[{"id":358124,"date":"2026-06-01T05:00:00","date_gmt":"2026-06-01T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358124"},"modified":"2026-05-26T03:44:12","modified_gmt":"2026-05-26T03:44:12","slug":"bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki\/","title":{"rendered":"[BTS] GFX ETERNA 55: Yu Sanbonsuge x Shortfilm &#8220;Tomei Na Zawameki&#8221;"},"content":{"rendered":"\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"CeLert6df3E\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Thumbnail01.jpg\" alt=\"Thumbnail01\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"CeLert6df3E\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"CeLert6df3E\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-CeLert6df3E\" data-id=\"CeLert6df3E\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":358126,"template":"","category":[1006,1202,13909,13910,1937,320,2378,565],"post_tag":[],"class_list":["post-358124","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-gfx-eterna-55","category-gfx-series","category-products","category-shot-on-x","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":true,"date":"2027-10-31 23:59:00","action":"change-status","newStatus":"trash","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/358124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/358126"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=358124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=358124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=358124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358123,"date":"2026-06-01T05:00:00","date_gmt":"2026-06-01T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358123"},"modified":"2026-05-26T03:44:29","modified_gmt":"2026-05-26T03:44:29","slug":"gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki-fujifilm","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki-fujifilm\/","title":{"rendered":"GFX ETERNA 55: Yu Sanbonsuge x Shortfilm &#8220;Tomei Na Zawameki&#8221; \/ FUJIFILM"},"content":{"rendered":"\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"2gCDK-Sow4o\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Thumbnail_03_title.jpg\" alt=\"Thumbnail_03_title\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"2gCDK-Sow4o\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"2gCDK-Sow4o\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-2gCDK-Sow4o\" data-id=\"2gCDK-Sow4o\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":358125,"template":"","category":[1006,1202,13909,13910,1937,320,2378,565],"post_tag":[],"class_list":["post-358123","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-gfx-eterna-55","category-gfx-series","category-products","category-shot-on-x","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":true,"date":"2027-10-31 23:59:00","action":"change-status","newStatus":"trash","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/358123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/358125"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=358123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=358123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=358123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358534,"date":"2026-05-29T05:00:00","date_gmt":"2026-05-29T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358534"},"modified":"2026-05-26T11:31:02","modified_gmt":"2026-05-26T11:31:02","slug":"pro-neg-std-fs-recipe-x-derrick-ong","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/pro-neg-std-fs-recipe-x-derrick-ong\/","title":{"rendered":"PRO Neg. Std FS RECIPE x Derrick Ong"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Crafting Film Memories with Fujifilm<\/h2>\n\n\n\n<p>As a portrait and wedding photographer, my journey with photography began long before instant previews and endless post-production workflows became the norm. It started in the film days,\u00a0the process of carefully loading rolls into cameras, counting frames, and trusting my instincts with every click. There was no instant validation, only patience. The reward came later, when I finally held printed photographs in my hands, admiring images filled with grain, texture, and quiet imperfections that carried an unmistakable sense of nostalgia. That tactile experience shaped not just how I photograph, but how I\u00a0<em>feel<\/em>\u00a0photographs to this day.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358536\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Those early years taught me to slow down and to see light more intentionally. Every frame mattered. Every moment carried weight. Film trained my eyes to anticipate emotion rather than chase perfection, and that philosophy continues to guide my work in portraiture and weddings, where authenticity, connection, and fleeting moments matter most.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358537\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Eight years ago, my move to the Fujifilm system felt like coming home in a modern way. Fujifilm\u2019s color science and Film Simulations opened up an entirely new creative world for me, one that resonated deeply with my film roots. In an era where many photographers spend countless hours refining images in post-production, I found myself moving in the opposite direction, rediscovering the joy of shooting JPEGs straight out of camera. The idea of getting the look right at the moment of capture excited me.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358538\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Using Fujifilm\u2019s Q button to create and fine-tune FS RECIPEs quickly became a process I genuinely enjoy. It feels like mixing chemicals in a darkroom, adjusting WHITE BALANCE, contrast, grain, shadows, and color response until the image speaks the way I remember film once did. These FS RECIPEs allow me to craft moods and textures that feel intentional, timeless, and emotionally grounded. The result is images that are instantly ready to share, carrying a refined, classy, vintage character without the need for heavy editing.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358539\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>I\u2019ve been deeply immersed in experimenting with different Fujifilm Film Simulations, revisiting looks I once loved during my film days and translating them into a digital language. One of these explorations led to a custom FS RECIPE I call\u00a0<strong>\u201cPro Neg Portrait,\u201d<\/strong>\u00a0a FS RECIPE using PRO Neg. Std Film Simulation, inspired by classic film aesthetics and my love for honest, natural portraiture.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358540\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>On this recent trip, the portrait session took place in Hong Kong, a city I\u2019ve always associated with a unique visual rhythm. For this shoot, I used my\u00a0\u201c<strong>Pro Neg Portrait\u201d<\/strong>\u00a0FS RECIPE to bring out a nostalgic film look that reflects how I remember Hong Kong: modern and energetic, yet layered with a subtle retro charm. The tones, contrast, and texture echo the city\u2019s timeless character where the past and present coexist effortlessly.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358541\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>PRO Neg. Std remains one of my favorite Film Simulations, especially for portraiture. Its neutral tonality, soft gradations, and beautifully natural skin tones provide a strong foundation. With subtle refinements, careful WHITE BALANCE shifts, gentle grain, shaped shadows, and nuanced color adjustments, I shaped this FS RECIPE to balance nostalgia with a contemporary sensibility.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358542\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Once the FS RECIPE is dialed in, I let the Fujifilm X-E5 do its magic. Free from technical distractions, I can focus fully on connecting with my subjects, observing emotions, and responding to moments as they unfold. In that space, portraiture becomes more than an image, it becomes a quiet collaboration between light, memory, and emotion, resulting in photographs that feel nostalgic yet undeniably modern.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Crafting Film Memories with Fujifilm As a portrait and wedding photographer, my journey with photography began long before instant previews and endless post-production workflows became the norm. It started in the film days,\u00a0the process of carefully loading rolls into cameras, counting frames, and trusting my instincts with every click. There was no instant validation, only [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":358543,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,13923,320,3162,1986,565,13898,8307],"post_tag":[],"class_list":["post-358534","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-08 07:16:18","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/358534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/358543"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=358534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=358534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=358534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358133,"date":"2026-05-27T05:00:00","date_gmt":"2026-05-27T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358133"},"modified":"2026-05-19T08:39:51","modified_gmt":"2026-05-19T08:39:51","slug":"pro-neg-std-fs-recipe-x-paolo-emanuele-barretta","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/pro-neg-std-fs-recipe-x-paolo-emanuele-barretta\/","title":{"rendered":"PRO Neg.Std\u00a0FS RECIPE\u00a0x Paolo Emanuele Barretta"},"content":{"rendered":"\n<p>The FS RECIPE\u201cVelvet Hase\u201d\u00a0was created from the desire to translate my visual language into a coherent and recognizable Film Simulation, starting from the tones of PRO Neg. Std.<\/p>\n\n\n\n<p>In my portrait and fashion portrait work, I have always aimed to move away from strict realism, favoring instead a more emotional, suspended, almost cinematic image. This FS RECIPE is an attempt to make that atmosphere consistent and intentional, directly in-camera.<\/p>\n\n\n\n<p>The starting point was the way I use light in the studio. I often work with controlled lighting, both flash and continuous, seeking a balance between softness and structure. I am not interested in an overly sharp or clinical rendering of the skin, but in images that suggest more than they reveal. For this reason, I developed a simulation with slightly denatured tones and a delicate yet intentional color palette, capable of reducing saturation without flattening the image. The colors become quieter, allowing emotion and presence to take precedence.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358134\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>SHADOW play a central role in \u201cVelvet Hase\u201d. I chose to keep them deep and defined, because for me SHADOW is not a flaw to be eliminated, but a narrative element. SHADOW defines volume, create mystery, and add visual weight. In this FS RECIPE, it does not serve to conceal, but to build a sense of intimacy and distance at the same time, a visual tension that feels closer to the language of cinema than to traditional fashion photography.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358135\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>The \u201cvelvet\u201d aspect of the name refers to the rendering of skin tones and HIGHLIGHTS. I worked to ensure smooth, gradual tonal transitions, without harsh or abrupt separations. HIGHLIGHTS are controlled and never overpowering, while skin textures appear softer and less descriptive. This approach helps maintain an elegant, timeless aesthetic, suitable for professional portraiture and editorial fashion work, especially in studio environments where every detail is intentional.