infinies<\/h3>\n\n\n\n<p>Associ\u00e9 \u00e0 son objectif pr\u00e9f\u00e9r\u00e9, le X-E5 s\u2019est av\u00e9r\u00e9 \u00eatre l\u2019outil id\u00e9al pour la style unique de photographie de rue de Dawn : l\u2019\u00e9quilibre parfait entre performance et format compact.<\/p>\n\n\n\n<p>\u00ab La taille de cet appareil photo est parfaite \u00bb, s\u2019exclame-t-elle. \u00ab J\u2019ai utilis\u00e9 des appareils photo plus petits et compacts, mais ils ne vous donnent pas vraiment l\u2019impression d\u2019avoir une exp\u00e9rience classique de photographe. Celui-ci est un bon compromis entre ces mod\u00e8les et des appareils plus volumineux. Il est tr\u00e8s agr\u00e9able \u00e0 tenir en main, tr\u00e8s solide. J\u2019ai vraiment aim\u00e9 l\u2019utiliser. \u00bb<\/p>\n\n\n\n<p>Il fonctionne bien \u00e9videmment pour la photographie de rue, mais Dawn pense que cet appareil photo s\u00e9duira un large \u00e9ventail de cr\u00e9ateurs d\u2019images. \u00ab Il est vraiment compact et vous pouvez y monter l\u2019objectif de votre choix \u00bb, souligne-t-elle.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__8.jpg?width=684&#038;height=1024\" alt=\"\" class=\"wp-image-279124\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__8.jpg?width=684&amp;height=1024 684w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__8.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__8.jpg?width=365&amp;height=547 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__8.jpg?width=600&amp;height=899 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/06\/X-E5_Dawn-Eagleton__8.jpg?width=390&amp;height=585 390w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dawn Eagleton | FUJIFILM X-E5 et FUJINON XF35mmF1.4 R, 1\/60 sec &#8211; F8, 125 ISO<\/figcaption><\/figure>\n\n\n\n<p>Avec son capteur haute r\u00e9solution, les 7,0 stops d\u2019IBIS et la gamme compl\u00e8te d&#8217;objectifs de s\u00e9rie X, c&#8217;est une tr\u00e8s bonne option pour tout genre de photographie.<\/p>\n\n\n\n<p>\u00ab Cet appareil photo peut r\u00e9pondre aux besoins de nombreux photographes diff\u00e9rents. Si je recherchais un appareil photo au format compact pour voyager, c\u2019est certainement un mod\u00e8le que j\u2019envisagerais \u00bb, conclut Dawn. \u00ab C\u2019est un petit appareil photo performant et  \u00e9l\u00e9gant, tr\u00e8s agr\u00e9able \u00e0 utiliser. C&#8217;est l&#8217;un de ces appareils photo qui tient toutes ses promesses, avec quelques petits extras surprenants. \u00bb<\/p>\n\n\n\n<p><strong>Avertissement : toutes les personnes mentionn\u00e9es dans cet article ont donn\u00e9 leur accord pour la publication de ce contenu.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Avertissement : toutes les personnes mentionn\u00e9es dans cet article ont donn\u00e9 leur accord pour la publication de ce contenu. X-E5 : Photographie de rue x Dawn Eagleton Dawn Eagleton, la photographe de rue britannique arpente les rues de Londres avec le FUJIFILM X-E5 \u00ab J\u2019ai toujours \u00e9t\u00e9 int\u00e9ress\u00e9e par les portraits, mais ce qui me [&hellip;]<\/p>\n","protected":false},"author":208,"featured_media":279116,"template":"","category":[2084,1006,1202,3211,320,1986,565,13898],"post_tag":[],"class_list":["post-355419","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-x-series-mirrorless","category-products","category-x-series","category-stories","category-x-e5"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-08 12:56:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/355419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/279116"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=355419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=355419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=355419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":355215,"date":"2026-04-14T10:44:43","date_gmt":"2026-04-14T10:44:43","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=355215"},"modified":"2026-04-14T10:44:49","modified_gmt":"2026-04-14T10:44:49","slug":"recette-simulation-de-film-velvia-x-rodrigo-roher","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/recette-simulation-de-film-velvia-x-rodrigo-roher\/","title":{"rendered":"Recette simulation de film Velvia x Rodrigo Roher"},"content":{"rendered":"\n<p>Je suis parti dans le d\u00e9sert avec une id\u00e9e folle : chercher un fant\u00f4me. L&#8217;un de ceux qui sent le cellulo\u00efd, la poudre \u00e0 canon et le temps fig\u00e9.<br>Depuis mon enfance, le cin\u00e9ma de Sergio Leone m\u2019a appris \u00e0 regarder. Ses plans larges, ses silences tendus, ses personnages faits de poussi\u00e8re et de cicatrices. Surtout \u00ab Le Bon, la Brute et le Truand \u00bb, avec sa violence stylis\u00e9e, son humour pince-sans-rire \u2014 presque castillan, comme moi \u2014 et ce duel final tel une liturgie du cadre.<br>Je suis retourn\u00e9 l\u00e0 o\u00f9 ce film \u2014 et bien d\u2019autres \u2014 a \u00e9t\u00e9 tourn\u00e9 : Tabernas, Almer\u00eda. Pour voir s\u2019il restait encore quelque chose. Ne serait-ce qu\u2019un \u00e9cho. Mi-juillet, dans le d\u00e9sert, sans concession. Je n\u2019ai emport\u00e9 que le nouveau FUJIFILM X-E5 et le FUJINON XF23mmF2.8 R WR. Un ensemble l\u00e9ger, discret, sans fioritures \u2014 tel un Colt Peacemaker bien huil\u00e9.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_02.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-353522\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_02.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_02.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_02.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_02.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_02.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_02.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_02.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_02.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_03.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-353523\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_03.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_03.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_03.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_03.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_03.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_03.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_03.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_03.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Tout le travail a \u00e9t\u00e9 r\u00e9alis\u00e9 SOOC (Straight Out Of the Camera), sans retouche ni recadrage a posteriori \u2013 presque comme un acte de r\u00e9bellion : une d\u00e9fense des erreurs, des couleurs mal dos\u00e9es et des cadrages de travers. Une fa\u00e7on de r\u00e9affirmer l\u2019humain dans un monde d\u2019intelligence artificielle qui lisse et perfectionne tout. Car la beaut\u00e9 r\u00e9side aussi dans ce qui ne cadre pas tout \u00e0 fait.