[{"id":365316,"date":"2026-06-26T05:00:00","date_gmt":"2026-06-26T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=365316"},"modified":"2026-06-24T02:36:10","modified_gmt":"2026-06-24T02:36:10","slug":"reala-ace-fs-recipe-x-dice-sales","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/hu-hu\/stories\/reala-ace-fs-recipe-x-dice-sales\/","title":{"rendered":"REALA ACE\u00a0FS RECIPE\u00a0x Dice Sales"},"content":{"rendered":"\n

Reala \u0100ta is a FS RECIPE built around softness, balance, and calm light. The name comes from the M\u0101ori word \u201c\u0101ta,\u201d meaning gentle & slowly. That meaning fits this FS RECIPE perfectly. It was designed for quiet moments, early starts, and fading light at the end of the day.<\/p>\n\n\n\n

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The base Film Simulation is REALA ACE, which I find ideal for landscapes and everyday scenes. It offers rich, filmic tones without feeling heavy or oversaturated. Greens stay natural, shadows lean slightly cool, and highlights roll off smoothly, even in difficult light. This makes it a strong all-around choice for travel and landscape photography.<\/p>\n\n\n\n

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To keep this FS RECIPE flexible, I relied on the FUJIFILM X-E5\u2019s AUTO WHITE BALANCE. This helps maintain consistent colour and contrast across changing conditions. Lowering HIGHLIGHTS and adding a touch of SHADOW creates images that feel both subtle and punchy. An optional mist filter adds a soft, cinematic mood, especially during golden hour.<\/p>\n\n\n\n

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I tested \u201cReala \u0100ta\u201d across Arthur\u2019s Pass, Castle Hill at sunset, and the beaches of Christchurch. It handled open plains, textured rock, and coastal light with ease. <\/p>\n\n\n\n

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Reala \u0100ta is a FS RECIPE built around softness, balance, and calm light. The name comes from the M\u0101ori word \u201c\u0101ta,\u201d meaning gentle & slowly. That meaning fits this FS RECIPE perfectly. It was designed for quiet moments, early starts, and fading light at the end of the day. The base Film Simulation is REALA […]<\/p>\n","protected":false},"author":135,"featured_media":365447,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,9140,8258,8748,3358],"post_tag":[],"class_list":["post-365316","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf10-24mmf4-r-ois-wr","category-xf23mmf14-r-lm-wr","category-xf50-140mmf2-8-r-lm-ois-wr","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-05 16:08:54","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story\/365316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media\/365447"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media?parent=365316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/category?post=365316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/post_tag?post=365316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":364087,"date":"2026-06-19T05:00:00","date_gmt":"2026-06-19T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=364087"},"modified":"2026-06-15T05:41:27","modified_gmt":"2026-06-15T05:41:27","slug":"reala-ace-fs-recipe-x-sirirat-kongkaew","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/hu-hu\/stories\/reala-ace-fs-recipe-x-sirirat-kongkaew\/","title":{"rendered":"REALA ACE FS RECIPE x Sirirat Kongkaew"},"content":{"rendered":"\n

A Love of Travel, A Love of Seeing<\/strong><\/h2>\n\n\n\n

I am deeply in love with traveling. I believe that every location possesses its own unique beauty, whether it is found in the expansive landscape, the specific color palette, the scents, the atmosphere, or the small details that collectively inspire me to capture them through photography. My interest in travel began at the same time I started using a camera, and my first experience with photography was with a Fujifilm camera.<\/p>\n\n\n\n

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Photography as a Way to Share What Words Can\u2019t<\/strong><\/h2>\n\n\n\n

Often, the beauty of the places I visit is closely linked to fragments of my personal memories. There have been many occasions when I wanted to share these wonderful feelings with others so they could experience them as well. However, it is often impossible to convey everything through words alone, which is why I chose photography as my primary medium. It has become an essential tool for recording memories, because a photograph can often tell a story more effectively than words.<\/p>\n\n\n\n

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Why REALA ACE for Landscapes<\/strong><\/h2>\n\n\n\n

When it comes to landscape photography, REALA ACE is my preferred choice. It reproduces natural tones exceptionally well, making every scene feel more meaningful while remaining entirely realistic. The character of REALA ACE is simple, unpretentious, and subtle. It is not flashy, yet it carries a profound depth.<\/p>\n\n\n\n

I recall a clear day when I walked to the beach to photograph the sea. The sky and the water shared very similar tones, and REALA ACE successfully highlighted the special qualities of that moment. It perfectly conveyed my emotions, which were gentle and calm.<\/p>\n\n\n\n

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Stillness in Nature, Captured in Tone<\/strong><\/h2>\n\n\n\n

When I observed the mountain landscapes, with their beautiful ridges reflected on the water, it brought a sense of true peace. It felt as if nature was waiting to embrace and comfort me, allowing me to breathe more easily after leaving the hustle and bustle of the city behind. Seeing flocks of birds soaring high above the mountains felt like a performance by nature itself. It was a moment of tranquility that made me feel free and light.<\/p>\n\n\n\n

These were the emotions I experienced, and REALA ACE helped me capture their true tones. The balance between the blue of the sky and the soft orange light of the evening harmonized the landscape perfectly, creating a truly memorable moment.<\/p>\n\n\n\n

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Peace as a Priority<\/strong><\/h2>\n\n\n\n

In my professional life, I encounter various challenges, both difficult and easy. That is why finding moments of peace is incredibly valuable to me. Photography allows me to embrace the joys of life and prioritize my well-being, even if those moments are rare. Combining travel with photography is one of my greatest passions.<\/p>\n\n\n\n

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The Look: Premium Realism<\/strong><\/h2>\n\n\n\n

The most impressive aspect of REALA ACE is its premium realism. The tones are soft, deep, and vibrant without being distracting. It is perfectly suited for landscape photography. Whenever you want a tone that feels comfortable, straightforward, and easy to understand, REALA ACE provides the ideal solution.<\/p>\n\n\n\n

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Preserving Feelings Before They Fade<\/strong><\/h2>\n\n\n\n

In this fast-paced world, things often move too quickly for us to remember every feeling. Time passes, and it cannot be reversed, and many moments quietly fade from our memory. Photography helps preserve these fragments. I can look back at what I saw, the feelings I had, and even the thoughts I did not express.<\/p>\n\n\n\n

The tone of an image plays a vital role in reconstructing memory. REALA ACE helps me recall the specific time of day and, more importantly, reflects my identity, preferences, and mood as someone who loves taking photos.<\/p>\n\n\n\n

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What REALA ACE Taught Me<\/strong><\/strong><\/h2>\n\n\n\n