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358136\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>\u201cVelvet Hase\u201d&nbsp;is designed to be a reliable, restrained simulation rather than an extreme one. It does not impose itself on the subject, but accompanies it. It reflects the way I photograph: observing, subtracting, simplifying. The final image is never entirely realistic, yet never fully abstract. It exists in an in-between space, dreamlike, where light and color work together to create a feeling rather than a description.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358137\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Creating this FS RECIPE was also a way to slow down my creative process. Having a coherent visual foundation allows me to focus more on the relationship with the subject, on pose and expression. The FS RECIPE becomes an integral part of the workflow, not a step added in post-production, but a conscious choice made at the moment of capture.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358138\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Ultimately,&nbsp;\u201cVelvet Hase\u201d&nbsp;represents a synthesis of my approach to portraiture: an image that is soft yet structured, emotional yet controlled, where fashion meets cinema and photography becomes a space for interpretation. This FS RECIPE is designed for those who seek atmosphere, depth, and a less literal, more evocative sense of beauty.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358139\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The FS RECIPE\u201cVelvet Hase\u201d\u00a0was created from the desire to translate my visual language into a coherent and recognizable Film Simulation, starting from the tones of PRO Neg. Std. In my portrait and fashion portrait work, I have always aimed to move away from strict realism, favoring instead a more emotional, suspended, almost cinematic image. This [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":358233,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,13923,320,3162,1986,565,13898,8307,8356],"post_tag":[],"class_list":["post-358133","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr","category-xf56mmf12-r-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-08 07:16:18","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/358133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/358233"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=358133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=358133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=358133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":357796,"date":"2026-05-27T05:00:00","date_gmt":"2026-05-27T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=357796"},"modified":"2026-05-26T04:04:27","modified_gmt":"2026-05-26T04:04:27","slug":"mauro-fiore-captures-childhood-and-imagination-with-gfx-eterna-55","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/mauro-fiore-captures-childhood-and-imagination-with-gfx-eterna-55\/","title":{"rendered":"Mauro Fiore Captures Childhood and Imagination with GFX ETERNA 55"},"content":{"rendered":"<h1 class=\"wp-block-post-title\">Mauro Fiore Captures Childhood and Imagination with GFX ETERNA 55<\/h1>\n\n\n<h3 class=\"wp-block-heading\">Inside the Cinematography of Dove Sono Mamma e Pap\u00e0? \u2013 Left Alone<\/h3>\n\n\n\n<p><em>Dove Sono Mamma e Pap\u00e0?<\/em> (<em>Left Alone<\/em>) is a short film that lies at the intersection of narrative sensitivity and cinematic craft, offering a measured exploration of medium-format cinematography and using the FUJIFILM GFX ETERNA 55. Directed by Fabio Rao, with cinematography by Oscar-winning Director of Photography Mauro Fiore ASC, the film serves as a case study in how image format, visual intent, and storytelling can align when technology is approached as a narrative partner rather than as a defining gesture.<\/p>\n\n\n\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"FftwxVgegfw\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/DSMEP_POSTER_ITA_100X140_ITA_1-scaled.jpg\" alt=\"DSMEP_POSTER_ITA_100X140_ITA_1\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"FftwxVgegfw\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"FftwxVgegfw\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-FftwxVgegfw\" data-id=\"FftwxVgegfw\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>The project builds on an ongoing collaboration between Rao and Fujifilm, developed over several years across both motion and still photography. The short film <em>Nightbirds<\/em> marked Rao\u2019s first encounter with medium format in motion, paving the way for <em>Dove sono Mamma e Pap\u00e0? <\/em>(<em>Left Alone<\/em>). \u201cWith this film, I felt it was the right moment to fully embrace medium-format cinematography, using GFX ETERNA 55, a camera that immediately resonated with the emotional scale and sensitivity of the story we wanted to tell.\u201d<\/p>\n\n\n\n<p>For Mauro Fiore, the project also represents an opportunity to test a new cinematic tool within a narrative framework that values restraint, perception, and emotional proximity.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358115\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Storytelling and visual approach<\/h3>\n\n\n\n<p>At its core, <em>Dove Sono Mamma e Pap\u00e0? <\/em>unfolds from a simple narrative premise that gradually opens into more ambiguous emotional terrain. Leo and Nesto are two close friends immersed in the everyday rituals of childhood, videogames, drones, and casual mischief, until they wake one morning to discover that all adults have vanished. What initially feels like complete freedom slowly reveals deeper implications. Without authority or imposed rules, imagination flourishes, but responsibility begins to surface.<\/p>\n\n\n\n<p>Visually, the film avoids over stylization. Rao\u2019s intention was clear: \u201cFrom the very beginning, my intention was for the camera to quietly serve the story rather than call attention to itself. Every shot had a narrative purpose.\u201d That restraint became the foundation upon which Fiore built the film\u2019s visual language.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=1024&#038;height=436\" alt=\"\" class=\"wp-image-358562\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=1024&amp;height=436 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=300&amp;height=128 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=768&amp;height=327 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=400&amp;height=170 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=365&amp;height=155 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=600&amp;height=255 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=717&amp;height=305 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=800&amp;height=340 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=688&amp;height=293 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=490&amp;height=208 490w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=936&amp;height=398 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>As Mauro Fiore explains, \u201cThe visual approach of this film was very interesting in how it came about, because I had many discussions with Fabio. He wanted to place the story in a situation that felt like fantasy, reality, and hyper-reality. So, we discussed all these possibilities.\u201d Rather than separating these dimensions through distinct visual treatments, the filmmakers chose continuity and subtle modulation, allowing shifts in perception to emerge naturally within the frame.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=1024&#038;height=436\" alt=\"\" class=\"wp-image-358559\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=1024&amp;height=436 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=300&amp;height=128 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=768&amp;height=327 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=400&amp;height=170 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=365&amp;height=155 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=600&amp;height=255 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=717&amp;height=305 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=800&amp;height=340 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=688&amp;height=293 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=490&amp;height=208 490w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=936&amp;height=398 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>The camera often remains close to the characters, and sometimes uncomfortably so, before occasionally opening up to reveal the surrounding world. This balance between intimacy and distance becomes central to how the story is experienced, keeping the audience aligned with the characters\u2019 evolving sense of freedom and unease.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Medium format, lenses, and spatial rhythm<\/h3>\n\n\n\n<p>The choice to shoot with FUJIFILM GFX ETERNA 55, combined with the Premista lenses, shaped not only the film\u2019s aesthetic but also its internal rhythm. The medium-format sensor allowed Fiore to hold more spatial information within each frame, reinforcing a sense of depth and dimensionality while maintaining emotional closeness to the characters.<\/p>\n\n\n\n<p>Mauro Fiore\u2019s long experience with Fujinon Premista lenses, particularly Fujinon Premista 28-100mT2.9, played a decisive role in translating this potential into practice. \u201cI have quite a bit of experience with Premista lenses, and I\u2019m especially familiar with the 28\u2013100mm. It performs amazingly well,\u201d he notes. \u201cThe format itself amplifies that vision. The expansiveness of the sensor allows us to capture more in every frame, giving the film a distinctive look and a narrative rhythm.\u201d<\/p>\n\n\n\n<p>This combination of large-format sensor and lenses proved especially valuable when working in confined spaces. Medium and even wide shots could be captured from very short distances, sometimes as close as one meter, without sacrificing spatial coherence. The result is a visual language that feels open and immersive yet never detached from the characters at its center.<strong><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358563\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358119\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Aspect ratio was approached with the same narrative sensitivity. \u201cWe had several discussions regarding filming in a 2.35 or 2.39 aspect ratio,\u201d Fiore explains. \u201cAutomatically, it makes you feel like the world around you is surrounding you.\u201d The widescreen frame subtly reinforces the film\u2019s emotional tension, mirroring the children\u2019s experience of a world that is suddenly expansive, unfamiliar, and undefined.<\/p>\n\n\n\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"nMXLKsSuNt0\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/mauro-fiore-bts-thumb.jpg\" alt=\"mauro-fiore-bts-thumb\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"nMXLKsSuNt0\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"nMXLKsSuNt0\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-nMXLKsSuNt0\" data-id=\"nMXLKsSuNt0\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Lighting the path home<\/h3>\n\n\n\n<p>Although <em>Dove Sono Mamma e Pap\u00e0? <\/em>&nbsp;is not autobiographical, its connection to place carries particular resonance for Mauro Fiore. Long based in the United States, Calabria remains his homeland and returning to shoot there added an understated but meaningful layer to the project.