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_04.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-353524\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_04.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_04.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_04.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_04.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_04.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_04.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_04.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_04.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_05.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-353525\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_05.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_05.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_05.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_05.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_05.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_05.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_05.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_05.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>J\u2019ai photographi\u00e9 comme on le ferait dans un duel : sans trop r\u00e9fl\u00e9chir, juste en ressentant. Comme si l\u2019appareil photo \u00e9tait une extension du corps. J\u2019ai utilis\u00e9 la <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/film-simulation\/velvia\/\" data-type=\"link\" data-id=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/film-simulation\/velvia\/\" target=\"_blank\" rel=\"noreferrer noopener\">Velvia<\/a> comme quelqu\u2019un qui \u00e9coute une vieille chanson pour se souvenir.<br>Des couleurs satur\u00e9es, des contrastes brutaux, une intensit\u00e9 sans concession. Avec la Velvia, je ne recherche pas la v\u00e9rit\u00e9, mais sa version la plus exag\u00e9r\u00e9e, la plus meurtrie. Le monde en Velvia ressemble \u00e0 un d\u00e9cor de cin\u00e9ma\u2026 mais un d\u00e9cor qui respire encore.<br>J\u2019ai arpent\u00e9 les badlands et les villes factices. Les parcs \u00e0 th\u00e8me et les vestiges de tournages l\u00e9gendaires. Et tout \u00e9tait l\u00e0 : la poussi\u00e8re, la chaleur, le vent, le silence tranchant comme un couteau. Les d\u00e9cors, \u00e0 demi vaincus par le soleil, se dressant encore comme de vieux acteurs attendant une derni\u00e8re prise. Et moi, derri\u00e8re l\u2019appareil, je pouvais presque voir Leone accroupi derri\u00e8re un coin, composant son dernier plan.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_06.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-353526\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_06.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_06.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_06.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_06.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_06.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_06.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_06.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_06.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_07.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-353527\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_07.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_07.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_07.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_07.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_07.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_07.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_07.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_07.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>C\u2019est une histoire racont\u00e9e avec de la lumi\u00e8re, de la sueur, de la poussi\u00e8re et de la couleur. Elle ne pr\u00e9tend pas \u00eatre la v\u00e9rit\u00e9. Elle n\u2019en a d\u2019ailleurs pas besoin.<br>Je n\u2019ai pas photographi\u00e9 le d\u00e9sert : je l\u2019ai r\u00eav\u00e9 les yeux ouverts.<br>Car il existe des lieux qui n\u2019existent que lorsque quelqu\u2019un s\u2019en souvient.<br>Et si vous regardez attentivement, vous apercevrez peut-\u00eatre encore, au loin, Sergio Leone chevauchant vers la derni\u00e8re prise.<br>Merci, maestro, de nous avoir appris que le silence peut \u00eatre cadr\u00e9, que l\u2019\u00e9pop\u00e9e tient dans un regard, et que parfois, il suffit de poussi\u00e8re, de lumi\u00e8re et de patience pour raconter une histoire qui ne sera pas oubli\u00e9e.<br>Ce travail, bien qu\u2019imparfait, est pour vous.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_08.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-353528\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_08.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_08.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_08.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_08.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_08.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_08.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_08.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_08.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_09.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-353529\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_09.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_09.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_09.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_09.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_09.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_09.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_09.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_09.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_10.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-353530\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_10.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_10.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_10.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_10.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_10.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_10.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_10.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/ES_Rodrigo-Rocher_Velvia_10.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\">\u00ab Quand tu dois tirer, tire. Ne parle pas. \u00bb<br>\u2014Tuco (Eli Wallach), Le Bon, la Brute et le Truand, Sergio Leone, 1966.