REALA ACE has shown me that nature does not require excessive embellishment to be beautiful; it simply needs someone to take the time to truly see it. I also learned that peace is not a frightening silence. This realization came through using REALA ACE, which helped me see more clearly and understand new perspectives.<\/p>\n\n\n\n

solation can be difficult. It can make you feel disconnected, or hesitant to engage with others. However, REALA ACE reminded me that realistic tones remain true regardless of the location. Truth is always beautiful when viewed with love and deep intention. Even mountains that are rarely visited become beautiful in my eyes.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201cReala Stillness\u201d<\/strong><\/h2>\n\n\n\n

I named my REALA ACE FS RECIPE \u201cReala Stillness\u201d, inspired by the serene feeling of the images before me and the beauty hidden in the ordinary moments of my travels. It represents a tranquility that is not empty, where everything unfolds naturally.<\/p>\n\n\n\n

Whether it is the morning light reflecting on the waves or birds soaring under the golden evening sky, I see beauty in this simplicity. Everything I observe is real, and REALA ACE reflects that truth perfectly.<\/p>\n","protected":false},"excerpt":{"rendered":"

A Love of Travel, A Love of Seeing I am deeply in love with traveling. I believe that every location possesses its own unique beauty, whether it is found in the expansive landscape, the specific color palette, the scents, the atmosphere, or the small details that collectively inspire me to capture them through photography. My […]<\/p>\n","protected":false},"author":135,"featured_media":364096,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,7327],"post_tag":[],"class_list":["post-364087","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf56mmf12-r"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-05 16:08:54","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story\/364087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media\/364096"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media?parent=364087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/category?post=364087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/post_tag?post=364087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":365201,"date":"2026-06-18T00:25:02","date_gmt":"2026-06-18T00:25:02","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=365201"},"modified":"2026-06-18T00:25:08","modified_gmt":"2026-06-18T00:25:08","slug":"kulonleges-pillanatok-utazasi-fotozas-luke-davisszel","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/hu-hu\/stories\/kulonleges-pillanatok-utazasi-fotozas-luke-davisszel\/","title":{"rendered":"K\u00fcl\u00f6nleges pillanatok: Utaz\u00e1si fot\u00f3z\u00e1s Luke Davisszel"},"content":{"rendered":"\n

Luke Davis, \u00e9letm\u00f3d- \u00e9s utaz\u00f3 fot\u00f3s besz\u00e9l a felszerel\u00e9sr\u0151l, a st\u00edlusbeli d\u00f6nt\u00e9sekr\u0151l, valamint arr\u00f3l, hogy a korl\u00e1tok hogyan \u00f6szt\u00f6n\u00f6zhetik a kreativit\u00e1st<\/h2>\n\n\n\n

Luke Davis utaz\u00f3 \u00e9s \u00e9letm\u00f3d fot\u00f3s, aki az angliai D\u00e9lnyugat-Angliai Dorsetb\u0151l sz\u00e1rmazik. Amikor legut\u00f3bb besz\u00e9lgett\u00fcnk vele, \u00fagy jellemezte fot\u00f3s st\u00edlus\u00e1t, hogy egy id\u0151tlen nosztalgia\u00e9rzetet igyekszik teremteni. \u201eNem felt\u00e9tlen\u00fcl a filmes hat\u00e1st pr\u00f3b\u00e1lom ut\u00e1nozni, de hat\u00e1rozottan igyekszem felhaszn\u00e1lni annak bizonyos jellemz\u0151it\u201d \u2013 magyar\u00e1zza. \u201eA l\u00e1gy hat\u00e1st, a szemcs\u00e9s text\u00far\u00e1kat \u2013 \u00e9s a meleg sz\u00ednpalett\u00e1t is.\u201d<\/p>\n\n\n\n

\u201eAzt mondan\u00e1m, hogy a st\u00edlusom ink\u00e1bb a sz\u00ednes \u00e9s \u00e9l\u00e9nk ir\u00e1nyba hajlik \u2013 az elm\u00falt egy \u00e9vben hat\u00e1rozottan ink\u00e1bb az \u00e9l\u00e9nk megjelen\u00e9st r\u00e9szes\u00edtettem el\u0151nyben a k\u00e9peimen\u201d \u2013 teszi hozz\u00e1. \u201eDe az a kiindul\u00f3pont, hogy a k\u00e9peim ink\u00e1bb eml\u00e9knek t\u0171njenek, tov\u00e1bbra is a st\u00edlusom k\u00f6z\u00e9ppontj\u00e1ban \u00e1ll.<\/p>\n\n\n\n

\u201eAz \u00bbeskapizmus\u00ab sz\u00f3 val\u00f3sz\u00edn\u0171leg a legtal\u00e1l\u00f3bb kifejez\u00e9s erre. Rengeteg fot\u00f3s van, aki kiv\u00e1l\u00f3an k\u00e9sz\u00edt dokumentarista st\u00edlus\u00fa utaz\u00e1si fot\u00f3kat. Sz\u00e1momra azonban az a legf\u0151bb c\u00e9lom, hogy a figyelmet a kisebb r\u00e9szletekre ir\u00e1ny\u00edtsam, nyugodt hangulatot teremtsek, \u00e9s az \u00e9let egy romantikusabb v\u00e1ltozat\u00e1t mutassam be.\u201d<\/p>\n\n\n\n

\"A
2026 \u00a9 Luke Davis | FUJIFILM X-T5 + FUJINON XF35mmF2 R WR, 1\/1800 sec, F6.4, ISO 500<\/figcaption><\/figure>\n\n\n\n

Sz\u00e9les spektrum<\/h2>\n\n\n\n

Egyes utaz\u00f3 fot\u00f3sok azzal a c\u00e9llal \u00e9rkeznek egy helysz\u00ednre, hogy egy konkr\u00e9t megb\u00edz\u00e1st teljes\u00edtsenek. Luke megk\u00f6zel\u00edt\u00e9se enn\u00e9l sokkal nyitottabb. \u201eNincs el\u0151re megfogalmazott sz\u00e1nd\u00e9kom\u201d \u2013 mondja. \u201eNem az\u00e9rt megyek el egy helyre, hogy egy konkr\u00e9t t\u00f6rt\u00e9netet mes\u00e9ljek el. Gyakran el\u0151sz\u00f6r csak ismerkedem a hellyel, \u00e9s befogadom a l\u00e1tottakat \u2013 ez az eg\u00e9sz alapja.<\/p>\n\n\n\n

