[{"id":359188,"date":"2026-06-02T00:21:20","date_gmt":"2026-06-02T00:21:20","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=359188"},"modified":"2026-06-02T00:21:24","modified_gmt":"2026-06-02T00:21:24","slug":"pro-neg-std-fs-recipe-x-paolo-emanuele-barretta","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/it-it\/stories\/pro-neg-std-fs-recipe-x-paolo-emanuele-barretta\/","title":{"rendered":"PRO Neg.Std\u00a0FS RECIPE\u00a0x Paolo Emanuele Barretta"},"content":{"rendered":"\n<p>La ricetta VELVET HAZE nasce dal desiderio di tradurre il mio linguaggio visivo in una simulazione pellicola coerente e riconoscibile. Nel mio lavoro di ritratto e fashion portrait ho sempre cercato un\u2019estetica che si allontanasse dal realismo puro, privilegiando invece un\u2019immagine pi\u00f9 emotiva, sospesa, quasi cinematografica. Questa ricetta Fujifilm \u00e8 il tentativo di rendere costante quel tipo di atmosfera direttamente in camera.<\/p>\n\n\n\n<p>Il punto di partenza \u00e8 stata la <a href=\"https:\/\/www.fujifilm-x.com\/it-it\/products\/cameras\/x-t50\/pro-neg-std\/\" target=\"_blank\" data-type=\"link\" data-id=\"https:\/\/www.fujifilm-x.com\/it-it\/products\/film-simulation\/pro-neg-std\/\" rel=\"noreferrer noopener\">Simulazione Pellicola PRO Neg. Std<\/a> e in particolare ho il modo in cui utilizzo la luce in studio. Lavoro spesso con illuminazione controllata, sia flash che luce continua, cercando un equilibrio tra morbidezza e struttura. Non mi interessa una resa iperdefinita o clinica della pelle, ma un\u2019immagine che suggerisca pi\u00f9 di quanto mostri. Per questo ho voluto una simulazione con toni leggermente denaturati, una palette delicata ma non piatta, capace di ridurre la saturazione senza spegnere l\u2019immagine. I colori diventano pi\u00f9 silenziosi, lasciando spazio alle emozioni e alla presenza del soggetto.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358134\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_2.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Le OMBRE giocano un ruolo centrale in Velvet Haze. Ho scelto di mantenerle marcate, profonde, perch\u00e9 per me l\u2019ombra non \u00e8 un difetto da eliminare, ma un elemento narrativo. Le ombre definiscono il volume, creano mistero, danno peso all\u2019immagine. In questa simulazione non servono a nascondere, ma a costruire un senso di intimit\u00e0 e di distanza allo stesso tempo, una tensione visiva che rimanda al linguaggio del cinema pi\u00f9 che a quello della fotografia tradizionale di moda.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358135\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_3.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>L\u2019aspetto \u201cvelvet\u201d del nome si riferisce proprio alla resa della pelle e delle ALTE LUCI. Ho lavorato affinch\u00e9 i passaggi tonali fossero morbidi, avvolgenti, senza stacchi aggressivi. Le alte luci sono controllate e mai invadenti, mentre le texture della pelle risultano pi\u00f9 gentili, meno descrittive.<br>Questo permette di mantenere un\u2019estetica elegante e senza tempo, adatta al ritratto professionale e al fashion editoriale, soprattutto in contesti di studio dove ogni dettaglio \u00e8 intenzionale.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358136\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_4.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Velvet Haze \u00e8 pensata per essere una simulazione affidabile, non estrema. Non vuole imporsi sul soggetto, ma accompagnarlo. \u00c8 uno strumento che riflette il mio modo di fotografare: osservare, sottrarre, semplificare. L\u2019immagine finale non \u00e8 mai completamente reale, ma nemmeno completamente astratta. Rimane in una zona intermedia, onirica, dove luce e colore contribuiscono a costruire una sensazione pi\u00f9 che una descrizione.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358137\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_5.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Creare questa Film Simulation RECIPE \u00e8 stato anche un modo per rallentare il processo creativo. Avere una base visiva gi\u00e0 coerente mi permette di concentrarmi maggiormente sulla relazione con il soggetto, sulla posa, sull\u2019espressione. La simulazione diventa parte integrante del flusso di lavoro, non un passaggio successivo in post-produzione, ma una scelta consapevole fatta al momento dello scatto.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358138\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_6.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>In definitiva, Velvet Haze rappresenta una sintesi del mio approccio al ritratto: un\u2019immagine morbida ma strutturata, emotiva ma controllata, dove il fashion incontra il cinema e la fotografia diventa uno spazio di interpretazione. Questa \u00e8 una FS Recipe pensata per chi cerca atmosfera, profondit\u00e0 e una bellezza meno letterale, pi\u00f9 evocativa.<\/p>\n\n\n\n<p><strong>FILM SIMULATION<\/strong>\u00a0PRO Neg. Std <br><strong>MONOCHROMATIC COLOR\u00a0<\/strong>N\/A<br><strong>GRAIN EFFECT<\/strong>\u00a0OFF<br><strong>COLOR CHROME EFFECT<\/strong>\u00a0STRONG<br><strong>COLOR CHROME FX BLUE<\/strong>\u00a0STRONG<br><strong>SMOOTH SKIN EFFECT<\/strong>\u00a0OFF<br><strong>WHITE BALANCE<\/strong>\u00a0K 4350\/ R:1  B:-1<br><strong>DYNAMIC RANGE<\/strong>\u00a0DR 400<br><strong>D RANGE PRIORITY\u00a0\u00a0\u00a0\u00a0<\/strong>H &#8211; 1.5, S + 3.5<br><strong>TONE CURVE<\/strong>\u00a0H -2, S -1<br><strong>COLOR<\/strong>\u00a0+ 3<br><strong>SHARPNESS<\/strong>\u00a0+ 2<br><strong>HIGH ISO NR<\/strong>\u00a0&#8211; 4<br><strong>CLARITY<\/strong>\u00a0&#8211; 5<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358139\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/IT_Paolo-Emanuele-Barretta_PRO-Neg.Std_7.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>La ricetta VELVET HAZE nasce dal desiderio di tradurre il mio linguaggio visivo in una simulazione pellicola coerente e riconoscibile. Nel mio lavoro di ritratto e fashion portrait ho sempre cercato un\u2019estetica che si allontanasse dal realismo puro, privilegiando invece un\u2019immagine pi\u00f9 emotiva, sospesa, quasi cinematografica. Questa ricetta Fujifilm \u00e8 il tentativo di rendere costante [&hellip;]<\/p>\n","protected":false},"author":269,"featured_media":358233,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,13923,320,3162,1986,565,13898,8307,8356],"post_tag":[],"class_list":["post-359188","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr","category-xf56mmf12-r-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-09 13:57:15","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story\/359188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/users\/269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media\/358233"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media?parent=359188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/category?post=359188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/post_tag?post=359188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":359186,"date":"2026-06-02T00:18:47","date_gmt":"2026-06-02T00:18:47","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=359186"},"modified":"2026-06-02T00:18:57","modified_gmt":"2026-06-02T00:18:57","slug":"provia-fs-recipe-x-ana-markovych","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/it-it\/stories\/provia-fs-recipe-x-ana-markovych\/","title":{"rendered":"PROVIA FS RECIPE x Ana Markovych"},"content":{"rendered":"\n<p>Per me, i colori sono sempre stati profondamente legati alle emozioni e ai ricordi. C&#8217;\u00e8 qualcosa nel modo in cui viviamo la vita e nel modo in cui la ricordiamo: morbidi, luminosi, colorati, intensi, freschi, nitidi.<\/p>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_02.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322733\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_02.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_02.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_02.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_02.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_02.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_02.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_03.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322734\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_03.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_03.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_03.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_03.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_03.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_03.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Mentre preparavo questa RICETTA a partire dalla Simulazione Pellicola PROVIA, ho ripensato alle mie passeggiate al tramonto lungo il fiume: il sole basso all\u2019orizzonte, che mi inondava di caldi raggi. Ho ripensato al mercato contadino in una luminosa domenica mattina: i venditori di sempre che sorridevano, i cesti pieni di peperoni e mais, e le pesche fresche e succose a cui non ho saputo resistere. Ho pensato al ritorno a casa con i girasoli e una pagnotta di pane appena sfornato, alla preparazione della colazione e al momento in cui mi sono fermata ad ammirare i colori sulla mia tavola: il giallo dei fiori, il verde dell\u2019avocado e delle foglie, il rosso dei pomodorini.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_04.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322735\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_04.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_04.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_04.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_04.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_04.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_04.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_04.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_04.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_05.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322736\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_05.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_05.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_05.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_05.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_05.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_05.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_05.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_05.