\n\u00a9Rodrigo Roher, 2025<\/p>\n\n\n\n<p class=\"has-text-align-center\">*Remerciements \u00e0 MiniHollywood Oasys, Fort Bravo Texas Hollywood, Western Leone et la ville de Tabernas (Almer\u00eda, Espagne)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Recette simulation de film<\/h2>\n\n\n\n<p><strong>SIMULATION FILM :<\/strong> Velvia<br><strong>COULEUR MONOCHROMATIQUE : <\/strong>N\/A<br><strong>EFFET DE GRAIN : <\/strong>FAIBLE, PETIT<br><strong>EFFET COULEUR CHROME : <\/strong>FAIBLE<br><strong>COULEUR CHROME FX BLEU : <\/strong>FAIBLE<br><strong>EFFET PEAU LISSE :<\/strong> OFF<br><strong>BALANCE DES BLANCS : <\/strong>LUMIERE DU JOUR\/ R +2, B -5<br><strong>PLAGE DYNAMIQUE : <\/strong>DR100<br><strong>PRIORITE A LA PLAGE DYNAMIQUE : <\/strong>OFF<br><strong>COURBE DE TONALITE : <\/strong>H -2, S +3<br><strong>COULEUR : <\/strong>+3<br><strong>NETTETE : <\/strong>0<br><strong>REDUCTION DU BRUIT A HAUTE SENSIBILITE ISO : <\/strong>-3<br><strong>CLARTE : <\/strong>-4<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Je suis parti dans le d\u00e9sert avec une id\u00e9e folle : chercher un fant\u00f4me. L&#8217;un de ceux qui sent le cellulo\u00efd, la poudre \u00e0 canon et le temps fig\u00e9.Depuis mon enfance, le cin\u00e9ma de Sergio Leone m\u2019a appris \u00e0 regarder. Ses plans larges, ses silences tendus, ses personnages faits de poussi\u00e8re et de cicatrices. Surtout [&hellip;]<\/p>\n","protected":false},"author":208,"featured_media":353531,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13922,3162,1986,565,13898,13899],"post_tag":[],"class_list":["post-355215","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-velvia","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf23mmf28-r-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-08 12:56:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/355215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/353531"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=355215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=355215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=355215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":355214,"date":"2026-04-14T08:54:11","date_gmt":"2026-04-14T08:54:11","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=355214"},"modified":"2026-04-14T08:54:17","modified_gmt":"2026-04-14T08:54:17","slug":"recette-simulation-de-film-velvia-x-rommel-bundalian","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/recette-simulation-de-film-velvia-x-rommel-bundalian\/","title":{"rendered":"Recette simulation de film Velvia x Rommel Bundalian"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>\u201cKanto Khromatiks\u201d: ma recette de simulation de film Velvia<\/strong><\/h2>\n\n\n\n<p>Je photographie depuis assez longtemps pour me souvenir que la <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/film-simulation\/velvia\/\" data-type=\"link\" data-id=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/film-simulation\/velvia\/\" target=\"_blank\" rel=\"noreferrer noopener\">Velvia<\/a> \u00e9tait \u00e0 l\u2019origine une pellicule aux couleurs si riches et satur\u00e9es qu\u2019elle pouvait transformer une journ\u00e9e nuageuse en une v\u00e9ritable carte postale. Lorsque Fujifilm l\u2019a fait entrer dans l\u2019\u00e8re num\u00e9rique, j\u2019ai \u00e9t\u00e9 \u00e0 nouveau conquis. Les couleurs avaient toujours ce punch, ce contraste toujours aussi spectaculaire.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_01.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-354220\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_01.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_01.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_01.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_01.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_01.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_01.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Mais la Velvia a beaucoup de caract\u00e8re. Si on ne la ma\u00eetrise pas, elle peut faire dispara\u00eetre vos hautes lumi\u00e8res, noyer vos ombres et pousser les couleurs un peu trop loin. Je voulais conserver son \u00e2me tout en lui apportant une touche de retenue, quelque chose sur lequel je puisse compter quelle que soit la lumi\u00e8re, de la campagne tranquille aux rues anim\u00e9es des Philippines. C&#8217;est ainsi qu&#8217;est n\u00e9 \u00ab Kanto Khromatiks \u00bb.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_02.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-354221\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_02.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_02.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_02.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_02.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_02.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_02.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_02.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_02.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Le nom vient de deux mots : <em>kanto<\/em>, le mot philippin pour \u00ab coin de rue \u00bb, et <em>Khromatics<\/em>, qui signifie \u00ab couleurs \u00bb. Ensemble, cela signifie \u00ab couleurs des coins de rue \u00bb, un clin d&#8217;\u0153il \u00e0 la vie, au mouvement et \u00e0 la vitalit\u00e9 que l&#8217;on trouve dans les sc\u00e8nes du quotidien, qu&#8217;il s&#8217;agisse d&#8217;un march\u00e9 anim\u00e9, d&#8217;une ruelle tranquille ou de la lueur des r\u00e9verb\u00e8res la nuit.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_03.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-354222\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_03.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_03.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_03.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_03.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_03.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_03.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Je garde la simulation de film sur Velvia avec la PLAGE DYNAMIQUE en AUTO. Les hautes lumi\u00e8res sont ramen\u00e9es\nd&#8217;un demi-cran pour pr\u00e9server les zones claires, tandis que les ombres sont relev\u00e9es d&#8217;un cran pour conserver la profondeur sans perdre de d\u00e9tails. La couleur est r\u00e9gl\u00e9e sur +2, vive mais sans exag\u00e9ration. La r\u00e9duction du bruit reste \u00e0 0 afin que les textures fines restent intactes. La NETTET\u00c9 est r\u00e9gl\u00e9e sur +1, la CLART\u00c9 sur +2 pour obtenir ce rendu net et tactile qui donne vie \u00e0 l\u2019image.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_04.