Az egyetlen igazi c\u00e9lom az, hogy a helyet a lehet\u0151 legsz\u00e9lesebb k\u00f6rben megfigyeljem. Igyekszem nem a nagy, h\u0151sies k\u00e9pre koncentr\u00e1lni. Ugyanakkor nem is csak az apr\u00f3 r\u00e9szletekre figyelek. Szeretn\u00e9k sz\u00e9les k\u00f6r\u0171 fot\u00f3kat bemutatni \u2013 \u00fagy pr\u00f3b\u00e1lom elk\u00e9pzelni, mintha egy fot\u00f3albumot k\u00e9sz\u00edten\u00e9k err\u0151l a helyr\u0151l.<\/p>\n\n\n\n

\u201eSzeretn\u00e9k egy nagy c\u00edmlapk\u00e9pet, de azt is szeretn\u00e9m l\u00e1tni, milyenek az emberek, \u00e9s bemutatni azokat a kis r\u00e9szleteket, amelyek k\u00f6nnyen elker\u00fclhetik a figyelmet. Megpr\u00f3b\u00e1lom meg\u00f6r\u00f6k\u00edteni a nagy \u00e9s a kis pillanatokat is, hogy sz\u00e9les spektrumot mutassak be.\u201d<\/p>\n\n\n\n

\"An
2024 \u00a9 Luke Davis | FUJIFILM X-T5 + FUJINON XF23mmF1.4 R LM WR, 1\/20,000 sec, F1.4, ISO 500<\/figcaption><\/figure>\n\n\n\n

Egy j\u00f3 utaz\u00f3 fot\u00f3s tudja, hogyan haszn\u00e1lja ki hat\u00e9konyan a helysz\u00ednen t\u00f6lt\u00f6tt korl\u00e1tozott id\u0151t. \u201eSeg\u00edt, ha van egy nagyj\u00e1b\u00f3l megtervezett \u00fatvonal\u201d \u2013 mondja Luke. \u201eIgyekszem megtal\u00e1lni az egyens\u00falyt: kijel\u00f6l\u00f6k n\u00e9h\u00e1ny ter\u00fcletet, amit be akarok j\u00e1rni, de k\u00f6zben hagyok magamnak szabads\u00e1got ezen pillanatok k\u00f6z\u00f6tt is. \u00cdgy jobban meg tudom \u0151rizni az egyens\u00falyt. \u00c1ltal\u00e1ban van egy id\u0151korl\u00e1t, ez\u00e9rt nyom\u00e1s nehezedik r\u00e1d, hogy minden helysz\u00ednen a legjobbat tudd kihozni a feladatb\u00f3l. De az ut\u00f3bbi id\u0151ben megtanultam, hogy pr\u00f3b\u00e1ljam ezt elengedni.<\/p>\n\n\n\n

\u201eArr\u00f3l sz\u00f3l, hogy hagyom magam \u00e1t\u00e9lni a helyet. Nem szabad t\u00fal nagy nyom\u00e1st gyakorolnom magamra az alkot\u00e1s ter\u00e9n, mert ez v\u00e9gs\u0151 soron befoly\u00e1solja, hogy mennyire \u00e9lvezem a helyet, ami pedig hat\u00e1ssal van a fot\u00f3imra.<\/p>\n\n\n\n

\u201e\u00c1ltal\u00e1ban nagyon gyorsan elkezdek kattintgatni, amikor meg\u00e9rkezem egy helyre \u2013 azonnal el akarom kezdeni a fot\u00f3z\u00e1st. De \u00fajabban m\u00e1r el\u0151sz\u00f6r megpr\u00f3b\u00e1lom befogadni a helyet, miel\u0151tt el\u0151venn\u00e9m a f\u00e9nyk\u00e9pez\u0151g\u00e9pemet. J\u00f3, ha sz\u00e1nunk egy pillanatot arra, hogy jelen legy\u00fcnk, mert akkor tal\u00e1n jobban meg\u00e9rtj\u00fck a helyet, ami seg\u00edthet m\u00e9lys\u00e9get adni a k\u00e9peinknek.\u201d<\/p>\n\n\n\n

\"\"
2024 \u00a9 Luke Davis | FUJIFILM X-T5 + FUJINON XF23mmF1.4 R LM WR, 1\/6000 sec, F4, ISO 500<\/figcaption><\/figure>\n\n\n\n

A megfelel\u0151 felszerel\u00e9s<\/h2>\n\n\n\n

Luke megtal\u00e1lta az utaz\u00f3 fot\u00f3z\u00e1shoz alkalmazott, st\u00edlus\u00e1hoz t\u00f6k\u00e9letesen illeszked\u0151 kreat\u00edv partnert: a Fujifilm X sorozat\u00e1t. \u201eNagyon nagy felbont\u00e1s\u00fa k\u00e9peket szeretn\u00e9k, de ugyanakkor azt a l\u00e1gyabb, anal\u00f3g hangulatot is meg\u0151rizni \u2013 a k\u00e9t vil\u00e1g \u00f6tv\u00f6zet\u00e9t. A Fujifilm remek p\u00e9ld\u00e1ja annak, hogyan lehet ezeket a k\u00e9t ter\u00fcletet \u00f6tv\u00f6zni, \u00e9s megteremteni k\u00f6z\u00f6tt\u00fck a legjobb egyens\u00falyt\u201d \u2013 mondja.<\/p>\n\n\n\n

\u201eA Fujifilm az anal\u00f3g fot\u00f3z\u00e1s korszak\u00e1b\u00f3l sz\u00e1rmaz\u00f3 \u00f6r\u00f6ks\u00e9g\u00e9re t\u00e1maszkodik, \u00e9s ez megmutatkozik a f\u00e9nyk\u00e9pez\u0151g\u00e9peik tervez\u00e9s\u00e9ben \u00e9s a filmszimul\u00e1ci\u00f3ik l\u00e9trehoz\u00e1s\u00e1ban is. Lelket csemp\u00e9sznek a eszk\u00f6zbe, mik\u00f6zben tov\u00e1bbra is kihaszn\u00e1lj\u00e1k a digit\u00e1lis f\u00e9nyk\u00e9pez\u0151g\u00e9p technol\u00f3gia el\u0151nyeit.<\/p>\n\n\n\n

\u201eA kedvenc f\u00e9nyk\u00e9pez\u0151g\u00e9pem a FUJIFILM X-T5<\/a>. Mindig ehhez ny\u00falok \u2013 mindenre k\u00e9pes. Megvan benne a sz\u00fcks\u00e9ges felbont\u00e1s, az autof\u00f3kusz remek, profi IBIS-szel rendelkezik, hihetetlen vide\u00f3kat k\u00e9sz\u00edt, \u00e9s a m\u00e9rete sem t\u00fal nagy. Sz\u00e1momra ez \u00e1ll legk\u00f6zelebb\u00a0 a t\u00f6k\u00e9letes f\u00e9nyk\u00e9pez\u0151g\u00e9phez, amit csak kapni lehet.\u201d<\/p>\n\n\n\n