<\/p>\n\n\n\n<p>The film was shot entirely in real locations across the region during the height of summer, in towns and spaces that remained active and crowded throughout production. Rather than reshaping locations to fit the film, the crew adapted their methods to each place day by day. Calabria\u2019s natural light, often harsh and vertical at midday, then softer and more sculptural in the late afternoon, became an expressive element rather than a constraint.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=1024&#038;height=436\" alt=\"\" class=\"wp-image-358561\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=1024&amp;height=436 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=300&amp;height=128 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=768&amp;height=327 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=400&amp;height=170 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=365&amp;height=155 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=600&amp;height=255 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=717&amp;height=305 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=800&amp;height=340 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=688&amp;height=293 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=490&amp;height=208 490w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=936&amp;height=398 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Supported by a fully local crew, Fiore\u2019s visual approach drew on both technical precision and familiarity with the environment. The region\u2019s landscapes, light, and rhythms quietly inform the film\u2019s tone, grounding its more surreal elements in a tangible sense of place. In this way, Calabria becomes more than a setting: it is an unspoken presence within the film\u2019s visual identity.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A camera in the service of narrative<\/h3>\n\n\n\n<p>From a production standpoint, Fujifilm GFX ETERNA 55 proved itself as a Film-making camera designed for professional, narrative-driven workflows. Its robust cinema-style construction, industry-standard connections, adaptable native lens mount, and visually stepless internal electronic variable ND filter offered flexibility across a wide range of shooting conditions.<\/p>\n\n\n\n<p>The F-Log2 C profile provided substantial latitude for color grading, while Fujifilm\u2019s Film Simulations and new Film Simulation 3D LUTs, each inspired by analog film stocks, expanded creative options without imposing a predetermined aesthetic. The camera\u2019s design encouraged choice rather than prescription.<\/p>\n\n\n\n<p>Rao also explored GFX ETERNA 55 independently in a documentary context, pairing it with a rehoused Fujinon EBC 28mm lens and using ACROS Film Simulation, an experience he describes as intuitive and expressive.<\/p>\n\n\n\n<p>For Mauro Fiore, the camera also aligns with a broader creative philosophy: \u201cEvery film needs its own way of being told. Every film needs its own story. Whether it\u2019s oil paints, tempera, or pastels, it\u2019s always a matter of what is right for that narrative. I feel the same way about cameras.\u201d Within this framework, the GFX ETERNA 55 is not positioned as a universal solution, but as a tool whose value emerges through its relationship with story, place, and creative intent.<\/p>\n\n\n\n<p>Taken together, <em>Dove Sono Mamma e Pap\u00e0?<\/em> offers a considered example of how medium-format cinematography, guided by an experienced visual author, can support intimate storytelling, balancing scale and proximity while remaining firmly anchored to narrative purpose.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358121\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Dove Sono Mamma e Pap\u00e0? \u2013 Left Alone: Credits<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Produced with FUJIFILM<\/li>\n\n\n\n<li>Produced by Open Fields Productions \/ Filmora<\/li>\n\n\n\n<li>With the contribution of Calabria Film Commission<\/li>\n\n\n\n<li>In collaboration with CIAKALABRIA, AEROPIX, AUDIO PORTRAIT STUDIO<\/li>\n\n\n\n<li>With the free patronage of Municipality of Cassano all&#8217;Ionio \/ Associazione Laghi di Sibari<\/li>\n\n\n\n<li>Directed by: Fabio Rao<\/li>\n\n\n\n<li>Director of Photography: Mauro Fiore, ASC<\/li>\n\n\n\n<li>Story and screenplay: Enrico Miceli \/ Fabio Rao<\/li>\n\n\n\n<li>Produced by: Fabrizio Nucci \/ Fabio Ra<\/li>\n\n\n\n<li>Executive producers: Fabrizio Nucci \/ Marc Cattrall\/ Silvia Carapellese\/ Francesco Spisti\/ Marika Gherardi<\/li>\n\n\n\n<li>Editing: Francesca Naccarato \/ Fabio Rao<\/li>\n\n\n\n<li>Visual effects: Alessio Cagnano<\/li>\n\n\n\n<li>Original music: Alessandro Papaianni<\/li>\n\n\n\n<li>Production sound mixer: Simone Casile<\/li>\n\n\n\n<li>Production designer: Antonio Giocondo<\/li>\n\n\n\n<li>Costumes: Laura Scagliola<\/li>\n\n\n\n<li>Makeup and hair: Marinella Giorni \/ Sandra Perri<\/li>\n\n\n\n<li>Assistant director: Giulia Rossi<\/li>\n\n\n\n<li>Casting Director: Alessia Iacopetta<\/li>\n<\/ul>\n\n\n\n<p><strong>CAST<\/strong><br>Leo: Luigi Chiera<br>Nesto: Ludovico Maria Esposito<br>Martina: Maria Carmela Iris Trotta<br>Alba: Beatrice Carmela Malizia<br>Fulvia: Cecilia Mussari<br>Fiordaliso: Alessandro Castriota Scanderbeg<br>Sara: Mariasilvia Greco<br>Dario: Carlo Gallo<br>Vanda: Giovanna Chiara Pasini<br>Man with red shoes: Saverio La Ruina<br>Don Cino: Giancarlo Cauteruccio<br>Voices of Orion: Lorenzo Cordara \/ Giulia Musso<\/p>\n\n\n\n<p>With the extraordinary participation of: Dario Del Luca \/ Ivana Russo<br><br>Production manager: Carmela Bilotto<br>Production coordinator: Giusy Cervadoro<br>Script supervisor: Enrico Miceli<br>Location manager: Gianluca Salerno<br>Production supervisor: Francesco Falcone<br>Production secretary: Samuele Leogrande<br>Runner: Alessandro Morrone \/ Carlo Iozzi<br>Steadicam operator: Marco Vignoni<br>First assistant camera: Umberto Scimitto<br>Second assistant camera: Gianluca Gattabria<br>Camera assistant: Nicola Labate<br>Second camera assistant: Pasquale Remia<br>DIT: Roberto Cavalera<br>Data manager: Claudia Gull\u00e0<br>Video assist: Anselmo De Filippis<br>Set photographers: Pierpaolo Perri \/ Raffaella Arena<br>Backstage video: Francesca Naccarato<br>Drone pilots: Dario Della Mora \/ Walter Finco \/ Marco Martino<br>Key grip: Antonio \u201cLupin\u201d Caracciolo<br>Grip: Francesco Coscarella<br>Gaffer: Gianfranco Mastroianni<br>Electrician: Mattia Cristofaro<br>Assistant production designer: Agata Colao<br>Props master: Felice Adriani<br>Laborers: Emilio D\u2019Elia \/ Raffaele Lisco<br>Seamstress: Vincenza Salvino<br>Personal assistant to Mauro Fiore: Walter Carpino<\/p>\n\n\n\n<p>Color grading, deliveries: Pyramid Factory \/ Alessandro Ammendola<br>Sound editing and audio mix: Stefano Di Fiore \/ Marco Marcini<\/p>\n\n\n\n<p><strong>MUSIC<\/strong><br>Solo cello: Mattia De Angelis<br>Piano\/synthesizers\/percussion: Alessandro Papaianni<br>Solo flute\/solo French horn: Alexandre Demaan<br>Strings: RDL String Quartet<br>Recording, mix &amp; mastering of original music: Audio Portrait Studio<\/p>\n\n\n\n<p>Insurance: Howden \u2013 Assimovie<br>Workplace safety: Sicurlav<\/p>\n\n\n\n<p>The Production and the Director thank<\/p>\n\n\n\n<p>GFX ETERNA 55 DEVELOPMENT TEAM<br>BLU ACADEMY by Barbara Pasqua<br>MOVIE MOUSE FACILITY SERVICE<br>ASSOLAGHI SECURITY SERVICE<br>ISTITUTO COMPRENSIVO LAUROPOLI \u2013 SIBARI \u2013 CASSANO J.<br>THE SCHOOL PRINCIPAL PROF. MICHELE MARZANA<br>THE STUDENTS OF THE MAROS IN TEATRO SCHOOL OF ARTS<br>MAROS EVENTI &#8211; PIKEMA APS<br><br>Christina Pavl\u00ec<br>Santino Cundari<br>Mariarosaria Bianco<br>Katalin Seres<br>Rossella Ciappetta<br>Fausta Oliva<br>Domenico Nicoletti<br>Claudio Valerio<br>Andrea Solano<br>Gianpaolo Giacobini<br>Ottavio Marino<br>Tereza Lanza<br>Massimo Romanelli and family<br>Domenico Peluso and family<br>Mario Varca and Sibarifly<br>Luigi Guaragna and Sofia Maimone<br>Don Pietro Groccia and the Church of Jesus the Good Shepherd of Sibari<br>Teresa Tucci<br>Maristella Resta<br>Giovanna Giordano<br>Natale Giordano<br>Giovanni Gattabria<br>Vincenzo Gattabria<br>Imagin\u2019Hair Cosenza<br>Endless Summer House<br>Leonardo, Luciano and Francesco Golia<br>Angela Concistr\u00e8<br>Gabriele Albanesi<br>Luca Ardenti<br>Epos Film<br>Hotel Royal Cosenza<br>Roberta Giordano<br>Germana Giordano<br>Mariuccia Fiore<br>Francesco Malvaso<br>Benedetto Tucci<br>Alessandra Fucilla<br>Ruggero Fucilla<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inside the Cinematography of Dove Sono Mamma e Pap\u00e0? \u2013 Left Alone Dove Sono Mamma e Pap\u00e0? (Left Alone) is a short film that lies at the intersection of narrative sensitivity and cinematic craft, offering a measured exploration of medium-format cinematography and using the FUJIFILM GFX ETERNA 55. Directed by Fabio Rao, with cinematography by [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":357798,"template":"","category":[1006,1202,13909,13910,1937,320,2378,565],"post_tag":[],"class_list":["post-357796","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-gfx-eterna-55","category-gfx-series","category-products","category-shot-on-x","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-08 07:16:18","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/357796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/357798"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=357796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=357796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=357796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358059,"date":"2026-05-22T05:00:00","date_gmt":"2026-05-22T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358059"},"modified":"2026-05-18T05:12:45","modified_gmt":"2026-05-18T05:12:45","slug":"pro-neg-std-fs-recipe-x-maggie-parise","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/pro-neg-std-fs-recipe-x-maggie-parise\/","title":{"rendered":"PRO Neg. Std FS RECIPE x Maggie Paris\u00e9"},"content":{"rendered":"\n<p>For me, \u201cmuted\u201d doesn\u2019t mean dull \u2014 it means intentional. It\u2019s the choice to let light do the talking and to leave enough quiet in the frame that you can actually feel the moment.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358060\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p><em>Muted Moments<\/em> is my way of leaning into that character. I wanted a FS RECIPE that works both at home and in the studio. A look that feels calm and intentional\u2014low-saturation color, moderate contrast, and smooth tonal gradations that work beautifully in pale interiors and natural light.<\/p>\n\n\n\n<p>I built this FS RECIPE starting with PRO Neg. Std. It\u2019s clean, professional, and adaptable, with tones that stay balanced even when the light shifts. Skin stays soft and consistent, whites stay clean, and shadows roll off smoothly.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358061\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>&#8220;<em>Muted Moments<\/em>&#8221; shines in natural and controlled light: diffused window light, open shade, a softbox if you\u2019re in a studio, or a simple reflector to lift the shadows without changing the mood. From there, I added just a touch of grain for texture. COLOR CHROME EFFECT stays subtle \u2014 enough to give depth to wood tones and fabrics, without making the image feel \u201cprocessed.\u201d For WHITE BALANCE, I left it at AUTO and then shifted it until the scene felt like it did in real life: a hint warmer in the highlights, slightly cooler in the shadows, the way winter daylight actually behaves.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358062\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>To keep everything soft and clean, I pulled down highlights and lifted shadows so nothing clips or crushes. I toned down clarity and kept sharpness gentle, so skin stays forgiving and clean, while detail stays present.