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-354223\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_04.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_04.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_04.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_04.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_04.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_04.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>L\u2019EFFET DE GRAIN est r\u00e9gl\u00e9 sur FAIBLE et PETIT, juste assez pour me rappeler mes ann\u00e9es de photo argentique sans \u00eatre g\u00eanant. L\u2019EFFET CHROME COULEUR et l\u2019EFFET CHROME COULEUR BLEU sont tous deux r\u00e9gl\u00e9s sur FAIBLE, ce qui permet de conserver des couleurs riches sans qu\u2019elles soient trop soutenues. La BALANCE DES BLANCS reste sur AUTO, car Fujifilm offre g\u00e9n\u00e9ralement un  r\u00e9sultat parfait, que je sois en plein soleil de midi, \u00e0 l\u2019ombre ou sous les lumi\u00e8res chaudes d\u2019un caf\u00e9.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_05.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-354224\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_05.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_05.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_05.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_05.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_05.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_05.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_05.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_05.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Sur le terrain, ce r\u00e9glage conserve le caract\u00e8re spectaculaire de la Velvia tout en le mod\u00e9rant juste ce qu\u2019il faut. Les clich\u00e9s de midi pr\u00e9servent les d\u00e9tails dans les hautes lumi\u00e8res. L\u2019heure dor\u00e9e rend le ciel profond et pictural tandis que les verts restent riches. La nuit, une sensibilit\u00e9 ISO \u00e9lev\u00e9e associ\u00e9e \u00e0 ce grain subtil me permet d&#8217;obtenir des images nettes et cin\u00e9matographiques sans bruit g\u00eanant.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_06.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-354225\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_06.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_06.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_06.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_06.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_06.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_06.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Le r\u00e9sultat reste fid\u00e8le \u00e0 la Velvia : audacieux, color\u00e9, vivant, mais avec un \u00e9quilibre qui lui permet de s\u2019adapter \u00e0 tous les environnements. Des march\u00e9s de rue anim\u00e9s aux routes c\u00f4ti\u00e8res tranquilles, \u00ab Kanto Khromatiks \u00bb conserve la m\u00eame magie dont je suis tomb\u00e9 amoureux il y a des d\u00e9cennies, avec d\u00e9sormais le contr\u00f4le que j\u2019ai appris \u00e0 appr\u00e9cier au fil des ans.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_07.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-354226\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_07.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_07.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_07.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_07.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_07.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/PH_Rommel-Bundalian_Stories_07.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cKanto Khromatiks\u201d: ma recette de simulation de film Velvia Je photographie depuis assez longtemps pour me souvenir que la Velvia \u00e9tait \u00e0 l\u2019origine une pellicule aux couleurs si riches et satur\u00e9es qu\u2019elle pouvait transformer une journ\u00e9e nuageuse en une v\u00e9ritable carte postale. Lorsque Fujifilm l\u2019a fait entrer dans l\u2019\u00e8re num\u00e9rique, j\u2019ai \u00e9t\u00e9 \u00e0 nouveau conquis. [&hellip;]<\/p>\n","protected":false},"author":208,"featured_media":354247,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13922,3162,1986,565,13898,7866],"post_tag":[],"class_list":["post-355214","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-velvia","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf50mmf2-r-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-08 12:56:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/355214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/354247"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=355214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=355214"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=355214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":354832,"date":"2026-04-14T00:29:38","date_gmt":"2026-04-14T00:29:38","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=354832"},"modified":"2026-04-14T00:29:46","modified_gmt":"2026-04-14T00:29:46","slug":"recette-simulation-de-film-velvia-x-dominic-stone","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/recette-simulation-de-film-velvia-x-dominic-stone\/","title":{"rendered":"Recette simulation de film Velvia x Dominic Stone"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>Recette simulation de film pour des photos d&#8217;ext\u00e9rieur enrichissantes et spectaculaires<\/strong><\/h2>\n\n\n\n<p>Pour Dominic Stone, photographe de voyage sp\u00e9cialis\u00e9 dans les prises de vue en ext\u00e9rieur, la photographie est un moyen de \u00ab se confronter au myst\u00e8re de la vie \u00bb qui l&#8217;entoure. Le travail de Dominic, qui le place au c\u0153ur de l&#8217;action lors des grandes comp\u00e9titions de surf et de course \u00e0 pied, est le reflet de ses passions les plus profondes. C&#8217;est un dialogue avec le monde naturel \u2013 un dialogue qu&#8217;il entretient depuis bien avant de prendre un appareil photo en main.<\/p>\n\n\n\n<p>R\u00e9cemment, Dom a cr\u00e9\u00e9 une recette de simulation de film personnalis\u00e9e sur le FUJIFILM X-E5, en utilisant le c\u00e9l\u00e8bre film <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/film-simulation\/velvia\/\" data-type=\"link\" data-id=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/film-simulation\/velvia\/\" target=\"_blank\" rel=\"noreferrer noopener\">Velvia<\/a>, r\u00e9put\u00e9 pour sa saturation, comme base. Cette d\u00e9marche consistait \u00e0 explorer une tension, m\u00ealant le dynamisme du film Velvia \u00e0 une ambiance plus douce et subtile afin de cr\u00e9er des images \u00e0 la fois belles et percutantes. Le r\u00e9sultat est une approche v\u00e9ritablement personnelle de la couleur.