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2024 \u00a9 Luke Davis | FUJIFILM X-T5 + FUJINON XF18mmF1.4 R LM WR, 1\/18 sec, F5.6, ISO 500<\/figcaption><\/figure>\n\n\n\n

Luke kiemeli, mennyire fontos, hogy figyelembe venni az utaz\u00f3 fot\u00f3s felszerel\u00e9s hordozhat\u00f3s\u00e1g\u00e1t. \u201eA m\u00e9ret \u00e9s a s\u00faly kulcsfontoss\u00e1g\u00fa t\u00e9nyez\u0151k, \u00e9s ezt az elm\u00falt egy-k\u00e9t \u00e9vben egyre jobban meg\u00e9rtettem\u201d \u2013 vallja. \u201eMegtanultam felismerni, mit szeretek az objekt\u00edvekben, \u00e9s gondosan kiv\u00e1lasztom, mit viszek magammal.<\/p>\n\n\n\n

\u201eAmikor m\u00e9g kezd\u0151 voltam, az eg\u00e9sz felszerel\u00e9semet egy t\u00e1sk\u00e1ba raktam, hogy minden lehet\u0151s\u00e9g k\u00e9zn\u00e9l legyen. Manaps\u00e1g a felszerel\u00e9sem sokkal minimalist\u00e1bb. K\u00e9t, esetleg h\u00e1rom objekt\u00edvet viszek magammal. N\u00e9h\u00e1ny \u00e9vvel ezel\u0151tt ez hat vagy h\u00e9t lett volna.<\/p>\n\n\n\n

\u201eA v\u00e1laszt\u00e1si k\u00e9nyszer val\u00f3di dolog. Id\u0151t t\u00f6lthet\u00fcnk azzal, hogy objekt\u00edvet cser\u00e9l\u00fcnk, \u00e9s habozunk, hogy melyik gy\u00fajt\u00f3t\u00e1vols\u00e1g lenne a legalkalmasabb az adott helyzetben, vagy egyszer\u0171en elfogadhatjuk, hogy van egy 35 mm-es objekt\u00edv\u00fcnk, \u00e9s megb\u00e9k\u00e9lhet\u00fcnk azzal a gondolattal, hogy esetleg lemaradunk olyan k\u00e9pekr\u0151l, amelyeket m\u00e1s felszerel\u00e9ssel meg\u00f6r\u00f6k\u00edthett\u00fcnk volna.\u201d.<\/p>\n\n\n\n

\u201eEz a korl\u00e1toz\u00e1s \u00f6szt\u00f6nzi a kreativit\u00e1st \u2013 arra k\u00e9szteti az embert, hogy olyan m\u00f3don k\u00f6zel\u00edtse meg a dolgokat, ahogyan nem tenn\u00e9, ha minden lehets\u00e9ges gy\u00fajt\u00f3t\u00e1vols\u00e1g a rendelkez\u00e9s\u00e9re \u00e1llna.\u201d<\/p>\n\n\n\n

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2024 \u00a9 Luke Davis | FUJIFILM X-T5 + FUJINON XF18mmF1.4 R LM WR, 1\/2000 sec, F4, ISO 500<\/figcaption><\/figure>\n\n\n\n

X sz\u00e9ri\u00e1s objekt\u00edvek utaz\u00e1si fot\u00f3z\u00e1shoz<\/h2>\n\n\n\n

\u201eMindig is a standard objekt\u00edveket r\u00e9szes\u00edtettem el\u0151nyben \u2013 a kb 50 mm-es ekvivalens k\u00f6r\u00fcli f\u00f3kuszhossz\u00fas\u00e1g\u00fat\u201d \u2013 mondja Luke. \u201eNem mindig van sz\u00e9les l\u00e1t\u00f3sz\u00f6g\u0171 objekt\u00edv a t\u00e1sk\u00e1mban, de amikor m\u00e9gis, im\u00e1dom az 18 mm-es perspekt\u00edv\u00e1t. Nem t\u00fal sz\u00e9les, de nem is t\u00fal kompressz\u00e1lt. Sz\u00e9les l\u00e1t\u00f3sz\u00f6g\u0171 objekt\u00edvek k\u00f6z\u00f6tt pontosan a k\u00f6z\u00e9putat k\u00e9pviseli.\u201d<\/p>\n\n\n\n

A FUJINON XF18mmF1.4 R LM WR<\/a>, egy professzion\u00e1lis, id\u0151j\u00e1r\u00e1s\u00e1ll\u00f3 objekt\u00edv, amelynek fullframe-egyen\u00e9rt\u00e9k\u0171 gy\u00fajt\u00f3t\u00e1vols\u00e1ga 27 mm, kiv\u00e9teles optikai min\u0151s\u00e9get k\u00edn\u00e1l sz\u00e9les l\u00e1t\u00f3sz\u00f6g\u0171 gy\u00fajt\u00f3t\u00e1vols\u00e1gon. \u201eSz\u00e1momra remek bevezet\u0151 objekt\u00edv\u201d \u2013 mondja Luke. \u201eHa \u00fagy gondolkodom, mintha egy fot\u00f3albumot k\u00e9sz\u00edten\u00e9k egy helysz\u00ednr\u0151l, az XF18mmF1.4 az az objekt\u00edv, amelyet a bor\u00edt\u00f3k\u00e9phez haszn\u00e1ln\u00e9k \u2013 valami, ami egyszer\u0171en mag\u00e1ba foglalja a helysz\u00ednt eg\u00e9sz\u00e9ben.\u201d<\/p>\n\n\n\n

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2026 \u00a9 Luke Davis | FUJIFILM X-T5 + FUJINON XF18mmF1.4 R LM WR, 1\/1100 sec, F4.5, ISO 500<\/figcaption><\/figure>\n\n\n\n

A FUJINON XF23mmF1.4 R LM WR<\/a> hasonl\u00f3 optikai min\u0151s\u00e9get k\u00edn\u00e1l, de kiss\u00e9 sz\u0171kebb l\u00e1t\u00f3sz\u00f6get. \u201eEzt egy igazi mindenes objekt\u00edvnek nevezn\u00e9m\u201d \u2013 jegyzi meg Luke. \u201eOka van annak, hogy az olyan f\u00e9nyk\u00e9pez\u0151g\u00e9pek, mint a FUJIFILM X100VI<\/a>, ennyire n\u00e9pszer\u0171ek: a fix objekt\u00edv\u00fck pontosan ezzel a gy\u00fajt\u00f3t\u00e1vols\u00e1ggal dolgozik\u00a0 \u2013 ez egy rendk\u00edv\u00fcl sokoldal\u00fa, ide\u00e1lis tartom\u00e1ny. Sz\u00fcks\u00e9g eset\u00e9n kiv\u00e1ghatod a k\u00e9pet, hogy egy kicsit k\u00f6zelebb ker\u00fclj, \u00e9s el\u00e9g kompresszi\u00f3s ahhoz, hogy laposabb r\u00e9szletfelv\u00e9teleket k\u00e9sz\u00edts. De a l\u00e1t\u00f3mezeje is el\u00e9g sz\u00e9les ahhoz, hogy p\u00e1r l\u00e9p\u00e9st h\u00e1tral\u00e9pj, \u00e9s nagyon j\u00f3 bevezet\u0151 felv\u00e9telt k\u00e9sz\u00edts. Ha csak egy objekt\u00edvet vihetn\u00e9k magammal egy utaz\u00e1sra, akkor ezt v\u00e1lasztan\u00e1m.\u201d<\/p>\n\n\n\n