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358063\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>And that\u2019s &#8220;Muted Moments&#8221;: soft, professional, clean \u2014 a look that lets the calmest frame speak the loudest.<\/p>\n\n\n\n<p><strong>FILM SIMULATION:<\/strong> PRO Neg. Std<br><strong>MONOCHROMATIC COLOR: <\/strong>N\/A<br><strong>GRAIN EFFECT<\/strong> WEAK, SMALL<br><strong>COLOR CHROME EFFECT<\/strong> WEAK<br><strong>COLOR CHROME FX BLUE<\/strong> OFF<br><strong>SMOOTH SKIN EFFECT<\/strong> OFF<br><strong>WHITE BALANCE<\/strong> AUTO\/ R +4, B -5<br><strong>DYNAMIC RANGE<\/strong> DR200<br><strong>D RANGE PRIORITY&nbsp;&nbsp;&nbsp; <\/strong>OFF<br><strong>TONE CURVE<\/strong> H -1,5, S +1<br><strong>COLOR<\/strong> 0<br><strong>SHARPNESS<\/strong> -2<br><strong>HIGH ISO NR<\/strong> 0<br><strong>CLARITY<\/strong> -1<strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For me, \u201cmuted\u201d doesn\u2019t mean dull \u2014 it means intentional. It\u2019s the choice to let light do the talking and to leave enough quiet in the frame that you can actually feel the moment. Muted Moments is my way of leaning into that character. I wanted a FS RECIPE that works both at home and [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":358064,"template":"","category":[2084,1006,1202,13607,1055,3211,13923,320,3162,1986,565,13936,13835,3358],"post_tag":[],"class_list":["post-358059","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-t30-iii","category-xf16-55mmf2-8-r-lm-wr-ii","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-08 07:16:18","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/358059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/358064"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=358059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=358059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=358059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358050,"date":"2026-05-22T05:00:00","date_gmt":"2026-05-22T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358050"},"modified":"2026-05-18T04:56:44","modified_gmt":"2026-05-18T04:56:44","slug":"pro-neg-std-fs-recipe-x-juan-pablo","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/pro-neg-std-fs-recipe-x-juan-pablo\/","title":{"rendered":"PRO Neg. Std FS RECIPE x Juan Pablo Viades\u00a0"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358051\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_03.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF35mmF1.4 R, 1\/160 sec at F2.8, ISO 800<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Juan Pablo Viades shares the FS RECIPE that\u2019s allowed him to bring heightened-reality portraits to life with true visual flair<\/strong><\/h2>\n\n\n\n<p>Portrait photographer Juan Pablo Viades doesn\u2019t chase perfection. He looks for texture and personality. Real skin. Real people. Then he adds subtle details that make you stop and look twice.<\/p>\n\n\n\n<p>\u201cI\u2019ve always liked portraits,\u201d Juan says, \u201cbut in the last year and a half, I found my style \u2013 what I would call realistic surrealism.\u201d<\/p>\n\n\n\n<p>It\u2019s a phrase he returns to often, but the idea itself is more grounded than it sounds. Juan isn\u2019t interested in heavy manipulation or flashy effects. His work starts in reality, then shifts slightly through color, contrast, or a carefully placed element that introduces tension.<\/p>\n\n\n\n<p>\u201cIt\u2019s a mixture of portraits of real people that show real textures of skin, with a little element of something whimsical,\u201d he explains. \u201cJust a pop of color or something interesting that grabs the eye.\u201d<\/p>\n\n\n\n<p>Most recently, he\u2019s been doing so with an in-camera look of his own devising. Fittingly, he calls it \u201cPortrait No. Juan\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358052\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_02.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF90mmF2 R LM WR, 1\/125 sec at F3.2, ISO 800<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Letting People Be Themselves<\/strong><\/h2>\n\n\n\n<p>Juan\u2019s portrait work begins with attention, not direction. He approaches each session as a collaboration shaped by the person in front of the camera. \u201cI don\u2019t like to force a pose,\u201d he says. \u201cI like to work with who they are, try to show who they are as a person, then implement my ideas into that.\u201d<\/p>\n\n\n\n<p>This mindset carries through his process, from how he engages with his subjects to how he finishes an image. The goal isn\u2019t polish or perfection \u2013 it\u2019s connection. \u201cIt feels personal,\u201d Juan says. \u201cThat\u2019s what matters to me.\u201d<\/p>\n\n\n\n<p>That focus on the individual is tangible in the final images. Nothing is overly smoothed or sanitized. The portraits feel grounded in reality, even when they push gently beyond the literal.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358053\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_04.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF35mmF1.4 R, 1\/160 sec at F2.8, ISO 800<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Natural Light, Real Texture<\/strong><\/h2>\n\n\n\n<p>Juan works mostly indoors these days, partly by choice and partly by circumstance. \u201cI\u2019m in New York right now, and it\u2019s cold,\u201d he laughs. But the setting isn\u2019t what defines the work \u2013 it\u2019s the light.<\/p>\n\n\n\n<p>\u201cI mainly work with natural lighting,\u201d he says. \u201cNone of my photos have artificial lighting.\u201d Natural light reinforces the realism Juan is drawn to and keeps attention on the subject rather than the setup.<\/p>\n\n\n\n<p>\u201cA lot of people rely heavily on lights and technology,\u201d he explains. \u201cFor me, part of what makes my photos special is that they can be achieved with just the camera, the subject, and a cool idea.\u201d Natural light requires patience and awareness. You work with what\u2019s there, not what you can build.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358054\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_06.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF33mmF1.4 R LM WR, 1\/250 sec at F2, ISO 640<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Building a Look In-Camera<\/strong><\/h2>\n\n\n\n<p>When it comes to gear, Juan favors tools that let him stay in the moment.<\/p>\n\n\n\n<p>\u201cI\u2019m a big FUJIFILM X100VI guy,\u201d he says. \u201cIt\u2019s usually my go-to because I don\u2019t have to think about the lens.\u201d<\/p>\n\n\n\n<p>That simplicity is intentional, and applies just as much to in-camera looks. \u201cI have my FS RECIPE, I make the photos, and it just feels easy,\u201d Juan explains. \u201cI don\u2019t have to think about the photos as much, I\u2019m in the moment.\u201d<\/p>\n\n\n\n<p><a><\/a>For Juan, FS RECIPEs are a creative tool for defining his style. His custom look is built on PRO Neg. Std and designed with skin tones in mind.<\/p>\n\n\n\n<p>\u201cI focus a lot on people\u2019s skin and how that comes off in a photo,\u201d he says. \u201cI wanted skin tones that felt real while still having the contrasty, punchy look I like.\u201d<\/p>\n\n\n\n<p>PRO Neg. Std gave him a neutral starting point. \u201cIt feels like a canvas you can build on,\u201d Juan explains. \u201cIt\u2019s clean and not overly saturated.\u201d That restraint is deliberate. \u201cI don\u2019t like photos that are too colorful,\u201d he says. \u201cI prefer them a little more muted.\u201d<\/p>\n\n\n\n<p>From there, he makes targeted adjustments to shape the look:<\/p>\n\n\n\n<p>Strong, large grain adds texture and a subtle film feel. Highlights are lowered and Shadows raised for crisper contrast. Color is pushed slightly for impact without oversaturation. SHARPNESS and CLARITY are reduced to avoid a brittle digital edge.<\/p>\n\n\n\n<p>\u201cI\u2019m a big fan of grain,\u201d Juan says. \u201cIt adds to the texture of the skin. It makes the photos feel more real and a little retro at the same time.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358055\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_01.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF33mmF1.4 R LM WR, 1\/160 sec at F2, ISO 800<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Why Custom FS Recipes Matter<\/strong><\/h2>\n\n\n\n<p>For Juan, custom FS RECIPEs aren\u2019t about trends. \u201cIn photography, you want to set yourself apart,\u201d he says. \u201cIt feels more genuine when you can do everything in-camera instead of relying on heavy editing.\u201d<\/p>\n\n\n\n<p>That doesn\u2019t mean starting from scratch every time. \u201cYou can take someone else\u2019s FS RECIPE, change a few settings, and suddenly you have something that\u2019s truly you,\u201d he explains. \u201cThat freedom is important.\u201d<\/p>\n\n\n\n<p>It also creates consistency. When your look is baked in, your work holds together visually without the need for a long post-processing workflow.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358056\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/US_Juan-Pablo_Stories_05.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2025 \u00a9 Juan Pablo Viades | FUJIFILM X-E5 and FUJINON XF35mmF1.4 R, 1\/160 sec at F2.8, ISO 800<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Making Space to Explore<\/strong><\/h2>\n\n\n\n<p>Juan sees FUJIFILM X Series cameras as a rare balance of approachability and depth. \u201cThey\u2019re beginner-friendly but still professional-adjacent,\u201d he asserts. \u201cSomeone just starting out can make something stunning, and someone more seasoned can fine-tune the details.\u201d<\/p>\n\n\n\n<p>That flexibility creates space to experiment, adjust, and grow. \u201cThe most important part is trial and error,\u201d Juan says. \u201cYou have to figure out who you are as a photographer and what you\u2019re trying to show.\u201d<\/p>\n\n\n\n<p>What matters is putting in the time and giving yourself permission to explore. \u201cHaving the right tools makes that easier,\u201d he concludes. For Juan, the right tools are the ones that fade into the background, leaving room for texture, honesty, and a hint of surreal magic.