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_01.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-354233\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_01.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_01.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_01.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_01.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_01.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_01.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_01.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_01.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dominic Stone | FUJIFILM X-E5 et FUJINON XF500mmF5.6 R LM OIS WR, 1\/800 sec &#8211; F6.4, 200 ISO<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Un saut intuitif dans la photographie<\/strong><\/h2>\n\n\n\n<p>Dominic admet qu\u2019il d\u00e9testait autrefois la plage, qu\u2019il associait au sable br\u00fblant et aux longs trajets en voiture en famille. Mais tout a chang\u00e9 lorsqu\u2019un cottage de plage datant des ann\u00e9es 1940 est venu s\u2019ajouter au patrimoine familial, jetant les bases d\u2019une relation avec l\u2019oc\u00e9an. C\u2019est l\u00e0 que son amour pour le surf a commenc\u00e9. \u00ab D\u00e8s que je me suis tenu debout sur une planche de surf pour la premi\u00e8re fois, je n\u2019ai plus jamais regard\u00e9 en arri\u00e8re \u00bb, dit-il.<\/p>\n\n\n\n<p>Pourtant, ce n\u2019est qu\u2019\u00e0 l\u2019\u00e2ge de 26 ans qu\u2019un appareil photo est venu se glisser entre ses mains. Avec un peu d\u2019argent de c\u00f4t\u00e9 et quelques semaines de libre avant de commencer un master, il est entr\u00e9 dans un magasin d\u2019appareils photo.<\/p>\n\n\n\n<p>Dominic a commenc\u00e9 \u00e0 se consacrer \u00e0 la photographie de surf, et une rencontre fortuite lors d\u2019un concours local de longboard lui a valu le parrainage d\u2019un bo\u00eetier \u00e9tanche. Du jour au lendemain, il \u00e9tait dans l\u2019eau, cr\u00e9ant les perspectives qu\u2019il avait id\u00e9alis\u00e9es dans les magazines depuis son enfance.<\/p>\n\n\n\n<p>\u00ab Je me souviens de la premi\u00e8re fois o\u00f9 j\u2019ai nag\u00e9 avec mon appareil photo ; je ne pense pas que je l\u2019oublierai jamais \u00bb, dit-il.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_02.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-354234\" style=\"aspect-ratio:1.5014780405405406;width:1000px;height:auto\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_02.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_02.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_02.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_02.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_02.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_02.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_02.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_02.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dominic Stone | FUJIFILM X-E5 et FUJINON XF500mmF5.6 R LM OIS WR, 1\/640 sec &#8211; F6.4,160  ISO<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_03.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-354235\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_03.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_03.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_03.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_03.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_03.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_03.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_03.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_03.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dominic Stone | FUJIFILM X-E5 et FUJINON XF500mmF5.6 R LM OIS WR, 1\/800 sec &#8211; F5.6, 200 ISO<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Cr\u00e9er une simulation de film Velvia plus douce<\/strong><\/h2>\n\n\n\n<p>Le style cr\u00e9atif de Dominic met l\u2019accent sur la couleur, c\u2019est pourquoi il \u00e9tait impatient de cr\u00e9er une RECETTE de simulation de film bas\u00e9e sur Velvia avec le X-E5.<\/p>\n\n\n\n<p>S\u2019il \u00e9tait convaincu que cela fonctionnerait parfaitement pour les paysages, il \u00e9tait curieux de voir comment cela rendrait les bleus de l\u2019oc\u00e9an. Son objectif \u00e9tait d\u2019\u00e9quilibrer l\u2019intensit\u00e9 de la simulation de film avec une touche de douceur, en laissant transpara\u00eetre sa personnalit\u00e9 sans cr\u00e9er une image \u00ab trop charg\u00e9e \u00bb.<\/p>\n\n\n\n<p>Il d\u00e9crit ses choix pour la recette de simulation de film.<\/p>\n\n\n\n<p>\u00ab Pour apporter un peu de douceur \u00e0 une image dont je m\u2019attendais \u00e0 ce qu\u2019elle pr\u00e9sente un contraste plus marqu\u00e9 que celui auquel je suis habitu\u00e9, je savais que je voulais r\u00e9duire la CLARTE dans ma recette de simulation de film<\/p>\n\n\n\n<p>J\u2019ai l\u00e9g\u00e8rement relev\u00e9 les noirs pour vraiment accentuer cette douceur, en cr\u00e9ant en quelque sorte une tension avec le caract\u00e8re de Velvia. \u00bb<\/p>\n\n\n\n<p>Enfin, il a l\u00e9g\u00e8rement r\u00e9duit la saturation globale tout en ajoutant un EFFET COULEUR CHROME prononc\u00e9 pour les bleus. L\u2019objectif \u00e9tait de cr\u00e9er une RECETTE de simulation film \u00ab subtile mais dont l\u2019impact reste constant \u00bb.<\/p>\n\n\n\n<p>Dominic consid\u00e8re ses photos finales comme une sorte de cheval de Troie, \u00ab jolies et agr\u00e9ables \u00e0 regarder au premier abord, mais qui lib\u00e8rent quelque chose d\u2019un peu plus percutant une fois que nous nous sommes suffisamment adoucis pour le recevoir \u00bb.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_04.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-354236\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_04.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_04.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_04.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_04.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_04.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_04.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_04.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_04.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dominic Stone | FUJIFILM X-E5 et FUJINON XF56mmF1.2 R, 1\/500 sec &#8211; F6.4, 100 ISO<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_05.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-354237\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_05.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_05.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_05.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_05.