Az XF18mmF1.4 \u00e9s az XF23mmF1.4 egyar\u00e1nt kiv\u00e9teles optikai kialak\u00edt\u00e1ssal rendelkezik, \u00e9s leny\u0171g\u00f6z\u0151 \u00e9less\u00e9get biztos\u00edt a teljes k\u00e9pmez\u0151ben.<\/p>\n\n\n\n

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2024 \u00a9 Luke Davis | FUJIFILM X-T5 + FUJINON XF23mmF1.4 R LM WR, 0.8 sec, F11, ISO 500<\/figcaption><\/figure>\n\n\n\n

\u201eMindig leny\u0171g\u00f6z, mennyire \u00e9lesek ezek az objekt\u00edvek m\u00e1r a teljes blendenyit\u00e1son is. Ha akarn\u00e1nk, nyugodtan hagyhatn\u00e1nk \u0151ket F1,4-es rekesz\u00e9rt\u00e9ken, \u00e9s nem is kellene t\u00f6bbet foglalkozni vel\u00fck. A nagy rekesz\u00e9rt\u00e9knek nyilv\u00e1nval\u00f3 el\u0151nyei vannak: j\u00f3 teljes\u00edtm\u00e9ny gyenge f\u00e9nyviszonyok mellett \u00e9s sek\u00e9ly m\u00e9lys\u00e9g\u00e9less\u00e9g el\u00e9r\u00e9se. De kor\u00e1bban m\u00e1r haszn\u00e1ltam olyan objekt\u00edveket, amelyekn\u00e9l le kellett rekeszelni az optim\u00e1lis teljes\u00edtm\u00e9ny el\u00e9r\u00e9se \u00e9rdek\u00e9ben. Az hogy nincs ilyen korl\u00e1toz\u00e1s, \u00f3ri\u00e1si megk\u00f6nnyebb\u00fcl\u00e9s sz\u00e1momra.<\/p>\n\n\n\n

\u201eA legnagyobb el\u0151ny, hogy teljes blendenyit\u00e1ssal dolgozhatok an\u00e9lk\u00fcl, hogy agg\u00f3dnom kellene a k\u00e9pmin\u0151s\u00e9g roml\u00e1sa miatt. \u00c9s b\u00e1r ezek kiss\u00e9 nagyobb optik\u00e1k, m\u00e9g mindig meglehet\u0151sen kompaktak. V\u00e9g\u00fcl is ez m\u00e9g mindig egy APS-C objekt\u00edv \u2013 amikor levessz\u00fck az egyik objekt\u00edv napellenz\u0151j\u00e9t, k\u00f6r\u00fclbel\u00fcl akkora, mint egy \u00fcd\u00edt\u0151s doboz.\u201d<\/p>\n\n\n\n

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2025 \u00a9 Luke Davis | FUJIFILM X-T5 + FUJINON XF18mmF1.4 R LM WR, 1\/1600 sec, F5.6, ISO 250<\/figcaption><\/figure>\n\n\n\n

Ha m\u00e9g kompaktabb, fix gy\u00fajt\u00f3t\u00e1vols\u00e1g\u00fa objekt\u00edvet keresel, az X sorozatban rengeteg rendk\u00edv\u00fcl hordozhat\u00f3 modell k\u00f6z\u00fcl v\u00e1laszthatsz. \u201eTerm\u00e9szetesen ott vannak az F2-es fix objekt\u00edvek is, amelyek m\u00e9g kisebbek\u201d \u2013 teszi hozz\u00e1 Luke. \u201eEzek k\u00fcl\u00f6n\u00f6sen diszkr\u00e9t utaz\u00e1si megold\u00e1st k\u00edn\u00e1lnak.\u201d P\u00e9ld\u00e1ul az id\u0151j\u00e1r\u00e1s\u00e1ll\u00f3 FUJINON XF35mmF2 R WR<\/a> ikonikus, 53 mm-nek megfelel\u0151 gy\u00fajt\u00f3t\u00e1vols\u00e1got biztos\u00edt, mik\u00f6zben s\u00falya mind\u00f6ssze 170 g, hossza pedig csup\u00e1n 45,9 mm.<\/p>\n\n\n\n

\u201eIm\u00e1dom ezt a l\u00e1t\u00f3mez\u0151t\u201d \u2013 lelkesedik Luke. \u201eB\u00e1r a sokoldal\u00fas\u00e1g miatt az XF23mmF1.4-et v\u00e1lasztan\u00e1m, kedvencemk\u00e9nt egy 35 mm-es gy\u00fajt\u00f3t\u00e1vols\u00e1g\u00fat v\u00e1lasztan\u00e9k \u2013 ez az \u00e9n \u201esivatagi szigetem\u201d gy\u00fajt\u00f3t\u00e1vols\u00e1ga. Ez n\u00e9mi mozg\u00e1steret biztos\u00edt, ahol van egy kis helyem a munk\u00e1hoz. \u00c9s lapos, szinte fest\u0151i kompresszi\u00f3val rendelkezik, amit im\u00e1dok a k\u00e9peimen. Azt mondan\u00e1m, hogy munk\u00e1im legal\u00e1bb fele ezt a gy\u00fajt\u00f3t\u00e1vols\u00e1got haszn\u00e1lja.\u201d<\/p>\n\n\n\n

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2026 \u00a9 Luke Davis | FUJIFILM X-T5 + FUJINON XF35mmF2 R WR, 1\/2000 sec, F5.6, ISO 500<\/figcaption><\/figure>\n\n\n\n

A maxim\u00e1lis rugalmass\u00e1g \u00e9rdek\u00e9ben Luke egy fix rekesz\u00e9rt\u00e9k\u0171 zoomot javasol, p\u00e9ld\u00e1ul a FUJINON XF16-80mmF4 R OIS WR-t<\/a>. Nemr\u00e9g t\u00e9rt vissza egy jap\u00e1n utaz\u00e1sr\u00f3l, ahol f\u0151k\u00e9nt egy standard zoomra t\u00e1maszkodott, hogy gyorsan reag\u00e1lhasson a k\u00f6rnyezeti v\u00e1ltoz\u00e1sokra.<\/p>\n\n\n\n