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Ho pensato anche a tutti i miei viaggi: alle splendide architetture che mi fanno sempre fermare per ammirare, alla natura che mi toglie il fiato. Mi sono resa conto che sono sempre i piccoli dettagli a fare la differenza: la curva di una finestra, un giglio rosa che spunta tra le foglie verdi, o il modo in cui i delicati fiori bianchi ondeggiano al vento.<\/p>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_06.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322737\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_06.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_06.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_06.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_06.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_06.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_06.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_07.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322738\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_07.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_07.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_07.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_07.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_07.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_07.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Sapevo che PROVIA era perfetta per questo: una simulazione pellicola pensata per catturare il mondo cos\u00ec come lo ricordiamo. Mi bastavano solo qualche piccolo ritocco per renderla simile ai miei ricordi, al modo in cui vedo e percepisco il mondo che mi circonda.<\/p>\n\n\n\n<p>Volevo che i colori fossero un po&#8217; pi\u00f9 intensi, con riflessi rosa-pesca e ombre ricche e terrose. Volevo che fosse nitido, ma allo stesso tempo morbido e delicato. Volevo che trasmettesse un senso di romantica nostalgia.<\/p>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_08.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322739\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_08.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_08.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_08.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_08.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_08.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_08.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_09.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322740\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_09.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_09.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_09.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_09.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_09.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_09.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Cos\u00ec ho iniziato. Un po&#8217; di grana era fondamentale: l&#8217;ho impostata su \u201cpiccola\u201d e \u201cdebole\u201d. Poi ho impostato l&#8217; EFFETTO COLOR CHROME su \u2018Forte\u2019 e COLOR CHROME FX BLUE su \u201cDebole\u201d \u2014 ero sicura che questo mi avrebbe regalato colori intensi.<\/p>\n\n\n\n<p>Per il BILANCIAMENTO DEL BIANCO, ho usato la modalit\u00e0 Auto, e poi \u00e8 arrivata una delle mie parti preferite del processo: scoprire la perfetta regolazione del bilanciamento del bianco. Dopo alcuni tentativi, l&#8217;ho impostato su R 5, B \u20135 per ottenere quella sfumatura pesca-malva che stavo cercando.<\/p>\n\n\n\n<p>Per attenuare il contrasto, ho impostato le ALTE LUCI su \u20132 e le OMBRE su \u20131.<br>Per esaltare le tonalit\u00e0, ho impostato il COLORE su +1.<br>Per ottenere dettagli senza asprezza, ho impostato la NITIDEZZA su +2 e la CHIAREZZA su +1.<\/p>\n\n\n\n<p>Ed eccola qui: la mia PROVIA.<br>Calda, delicata e fedele ai miei ricordi.<\/p>\n\n\n\n<p><strong>FILM SIMULATION<\/strong>                    PROVIA<br><strong>MONOCHROMATIC COLOR     <\/strong>OFF<br><strong>GRAIN EFFECT<\/strong>                            WEAK, SMALL<br><strong>COLOR CHROME EFFECT<\/strong>         STRONG<br><strong>COLOR CHROME FX BLUE<\/strong>       WEAK<br><strong>SMOOTH SKIN EFFECT<\/strong>             WEAK<br><strong>WHITE BALANCE<\/strong>                       AUTO\/ R 5, B-5<br><strong>DYNAMIC RANGE<\/strong>                      AUTO<br><strong>D RANGE PRIORITY&nbsp;&nbsp;&nbsp; <\/strong>              OFF<br><strong>TONE CURVE<\/strong>                              H -2, S -1<br><strong>COLOR<\/strong>                                         +1<br><strong>SHARPNESS<\/strong>                                +2<br><strong>HIGH ISO NR<\/strong>                              0<br><strong>CLARITY<\/strong>                                       1<\/p>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_10.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322741\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_10.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_10.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_10.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_10.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_10.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_10.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_11.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322742\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_11.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_11.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_11.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_11.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_11.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_11.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_12.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322743\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_12.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_12.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_12.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_12.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_12.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_12.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_12.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_12.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_13.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322744\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_13.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_13.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_13.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_13.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_13.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_13.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_14.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322745\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_14.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_14.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_14.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_14.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_14.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_14.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_15.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322746\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_15.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_15.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_15.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_15.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_15.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_15.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_15.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_15.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_16.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322747\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_16.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_16.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_16.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_16.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_16.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_16.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_17.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-322748\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_17.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_17.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_17.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_17.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_17.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/CA_Ana-Markovych_Stories_17.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Per me, i colori sono sempre stati profondamente legati alle emozioni e ai ricordi. C&#8217;\u00e8 qualcosa nel modo in cui viviamo la vita e nel modo in cui la ricordiamo: morbidi, luminosi, colorati, intensi, freschi, nitidi. Mentre preparavo questa RICETTA a partire dalla Simulazione Pellicola PROVIA, ho ripensato alle mie passeggiate al tramonto lungo il [&hellip;]<\/p>\n","protected":false},"author":269,"featured_media":335955,"template":"","category":[2084,1006,1202,13607,1055,3211,320,13915,3162,1986,565,13393,13395,3358],"post_tag":[],"class_list":["post-359186","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-products","category-provia","category-x-mount","category-x-series","category-stories","category-x-t50","category-xf16-50mmf28-48-r-lm-wr","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-09 13:57:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story\/359186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/users\/269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media\/335955"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media?parent=359186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/category?post=359186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/post_tag?post=359186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":359185,"date":"2026-06-02T00:18:33","date_gmt":"2026-06-02T00:18:33","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=359185"},"modified":"2026-06-02T00:18:39","modified_gmt":"2026-06-02T00:18:39","slug":"velvia-fs-recipe-x-jordan-vickers","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/it-it\/stories\/velvia-fs-recipe-x-jordan-vickers\/","title":{"rendered":"Velvia\u00a0FS RECIPE\u00a0x\u00a0Jordan Vickers"},"content":{"rendered":"\n<p>Con l&#8217;obiettivo di mettere in risalto i colori vivaci e il ricco contrasto di Velvia, ho preso la mia attrezzatura Fujifilm e sono uscito per le strade. Mentre scattavo e mettevo a punto la mia FS RECIPE, alcune idee fondamentali hanno cominciato a prendere forma.