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_05.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_05.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_05.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_05.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dominic Stone | FUJIFILM X-E5 et FUJINON XF56mmF1.2 R, 1\/800 sec &#8211; F5.6, 320 ISO<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Libert\u00e9 imm\u00e9diate d\u00e8s la prise de vue <\/strong><\/h2>\n\n\n\n<p>Obtenir un rendu final directement dans l\u2019appareil photo a \u00e9t\u00e9 une exp\u00e9rience captivante et lib\u00e9ratrice pour Dominic. \u00ab D\u00e8s que j\u2019ai choisi ma RECETTE de simulation film, je me suis assur\u00e9 que mon appareil ne prenne qu\u2019une seule photo \u00e0 la fois \u00bb, note-t-il, contrairement \u00e0 sa pr\u00e9f\u00e9rence habituelle pour le mode rafale.<\/p>\n\n\n\n<p>L&#8217;ensemble du processus, la prise en main de l&#8217;appareil, la vue \u00e0 travers le viseur \u00e9lectronique et sa RECETTE de simulation de film personnalis\u00e9e l&#8217;ont encourag\u00e9 \u00e0 ralentir et \u00e0 composer ses images de mani\u00e8re r\u00e9fl\u00e9chie.<\/p>\n\n\n\n<p>Cette approche contraste avec son flux de travail habituel, qui consiste \u00e0 cr\u00e9er \u00e0 partir de fichiers RAW et \u00e0 faire ressortir les d\u00e9tails des ombres en post-production. Dominic a trouv\u00e9 le fait de cr\u00e9er une image \u00ab telle quelle \u00bb dont il \u00e9tait satisfait \u00ab vraiment lib\u00e9rateur\u00bb.<\/p>\n\n\n\n<p>\u00ab J\u2019adore retoucher, mais c\u2019\u00e9tait agr\u00e9able de simplement transf\u00e9rer une photo sur mon t\u00e9l\u00e9phone sans fil et de l\u2019avoir pr\u00eate \u00e0 l\u2019emploi \u00bb, dit-il. C\u2019est une m\u00e9thode que Dominic voit se pr\u00eater au photojournalisme, au voyage, et m\u00eame permettre un rendu en temps r\u00e9el lors de concours gr\u00e2ce au X-E5.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_06.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-354240\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_06.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_06.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_06.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_06.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_06.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_06.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dominic Stone | FUJIFILM X-E5 et FUJINON XF56mmF1.2 R, 1\/1000 sec &#8211; F3.6, 125 ISO<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Au del\u00e0 de l&#8217;image<\/strong><\/h2>\n\n\n\n<p>Ce qui inspire Dominic, c\u2019est la perspective selon laquelle la vie et l\u2019art sont une \u00ab conversation avec l\u2019invisible et l\u2019inconnaissable \u00bb. Pour lui, chaque instant est l\u2019expression de quelque chose qui nous traverse.<\/p>\n\n\n\n<p>L&#8217;objectif de Dominic n&#8217;est pas seulement de prendre une photo, mais \u00ab de cr\u00e9er des images qui traduisent d&#8217;une mani\u00e8re ou d&#8217;une autre l&#8217;ineffable et transcendent nos concepts de soi, pour nous toucher profond\u00e9ment au plus profond de nous-m\u00eames \u00bb. La seule fa\u00e7on d&#8217;y parvenir, selon lui, est de poursuivre le dialogue avec la nature.<\/p>\n\n\n\n<p>C&#8217;est ce qui le motive.<\/p>\n\n\n\n<p>En s&#8217;inspirant du rendu l\u00e9gendaire du Velvia et en le modelant soigneusement pour l&#8217;adapter \u00e0 sa vision, Dominic a cr\u00e9\u00e9 un style qui lui est propre. Cr\u00e9er une image finie directement dans l\u2019appareil photo lui a donn\u00e9 la libert\u00e9 de rester dans l\u2019instant pr\u00e9sent et de se concentrer sur l\u2019histoire qu\u2019il voulait raconter, image par image.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_07.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-354238\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_07.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_07.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_07.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_07.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_07.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_07.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_07.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/US_Dominic-Stone_Stories_07.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Dominic Stone | FUJIFILM X-E5 et FUJINON XF8mmF3.5 R WR, 1\/320 sec &#8211; F6.4, 200 ISO<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>La Recette de simulation de film &#8220;Pacifica 100&#8221; de Dominic Stone<\/strong><\/h2>\n\n\n\n<p><strong>SIMULATION DE FILM : <\/strong>Velvia<br><strong>COULEUR MONOCHROMATIQUE : <\/strong>N\/A<br><strong>EFFET DE GRAIN : <\/strong>FORT, PETIT<br><strong>EFFET COULEUR CHROME : <\/strong>FAIBLE<br><strong>COULEUR CHROME FX BLEU : <\/strong>FORT<br><strong>EFFET PEAU LISSE : <\/strong>OFF<br><strong>BALANCE DES BLANCS : <\/strong>AUTO \/ R +2, B -2<br><strong>PLAGE DYNAMIQUE : <\/strong>DR100<br><strong>PRIORITE A LA PLAGE DYNAMIQUE : <\/strong>OFF<br><strong>COURBE DE TONALITE : <\/strong>H 0, S +2.5<br><strong>COULEUR : <\/strong>-1<br><strong>NETTETE : <\/strong>0<br><strong>REDUCTION DU BRUIT A HAUTE SENSIBILITE ISO : <\/strong>+1<br><strong>CLARTE: <\/strong>-2<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Recette simulation de film pour des photos d&#8217;ext\u00e9rieur enrichissantes et spectaculaires Pour Dominic Stone, photographe de voyage sp\u00e9cialis\u00e9 dans les prises de vue en ext\u00e9rieur, la photographie est un moyen de \u00ab se confronter au myst\u00e8re de la vie \u00bb qui l&#8217;entoure. Le travail de Dominic, qui le place au c\u0153ur de l&#8217;action lors des [&hellip;]<\/p>\n","protected":false},"author":208,"featured_media":354241,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13922,3162,1986,565,13898,13836],"post_tag":[],"class_list":["post-354832","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-velvia","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf500mmf5-6-r-lm-ois-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-08 12:56:18","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/354832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/354241"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=354832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=354832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=354832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":354426,"date":"2026-04-13T02:43:28","date_gmt":"2026-04-13T02:43:28","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=354426"},"modified":"2026-04-13T02:43:38","modified_gmt":"2026-04-13T02:43:38","slug":"36-clics-du-mont-fuji-par-julien-rocheblave","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/36-clics-du-mont-fuji-par-julien-rocheblave\/","title":{"rendered":"36 clics du Mont Fuji par Julien Rocheblave"},"content":{"rendered":"\n<p>Il est des lieux qui d\u00e9passent leur simple g\u00e9ographie pour habiter l\u2019imaginaire collectif. Pour le Japon et bien au-del\u00e0, le Mount Fuji en est l\u2019exemple parfait. Sacr\u00e9, majestueux, changeant au fil des saisons et des heures, il a inspir\u00e9 des g\u00e9n\u00e9rations d\u2019artistes de Katsushika Hokusai aux artistes contemporains. C\u2019est dans cette continuit\u00e9 que s\u2019inscrit ma s\u00e9rie 36 clics du Mont Fuji, un projet photographique et po\u00e9tique n\u00e9 au Japon et m\u00fbri au fil de ma qu\u00eate visuelle.