\u201eSzerintem ez a sokoldal\u00fas\u00e1g gondolat\u00e1b\u00f3l fakadt\u201d \u2013 mondja. \u201e Nem minden munk\u00e1mhoz van sz\u00fcks\u00e9gem nagyon nagy blendre, \u00edgy ebben az esetben \u2013 f\u0151leg, hogy Jap\u00e1n sz\u00e1momra egy olyan hely, amit mindenk\u00e9ppen meg akartam l\u00e1togatni \u2013 nem akartam semmir\u0151l lemaradni. Az a teljes tartom\u00e1ny t\u00f6k\u00e9letes volt. Volt n\u00e1lam egy standard fix objekt\u00edv is, arra az esetre, ha kis m\u00e9lys\u00e9g\u00e9less\u00e9gre lenne sz\u00fcks\u00e9gem, vagy gyenge f\u00e9nyviszonyok k\u00f6z\u00f6tt tal\u00e1ln\u00e1m magam. De a kamer\u00e1n l\u00e9v\u0151 zoommal kezdtem, \u00e9s v\u00e9g\u00fcl az id\u0151 90%-\u00e1ban azt haszn\u00e1ltam.\u201d<\/p>\n\n\n\n

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2025 \u00a9 Luke Davis | FUJIFILM X-E5 + FUJINON XF16-55mmF2.8 R LM WR II, 1\/9000 sec, F2.8, ISO 500<\/figcaption><\/figure>\n\n\n\n

Portf\u00f3li\u00f3 k\u00e9pek, amelyek m\u00e9ly benyom\u00e1st keltenek<\/h2>\n\n\n\n

Luke fot\u00f3z\u00e1s ir\u00e1nti lelkesed\u00e9se \u00e9s az \u00faj helysz\u00ednek felfedez\u00e9se gyakran oda vezet, hogy egy utaz\u00e1s sor\u00e1n hatalmas mennyis\u00e9g\u0171 fot\u00f3t k\u00e9sz\u00edt. \u201eVal\u00f3j\u00e1ban m\u00e1r \u00fatk\u00f6zben elkezdtem szelekt\u00e1lni\u201d \u2013 ismeri el. \u201eR\u00e9gebben soha nem csin\u00e1ltam ezt \u2013 csak kattintgattam, majd 6000 fot\u00f3val t\u00e9rtem haza, amit \u00e1t kellett n\u00e9znem.<\/p>\n\n\n\n

Manaps\u00e1g minden nap v\u00e9g\u00e9n \u00e1tn\u00e9zem a kamera h\u00e1tulj\u00e1n tal\u00e1lhat\u00f3 lej\u00e1tsz\u00e1si men\u00fct. Ha megnyomom az AEL (expoz\u00edci\u00f3z\u00e1r) gombot, megjelenik a csillagbesorol\u00e1s. Azt\u00e1n v\u00e9gign\u00e9zem a k\u00e9peket, \u00e9s csillaggal jel\u00f6l\u00f6m meg mindazt, amit meg akarok tartani. Ez rengeteg id\u0151t takar\u00edt meg, amikor haza\u00e9rek.<\/p>\n\n\n\n

\u201eEz puszt\u00e1n a fot\u00f3z\u00e1s ir\u00e1nti szeretetemb\u0151l fakad. Egyszer\u0171en izgatott vagyok, amikor megn\u00e9zem az aznapi k\u00e9peket. Szeretem szem\u00fcgyre venni, \u00e9s ki\u00e9rt\u00e9kelni: \u201eEz egy portf\u00f3li\u00f3ba val\u00f3 k\u00e9p?\u201d<\/p>\n\n\n\n

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2026 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 + FUJINON XF35mmF2 R WR, 1\/12,800 sec, F2, ISO 500<\/figcaption><\/figure>\n\n\n\n

Van valami konkr\u00e9t dolog, ami meghat\u00e1rozza, mi sz\u00e1m\u00edt Luke sz\u00e1m\u00e1ra \u201eportfolio k\u00e9pnek\u201d?\u00a0 \u201eNeh\u00e9z pontosan megmondani\u201d \u2013 ismeri el. \u201eIgyekszem nem abb\u00f3l a szempontb\u00f3l n\u00e9zni, hogy illik-e az \u00e9n st\u00edlusomhoz vagy sem. Egyszer\u0171en csak olyasvalaminek kell lennie, ami meg\u00e9rint engem.<\/p>\n\n\n\n

\u201eLehet, hogy a k\u00e9pen egy ember szerepel, akinek van egy bizonyos arckifejez\u00e9se. Lehet, hogy a kompoz\u00edci\u00f3 geometriailag kellemes. Tal\u00e1n a napszak \u00e9s az id\u0151j\u00e1r\u00e1si k\u00f6r\u00fclm\u00e9nyek miatt a f\u00e9ny t\u00f6k\u00e9letesen esett. Sz\u00e1mtalan t\u00e9nyez\u0151 j\u00e1tszik szerepet \u2013 az \u00f6sszes elem egy\u00fctt\u00e1ll\u00e1s\u00e1nak kell lennie.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Luke Davis, \u00e9letm\u00f3d- \u00e9s utaz\u00f3 fot\u00f3s besz\u00e9l a felszerel\u00e9sr\u0151l, a st\u00edlusbeli d\u00f6nt\u00e9sekr\u0151l, valamint arr\u00f3l, hogy a korl\u00e1tok hogyan \u00f6szt\u00f6n\u00f6zhetik a kreativit\u00e1st Luke Davis utaz\u00f3 \u00e9s \u00e9letm\u00f3d fot\u00f3s, aki az angliai D\u00e9lnyugat-Angliai Dorsetb\u0151l sz\u00e1rmazik. Amikor legut\u00f3bb besz\u00e9lgett\u00fcnk vele, \u00fagy jellemezte fot\u00f3s st\u00edlus\u00e1t, hogy egy id\u0151tlen nosztalgia\u00e9rzetet igyekszik teremteni. \u201eNem felt\u00e9tlen\u00fcl a filmes hat\u00e1st pr\u00f3b\u00e1lom ut\u00e1nozni, de […]<\/p>\n","protected":false},"author":273,"featured_media":361999,"template":"","category":[2084,1006,1202,3211,3260,3309,320,3162,1986,565,7180,13238,13835,9091,8209,8258,7768,3358],"post_tag":[],"class_list":["post-365201","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-x-series-mirrorless","category-x-series-premium-compact","category-x-mount-prime","category-products","category-x-mount","category-x-series","category-stories","category-x-t5","category-x100vi","category-xf16-55mmf2-8-r-lm-wr-ii","category-xf16-80mmf4-r-ois-wr","category-xf18mmf1-4-r-lm-wr","category-xf23mmf14-r-lm-wr","category-xf35mmf2-r-wr","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-05 16:08:54","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story\/365201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/users\/273"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media\/361999"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media?parent=365201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/category?post=365201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/post_tag?post=365201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":359268,"date":"2026-06-12T05:00:00","date_gmt":"2026-06-12T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=359268"},"modified":"2026-06-05T01:41:08","modified_gmt":"2026-06-05T01:41:08","slug":"reala-ace-fs-recipe-x-guillaume-flandre","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/hu-hu\/stories\/reala-ace-fs-recipe-x-guillaume-flandre\/","title":{"rendered":"REALA ACE\u00a0FS RECIPE\u00a0x Guillaume Flandre"},"content":{"rendered":"\n