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Juan Pablo Viades\u2019 \u201cPortrait No. Juan\u201d FS RECIPE<\/strong><\/h2>\n\n\n\n<p><strong>FILM SIMULATION: <\/strong>PRO Neg. Std<br><strong>MONOCHROMATIC COLOR:<\/strong> N\/A<br><strong>GRAIN EFFECT: <\/strong>STRONG, LARGE<br><strong>COLOR CHROME EFFECT:<\/strong> STRONG<br><strong>COLOR CHROME FX BLUE:<\/strong> WEAK<br><strong>SMOOTH SKIN EFFECT: <\/strong>OFF<br><strong>WHITE BALANCE: <\/strong>5900K\/ R +2, B -3<br><strong>DYNAMIC RANGE: <\/strong>DR100<br><strong>D RANGE PRIORITY:<\/strong> OFF<br><strong>TONE CURVE:<\/strong> H -2, S +3<br><strong>COLOR: <\/strong>+4<br><strong>SHARPNESS: <\/strong>-2<br><strong>HIGH ISO NR: <\/strong>-4<br><strong>CLARITY:<\/strong> -2<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Juan Pablo Viades shares the FS RECIPE that\u2019s allowed him to bring heightened-reality portraits to life with true visual flair Portrait photographer Juan Pablo Viades doesn\u2019t chase perfection. He looks for texture and personality. Real skin. Real people. Then he adds subtle details that make you stop and look twice. \u201cI\u2019ve always liked portraits,\u201d Juan [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":358057,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,13923,320,3162,1986,565,13898,8307,7278,7376],"post_tag":[],"class_list":["post-358050","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr","category-xf35mmf1-4-r","category-xf90mmf2-r-lm-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-08 07:16:18","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/358050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/358057"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=358050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=358050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=358050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358242,"date":"2026-05-20T00:02:49","date_gmt":"2026-05-20T00:02:49","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358242"},"modified":"2026-05-20T00:02:55","modified_gmt":"2026-05-20T00:02:55","slug":"des-rencontres-rapprochees-la-macrophotographie-avec-javier-milla","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/des-rencontres-rapprochees-la-macrophotographie-avec-javier-milla\/","title":{"rendered":"Des rencontres rapproch\u00e9es\u00a0: la macrophotographie avec Javier Milla"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Javier Milla, photographe de nature et de faune sauvage, nous parle de l&#8217;\u00e9quipement et des techniques de macrophotographie<\/h2>\n\n\n\n<p>\u00ab La macrophotographie est l&#8217;une des sp\u00e9cialit\u00e9s les plus gratifiantes, car vous pouvez l\u2019exercer presque partout et avec quasiment n\u2019importe quel sujet \u00bb, explique le photographe espagnol Javier Milla.<\/p>\n\n\n\n<p>La macrophotographie offre la possibilit\u00e9 de photographier sans limites une grande vari\u00e9t\u00e9 de sujets, mais aussi de voir le monde \u00e0 travers un objectif compl\u00e8tement diff\u00e9rent. Pour Javier, la macrophotographie est un moyen, pour lui et son public, de regarder avec une proximit\u00e9 inou\u00efe le monde naturel qui nous entoure.<\/p>\n\n\n\n<p>\u00ab Elle nous permet de capturer des d\u00e9tails d\u2019objets et d\u2019animaux qui sont g\u00e9n\u00e9ralement invisibles \u00e0 l\u2019\u0153il nu \u00bb, s\u2019enthousiasme-t-il.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=1024&#038;height=682\" alt=\"Close-up image of a bee in flight with purple flowers in the background\" class=\"wp-image-357538\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2026 \u00a9 Javier Milla | FUJIFILM X-H2S, FUJINON XF80mmF2.8 R LM OIS WR Macro et tube allonge Macro MCEX-16, 1\/1250 sec &#8211; F16, 6400 ISO<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Des opportunit\u00e9s infinies<\/h2>\n\n\n\n<p>La macrophotographie est un genre vaste, qui fait r\u00e9f\u00e9rence \u00e0 la mani\u00e8re dont vous pr\u00e9sentez votre sujet plut\u00f4t qu&#8217;au sujet lui-m\u00eame. Pour Javier, photographe de nature, la macro offre des possibilit\u00e9s infinies d\u2019explorer la faune et la flore.<\/p>\n\n\n\n<p>\u00ab L\u2019avantage majeur de la macrophotographie dans la nature est que, par rapport \u00e0 d&#8217;autres types de photographie, c\u2019est que l\u2019on d\u00e9pend moins de facteurs incontr\u00f4lables \u00bb, explique-t-il. \u00ab Le vent peut \u00eatre un probl\u00e8me, bien qu\u2019il soit contr\u00f4lable. Mais vous pouvez modifier la lumi\u00e8re ambiante avec des r\u00e9flecteurs, des flashs et des LED.<\/p>\n\n\n\n<p>Ainsi, \u00e0 la campagne, dans quelques m\u00e8tres carr\u00e9s seulement, vous pouvez profiter de la macrophotographie \u00e0 tout moment de la journ\u00e9e et dans de multiples environnements naturels. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=1024&#038;height=682\" alt=\"An orange butterfly sitting on the side of a pink flower, against a blurred background\" class=\"wp-image-357539\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2026 \u00a9 Javier Milla | FUJIFILM X-H2S et FUJINON XF80mmF2.8 R LM OIS WR Macro, 1\/250 sec &#8211; F8, 400 ISO<\/figcaption><\/figure>\n\n\n\n<p>Les images macro sont donc une premi\u00e8re incursion intrigante pour ceux qui s\u2019essaient \u00e0 la photographie de nature, avec beaucoup moins de facteurs ext\u00e9rieurs \u00e0 craindre et une multitude de sujets disponibles, m\u00eame dans votre jardin ou dans le parc local.<\/p>\n\n\n\n<p>\u00ab La photographie d\u2019insectes est le point de d\u00e9part de presque tous les macrophotographes d\u00e9butants, compte tenu de leur abondance, de leur singularit\u00e9 et de leur beaut\u00e9 \u00bb, remarque Javier. \u00ab Il n\u2019est g\u00e9n\u00e9ralement pas difficile de les photographier perch\u00e9s, en particulier t\u00f4t le matin, en raison des basses temp\u00e9ratures. Il suffit de vous approcher sans faire de mouvements brusques et, id\u00e9alement, de regarder dans le viseur de l&#8217;appareil photo. Pour eux, deux yeux qui vous fixent de si pr\u00e8s sont souvent synonymes de pr\u00e9dateur.<\/p>\n\n\n\n<p>Les insectes en vol sont un peu plus difficiles \u00e0 capturer, mais on peut y arriver avec de la patience, de la pers\u00e9v\u00e9rance et un \u00e9quipement dot\u00e9 d\u2019un autofocus performant. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=1024&#038;height=682\" alt=\"A bee flying towards a purple and green flower with a dark background\" class=\"wp-image-357540\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=768&amp;height=511 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=400&amp;height=266 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=600&amp;height=399 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=717&amp;height=477 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=936&amp;height=623 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2026 \u00a9 Javier Milla | FUJIFILM X-H2S, FUJINON XF80mmF2.8 R LM OIS WR Macro et tube allonge Macro MCEX-16, 1\/1600 sec &#8211; F14, 6400 ISO<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">L\u2019\u00e9quipement de macrophotographie<\/h2>\n\n\n\n<p>\u00ab Pour mes photos macro, j\u2019utilise le \u00a0<a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/x-h2s\/\">FUJIFILM X-H2S<\/a>\u00a0en association avec le\u00a0<a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/xf80mmf28-r-lm-ois-wr-macro\/\">FUJINON XF80mmF2.8 R LM OIS WR Macro<\/a>\u00a0et, selon le sujet, un ou deux \u00a0<a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/accessories\/mcex-16\/\">tubes d&#8217;extension Macro<\/a> \u00bb, d\u00e9crit Javier. \u00ab Si l\u2019on r\u00e8gle la d\u00e9tection de sujet sur le mode oiseaux, l\u2019appareil photo d\u00e9tecte parfaitement les insectes, en se concentrant m\u00eame sur leurs yeux, et on obtient ainsi facilement des images avec une bonne mise au point. Avec les sujets statiques, normalement, j&#8217;utilise toutefois la mise au point manuelle.<\/p>\n\n\n\n<p>\u00ab En macrophotographie, nous recherchons g\u00e9n\u00e9ralement la plus grande profondeur de champ possible, mais gr\u00e2ce \u00e0 l&#8217;ouverture f\/2.8 de l&#8217;optique XF80mmF2.8 Macro, vous pouvez vous concentrer uniquement sur le point pr\u00e9cis du sujet photographi\u00e9 que vous souhaitez mettre en valeur \u00bb, ajoute-t-il.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=1024&#038;height=682\" alt=\"A close-up image of a snail crawling over a leaf\" class=\"wp-image-357541\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2026 \u00a9 Javier Milla | FUJIFILM X-T3, FUJINON XF80mmF2.8 R LM OIS WR Macro et tube allonge Macro MCEX-16, 1\/200 sec -F2.8, 320 ISO<\/figcaption><\/figure>\n\n\n\n<p>Pour de nombreux sujets, il suffit d\u2019un appareil photo correctement param\u00e9tr\u00e9 et d\u2019un objectif adapt\u00e9 pour r\u00e9aliser de superbes gros plans. Par contre, pour acc\u00e9der \u00e0 des techniques plus avanc\u00e9es, Javier emporte avec lui quelques outils suppl\u00e9mentaires.<\/p>\n\n\n\n<p>\u00ab L&#8217;\u00e9clairage est important pour ce type de photographie \u00bb, souligne-t-il. \u00ab D\u2019apr\u00e8s mes essais, la meilleure option est un anneau lumineux \u00e0 LED continu. S\u2019il faut plus d\u2019\u00e9clairage, on peut ajouter un flash et un diffuseur pour \u00e9viter les reflets, en le d\u00e9clenchant en mode manuel \u00e0 tr\u00e8s faible puissance. Il fige alors le mouvement sans accentuer le flash sur le sujet. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=1024&#038;height=682\" alt=\"A small insect covered in white pollen crawling out of a pink flower\" class=\"wp-image-357542\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2026 \u00a9 Javier Milla | FUJIFILM X-T3, FUJINON XF80mmF2.8 R LM OIS WR Macro et tube allonge Macro MCEX-16, 1\/200 sec &#8211; F2.8, 320 ISO<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Focus stacking<\/h2>\n\n\n\n<p>Quand Javier souhaite maximiser sa profondeur de champ, il utilise le focus stacking qui assure la nettet\u00e9 de tous les aspects de son sujet.<\/p>\n\n\n\n<p>\u00ab Il existe plusieurs techniques \u00e0 cette fin, mais avec la fonction de bracketing (BKT Focus) du FUJIFILM X-H2S, aucun accessoire externe n\u2019est n\u00e9cessaire \u00bb, explique Javier.<\/p>\n\n\n\n<p>\u00ab On peut programmer le nombre de photos et l&#8217;intervalle, pour que l&#8217;appareil photo prenne 60, 120 photos ou plus, en faisant la mise au point de la distance minimale \u00e0 l&#8217;infini au fur et \u00e0 mesure. Les photos sont ensuite fusionn\u00e9es ou empil\u00e9es en une seule image \u00e0 l\u2019aide d\u2019un logiciel de post-traitement.<\/p>\n\n\n\n<p>Dans ces photographies, l\u2019\u00e9clairage est crucial. Les projecteurs et les flashs, ou une combinaison des deux, mettent en valeur les textures et les zones les plus importantes du sujet. Par exemple, pour mettre l\u2019accent sur la face inf\u00e9rieure d\u2019un scarab\u00e9e, la photo suivante a \u00e9t\u00e9 prise en pla\u00e7ant l\u2019insecte sur une feuille acrylique transparente avec un flash positionn\u00e9 en dessous.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=1024&#038;height=682\" alt=\"A small black insect, against a dark background\" class=\"wp-image-357543\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2026 \u00a9 Javier Milla | FUJIFILM X-H2S, FUJINON XF80mmF2.8 R LM OIS WR Macro et 2 tubes allonge Macro MCEX-16, 1\/100 sec &#8211; F14, 160 ISO<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">D\u00e9tails cach\u00e9s<\/h2>\n\n\n\n<p>Pour ceux qui ne veulent pas regarder de trop pr\u00e8s d\u2019effrayantes bestioles rampantes, Javier rappelle que les photographes entreprenants peuvent \u00e9galement trouver une abondance de sujets dans le domaine v\u00e9g\u00e9tal.<\/p>\n\n\n\n<p>\u00ab Selon la p\u00e9riode de l&#8217;ann\u00e9e, les plantes et les fleurs offrent un sujet excellent, et presque illimit\u00e9, pour la macrophotographie \u00bb, explique-t-il. \u00ab Les orchid\u00e9es sauvages fleurissent \u00e0 la fin de l\u2019hiver. C\u2019est l\u2019une de mes esp\u00e8ces pr\u00e9f\u00e9r\u00e9es \u00e0 photographier en raison de leur vari\u00e9t\u00e9, de leur beaut\u00e9 et de leurs formes uniques, \u00e0 la fois individuellement et dans leur ensemble.<\/p>\n\n\n\n<p>Par contre, elles ne poussent que dans des endroits tr\u00e8s sp\u00e9cifiques et il vous faut parfois parcourir de longues distances pour trouver l\u2019esp\u00e8ce particuli\u00e8re que vous recherchez. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=682&#038;height=1024\" alt=\"An orange beetle sitting at the top of a pink and green plant, with a green blurred background\" class=\"wp-image-357544\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Photo 2026 \u00a9 Javier Milla | FUJIFILM X-T3 et FUJINON XF80mmF2.8 R LM OIS WR Macro, 1\/400 sec &#8211; F8, 400 ISO<\/figcaption><\/figure>\n\n\n\n<p>Si vous souhaitez essayer la macrophotographie sans faire de longs trajets, vous n\u2019avez pas \u00e0 \u00eatre aussi exigeant quant \u00e0 votre choix de sujet. En fait, comme le r\u00e9v\u00e8le Javier, la beaut\u00e9 de la macrophotographie r\u00e9side souvent dans l\u2019observation des d\u00e9tails n\u00e9glig\u00e9s de l&#8217;environnement quotidien.