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Une s\u00e9rie n\u00e9e d\u2019une rencontre avec l\u2019histoire<\/h2>\n\n\n\n<p>L\u2019id\u00e9e de 36 clics m\u2019est venue en revisitant le chemin d\u2019Hokusai et ses Trente-Six Vues du Mont Fuji. Ces estampes, r\u00e9alis\u00e9es il y a plus de deux si\u00e8cles, ne sont pas de simples repr\u00e9sentations : elles traduisent une mani\u00e8re d\u2019habiter le paysage. Je me suis demand\u00e9 : et si j\u2019arpentais ce territoire avec mon regard d\u2019aujourd\u2019hui ?<\/p>\n\n\n\n<p>Je ne cherchais pas \u00e0 reproduire Hokusai, mais \u00e0 dialoguer avec son h\u00e9ritage. Chacune des 36 photographies est un moment singulier, une tentative de renouveler le regard sur un sujet que l\u2019on croit conna\u00eetre. Photographier le Fuji, c\u2019est accepter qu\u2019il soit \u00e0 la fois universel et intime.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1350\" data-id=\"354691\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-5_J.-Rocheblave.jpg?width=1080&#038;height=1350\" alt=\"\" class=\"wp-image-354691\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-5_J.-Rocheblave.jpg?width=1080 1080w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-5_J.-Rocheblave.jpg?width=240&amp;height=300 240w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-5_J.-Rocheblave.jpg?width=819&amp;height=1024 819w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-5_J.-Rocheblave.jpg?width=768&amp;height=960 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-5_J.-Rocheblave.jpg?width=365&amp;height=456 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-5_J.-Rocheblave.jpg?width=600&amp;height=750 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-5_J.-Rocheblave.jpg?width=717&amp;height=896 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-5_J.-Rocheblave.jpg?width=936&amp;height=1170 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1350\" data-id=\"354692\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-11_J.-Rocheblave.jpg?width=1080&#038;height=1350\" alt=\"\" class=\"wp-image-354692\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-11_J.-Rocheblave.jpg?width=1080 1080w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-11_J.-Rocheblave.jpg?width=240&amp;height=300 240w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-11_J.-Rocheblave.jpg?width=819&amp;height=1024 819w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-11_J.-Rocheblave.jpg?width=768&amp;height=960 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-11_J.-Rocheblave.jpg?width=365&amp;height=456 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-11_J.-Rocheblave.jpg?width=600&amp;height=750 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-11_J.-Rocheblave.jpg?width=717&amp;height=896 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-11_J.-Rocheblave.jpg?width=936&amp;height=1170 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Une approche instinctive et sensible<\/h2>\n\n\n\n<p>Au Japon, j\u2019ai volontairement \u00e9vit\u00e9 les points de vue iconiques. Plut\u00f4t que de suivre un itin\u00e9raire pr\u00e9cis, j\u2019ai march\u00e9, observ\u00e9, attendu. Je voulais me laisser surprendre par la lumi\u00e8re et par cette relation silencieuse entre le paysage et l\u2019appareil photo.<\/p>\n\n\n\n<p>Le Mont Fuji appara\u00eet puis dispara\u00eet, souvent voil\u00e9 de brume, parfois d\u2019une nettet\u00e9 presque irr\u00e9elle. Il m\u2019a appris l\u2019humilit\u00e9 : certaines images exigent de la patience, d\u2019autres surgissent en quelques secondes lorsque ombre et lumi\u00e8re s\u2019accordent. Chaque clic est une rencontre br\u00e8ve, impr\u00e9visible.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_fuji_8_J.Rocheblave_BD.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-354727\" style=\"object-fit:cover\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_fuji_8_J.Rocheblave_BD.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_fuji_8_J.Rocheblave_BD.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_fuji_8_J.Rocheblave_BD.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_fuji_8_J.Rocheblave_BD.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_fuji_8_J.Rocheblave_BD.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_fuji_8_J.Rocheblave_BD.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_fuji_8_J.Rocheblave_BD.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_fuji_8_J.Rocheblave_BD.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">FUJIFILM GFX100SII et FUJINON GF100-200mmF5.6R LM OIS WR, 1\/400 sec &#8211; F9, 400 ISO<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Technique au service de la vision<\/h2>\n\n\n\n<p>La technique n\u2019a jamais \u00e9t\u00e9 une fin en soi, mais un outil au service de l\u2019\u00e9motion. Pourtant, pour cette s\u00e9rie, l\u2019usage du Fujifilm <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/gfx100s-ii\/\" target=\"_blank\" rel=\"noreferrer noopener\">GFX100S II <\/a>a \u00e9t\u00e9 d\u00e9terminant.<br><\/p>\n\n\n\n<p>Son capteur moyen format de 102 m\u00e9gapixels m\u2019a permis de restituer une pr\u00e9cision exceptionnelle. Face \u00e0 un sujet aussi \u00e9pur\u00e9 que le Fuji, chaque d\u00e9tail compte : la texture de la neige, les strates volcaniques, les nuances subtiles du ciel. Cette r\u00e9solution offre une profondeur d\u2019image immersive, o\u00f9 le regard peut circuler librement sans perdre en finesse<br><\/p>\n\n\n\n<p>La colorim\u00e9trie a \u00e9t\u00e9 essentielle. Les bleus d\u2019un matin d\u2019hiver, les gris argent\u00e9s d\u2019un ciel couvert ou la chaleur d\u2019un cr\u00e9puscule conservent une justesse et une densit\u00e9 proches du ressenti sur place.