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_02.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-351782\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_02.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_02.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_02.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_02.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_02.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_02.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Innanzitutto, ho impostato l&#8217;esposizione puntando sulle ALTE LUCI. Questa tecnica esalta davvero il contrasto della Velvia, facendo sprofondare le OMBRE nel nero nelle scene dinamiche e mettendo in risalto i soggetti colorati. Per intensificare ulteriormente i colori delle mie immagini, ho attenuato le ALTE LUCI utilizzando la CURVA TONALE per aumentarne la densit\u00e0.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_03.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-351783\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_03.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_03.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_03.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_03.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_03.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_03.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_03.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_03.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>L&#8217;altra idea fondamentale che si \u00e8 consolidata man mano che continuavo a sperimentare \u00e8 stata quella di utilizzare un BILANCIAMENTO DEL BIANCO fisso. Sebbene in alcune scene risultasse limitante, il BILANCIAMENTO DEL BIANCO fisso riusciva davvero a mettere in risalto i diversi colori della luce anche in ambienti monocromatici, che il BILANCIAMENTO DEL BIANCO AUTOMATICO avrebbe cercato di \u201ccorreggere\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_04.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-351785\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_04.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_04.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_04.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_04.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_04.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_04.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Armato di una Film Simulation Recipe dalle immagini vivaci e cinematografiche, grazie alla pellicola Velvia, ho incontrato un paio di skater del posto per scoprire i luoghi pi\u00f9 colorati che Auckland ha da offrire. Ecco il risultato.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_05.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-351787\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_05.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_05.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_05.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_05.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_05.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_05.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_06.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-351788\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_06.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_06.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_06.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_06.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_06.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_06.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_06.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_06.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<div class=\"wp-block-columns has-spacing-none has-no-design is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_07.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-351790\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_07.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_07.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_07.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_07.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_07.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_07.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_08.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-351791\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_08.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_08.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_08.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_08.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_08.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/03\/NZ_Jordan-Vickers_Velvia_08.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Con l&#8217;obiettivo di mettere in risalto i colori vivaci e il ricco contrasto di Velvia, ho preso la mia attrezzatura Fujifilm e sono uscito per le strade. Mentre scattavo e mettevo a punto la mia FS RECIPE, alcune idee fondamentali hanno cominciato a prendere forma. Innanzitutto, ho impostato l&#8217;esposizione puntando sulle ALTE LUCI. Questa tecnica [&hellip;]<\/p>\n","protected":false},"author":269,"featured_media":351792,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13922,3162,1986,565,13898,13835,13899,8993,3358],"post_tag":[],"class_list":["post-359185","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-velvia","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf16-55mmf2-8-r-lm-wr-ii","category-xf23mmf28-r-wr","category-xf8-16mmf28-r-lm-wr","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-09 13:57:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story\/359185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/users\/269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media\/351792"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media?parent=359185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/category?post=359185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/post_tag?post=359185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":359183,"date":"2026-06-02T00:18:16","date_gmt":"2026-06-02T00:18:16","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=359183"},"modified":"2026-06-02T00:18:22","modified_gmt":"2026-06-02T00:18:22","slug":"provia-fs-recipe-x-timo-soasepp","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/it-it\/stories\/provia-fs-recipe-x-timo-soasepp\/","title":{"rendered":"PROVIA FS RECIPE x Timo Soasepp"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>PROVIA &#8211; Vivid Memories<\/strong><\/h2>\n\n\n\n<p>Dal 2013 sono un grande fan delle simulazioni pellicola di Fujifilm. Ricordo che quando acquistai FUJIFILM X-E1 e iniziai a sperimentarla, scoprii subito ASTIA, MONOCHROME e PROVIA. Passavo spesso da una all\u2019altra, ed era un vero piacere. Era come se potessi cambiare il rullino all\u2019interno della fotocamera dopo poche foto. E poi cambiarlo ancora e ancora. Per me \u00e8 stata una vera rivoluzione. All&#8217;epoca la fotografia era gi\u00e0 diventata il mio lavoro a tempo pieno, ma Fujifilm l&#8217;ha resa di nuovo divertente. In secondo luogo, mi ha stupito come la situazione in cui sto scattando possa cambiare in modo significativo con pochi click. Da allora, \u00e8 stato un vero piacere vedere cosa ha messo in campo Fujifilm.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_02.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322493\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_02.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_02.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_02.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_02.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_02.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_02.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_02.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_02.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Aggiungi PROVIA alla tua selezione<\/strong><\/h3>\n\n\n\n<p>Quando ricevi una nuova fotocamera Fujifilm, apri la confezione, inserisci la batteria e la accendi. La prima Simulazione Pellicola che vedi \u00e8 PROVIA. Sulla fotocamera \u00e8 indicata come \u201cSTD\u201d, ma credo che dovrebbe chiamarsi semplicemente PROVIA. Un nome ha un significato, e questo merita di essere riconosciuto a pieno titolo. Troppo spesso mi ritrovo a passare rapidamente ad altre Simulazioni Pellicola perch\u00e9 ne riconosco i nomi dalla storia di Fujifilm. Ma PROVIA merita maggiore attenzione, ed ecco perch\u00e9.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_03.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322494\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_03.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_03.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_03.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_03.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_03.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_03.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_03.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_03.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_04.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322495\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_04.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_04.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_04.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_04.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_04.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_04.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_04.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_04.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>PROVIA, la Simulazione Pellicola che fa rivivere i tuoi ricordi<\/strong><\/h3>\n\n\n\n<p>Uso PROVIA soprattutto quando scatto le foto che per me sono pi\u00f9 importanti. Quelle che voglio conservare nella memoria, e mi riferisco al mio lavoro personale. Vedi, PROVIA non solo esalta i colori e le tonalit\u00e0, ma mi aiuta anche a ricordare le sensazioni che provavo nel momento in cui ho scattato la foto. Mi aiuta a ricordare i piccoli dettagli e l\u2019autenticit\u00e0 della scena, nel modo pi\u00f9 sincero possibile. Se sono in compagnia della mia famiglia e dei miei amici o sono in vacanza, voglio ricordare com&#8217;era essere l\u00ec guardando le foto. Oppure, ricordare la storia d&#8217;amore di quando ci stavamo innamorando guidando in una serata calda, in cui sentivamo che nulla potesse fermarci. Se posso dirlo, PROVIA \u00e8 per i momenti che voglio ricordare per sempre.