<\/p>\n\n\n\n<p>\u00ab Outre les orchid\u00e9es et autres plantes en fleurs, presque toutes les plantes, aussi petites ou communes soient-elles, peuvent offrir des images int\u00e9ressantes. La plupart du temps cependant, soyez pr\u00eat \u00e0 vous salir les mains et \u00e0 passer du temps au ras du sol. \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Javier Milla, photographe de nature et de faune sauvage, nous parle de l&#8217;\u00e9quipement et des techniques de macrophotographie \u00ab La macrophotographie est l&#8217;une des sp\u00e9cialit\u00e9s les plus gratifiantes, car vous pouvez l\u2019exercer presque partout et avec quasiment n\u2019importe quel sujet \u00bb, explique le photographe espagnol Javier Milla. La macrophotographie offre la possibilit\u00e9 de photographier sans [&hellip;]<\/p>\n","protected":false},"author":208,"featured_media":357545,"template":"","category":[2084,1006,1202,1643,1055,4191,3211,3309,320,3162,1986,565,7082,6396,7915],"post_tag":[],"class_list":["post-358242","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-lens-accessories","category-lenses","category-macro-extension-tube","category-x-series-mirrorless","category-x-mount-prime","category-products","category-x-mount","category-x-series","category-stories","category-x-h2s","category-x-t3","category-xf80mmf2-8-r-lm-ois-wr-macro"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-08 07:16:18","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/358242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/357545"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=358242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=358242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=358242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":357566,"date":"2026-05-18T09:00:54","date_gmt":"2026-05-18T09:00:54","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=357566"},"modified":"2026-05-18T09:01:00","modified_gmt":"2026-05-18T09:01:00","slug":"aven-dorgnac-explorer-linvisible-en-grand-format-avec-remi-flament","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/aven-dorgnac-explorer-linvisible-en-grand-format-avec-remi-flament\/","title":{"rendered":"Aven d&#8217;Orgnac : Explorer l&#8217;invisible en grand format avec R\u00e9mi Flament"},"content":{"rendered":"\n<p>Au c\u0153ur de l&#8217;Aven d\u2019Orgnac, bien au-del\u00e0 des espaces ouverts au public, s\u2019\u00e9tend un monde min\u00e9ral immense, complexe et totalement invisible. Unique en France, l\u2019Aven d\u2019Orgnac est aujourd\u2019hui la seule grotte \u00e0 \u00eatre labellis\u00e9e Grand Site de France, reconnaissant \u00e0 la fois son caract\u00e8re exceptionnel et l\u2019exigence absolue de sa pr\u00e9servation. Derri\u00e8re ce label se cache un sanctuaire souterrain d\u2019une ampleur rare, compos\u00e9 de salles monumentales et de galeries profondes, longtemps rest\u00e9 hors du regard contemporain.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=1200&#038;height=900\" alt=\"\" class=\"wp-image-357696\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=1200 1200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=1152&amp;height=864 1152w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=1127&amp;height=845 1127w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0958-2_1200x900.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GFX100 II + GF20-35mmF4 R WR &#8211; F\/6.4 -1\/50 s &#8211; 800 ISO<\/figcaption><\/figure>\n\n\n\n<p>Jusqu\u2019\u00e0 cette mission, ces espaces n\u2019avaient \u00e9t\u00e9 que tr\u00e8s rarement document\u00e9s, exclusivement \u00e0 l\u2019\u00e9poque de la photographie argentique, lors des campagnes de d\u00e9couverte. Depuis 2016, l\u2019augmentation des taux de CO\u2082 dans certaines zones du r\u00e9seau ne permet plus un acc\u00e8s libre \u00e0 ces volumes profonds, renfor\u00e7ant encore leur caract\u00e8re inaccessible. Toute intervention y est d\u00e9sormais soumise \u00e0 une validation stricte, sous le contr\u00f4le d\u2019un conseil scientifique garant de la protection du site.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:32% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=768&#038;height=1024\" alt=\"\" class=\"wp-image-357689 size-full\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=768&amp;height=1024 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=225&amp;height=300 225w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=365&amp;height=487 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=600&amp;height=801 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=640&amp;height=854 640w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=717&amp;height=957 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=633&amp;height=845 633w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=148&amp;height=197 148w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=450&amp;height=600 450w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=400&amp;height=533 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=344&amp;height=459 344w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=206&amp;height=275 206w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_DSF3560_1200x1600.jpg?width=735&amp;height=980 735w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" data-recalc-dims=\"1\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Cette aventure humaine, technique et artistique a \u00e9t\u00e9 pilot\u00e9e en janvier 2026 par le photographe et topographe <a href=\"https:\/\/www.remiflament.com\/\" data-type=\"link\" data-id=\"https:\/\/www.remiflament.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>R\u00e9mi Flament<\/strong><\/a>. Pendant pr\u00e8s de treize jours, une mission d\u2019envergure nationale a \u00e9t\u00e9 men\u00e9e afin d\u2019articuler \u00e9troitement photographie et topographie, avec une ambition claire : comprendre, mesurer et r\u00e9v\u00e9ler par l\u2019image un monde souterrain parmi les plus vastes et les plus difficiles d\u2019acc\u00e8s, tout en respectant strictement son int\u00e9grit\u00e9.<\/p>\n<\/div><\/div>\n\n\n\n<p>Plus de quarante personnes ont \u00e9t\u00e9 mobilis\u00e9es : sp\u00e9l\u00e9ologues exp\u00e9riment\u00e9s, techniciens, topographes, \u00e9lectriciens, sp\u00e9cialistes de l\u2019\u00e9clairage, de la s\u00e9curit\u00e9 et de la communication. Pour permettre un travail prolong\u00e9 dans ces volumes confin\u00e9s, l\u2019atmosph\u00e8re a d\u00fb \u00eatre rendue respirable gr\u00e2ce \u00e0 la mise en place de syst\u00e8mes de soufflerie industrielle, assurant un renouvellement constant de l\u2019air jusqu\u2019\u00e0 plus de deux kilom\u00e8tres de l\u2019entr\u00e9e. Des lignes \u00e9lectriques ont \u00e9t\u00e9 install\u00e9es sur de longues distances afin d\u2019alimenter et de recharger les dispositifs d\u2019\u00e9clairage, et une ligne t\u00e9l\u00e9phonique tir\u00e9e pour maintenir une communication permanente entre les \u00e9quipes engag\u00e9es dans les profondeurs et la surface.<\/p>\n\n\n\n<div class=\"wp-block-group is-style-two-col-content is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns has-spacing-extra-large has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=1200&#038;height=900\" alt=\"\" class=\"wp-image-357702\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=1200 1200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=1152&amp;height=864 1152w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=1127&amp;height=845 1127w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1375-2_1200x900.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GFX100 II + GF20-35mmF4 R WR &#8211; F\/5.6 &#8211; 1\/100s &#8211; 800 ISO<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=1200&#038;height=900\" alt=\"\" class=\"wp-image-357706\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=1200 1200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=1152&amp;height=864 1152w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=1127&amp;height=845 1127w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1773_1200x900.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GFX100 II + GF20-35mmF4 R WR &#8211; F\/5.6 -1\/80s &#8211; 800 ISO<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p>Dans ce contexte extr\u00eame, le choix du mat\u00e9riel photographique \u00e9tait d\u00e9terminant. Le Fujifilm <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/cameras\/gfx100-ii\/\" target=\"_blank\" rel=\"noreferrer noopener\">GFX100 II<\/a> s\u2019est impos\u00e9 comme l\u2019outil central de cette mission. Sa d\u00e9finition, sa dynamique et sa gestion fine des basses lumi\u00e8res ont permis de restituer avec pr\u00e9cision les volumes, les textures et les nuances du monde min\u00e9ral, dans un environnement o\u00f9 chaque image est enti\u00e8rement construite par la lumi\u00e8re artificielle.<\/p>\n\n\n\n<div class=\"wp-block-group is-style-two-col-content is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns has-spacing-extra-large has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-357698\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1094_1200x900.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GF100 II + GF20-35mmF4 R WR- F\/7.1 &#8211; 1\/100s &#8211; 800 ISO<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-357692\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP0420_1200x900.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GFX100 II + GF55mmF1.7 R WR &#8211; F\/14 &#8211; 1\/100s &#8211; 125 ISO<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=1200&#038;height=900\" alt=\"\" class=\"wp-image-357715\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=1200 1200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=1152&amp;height=864 1152w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=1127&amp;height=845 1127w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3194_1200X900.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GFX100 II + GF55mmF1.7 R WR &#8211; F\/10 &#8211; 1\/125s &#8211; 320 ISO<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-357714\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3025_1200x900.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GFX100 II + GF55mmF1.7 R WR &#8211; F\/13 &#8211; 1\/100S &#8211; 200 ISO<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p>Trois optiques ont structur\u00e9 le travail photographique, chacune r\u00e9pondant \u00e0 une \u00e9chelle sp\u00e9cifique de l\u2019Aven d\u2019Orgnac. Le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/gf20-35mmf4-r-wr\/\" target=\"_blank\" data-type=\"link\" data-id=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/gf20-35mmf4-r-wr\/\" rel=\"noreferrer noopener\">GF20\u201335mm<\/a> a \u00e9t\u00e9 essentiel pour restituer l\u2019ampleur des grandes salles souterraines, dont l\u2019une d\u00e9passe un hectare de surface. Le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/gf45-100mmf4-r-lm-ois-wr\/\" target=\"_blank\" rel=\"noreferrer noopener\">GF45\u2013100mm<\/a> a permis de structurer les volumes interm\u00e9diaires, d\u2019isoler des zones et de travailler la profondeur dans des espaces contraints. Enfin, le <a href=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/gf55mmf17-r-wr\/\" target=\"_blank\" data-type=\"link\" data-id=\"https:\/\/www.fujifilm-x.com\/fr-fr\/products\/lenses\/gf55mmf17-r-wr\/\" rel=\"noreferrer noopener\">GF55mm<\/a> a accompagn\u00e9 un travail plus intime, tourn\u00e9 vers la mati\u00e8re, r\u00e9v\u00e9lant micro-min\u00e9ralisations, cristallisations et textures \u00e0 l\u2019\u00e9chelle centim\u00e9trique. Ensemble, ces focales ont permis de traverser toutes les \u00e9chelles physiques du site, du paysage souterrain \u00e0 l\u2019infiniment petit.