<br><\/p>\n\n\n\n<p>La plage dynamique du GFX100S II a \u00e9galement jou\u00e9 un r\u00f4le cl\u00e9. Photographier le Fuji signifie souvent composer avec des contrastes marqu\u00e9s : un sommet lumineux face \u00e0 une plaine sombre, un ciel orageux aux hautes lumi\u00e8res intenses. La capacit\u00e9 du capteur \u00e0 pr\u00e9server mati\u00e8re et subtilit\u00e9 dans les ombres comme dans les zones claires m\u2019a permis de rester fid\u00e8le \u00e0 l\u2019atmosph\u00e8re r\u00e9elle, sans compromis.<br><\/p>\n\n\n\n<p>Pour la majorit\u00e9 des images, j\u2019ai travaill\u00e9 avec le FUJIFILM <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/gf100-200mmf56-r-lm-ois-wr\/\" target=\"_blank\" rel=\"noreferrer noopener\">GF 100-200mm F5.6 R LM OIS WR<\/a>. Ce t\u00e9l\u00e9objectif m\u2019a permis de composer avec pr\u00e9cision et de simplifier les lignes du paysage. En isolant certaines parties de la montagne ou en comprimant les plans entre le Fuji et son environnement, j\u2019ai pu cr\u00e9er des images plus graphiques. Cette distance visuelle r\u00e9v\u00e8le des relations subtiles entre les formes, les nuages et les \u00e9l\u00e9ments du paysage, offrant une lecture diff\u00e9rente du mont Fuji.<br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Lignes entre m\u00e9moire et paysage<\/h2>\n\n\n\n<p>Les 36 clics ne sont pas seulement des paysages. Ils sont mes interpr\u00e9tations d\u2019un lieu qui traverse les si\u00e8cles, des estampes d\u2019Hokusai \u00e0 nos \u00e9crans contemporains. Le Fuji semble immuable, mais la lumi\u00e8re, les saisons et la pr\u00e9sence humaine transforment sans cesse son visage.<br><\/p>\n\n\n\n<p>\u00c0 travers cette s\u00e9rie, je cherche \u00e0 montrer que le paysage est une conversation entre l\u2019histoire et le pr\u00e9sent, entre le photographe et le spectateur. Chaque image tente de retenir une lumi\u00e8re, de fixer un instant dans le flux du temps.<br><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1350\" data-id=\"354689\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format-comparaison-6_J.-Rocheblave.jpg?width=1080&#038;height=1350\" alt=\"\" class=\"wp-image-354689\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format-comparaison-6_J.-Rocheblave.jpg?width=1080 1080w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format-comparaison-6_J.-Rocheblave.jpg?width=240&amp;height=300 240w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format-comparaison-6_J.-Rocheblave.jpg?width=819&amp;height=1024 819w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format-comparaison-6_J.-Rocheblave.jpg?width=768&amp;height=960 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format-comparaison-6_J.-Rocheblave.jpg?width=365&amp;height=456 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format-comparaison-6_J.-Rocheblave.jpg?width=600&amp;height=750 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format-comparaison-6_J.-Rocheblave.jpg?width=717&amp;height=896 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format-comparaison-6_J.-Rocheblave.jpg?width=936&amp;height=1170 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1350\" data-id=\"354690\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-4_J.-Rocheblave.jpg?width=1080&#038;height=1350\" alt=\"\" class=\"wp-image-354690\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-4_J.-Rocheblave.jpg?width=1080 1080w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-4_J.-Rocheblave.jpg?width=240&amp;height=300 240w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-4_J.-Rocheblave.jpg?width=819&amp;height=1024 819w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-4_J.-Rocheblave.jpg?width=768&amp;height=960 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-4_J.-Rocheblave.jpg?width=365&amp;height=456 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-4_J.-Rocheblave.jpg?width=600&amp;height=750 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-4_J.-Rocheblave.jpg?width=717&amp;height=896 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont_Fuji_format_comparaison-4_J.-Rocheblave.jpg?width=936&amp;height=1170 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Une s\u00e9rie pour red\u00e9couvrir<\/h2>\n\n\n\n<p>Avec les 36 clics du Mont Fuji, je souhaite partager bien plus qu\u2019un lieu : une mani\u00e8re de regarder. \u00catre attentif, accepter l\u2019attente, laisser la lumi\u00e8re \u00e9crire l\u2019image.<br><\/p>\n\n\n\n<p><br>Peut-\u00eatre est-ce l\u00e0 l\u2019essentiel : revenir vers un symbole que l\u2019on croit fig\u00e9 et y d\u00e9couvrir, encore, une nouvelle fa\u00e7on de voir.<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont-Fuji_DSF119_J.-Rocheblave_BD.jpg?width=819&#038;height=1024\" alt=\"\" class=\"wp-image-354830\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont-Fuji_DSF119_J.-Rocheblave_BD.jpg?width=819&amp;height=1024 819w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont-Fuji_DSF119_J.-Rocheblave_BD.jpg?width=240&amp;height=300 240w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont-Fuji_DSF119_J.-Rocheblave_BD.jpg?width=768&amp;height=960 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont-Fuji_DSF119_J.-Rocheblave_BD.jpg?width=365&amp;height=456 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont-Fuji_DSF119_J.-Rocheblave_BD.jpg?width=600&amp;height=750 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/Mont-Fuji_DSF119_J.-Rocheblave_BD.jpg?width=717&amp;height=896 717w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">FUJIFILM GFX100S II et FUJINON GF100-200mmF5.6R LM OIS WR- 1\/2000 sec &#8211; F10,  640 ISO<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Il est des lieux qui d\u00e9passent leur simple g\u00e9ographie pour habiter l\u2019imaginaire collectif. Pour le Japon et bien au-del\u00e0, le Mount Fuji en est l\u2019exemple parfait. Sacr\u00e9, majestueux, changeant au fil des saisons et des heures, il a inspir\u00e9 des g\u00e9n\u00e9rations d\u2019artistes de Katsushika Hokusai aux artistes contemporains. C\u2019est dans cette continuit\u00e9 que s\u2019inscrit ma [&hellip;]<\/p>\n","protected":false},"author":208,"featured_media":354688,"template":"","category":[3113,10855,1937,13392,1055,3554],"post_tag":[],"class_list":["post-354426","story","type-story","status-publish","has-post-thumbnail","hentry","category-g-mount","category-gf100-200mmf5-6-r-lm-ois-wr-g-mount-zoom","category-gfx-series","category-gfx100s-ii","category-lenses","category-g-mount-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-08 12:56:18","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/354426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/354688"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=354426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=354426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=354426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]