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_05.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322496\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_05.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_05.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_05.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_05.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_05.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_05.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_05.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_05.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_06.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322497\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_06.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_06.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_06.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_06.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_06.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_06.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_06.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_06.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_07.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322498\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_07.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_07.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_07.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_07.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_07.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_07.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_07.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_07.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>L&#8217;arte \u00e8 ovunque intorno a noi<\/strong><\/h3>\n\n\n\n<p>Viviamo in un mondo in cui possiamo facilmente modificare le foto \u2014 sia direttamente con la fotocamera che in fase di post-produzione \u2014 e, cos\u00ec facendo, possiamo stravolgere l\u2019intero concetto di una scena. L\u2019atmosfera, l\u2019emozione, l\u2019ambientazione e, a volte, ci sfugge la bellezza che ci circonda e non la cogliamo nella sua forma pi\u00f9 pura. Al giorno d\u2019oggi, quando possiamo apportare queste modifiche con facilit\u00e0, la trasparenza diventa ancora pi\u00f9 fondamentale. Credo che l&#8217;arte sia una cosa meravigliosa che ci permette di esprimere la nostra creativit\u00e0, ma potremmo perdere lo scatto perfetto perch\u00e9 non ci prendiamo il tempo di guardare. Corriamo cos\u00ec veloci per cambiare la scena nella nostra mente che ci dimentichiamo di fermarci un attimo e osservare ci\u00f2 che abbiamo davanti. La prossima volta, se non avete fretta, fermatevi un minuto, lasciatevi stupire e scegliete PROVIA.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_08.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322499\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_08.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_08.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_08.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_08.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_08.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_08.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_08.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_08.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_09.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322500\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_09.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_09.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_09.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_09.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_09.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_09.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_09.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_09.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Una ricetta adatta ad un uso quotidiano<\/strong><\/h3>\n\n\n\n<p>Come ho scritto prima, uso PROVIA come simulazione pellicola per tutti i giorni. Quando vado a scuola, al lavoro o esco con gli amici. \u00c8 semplice e spensierato. E ora, buon divertimento!<\/p>\n\n\n\n<p><strong>FILM SIMULATION: PROVIA<\/strong><br><strong>GRAIN EFFECT: WEAK \u2013 SMALL<\/strong><br><strong>COLOR CHROME EFFECT: WEAK<\/strong><br><strong>COLOR CHROME FX BLUE: WEAK<\/strong><br><strong>WHITE BALANCE: 5800K<\/strong><br><strong>DYNAMIC RANGE: DR100%<\/strong><br><strong>D RANGE PRIORITY: OFF<\/strong><br><strong>TONE CURVE: H +0,5, S +1<\/strong><br><strong>COLOR: +2<\/strong><br><strong>SHARPNESS: 0<\/strong><br><strong>HIGH ISO NR: 0<\/strong><br><strong>CLARITY: 0<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_10.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-322501\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_10.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_10.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_10.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_10.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_10.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_10.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_10.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2025\/11\/FI_Timo-Soasepp_Stories_10.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>PROVIA &#8211; Vivid Memories Dal 2013 sono un grande fan delle simulazioni pellicola di Fujifilm. Ricordo che quando acquistai FUJIFILM X-E1 e iniziai a sperimentarla, scoprii subito ASTIA, MONOCHROME e PROVIA. Passavo spesso da una all\u2019altra, ed era un vero piacere. Era come se potessi cambiare il rullino all\u2019interno della fotocamera dopo poche foto. E [&hellip;]<\/p>\n","protected":false},"author":269,"featured_media":322923,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13915,3162,1986,565,13898,7474],"post_tag":[],"class_list":["post-359183","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-provia","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf23mmf2-r-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-09 13:57:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story\/359183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/users\/269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media\/322923"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media?parent=359183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/category?post=359183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/post_tag?post=359183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358124,"date":"2026-06-01T05:00:00","date_gmt":"2026-06-01T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358124"},"modified":"2026-05-26T03:44:12","modified_gmt":"2026-05-26T03:44:12","slug":"bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/it-it\/stories\/bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki\/","title":{"rendered":"[BTS] GFX ETERNA 55: Yu Sanbonsuge x Shortfilm &#8220;Tomei Na Zawameki&#8221;"},"content":{"rendered":"\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"CeLert6df3E\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Thumbnail01.jpg\" alt=\"Thumbnail01\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"CeLert6df3E\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"CeLert6df3E\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-CeLert6df3E\" data-id=\"CeLert6df3E\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":358126,"template":"","category":[1006,1202,13909,13910,1937,320,2378,565],"post_tag":[],"class_list":["post-358124","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-gfx-eterna-55","category-gfx-series","category-products","category-shot-on-x","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":true,"date":"2027-10-31 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ETERNA 55: Yu Sanbonsuge x Shortfilm &#8220;Tomei Na Zawameki&#8221; \/ FUJIFILM"},"content":{"rendered":"\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"2gCDK-Sow4o\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Thumbnail_03_title.jpg\" alt=\"Thumbnail_03_title\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"2gCDK-Sow4o\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"2gCDK-Sow4o\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-2gCDK-Sow4o\" data-id=\"2gCDK-Sow4o\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":358125,"template":"","category":[1006,1202,13909,13910,1937,320,2378,565],"post_tag":[],"class_list":["post-358123","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-gfx-eterna-55","category-gfx-series","category-products","category-shot-on-x","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":true,"date":"2027-10-31 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Neg. Std FS RECIPE x Derrick Ong"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Crafting Film Memories with Fujifilm<\/h2>\n\n\n\n<p>As a portrait and wedding photographer, my journey with photography began long before instant previews and endless post-production workflows became the norm. It started in the film days,\u00a0the process of carefully loading rolls into cameras, counting frames, and trusting my instincts with every click. There was no instant validation, only patience. The reward came later, when I finally held printed photographs in my hands, admiring images filled with grain, texture, and quiet imperfections that carried an unmistakable sense of nostalgia. That tactile experience shaped not just how I photograph, but how I\u00a0<em>feel<\/em>\u00a0photographs to this day.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=1024&#038;height=682\" alt=\"\" class=\"wp-image-358536\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_01.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Those early years taught me to slow down and to see light more intentionally. Every frame mattered. Every moment carried weight. Film trained my eyes to anticipate emotion rather than chase perfection, and that philosophy continues to guide my work in portraiture and weddings, where authenticity, connection, and fleeting moments matter most.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358537\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_02.