<\/p>\n\n\n\n<p>Le mat\u00e9riel a \u00e9t\u00e9 mis \u00e0 rude \u00e9preuve. L\u2019humidit\u00e9 constante, la condensation, la boue et les variations thermiques constituent un environnement particuli\u00e8rement agressif pour l\u2019\u00e9lectronique et l\u2019optique. Pour des raisons de logistique et de contraintes physiques, le mat\u00e9riel ne pouvait pas \u00eatre remont\u00e9 quotidiennement en surface : il est rest\u00e9 engag\u00e9 sous terre pendant de longues p\u00e9riodes, soumis en continu \u00e0 ces conditions extr\u00eames. Le syst\u00e8me GFX a d\u00e9montr\u00e9 une grande fiabilit\u00e9 dans cet environnement satur\u00e9 d\u2019humidit\u00e9, au fil de journ\u00e9es longues, de manipulations r\u00e9p\u00e9t\u00e9es et de transports difficiles, un facteur d\u00e9terminant pour mener \u00e0 bien une mission o\u00f9 chaque prise de vue mobilise une logistique lourde et collective.<\/p>\n\n\n\n<div class=\"wp-block-group is-style-two-col-content is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns has-spacing-extra-large has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=768&#038;height=1024\" alt=\"\" class=\"wp-image-357717\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=768&amp;height=1024 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=225&amp;height=300 225w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=365&amp;height=487 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=600&amp;height=800 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=640&amp;height=854 640w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=717&amp;height=956 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=634&amp;height=845 634w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=148&amp;height=197 148w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=450&amp;height=600 450w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=400&amp;height=533 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=344&amp;height=459 344w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=206&amp;height=275 206w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP3493_1200X1600.jpg?width=735&amp;height=980 735w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GF100 II + GF20-35mmF4 R WR &#8211; F\/13 &#8211; 1\/80s &#8211; 500 ISO<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=768&#038;height=1024\" alt=\"\" class=\"wp-image-357711\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=768&amp;height=1024 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=225&amp;height=300 225w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=365&amp;height=487 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=600&amp;height=800 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=640&amp;height=854 640w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=717&amp;height=956 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=634&amp;height=845 634w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=148&amp;height=197 148w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=450&amp;height=600 450w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=400&amp;height=533 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=344&amp;height=459 344w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=206&amp;height=275 206w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2281_1200x1600.jpg?width=735&amp;height=980 735w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GFX100 II + GF20-35mmF4 R WR &#8211; F\/11- 1\/80s &#8211; 640 ISO<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=768&#038;height=1024\" alt=\"\" class=\"wp-image-357713\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=768&amp;height=1024 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=225&amp;height=300 225w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=365&amp;height=487 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=600&amp;height=800 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=640&amp;height=854 640w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=717&amp;height=956 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=634&amp;height=845 634w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=148&amp;height=197 148w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=450&amp;height=600 450w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=400&amp;height=533 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=344&amp;height=459 344w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=206&amp;height=275 206w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP2865_1200x1600.jpg?width=735&amp;height=980 735w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GFX100 II + GF20-35mmF4 R WR &#8211; F\/16 -1\/100s &#8211; 160 ISO<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=768&#038;height=1024\" alt=\"\" class=\"wp-image-357701\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=768&amp;height=1024 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=225&amp;height=300 225w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=365&amp;height=487 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=600&amp;height=800 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=640&amp;height=854 640w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=717&amp;height=956 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=634&amp;height=845 634w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=148&amp;height=197 148w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=450&amp;height=600 450w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=400&amp;height=533 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=344&amp;height=459 344w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=206&amp;height=275 206w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1367_1200x1600.jpg?width=735&amp;height=980 735w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GFX100 II + GF20-35mmF4 R WR &#8211; F\/5.6 &#8211; 1\/100s &#8211; 800 ISO<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p>La topographie 3D constitue l\u2019ossature invisible du projet. Elle permet de comprendre la formation des r\u00e9seaux, de mesurer les volumes et de donner un cadre spatial pr\u00e9cis \u00e0 l\u2019image. La photographie s\u2019appuie sur cette lecture topographique pour restituer l\u2019\u00e9chelle, la profondeur et la monumentalit\u00e9 des espaces, l\u00e0 o\u00f9 l\u2019\u0153il humain peine \u00e0 se situer. <\/p>\n\n\n\n<p>Au-del\u00e0 de la prouesse technique, ce projet constitue une archive visuelle et spatiale in\u00e9dite d\u2019un patrimoine naturel majeur, d\u00e9sormais presque inaccessible. Il permet au public d\u2019approcher, par l\u2019image, un sanctuaire souterrain ferm\u00e9 depuis plusieurs ann\u00e9es, et t\u00e9moigne de ce que la photographie, lorsqu\u2019elle dialogue avec la topographie, la science et la lumi\u00e8re, peut r\u00e9v\u00e9ler de l\u2019invisible.<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-357703\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/R.FLAMENT_RFP1418_1200x900.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">GFX100 II + GF45-100mmF4 R LM OIS WR &#8211; F\/11 &#8211; 1\/125s &#8211; 500 ISO<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><strong>MISSION SOUTERRAINE &amp; CONDITIONS EXTR\u00caMES<\/strong><\/p>\n\n\n\n<p><sub>Site : Aven d\u2019Orgnac \u2013 r\u00e9seau profond, zones non ouvertes au public<\/sub><br><sub><br>P\u00e9riode d&#8217;intervention : janvier 2026<\/sub><br><sub>Dur\u00e9e : 1 mois de mobilisation &#8211; 13 jours cons\u00e9cutifs d&#8217;acquisition<\/sub><br><sub>\u00c9quipe mobilis\u00e9e : plus de 40 personnes<\/sub><br><sub><br>Progression souterraine : jusqu\u2019\u00e0 2 km depuis l\u2019entr\u00e9e<\/sub><br><sub><br>Mat\u00e9riel engag\u00e9 : environ 300 kg, achemin\u00e9s et maintenus sous terre<\/sub><br><sub>Infrastructures temporaires install\u00e9es :<\/sub><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><sub>ligne \u00e9lectrique longue distance<\/sub><\/li>\n\n\n\n<li><sub>ligne t\u00e9l\u00e9phonique filaire pour une communication permanente avec la surface<\/sub><\/li>\n\n\n\n<li><sub>syst\u00e8mes de soufflerie industrielle assurant le renouvellement de l\u2019air dans les zones \u00e0 taux de CO\u2082 \u00e9lev\u00e9s<\/sub><\/li>\n<\/ul>\n\n\n\n<p><sub>Conditions de prise de vue :<\/sub><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><sub>obscurit\u00e9 totale (absence compl\u00e8te de lumi\u00e8re naturelle)<\/sub><\/li>\n\n\n\n<li><sub>humidit\u00e9 permanente, condensation continue, boue et projections d\u2019eau<\/sub><\/li>\n\n\n\n<li><sub>atmosph\u00e8re satur\u00e9e en eau imposant une protection constante du mat\u00e9riel<\/sub><\/li>\n<\/ul>\n\n\n\n<p><sub>Contraintes logistiques majeures :<\/sub><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><sub>mat\u00e9riel impossible \u00e0 remonter quotidiennement en surface<\/sub><\/li>\n\n\n\n<li><sub>stockage, utilisation et maintenance effectu\u00e9s directement sous terre<\/sub><\/li>\n\n\n\n<li><sub>manipulations r\u00e9p\u00e9t\u00e9es dans des espaces \u00e9troits, humides et contraints<\/sub><\/li>\n<\/ul>\n\n\n\n<p><sub>Mat\u00e9riel photographique principal :<\/sub><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><sub>bo\u00eetier Fujifilm GFX100 II<\/sub><\/li>\n\n\n\n<li><sub>GF20\u201335mm : lecture des volumes monumentaux et grandes salles<\/sub><\/li>\n\n\n\n<li><sub>GF45\u2013100mm : structuration des volumes interm\u00e9diaires et profondeur<\/sub><\/li>\n\n\n\n<li><sub>GF55mm : d\u00e9tails, textures et micro-min\u00e9ralisations \u00e0 l\u2019\u00e9chelle centim\u00e9trique<\/sub><\/li>\n\n\n\n<li><sub>40 flashs et supports<\/sub><\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Au c\u0153ur de l&#8217;Aven d\u2019Orgnac, bien au-del\u00e0 des espaces ouverts au public, s\u2019\u00e9tend un monde min\u00e9ral immense, complexe et totalement invisible. Unique en France, l\u2019Aven d\u2019Orgnac est aujourd\u2019hui la seule grotte \u00e0 \u00eatre labellis\u00e9e Grand Site de France, reconnaissant \u00e0 la fois son caract\u00e8re exceptionnel et l\u2019exigence absolue de sa pr\u00e9servation. Derri\u00e8re ce label se [&hellip;]<\/p>\n","protected":false},"author":208,"featured_media":357683,"template":"","category":[3113,11002,10904,10757,1937,10267,1055,565,369,3554],"post_tag":[11839],"class_list":["post-357566","story","type-story","status-publish","has-post-thumbnail","hentry","category-g-mount","category-gf20-35mmf4-r-wr","category-gf45-100mmf4-r-lm-ois-wr","category-gf55mmf1-7-r-wr","category-gfx-series","category-gfx100-ii","category-lenses","category-stories","category-photographers","category-g-mount-zoom","tag-gfx-series"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-08 07:16:19","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/357566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/357683"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=357566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=357566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=357566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":355592,"date":"2026-05-15T05:00:00","date_gmt":"2026-05-15T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=355592"},"modified":"2026-05-14T00:24:25","modified_gmt":"2026-05-14T00:24:25","slug":"https-www-fujifilm-x-com-global-stories-xc13-33mm-richard-wong","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/fr-fr\/stories\/https-www-fujifilm-x-com-global-stories-xc13-33mm-richard-wong\/","title":{"rendered":"XC13-33mmF3.5-6.3 OIS x Richard Wong"},"content":{"rendered":"\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"TKRB7lrCjfU\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_Youtube-1.jpg\" alt=\"NZ_Richard Wong_XC13-33mm_Youtube\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"TKRB7lrCjfU\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"TKRB7lrCjfU\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-TKRB7lrCjfU\" data-id=\"TKRB7lrCjfU\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>My name is Richard Wong. I\u2019ve been photographing weddings, portraits, and events for nearly 20 years. I was born in Hong Kong and am now based in Auckland, New Zealand. Whenever I have spare time, I enjoy walking the streets with my camera, capturing the stories unfolding around me.