I created \u201cSteel City\u201d with a clear objective in mind: to translate what London reveals in winter, when the city is cold, dense, and often quiet despite constant movement. A restrained FS RECIPE that reflects the city as it is experienced day to day.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

The starting point was REALA ACE. It\u2019s a deliberately understated, almost restrained simulation, and that\u2019s precisely what makes it relevant for urban photography. It doesn\u2019t force colours, doesn\u2019t dramatise scenes, and respects textures. In London, especially around the Southbank, everything is about surfaces: concrete, steel, glass, wet asphalt, low skies, reflections in the Thames. REALA ACE allows this reality to remain intact, without trying to correct it.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

The choice of settings was built around a simple idea: embracing the cold. The images were taken in the heart of the London winter, under grey, diffuse, often uniform light. By shifting the white balance toward cooler, bluish tones and reducing the presence of reds, I aimed to reproduce this visual temperature. The city appears more mineral, more distant, but also more truthful. The people photographed are not isolated from their environment; they are part of it. They move through the city in harmony with it.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Contrast plays an important role. London is a city of passage: people crossing, lingering briefly, then disappearing. By deepening the SHADOWS while keeping HIGHLIGHTS under control, shapes take precedence over details. Silhouettes stand out, bodies become graphic elements within the architecture. The DR200 setting is essential here: it makes it possible to retain both bright skies and fa\u00e7ades, as well as dark areas under bridges or around brutalist buildings, without crushing the image.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Colour is intentionally restrained. London is not devoid of colour, but it appears in touches: a coat, a sign, a reflection, something in motion. By reducing overall saturation, these elements naturally stand out when they appear. Strong COLOR CHROME adds density to mid-tones, gives weight to materials, and reinforces the sense of a \u201csolid\u201d city. Boosting the blues supports the overall atmosphere.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

I slightly reduced clarity to avoid an overly digital harshness. The city is already full of sharp angles and hard textures, there\u2019s no need to add more. This subtle softness helps preserve fluidity, especially in scenes with movement: hurried walkers, skaters, blurred passers-by. Grain is present, discreet, like a texture, to emphasize a natural city that is never perfectly smooth.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Most of these images were taken around the Southbank: a space that is both open and brutal, where people coexist with architecture without necessarily stopping to engage with it. Skaters on concrete, passers-by beneath buildings, silhouettes lost in volumes too large for them. What interested me was the silent interaction between Londoners and their city: how they move through it, occupy it, and gradually make it their own.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201cSteel City\u201d does not try to beautify the city. This FS RECIPE aims to show it as it is: cold, functional, sometimes distant, but inhabited. A city that reveals a great deal to those who take the time to look.<\/p>\n","protected":false},"excerpt":{"rendered":"

I created \u201cSteel City\u201d with a clear objective in mind: to translate what London reveals in winter, when the city is cold, dense, and often quiet despite constant movement. A restrained FS RECIPE that reflects the city as it is experienced day to day. The starting point was REALA ACE. It\u2019s a deliberately understated, almost […]<\/p>\n","protected":false},"author":135,"featured_media":359277,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,8307],"post_tag":[],"class_list":["post-359268","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-05 16:08:54","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story\/359268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media\/359277"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media?parent=359268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/category?post=359268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/post_tag?post=359268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":359046,"date":"2026-06-05T05:00:00","date_gmt":"2026-06-05T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=359046"},"modified":"2026-06-05T03:59:39","modified_gmt":"2026-06-05T03:59:39","slug":"reala-ace-fs-recipe-x-simon-kim","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/hu-hu\/stories\/reala-ace-fs-recipe-x-simon-kim\/","title":{"rendered":"REALA ACE FS RECIPE x Simon Kim"},"content":{"rendered":"\n

My photography is rooted in the belief of carrying a camera every day<\/em>. Not for special occasions, not for dramatic scenes, but for the quiet in between moments that make up most of life.<\/p>\n\n\n\n

\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF2.8 R WR, 1\/60 sec at f\/8, ISO 500<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/300 sec at f\/5.6, ISO 500<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Living in Vancouver, light and colour are often limited. muted skies, muted streets, concrete surfaces. Because of that, I\u2019ve learned to appreciate light and colour more, not less. When they appear, even subtly, they matter. Soft, di\ufb00used light has become something I pay attention to instinctively, not because it is impressive, but because oftentimes it is rare.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/2000 sec at f\/2, ISO 500<\/figcaption><\/figure>\n\n\n\n

Fuji\ufb01lm cameras enabled that way of seeing for me. The experience of slowing down, framing deliberately, and committing to a moment trained my attention toward what already exists, rather than what needs to be chased. “CLOCKWISE ACE” came out of that habit.<\/p>\n\n\n\n

\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/340 sec at f\/11, ISO 500<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/750 sec at f\/16, ISO 500<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Why I Built This FS Recipe<\/h2>\n\n\n\n

I created “CLOCKWISE ACE” to support how I actually photograph. I wanted a FS RECIPE that stays close to reality while allowing everyday scenes to feel considered and intentional. I chose REALA ACE as the base because it already carried a sense of balance and restraint. It felt neutral without being \ufb02at, and calm without feeling detached. Rather than reshaping it into something else, I treated it as a foundation that could be gently re\ufb01ned.<\/p>\n\n\n\n

The goal was never to impose a look. It was to let light, colour, and texture behave naturally, especially in environments where nothing is exaggerated.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF2.8 R WR, 1\/550 sec at f\/8, ISO 500<\/figcaption><\/figure>\n\n\n\n