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Eight years ago, my move to the Fujifilm system felt like coming home in a modern way. Fujifilm\u2019s color science and Film Simulations opened up an entirely new creative world for me, one that resonated deeply with my film roots. In an era where many photographers spend countless hours refining images in post-production, I found myself moving in the opposite direction, rediscovering the joy of shooting JPEGs straight out of camera. The idea of getting the look right at the moment of capture excited me.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358538\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_03.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Using Fujifilm\u2019s Q button to create and fine-tune FS RECIPEs quickly became a process I genuinely enjoy. It feels like mixing chemicals in a darkroom, adjusting WHITE BALANCE, contrast, grain, shadows, and color response until the image speaks the way I remember film once did. These FS RECIPEs allow me to craft moods and textures that feel intentional, timeless, and emotionally grounded. The result is images that are instantly ready to share, carrying a refined, classy, vintage character without the need for heavy editing.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358539\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_04.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>I\u2019ve been deeply immersed in experimenting with different Fujifilm Film Simulations, revisiting looks I once loved during my film days and translating them into a digital language. One of these explorations led to a custom FS RECIPE I call\u00a0<strong>\u201cPro Neg Portrait,\u201d<\/strong>\u00a0a FS RECIPE using PRO Neg. Std Film Simulation, inspired by classic film aesthetics and my love for honest, natural portraiture.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358540\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_05.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>On this recent trip, the portrait session took place in Hong Kong, a city I\u2019ve always associated with a unique visual rhythm. For this shoot, I used my\u00a0\u201c<strong>Pro Neg Portrait\u201d<\/strong>\u00a0FS RECIPE to bring out a nostalgic film look that reflects how I remember Hong Kong: modern and energetic, yet layered with a subtle retro charm. The tones, contrast, and texture echo the city\u2019s timeless character where the past and present coexist effortlessly.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358541\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_06.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>PRO Neg. Std remains one of my favorite Film Simulations, especially for portraiture. Its neutral tonality, soft gradations, and beautifully natural skin tones provide a strong foundation. With subtle refinements, careful WHITE BALANCE shifts, gentle grain, shaped shadows, and nuanced color adjustments, I shaped this FS RECIPE to balance nostalgia with a contemporary sensibility.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358542\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/SG_Derrick-Ong_Stories_07.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Once the FS RECIPE is dialed in, I let the Fujifilm X-E5 do its magic. Free from technical distractions, I can focus fully on connecting with my subjects, observing emotions, and responding to moments as they unfold. In that space, portraiture becomes more than an image, it becomes a quiet collaboration between light, memory, and emotion, resulting in photographs that feel nostalgic yet undeniably modern.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Crafting Film Memories with Fujifilm As a portrait and wedding photographer, my journey with photography began long before instant previews and endless post-production workflows became the norm. It started in the film days,\u00a0the process of carefully loading rolls into cameras, counting frames, and trusting my instincts with every click. There was no instant validation, only [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":358543,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,13923,320,3162,1986,565,13898,8307],"post_tag":[],"class_list":["post-358534","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-09 13:57:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story\/358534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media\/358543"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media?parent=358534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/category?post=358534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/post_tag?post=358534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":357796,"date":"2026-05-27T05:00:00","date_gmt":"2026-05-27T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=357796"},"modified":"2026-06-02T09:26:12","modified_gmt":"2026-06-02T09:26:12","slug":"mauro-fiore-captures-childhood-and-imagination-with-gfx-eterna-55","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/it-it\/stories\/mauro-fiore-captures-childhood-and-imagination-with-gfx-eterna-55\/","title":{"rendered":"Mauro Fiore Captures Childhood and Imagination with GFX ETERNA 55"},"content":{"rendered":"<h1 class=\"wp-block-post-title\">Mauro Fiore Captures Childhood and Imagination with GFX ETERNA 55<\/h1>\n\n\n<h3 class=\"wp-block-heading\">Inside the Cinematography of Dove Sono Mamma e Pap\u00e0? \u2013 Left Alone<\/h3>\n\n\n\n<p><em>Dove Sono Mamma e Pap\u00e0?<\/em> (<em>Left Alone<\/em>) is a short film that lies at the intersection of narrative sensitivity and cinematic craft, offering a measured exploration of medium-format cinematography and using the FUJIFILM GFX ETERNA 55. Directed by Fabio Rao, with cinematography by Oscar-winning Director of Photography Mauro Fiore ASC, the film serves as a case study in how image format, visual intent, and storytelling can align when technology is approached as a narrative partner rather than as a defining gesture.<\/p>\n\n\n\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"O-wWwLCXCKM\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/DSMEP_POSTER_ITA_100X140_ITA_1-scaled.jpg\" alt=\"DSMEP_POSTER_ITA_100X140_ITA_1\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"O-wWwLCXCKM\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"O-wWwLCXCKM\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-O-wWwLCXCKM\" data-id=\"O-wWwLCXCKM\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>The project builds on an ongoing collaboration between Rao and Fujifilm, developed over several years across both motion and still photography. The short film <em>Nightbirds<\/em> marked Rao\u2019s first encounter with medium format in motion, paving the way for <em>Dove sono Mamma e Pap\u00e0? <\/em>(<em>Left Alone<\/em>). \u201cWith this film, I felt it was the right moment to fully embrace medium-format cinematography, using GFX ETERNA 55, a camera that immediately resonated with the emotional scale and sensitivity of the story we wanted to tell.\u201d<\/p>\n\n\n\n<p>For Mauro Fiore, the project also represents an opportunity to test a new cinematic tool within a narrative framework that values restraint, perception, and emotional proximity.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358115\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_02.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Storytelling and visual approach<\/h3>\n\n\n\n<p>At its core, <em>Dove Sono Mamma e Pap\u00e0? <\/em>unfolds from a simple narrative premise that gradually opens into more ambiguous emotional terrain. Leo and Nesto are two close friends immersed in the everyday rituals of childhood, videogames, drones, and casual mischief, until they wake one morning to discover that all adults have vanished. What initially feels like complete freedom slowly reveals deeper implications. Without authority or imposed rules, imagination flourishes, but responsibility begins to surface.<\/p>\n\n\n\n<p>Visually, the film avoids over stylization. Rao\u2019s intention was clear: \u201cFrom the very beginning, my intention was for the camera to quietly serve the story rather than call attention to itself. Every shot had a narrative purpose.\u201d That restraint became the foundation upon which Fiore built the film\u2019s visual language.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=1024&#038;height=436\" alt=\"\" class=\"wp-image-358562\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=1024&amp;height=436 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=300&amp;height=128 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=768&amp;height=327 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=400&amp;height=170 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=365&amp;height=155 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=600&amp;height=255 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=717&amp;height=305 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=800&amp;height=340 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=688&amp;height=293 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=490&amp;height=208 490w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_11.jpg?width=936&amp;height=398 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>As Mauro Fiore explains, \u201cThe visual approach of this film was very interesting in how it came about, because I had many discussions with Fabio. He wanted to place the story in a situation that felt like fantasy, reality, and hyper-reality. So, we discussed all these possibilities.\u201d Rather than separating these dimensions through distinct visual treatments, the filmmakers chose continuity and subtle modulation, allowing shifts in perception to emerge naturally within the frame.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=1024&#038;height=436\" alt=\"\" class=\"wp-image-358559\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=1024&amp;height=436 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=300&amp;height=128 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=768&amp;height=327 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=400&amp;height=170 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=365&amp;height=155 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=600&amp;height=255 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=717&amp;height=305 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=800&amp;height=340 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=688&amp;height=293 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=490&amp;height=208 490w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_04_2.jpg?width=936&amp;height=398 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>The camera often remains close to the characters, and sometimes uncomfortably so, before occasionally opening up to reveal the surrounding world. This balance between intimacy and distance becomes central to how the story is experienced, keeping the audience aligned with the characters\u2019 evolving sense of freedom and unease.