<\/p>\n\n\n\n<p>For many people, specifications and numbers determine which lens they choose. But for me, selecting a lens has never been just about the specs. Over the years, I\u2019ve realized the specs only tell you part of the story.<\/p>\n\n\n\n<p>Every lens carries its own point of view. It determines what you include in the frame, what you leave out, and how a moment is remembered. In many ways, it defines your relationship with photography itself.<\/p>\n\n\n\n<p>When I first started, I was often told to upgrade from entry-level lenses as quickly as possible. If I wanted to create meaningful work, I needed better glass. Something more serious, more professional. At the time, I believed that. But both technology and my photography have changed dramatically since then.<\/p>\n\n\n\n<p>Today, many entry-level lenses are remarkably capable. More importantly, I\u2019ve learned that creativity doesn\u2019t come from expensive equipment. It comes from your heart, your eyes, and your curiosity to explore the world.<\/p>\n\n\n\n<p>I\u2019ve been using the FUJINON XC13-33mmF3.5-6.3 OIS Lens(XC13-33mm) for some time now, and the more I work with it, the more I appreciate what it offers. Not just in performance, but in freedom.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_04.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-355593\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_04.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_04.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_04.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_04.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_04.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_04.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_04.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_04.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_04.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Mounted on a compact body like the FUJIFILM X-T30 III, the setup is lightweight and discreet. When I\u2019m shooting on the street, people may notice me, but they rarely pay attention. That subtle presence allows me to capture the candid moments I\u2019m looking for.<\/p>\n\n\n\n<p>On paper, XC13\u201333mm might seem like a modest range. But it covers almost all the focal lengths I use daily, especially for street photography \u2014 roughly 28mm, 35mm, and 50mm equivalents.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_main_01.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-355595\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_main_01.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_main_01.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_main_01.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_main_01.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_main_01.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_main_01.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_main_01.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_main_01.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_main_01.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>What I appreciate most is the 13mm wide end. It may not sound dramatically wider than a typical 16mm or 18mm standard zoom. Yet at wide angles, every millimeter changes how the world feels. 13mm is noticeably wider, and that difference matters.<\/p>\n\n\n\n<p>My photography usually revolves around light and shadow, lines and patterns. At 13mm, I can capture a broader view in tight spaces, and the added perspective distortion helps create a stronger visual impact and a more immersive feeling that many standard lenses simply cannot achieve.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_08.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-355596\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_08.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_08.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_08.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_08.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_08.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_08.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_08.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_08.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_08.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_06.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-355597\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_06.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_06.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_06.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_06.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_06.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_06.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_06.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_06.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_06.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Despite its compact size, Fujifilm has incorporated four-stop optical image stabilization into the XC13\u201333mm. This provides additional creative flexibility, especially when using smaller bodies that don\u2019t have in-body image stabilization (IBIS).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_07.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-355598\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_07.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_07.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_07.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_07.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_07.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_07.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_07.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_07.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_07.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Shutter speed is one of the most powerful storytelling tools in photography. I enjoy working with slower shutter speeds to capture motion. To express the energy and rhythm of a place. Having that capability in a compact zoom lens is a significant advantage in a camera I can carry with me every day.<\/p>\n\n\n\n<p>Travel has always been an important part of my life. I love discovering new places and revisiting familiar ones. Wherever I go, a camera is always with me.<\/p>\n\n\n\n<p>One of the most valuable lessons I\u2019ve learned in life is that more doesn\u2019t always mean better. Very often, less truly is more. In many ways, \u201cgood enough\u201d has become one of the most important words in my life and in my photography.<\/p>\n\n\n\n<p>There was a time when I felt the need to bring everything whenever I travelled. I was afraid that if I left something behind, I might miss an opportunity or fail to capture the best possible image.<\/p>\n\n\n\n<p>But then I realized that carrying more equipment didn\u2019t improve my images. Instead, I found myself constantly thinking about which lens to use, rather than paying attention to the world unfolding in front of me. A heavy bag also drained my energy and limited how far I was willing to explore.<\/p>\n\n\n\n<p>Now, I choose simplicity.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_09.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-355599\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_09.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_09.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_09.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_09.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_09.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_09.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_09.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_09.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_09.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>With the XC13\u201333mm, I have a small, uncomplicated setup, and it\u2019s good enough.<\/p>\n\n\n\n<p>It has helped me grow as a photographer. Rather than chasing better equipment or becoming distracted by gear, a simpler setup pushes me to refine my craft. I think more about light, timing, and emotion. I become more aware of my surroundings. The people, the atmosphere, the subtle details.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_03.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-355600\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_03.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_03.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_03.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_03.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_03.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_03.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_03.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_03.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_03.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Most importantly, with a smaller camera bag, I have more time and energy to enjoy the journey itself. That also allows me to capture the small, meaningful moments that stay with us long after we return home.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_02.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-355602\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_02.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_02.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_02.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_02.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_02.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_02.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_02.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_02.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/04\/NZ_Richard-Wong_XC13-33mm_02.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>My name is Richard Wong. I\u2019ve been photographing weddings, portraits, and events for nearly 20 years. I was born in Hong Kong and am now based in Auckland, New Zealand. Whenever I have spare time, I enjoy walking the streets with my camera, capturing the stories unfolding around me. For many people, specifications and numbers [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":355759,"template":"","category":[2084,1006,1202,1055,3211,320,3162,1986,565,13936,13937,3358],"post_tag":[],"class_list":["post-355592","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-lenses","category-x-series-mirrorless","category-products","category-x-mount","category-x-series","category-stories","category-x-t30-iii","category-xc13-33mmf3-5-6-3-ois","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-08 07:16:19","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story\/355592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media\/355759"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/media?parent=355592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/category?post=355592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/fr-fr\/wp-json\/wp\/v2\/post_tag?post=355592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]