Shaping “CLOCKWISE ACE”<\/h2>\n\n\n\n

The adjustments I made to REALA ACE were minimal and deliberate. Highlights were toned down and shadows lifted to soften overall contrast. This allows tones to transition more gently and keeps images from feeling tense or overly de\ufb01ned. Colour was restrained slightly so it remains present without overwhelming the frame.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/4000 sec at f\/2, ISO 500<\/figcaption><\/figure>\n\n\n\n

Because of this softer contrast, I normally compose my images about one third to two thirds of a stop brighter. That exposure approach works with the FS RECIPE, allowing mid tones and subtle colour to settle naturally while preserving detail across the image.<\/p>\n\n\n\n

“CLOCKWISE ACE” is not about adding character. It is about removing friction between what I see and how it is rendered.<\/p>\n\n\n\n

Finding Attention in the Everyday<\/h2>\n\n\n\n

I enjoy creating images that catch attention immediately. What makes them noticeable, however, is not spectacle, but where they come from.<\/p>\n\n\n\n

\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF2.8 R WR, 1\/400 sec at f\/8, ISO 500<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/2500 sec at f\/1.4, ISO 500<\/figcaption><\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

Most of the images I make are crafted by noticing small things in everyday life. A shift in light. A colour relationship. A moment that would normally pass without being acknowledged. They stand out because they exist within the mundane, not outside of it. Soft, di\ufb00used light plays a big role in that. It allows details to surface quietly and colours to relate to each other honestly. “CLOCKWISE ACE” supports this by staying responsive rather than dominant, present without overpowering the scene.<\/p>\n\n\n\n

A FS Recipe for Daily Carry<\/h2>\n\n\n\n

“CLOCKWISE ACE” was built for daily use. soft days, window light, streets walked without a destination, interiors lived in rather than styled.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/2200 sec at f\/2.8, ISO 500<\/figcaption><\/figure>\n\n\n\n

It re\ufb02ects how I approach photography as a whole. Carrying a camera. Noticing what is already there. Appreciating light and colour precisely because they are not guaranteed.<\/p>\n\n\n\n

By staying close to REALA ACE and adjusting only what was necessary, this FS RECIPE became a tool that supports attention rather than replacing it. When the simulation fades into the background, what remains is the everyday scene, held carefully in soft light.<\/p>\n\n\n\n

FILM SIMULATION: <\/strong>REALA ACE
MONOCHROMATIC COLOR: <\/strong>N\/A
GRAIN EFFECT: <\/strong>STRONG, SMALL
COLOR CHROME EFFECT: <\/strong>STRONG
COLOR CHROME FX BLUE: <\/strong>WEAK
SMOOTH SKIN EFFECT: <\/strong>OFF
WHITE BALANCE: <\/strong>5500K, R 0, B -1
DYNAMIC RANGE: <\/strong>DR400
D RANGE PRIORITY: <\/strong>OFF
TONE CURVE: <\/strong>H -1, S -1
COLOR: <\/strong>-1
SHARPNESS: <\/strong>-1
HIGH ISO NR: <\/strong>0
CLARITY: <\/strong>0<\/p>\n","protected":false},"excerpt":{"rendered":"

My photography is rooted in the belief of carrying a camera every day. Not for special occasions, not for dramatic scenes, but for the quiet in between moments that make up most of life. Living in Vancouver, light and colour are often limited. muted skies, muted streets, concrete surfaces. Because of that, I\u2019ve learned to […]<\/p>\n","protected":false},"author":135,"featured_media":359058,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,13899],"post_tag":[],"class_list":["post-359046","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf23mmf28-r-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-05 16:08:54","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story\/359046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media\/359058"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media?parent=359046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/category?post=359046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/post_tag?post=359046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358592,"date":"2026-06-03T05:00:00","date_gmt":"2026-06-03T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=358592"},"modified":"2026-06-01T09:27:06","modified_gmt":"2026-06-01T09:27:06","slug":"pro-neg-std-fs-recipe-x-gyu-yeon-lee","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/hu-hu\/stories\/pro-neg-std-fs-recipe-x-gyu-yeon-lee\/","title":{"rendered":"PRO Neg.STD\u00a0FS RECIPE\u00a0x Gyu-yeon Lee"},"content":{"rendered":"\n

When I photograph, my attention often turns to the atmosphere that surrounds fleeting moments of everyday life\u2014the impressions shaped by light, and the quiet temperature of the spaces themselves. The subtle resonance that can be felt without explanation is, perhaps, the very reason I continue to make photographs.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

People sometimes say that my photographs resemble me. In a way, that phrase has come to feel like the most accurate way to describe my work. To me, photography is ultimately a mirror that reflects the inner world of the person behind the camera. A photograph carries not only the scene itself, but also the photographer\u2019s way of seeing\u2014their attitude and sensibility\u2014quietly embedded within the frame. Rather than adding more, I have gradually come to search for a sense of simplicity. Through that process, my photographs have naturally found their own inner direction. Perhaps each image quietly reflects my gaze, deepening little by little over time.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

In that sense, PRO Neg. Std felt closely aligned with the intention behind this work. With this FS RECIPE, I wanted to express the atmosphere of subjects, landscapes, and spaces in a quieter, more contemplative way. Instead of pushing saturation or creating dramatic contrast, I was drawn to the way it gently softens color and balances the tones with restraint.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Even under strong light, its soft density prevents the image from becoming harsh. This allowed me to render the natural texture of the subject without exaggeration, while preserving the quiet, mist-like stillness that flows through the entire scene. The process of discovering a resonance between my own way of seeing and the character of this FS RECIPE ultimately became the most meaningful part of this work.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

When I photograph, my attention often turns to the atmosphere that surrounds fleeting moments of everyday life\u2014the impressions shaped by light, and the quiet temperature of the spaces themselves. The subtle resonance that can be felt without explanation is, perhaps, the very reason I continue to make photographs. People sometimes say that my photographs resemble […]<\/p>\n","protected":false},"author":135,"featured_media":359150,"template":"","category":[2084,1006,1202,13607,1055,3211,13923,320,3162,1986,565,13393,13835,3358],"post_tag":[],"class_list":["post-358592","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-t50","category-xf16-55mmf2-8-r-lm-wr-ii","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-05 16:08:54","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story\/358592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media\/359150"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/media?parent=358592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/category?post=358592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/hu-hu\/wp-json\/wp\/v2\/post_tag?post=358592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358124,"date":"2026-06-01T05:00:00","date_gmt":"2026-06-01T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=358124"},"modified":"2026-05-26T03:44:12","modified_gmt":"2026-05-26T03:44:12","slug":"bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/hu-hu\/stories\/bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki\/","title":{"rendered":"[BTS] GFX ETERNA 55: Yu Sanbonsuge x Shortfilm “Tomei Na Zawameki”"},"content":{"rendered":"\n

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