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Medium format, lenses, and spatial rhythm<\/h3>\n\n\n\n<p>The choice to shoot with FUJIFILM GFX ETERNA 55, combined with the Premista lenses, shaped not only the film\u2019s aesthetic but also its internal rhythm. The medium-format sensor allowed Fiore to hold more spatial information within each frame, reinforcing a sense of depth and dimensionality while maintaining emotional closeness to the characters.<\/p>\n\n\n\n<p>Mauro Fiore\u2019s long experience with Fujinon Premista lenses, particularly Fujinon Premista 28-100mT2.9, played a decisive role in translating this potential into practice. \u201cI have quite a bit of experience with Premista lenses, and I\u2019m especially familiar with the 28\u2013100mm. It performs amazingly well,\u201d he notes. \u201cThe format itself amplifies that vision. The expansiveness of the sensor allows us to capture more in every frame, giving the film a distinctive look and a narrative rhythm.\u201d<\/p>\n\n\n\n<p>This combination of large-format sensor and lenses proved especially valuable when working in confined spaces. Medium and even wide shots could be captured from very short distances, sometimes as close as one meter, without sacrificing spatial coherence. The result is a visual language that feels open and immersive yet never detached from the characters at its center.<strong><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358563\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_10.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358119\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_06.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Aspect ratio was approached with the same narrative sensitivity. \u201cWe had several discussions regarding filming in a 2.35 or 2.39 aspect ratio,\u201d Fiore explains. \u201cAutomatically, it makes you feel like the world around you is surrounding you.\u201d The widescreen frame subtly reinforces the film\u2019s emotional tension, mirroring the children\u2019s experience of a world that is suddenly expansive, unfamiliar, and undefined.<\/p>\n\n\n\n<div><div class=\"block-video-player\"><div class=\"max-w-[800px] m-auto w-full relative fade-up-parallax\"><div class=\"block-video-player__splash-img aspect-w-16 aspect-h-9 js-btn--modal-youtube\" data-id=\"nMXLKsSuNt0\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/mauro-fiore-bts-thumb.jpg\" alt=\"mauro-fiore-bts-thumb\" loading=\"lazy\" data-recalc-dims=\"1\"\/><span class=\"play-button \"><\/span><\/div><\/div><div class=\"modal modal--youtube hidden\" data-id=\"nMXLKsSuNt0\"><div class=\"modal__content relative\"><button class=\"btn-modal-close\" data-id=\"nMXLKsSuNt0\"><span><\/span><span><\/span><\/button><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><div id=\"player-nMXLKsSuNt0\" data-id=\"nMXLKsSuNt0\" class=\"youtube-iframe\"><\/div><\/div><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Lighting the path home<\/h3>\n\n\n\n<p>Although <em>Dove Sono Mamma e Pap\u00e0? <\/em>&nbsp;is not autobiographical, its connection to place carries particular resonance for Mauro Fiore. Long based in the United States, Calabria remains his homeland and returning to shoot there added an understated but meaningful layer to the project.<\/p>\n\n\n\n<p>The film was shot entirely in real locations across the region during the height of summer, in towns and spaces that remained active and crowded throughout production. Rather than reshaping locations to fit the film, the crew adapted their methods to each place day by day. Calabria\u2019s natural light, often harsh and vertical at midday, then softer and more sculptural in the late afternoon, became an expressive element rather than a constraint.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=1024&#038;height=436\" alt=\"\" class=\"wp-image-358561\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=1024&amp;height=436 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=300&amp;height=128 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=768&amp;height=327 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=400&amp;height=170 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=365&amp;height=155 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=600&amp;height=255 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=717&amp;height=305 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=800&amp;height=340 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=688&amp;height=293 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=490&amp;height=208 490w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_09.jpg?width=936&amp;height=398 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Supported by a fully local crew, Fiore\u2019s visual approach drew on both technical precision and familiarity with the environment. The region\u2019s landscapes, light, and rhythms quietly inform the film\u2019s tone, grounding its more surreal elements in a tangible sense of place. In this way, Calabria becomes more than a setting: it is an unspoken presence within the film\u2019s visual identity.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A camera in the service of narrative<\/h3>\n\n\n\n<p>From a production standpoint, Fujifilm GFX ETERNA 55 proved itself as a Film-making camera designed for professional, narrative-driven workflows. Its robust cinema-style construction, industry-standard connections, adaptable native lens mount, and visually stepless internal electronic variable ND filter offered flexibility across a wide range of shooting conditions.<\/p>\n\n\n\n<p>The F-Log2 C profile provided substantial latitude for color grading, while Fujifilm\u2019s Film Simulations and new Film Simulation 3D LUTs, each inspired by analog film stocks, expanded creative options without imposing a predetermined aesthetic. The camera\u2019s design encouraged choice rather than prescription.<\/p>\n\n\n\n<p>Rao also explored GFX ETERNA 55 independently in a documentary context, pairing it with a rehoused Fujinon EBC 28mm lens and using ACROS Film Simulation, an experience he describes as intuitive and expressive.<\/p>\n\n\n\n<p>For Mauro Fiore, the camera also aligns with a broader creative philosophy: \u201cEvery film needs its own way of being told. Every film needs its own story. Whether it\u2019s oil paints, tempera, or pastels, it\u2019s always a matter of what is right for that narrative. I feel the same way about cameras.\u201d Within this framework, the GFX ETERNA 55 is not positioned as a universal solution, but as a tool whose value emerges through its relationship with story, place, and creative intent.<\/p>\n\n\n\n<p>Taken together, <em>Dove Sono Mamma e Pap\u00e0?<\/em> offers a considered example of how medium-format cinematography, guided by an experienced visual author, can support intimate storytelling, balancing scale and proximity while remaining firmly anchored to narrative purpose.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=1024&#038;height=768\" alt=\"\" class=\"wp-image-358121\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=1024&amp;height=768 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=300&amp;height=225 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=768&amp;height=576 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=400&amp;height=300 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=365&amp;height=274 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=600&amp;height=450 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=717&amp;height=538 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=263&amp;height=197 263w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=711&amp;height=533 711w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=612&amp;height=459 612w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=367&amp;height=275 367w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/gfx-eterna_mauro-fiore_08.jpg?width=936&amp;height=702 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Dove Sono Mamma e Pap\u00e0? \u2013 Left Alone: Credits<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Produced with FUJIFILM<\/li>\n\n\n\n<li>Produced by Open Fields Productions \/ Filmora<\/li>\n\n\n\n<li>With the contribution of Calabria Film Commission<\/li>\n\n\n\n<li>In collaboration with CIAKALABRIA, AEROPIX, AUDIO PORTRAIT STUDIO<\/li>\n\n\n\n<li>With the free patronage of Municipality of Cassano all&#8217;Ionio \/ Associazione Laghi di Sibari<\/li>\n\n\n\n<li>Directed by: Fabio Rao<\/li>\n\n\n\n<li>Director of Photography: Mauro Fiore, ASC<\/li>\n\n\n\n<li>Story and screenplay: Enrico Miceli \/ Fabio Rao<\/li>\n\n\n\n<li>Produced by: Fabrizio Nucci \/ Fabio Ra<\/li>\n\n\n\n<li>Executive producers: Fabrizio Nucci \/ Marc Cattrall\/ Silvia Carapellese\/ Francesco Spisti\/ Marika Gherardi<\/li>\n\n\n\n<li>Editing: Francesca Naccarato \/ Fabio Rao<\/li>\n\n\n\n<li>Visual effects: Alessio Cagnano<\/li>\n\n\n\n<li>Original music: Alessandro Papaianni<\/li>\n\n\n\n<li>Production sound mixer: Simone Casile<\/li>\n\n\n\n<li>Production designer: Antonio Giocondo<\/li>\n\n\n\n<li>Costumes: Laura Scagliola<\/li>\n\n\n\n<li>Makeup and hair: Marinella Giorni \/ Sandra Perri<\/li>\n\n\n\n<li>Assistant director: Giulia Rossi<\/li>\n\n\n\n<li>Casting Director: Alessia Iacopetta<\/li>\n<\/ul>\n\n\n\n<p><strong>CAST<\/strong><br>Leo: Luigi Chiera<br>Nesto: Ludovico Maria Esposito<br>Martina: Maria Carmela Iris Trotta<br>Alba: Beatrice Carmela Malizia<br>Fulvia: Cecilia Mussari<br>Fiordaliso: Alessandro Castriota Scanderbeg<br>Sara: Mariasilvia Greco<br>Dario: Carlo Gallo<br>Vanda: Giovanna Chiara Pasini<br>Man with red shoes: Saverio La Ruina<br>Don Cino: Giancarlo Cauteruccio<br>Voices of Orion: Lorenzo Cordara \/ Giulia Musso<\/p>\n\n\n\n<p>With the extraordinary participation of: Dario Del Luca \/ Ivana Russo<br><br>Production manager: Carmela Bilotto<br>Production coordinator: Giusy Cervadoro<br>Script supervisor: Enrico Miceli<br>Location manager: Gianluca Salerno<br>Production supervisor: Francesco Falcone<br>Production secretary: Samuele Leogrande<br>Runner: Alessandro Morrone \/ Carlo Iozzi<br>Steadicam operator: Marco Vignoni<br>First assistant camera: Umberto Scimitto<br>Second assistant camera: Gianluca Gattabria<br>Camera assistant: Nicola Labate<br>Second camera assistant: Pasquale Remia<br>DIT: Roberto Cavalera<br>Data manager: Claudia Gull\u00e0<br>Video assist: Anselmo De Filippis<br>Set photographers: Pierpaolo Perri \/ Raffaella Arena<br>Backstage video: Francesca Naccarato<br>Drone pilots: Dario Della Mora \/ Walter Finco \/ Marco Martino<br>Key grip: Antonio \u201cLupin\u201d Caracciolo<br>Grip: Francesco Coscarella<br>Gaffer: Gianfranco Mastroianni<br>Electrician: Mattia Cristofaro<br>Assistant production designer: Agata Colao<br>Props master: Felice Adriani<br>Laborers: Emilio D\u2019Elia \/ Raffaele Lisco<br>Seamstress: Vincenza Salvino<br>Personal assistant to Mauro Fiore: Walter Carpino<\/p>\n\n\n\n<p>Color grading, deliveries: Pyramid Factory \/ Alessandro Ammendola<br>Sound editing and audio mix: Stefano Di Fiore \/ Marco Marcini<\/p>\n\n\n\n<p><strong>MUSIC<\/strong><br>Solo cello: Mattia De Angelis<br>Piano\/synthesizers\/percussion: Alessandro Papaianni<br>Solo flute\/solo French horn: Alexandre Demaan<br>Strings: RDL String Quartet<br>Recording, mix &amp; mastering of original music: Audio Portrait Studio<\/p>\n\n\n\n<p>Insurance: Howden \u2013 Assimovie<br>Workplace safety: Sicurlav<\/p>\n\n\n\n<p>The Production and the Director thank<\/p>\n\n\n\n<p>GFX ETERNA 55 DEVELOPMENT TEAM<br>BLU ACADEMY by Barbara Pasqua<br>MOVIE MOUSE FACILITY SERVICE<br>ASSOLAGHI SECURITY SERVICE<br>ISTITUTO COMPRENSIVO LAUROPOLI \u2013 SIBARI \u2013 CASSANO J.<br>THE SCHOOL PRINCIPAL PROF. MICHELE MARZANA<br>THE STUDENTS OF THE MAROS IN TEATRO SCHOOL OF ARTS<br>MAROS EVENTI &#8211; PIKEMA APS<br><br>Christina Pavl\u00ec<br>Santino Cundari<br>Mariarosaria Bianco<br>Katalin Seres<br>Rossella Ciappetta<br>Fausta Oliva<br>Domenico Nicoletti<br>Claudio Valerio<br>Andrea Solano<br>Gianpaolo Giacobini<br>Ottavio Marino<br>Tereza Lanza<br>Massimo Romanelli and family<br>Domenico Peluso and family<br>Mario Varca and Sibarifly<br>Luigi Guaragna and Sofia Maimone<br>Don Pietro Groccia and the Church of Jesus the Good Shepherd of Sibari<br>Teresa Tucci<br>Maristella Resta<br>Giovanna Giordano<br>Natale Giordano<br>Giovanni Gattabria<br>Vincenzo Gattabria<br>Imagin\u2019Hair Cosenza<br>Endless Summer House<br>Leonardo, Luciano and Francesco Golia<br>Angela Concistr\u00e8<br>Gabriele Albanesi<br>Luca Ardenti<br>Epos Film<br>Hotel Royal Cosenza<br>Roberta Giordano<br>Germana Giordano<br>Mariuccia Fiore<br>Francesco Malvaso<br>Benedetto Tucci<br>Alessandra Fucilla<br>Ruggero Fucilla<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inside the Cinematography of Dove Sono Mamma e Pap\u00e0? \u2013 Left Alone Dove Sono Mamma e Pap\u00e0? (Left Alone) is a short film that lies at the intersection of narrative sensitivity and cinematic craft, offering a measured exploration of medium-format cinematography and using the FUJIFILM GFX ETERNA 55. Directed by Fabio Rao, with cinematography by [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":357798,"template":"","category":[1006,1202,13909,13910,1937,320,2378,565],"post_tag":[],"class_list":["post-357796","story","type-story","status-publish","has-post-thumbnail","hentry","category-cameras","category-category","category-gfx-series-filmmaking-camera","category-gfx-eterna-55","category-gfx-series","category-products","category-shot-on-x","category-stories"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-09 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ravvicinati: Fotografia macro con Javier Milla"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Javier Milla, fotografo di fauna selvatica e natura, descrive le tecniche e le attrezzature per la fotografia macro<\/h2>\n\n\n\n<p>\u201cLa fotografia macro \u00e8 una delle specialit\u00e0 pi\u00f9 gratificanti, poich\u00e9 pu\u00f2 essere fatta praticamente ovunque e con quasi tutti i soggetti\u201d, afferma Javier Milla, fotografo che vive in Spagna.<\/p>\n\n\n\n<p>La fotografia macro \u00e8 una soluzione flessibile e creativa per ritrarre una ricca variet\u00e0 di soggetti che esprime un punto di vista assolutamente originale e consente a Javier e al suo pubblico di avvicinarsi al mondo naturale che ci circonda.<\/p>\n\n\n\n<p>\u201cCi permette di immortalare i dettagli di oggetti e animali che normalmente non riusciremmo a vedere a occhio nudo\u201d, spiega con entusiasmo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=1024&#038;height=682\" alt=\"Close-up image of a bee in flight with purple flowers in the background\" class=\"wp-image-357538\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_01.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Foto 2026 \u00a9 Javier Milla | FUJIFILM X-H2S, FUJINON XF80mmF2.8 R LM OIS WR Macro e tubo di prolunga macro MCEX-16, 1\/1250 s a F16, ISO 6400<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Infinite opportunit\u00e0<\/h2>\n\n\n\n<p>La fotografia macro \u00e8 un genere ampio, in cui il modo in cui viene presentato il soggetto \u00e8 pi\u00f9 rilevante del soggetto in s\u00e9. Per Javier, fotografo naturalista, la macro offre infinite opportunit\u00e0 di ritrarre sia la flora che la fauna.<\/p>\n\n\n\n<p>\u201cIl grande vantaggio della fotografia macro nella natura \u00e8 che, rispetto ad altri tipi di fotografia, non si \u00e8 cos\u00ec dipendenti da fattori incontrollabili\u201d, spiega. \u201cIl vento pu\u00f2 essere un problema, ma, fortunatamente, \u00e8 controllabile\u201d. In ogni caso, \u00e8 possibile modificare la luce ambientale con riflettori, flash e luci LED.<\/p>\n\n\n\n<p>\u201cQuindi, in campagna, in pochi metri quadrati, \u00e8 possibile scattare fotografie macro in qualsiasi momento della giornata e in molti ambienti naturali diversi\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=1024&#038;height=682\" alt=\"An orange butterfly sitting on the side of a pink flower, against a blurred background\" class=\"wp-image-357539\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_02.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Foto 2026 \u00a9 Javier Milla | FUJIFILM X-H2S e FUJINON XF80mmF2.8 R LM OIS WR Macro, 1\/250 s a F8, ISO 400<\/figcaption><\/figure>\n\n\n\n<p>In questo senso, le foto macro rappresentano un\u2019opzione interessante per chi vuole provare la fotografia naturalistica, con molti meno fattori esterni di cui preoccuparsi e una grande abbondanza di soggetti disponibili anche all\u2019interno del proprio giardino o in un parco locale.<\/p>\n\n\n\n<p>\u201cLa fotografia di insetti \u00e8 il punto di partenza di quasi tutti i fotografi macro principianti, dato che ce ne sono molti, sono peculiari e affascinanti\u201d, osserva Javier. \u201cImmortalarli, di solito, non \u00e8 un problema, specialmente nelle prime ore del mattino, poich\u00e9 si muovono poco a causa delle basse temperature\u201d. Devi solo avvicinarti senza fare movimenti improvvisi e, idealmente, guardare attraverso il mirino della fotocamera nel frattempo. Dal loro punto di vista, due occhi che ti fissano da vicino spesso implica la presenza di un predatore.<\/p>\n\n\n\n<p>\u201cGli insetti in volo sono un po\u2019 pi\u00f9 difficili da fotografare, ma si tratta di essere pazienti, di insistere e di avere a disposizione attrezzatura con un buon autofocus\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=1024&#038;height=682\" alt=\"A bee flying towards a purple and green flower with a dark background\" class=\"wp-image-357540\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=768&amp;height=511 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=400&amp;height=266 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=600&amp;height=399 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=717&amp;height=477 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_03.jpg?width=936&amp;height=623 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Foto 2026 \u00a9 Javier Milla | FUJIFILM X-H2S, FUJINON XF80mmF2.8 R LM OIS WR Macro e tubo di prolunga macro MCEX-16, 1\/1600 s a F14, ISO 6400<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Attrezzatura per la fotografia macro<\/h2>\n\n\n\n<p>\u201cPer le mie foto macro, uso <a href=\"https:\/\/www.fujifilm-x.com\/it-it\/products\/cameras\/x-h2s\/\" target=\"_blank\" rel=\"noreferrer noopener\">la FUJIFILM X-H2S<\/a> in combinazione con <a href=\"https:\/\/www.fujifilm-x.com\/it-it\/products\/lenses\/xf80mmf28-r-lm-ois-wr-macro\/\" target=\"_blank\" rel=\"noreferrer noopener\">il FUJINON XF80mmF2.8 R LM OIS WR Macro<\/a> e, a seconda del soggetto, uno o due <a href=\"https:\/\/www.fujifilm-x.com\/it-it\/products\/accessories\/mcex-16\/\" target=\"_blank\" data-type=\"link\" data-id=\"https:\/\/www.fujifilm-x.com\/it-it\/products\/accessories\/mcex-16\/\" rel=\"noreferrer noopener\">tubi di prolung<\/a>a\u201d, spiega Javier. \u201cIl rilevamento del soggetto della fotocamera impostato in modalit\u00e0 uccello \u00e8 perfetto per gli insetti, arrivando persino a mettere a fuoco i loro occhi e semplifica notevolmente il processo di acquisizione di immagini con una buona messa a fuoco\u201d. Tuttavia, per soggetti statici, di solito uso la messa a fuoco manuale.<\/p>\n\n\n\n<p>\u201cDi solito nella fotografia macro cerchiamo la massima profondit\u00e0 di campo possibile, ma, sfruttando l\u2019apertura F2.8 dell\u2019obiettivo XF80mmF2.8 Macro, \u00e8 possibile scattare fotografie concentrandosi solo sul punto specifico del soggetto fotografato che si desidera evidenziare\u201d, aggiunge.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=1024&#038;height=682\" alt=\"A close-up image of a snail crawling over a leaf\" class=\"wp-image-357541\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_04.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Foto 2026 \u00a9 Javier Milla | FUJIFILM X-T3, FUJINON XF80mmF2.8 R LM OIS WR Macro e tubo di prolunga macro MCEX-16, 1\/200 s a F2.8, ISO 320<\/figcaption><\/figure>\n\n\n\n<p>Molte volte, per realizzare immagini ravvicinate mozzafiato serve solo una fotocamera correttamente impostata e un\u2019ottica adatta. Ma per accedere a tecniche pi\u00f9 avanzate, Javier porta con s\u00e9 alcuni strumenti del mestiere aggiuntivi.<\/p>\n\n\n\n<p>\u201cL\u2019illuminazione \u00e8 importante per questo tipo di fotografia\u201d, sottolinea. \u201cIn base alla mia esperienza, la migliore opzione \u00e8 una luce LED continua ad anello. Se serve pi\u00f9 intensit\u00e0, si pu\u00f2 utilizzare anche un flash azionato in modalit\u00e0 manuale a bassissima potenza, oltre a un diffusore per evitare riflessi. In questo modo sar\u00e0 possibile congelare il movimento senza che il flash sia troppo evidente sul soggetto\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=1024&#038;height=682\" alt=\"A small insect covered in white pollen crawling out of a pink flower\" class=\"wp-image-357542\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_05.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Foto 2026 \u00a9 Javier Milla | FUJIFILM X-T3, FUJINON XF80mmF2.8 R LM OIS WR Macro e tubo di prolunga macro MCEX-16, 1\/200 s a F2.8, ISO 320<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Focus stacking<\/h2>\n\n\n\n<p>Quando Javier desidera massimizzare la sua profondit\u00e0 di campo, utilizza il focus stacking affinch\u00e9 tutti gli aspetti del soggetto rimangano a fuoco.<\/p>\n\n\n\n<p>\u201cCi sono diverse tecniche per ottenere questo effetto, ma con la funzione di bracketing (BKT Focus) del FUJIFILM X-H2S, non sono necessari accessori esterni\u201d, spiega Javier.<\/p>\n\n\n\n<p>\u201cSi pu\u00f2 programmare il numero di foto e l\u2019intervallo, in modo che la fotocamera scatti 60, 120 o pi\u00f9 fotografie, mettendo a fuoco dal punto di messa a fuoco minimo all\u2019infinito man mano che procede. Queste vengono poi unite, o sovrapposte, in una singola immagine utilizzando il software di post-produzione.<\/p>\n\n\n\n<p>\u201cIn queste fotografie, l\u2019illuminazione \u00e8 fondamentale. Riflettori e flash, o una combinazione di entrambi, evidenziano le texture e le aree pi\u00f9 significative del soggetto. Ad esempio, per mettere in risalto la sua parte inferiore, la seguente fotografia \u00e8 stata scattata con lo scarabeo su un foglio acrilico trasparente con un flash posizionato sotto.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=1024&#038;height=682\" alt=\"A small black insect, against a dark background\" class=\"wp-image-357543\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=1024&amp;height=682 1024w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=300&amp;height=200 300w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=768&amp;height=512 768w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=400&amp;height=267 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=365&amp;height=243 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=600&amp;height=400 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=717&amp;height=478 717w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=296&amp;height=197 296w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=800&amp;height=533 800w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=688&amp;height=459 688w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=413&amp;height=275 413w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_06.jpg?width=936&amp;height=624 936w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Foto 2026 \u00a9 Javier Milla | FUJIFILM X-H2S, FUJINON XF80mmF2.8 R LM OIS WR Macro e 2 tubi di prolunga macro MCEX-16, 1\/100 s a F14, ISO 160<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Dettagli nascosti<\/h2>\n\n\n\n<p>A coloro che non amano eccessivamente avvicinarsi ad animali di questo tipo, Javier suggerisce di sfruttare l\u2019abbondanza di soggetti del regno vegetale.<\/p>\n\n\n\n<p>\u201cA seconda del periodo dell\u2019anno, piante e fiori offrono un soggetto eccellente e praticamente illimitato per la fotografia macro\u201d, descrive. \u201cLe orchidee selvatiche fioriscono alla fine dell\u2019inverno. Sono una delle mie specie preferite da fotografare per la loro variet\u00e0, bellezza e per l\u2019originalit\u00e0 delle loro forme, sia individualmente che nel loro insieme.<\/p>\n\n\n\n<p>\u201cTuttavia, crescono solo in luoghi molto specifici e a volte \u00e8 necessario percorrere lunghe distanze per trovare la specie che stai cercando\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=682&#038;height=1024\" alt=\"An orange beetle sitting at the top of a pink and green plant, with a green blurred background\" class=\"wp-image-357544\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/Javier-Milla_07.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-element-caption\">Foto 2026 \u00a9 Javier Milla | FUJIFILM X-T3 e FUJINON XF80mmF2.8 R LM OIS WR Macro, 1\/400 s a F8, ISO 400<\/figcaption><\/figure>\n\n\n\n<p>Se vuoi provare la fotografia macro senza spostarti molto, non c\u2019\u00e8 bisogno di essere cos\u00ec esigenti nella scelta del soggetto. Infatti, come rivela Javier, la bellezza della fotografia macro spesso sta nel notare i dettagli trascurati degli scenari quotidiani.<\/p>\n\n\n\n<p>\u201cOltre alle orchidee e ad altre piante da fiore, quasi tutte le piante, anche se piccole o molto comuni, ti consentono di ottenere immagini interessanti. La maggior parte delle volte, per\u00f2, \u00e8 necessario essere pronti a sporcarsi le mani e trascorrere un po\u2019 di tempo stesi per terra\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Javier Milla, fotografo di fauna selvatica e natura, descrive le tecniche e le attrezzature per la fotografia macro \u201cLa fotografia macro \u00e8 una delle specialit\u00e0 pi\u00f9 gratificanti, poich\u00e9 pu\u00f2 essere fatta praticamente ovunque e con quasi tutti i soggetti\u201d, afferma Javier Milla, fotografo che vive in Spagna. La fotografia macro \u00e8 una soluzione flessibile e [&hellip;]<\/p>\n","protected":false},"author":269,"featured_media":357545,"template":"","category":[2084,1006,1202,1643,1055,4191,3211,3309,320,3162,1986,565,7082,6396,7915],"post_tag":[],"class_list":["post-358356","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-lens-accessories","category-lenses","category-macro-extension-tube","category-x-series-mirrorless","category-x-mount-prime","category-products","category-x-mount","category-x-series","category-stories","category-x-h2s","category-x-t3","category-xf80mmf2-8-r-lm-ois-wr-macro"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-09 13:57:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story\/358356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/users\/269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media\/357545"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media?parent=358356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/category?post=358356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/post_tag?post=358356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358059,"date":"2026-05-22T05:00:00","date_gmt":"2026-05-22T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&#038;p=358059"},"modified":"2026-05-18T05:12:45","modified_gmt":"2026-05-18T05:12:45","slug":"pro-neg-std-fs-recipe-x-maggie-parise","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/it-it\/stories\/pro-neg-std-fs-recipe-x-maggie-parise\/","title":{"rendered":"PRO Neg. Std FS RECIPE x Maggie Paris\u00e9"},"content":{"rendered":"\n<p>For me, \u201cmuted\u201d doesn\u2019t mean dull \u2014 it means intentional. It\u2019s the choice to let light do the talking and to leave enough quiet in the frame that you can actually feel the moment.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358060\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_01.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p><em>Muted Moments<\/em> is my way of leaning into that character. I wanted a FS RECIPE that works both at home and in the studio. A look that feels calm and intentional\u2014low-saturation color, moderate contrast, and smooth tonal gradations that work beautifully in pale interiors and natural light.<\/p>\n\n\n\n<p>I built this FS RECIPE starting with PRO Neg. Std. It\u2019s clean, professional, and adaptable, with tones that stay balanced even when the light shifts. Skin stays soft and consistent, whites stay clean, and shadows roll off smoothly.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358061\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_02.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>&#8220;<em>Muted Moments<\/em>&#8221; shines in natural and controlled light: diffused window light, open shade, a softbox if you\u2019re in a studio, or a simple reflector to lift the shadows without changing the mood. From there, I added just a touch of grain for texture. COLOR CHROME EFFECT stays subtle \u2014 enough to give depth to wood tones and fabrics, without making the image feel \u201cprocessed.\u201d For WHITE BALANCE, I left it at AUTO and then shifted it until the scene felt like it did in real life: a hint warmer in the highlights, slightly cooler in the shadows, the way winter daylight actually behaves.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358062\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_03.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>To keep everything soft and clean, I pulled down highlights and lifted shadows so nothing clips or crushes. I toned down clarity and kept sharpness gentle, so skin stays forgiving and clean, while detail stays present.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=682&#038;height=1024\" alt=\"\" class=\"wp-image-358063\" srcset=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=682&amp;height=1024 682w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=200&amp;height=300 200w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=365&amp;height=548 365w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=600&amp;height=900 600w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=390&amp;height=585 390w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=563&amp;height=845 563w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=131&amp;height=197 131w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=400&amp;height=600 400w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=355&amp;height=533 355w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=306&amp;height=459 306w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=183&amp;height=275 183w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=653&amp;height=980 653w, https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2026\/05\/CA_Maggie-Parise_Stories_04.jpg?width=480&amp;height=720 480w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>And that\u2019s &#8220;Muted Moments&#8221;: soft, professional, clean \u2014 a look that lets the calmest frame speak the loudest.<\/p>\n\n\n\n<p><strong>FILM SIMULATION:<\/strong> PRO Neg. Std<br><strong>MONOCHROMATIC COLOR: <\/strong>N\/A<br><strong>GRAIN EFFECT<\/strong> WEAK, SMALL<br><strong>COLOR CHROME EFFECT<\/strong> WEAK<br><strong>COLOR CHROME FX BLUE<\/strong> OFF<br><strong>SMOOTH SKIN EFFECT<\/strong> OFF<br><strong>WHITE BALANCE<\/strong> AUTO\/ R +4, B -5<br><strong>DYNAMIC RANGE<\/strong> DR200<br><strong>D RANGE PRIORITY&nbsp;&nbsp;&nbsp; <\/strong>OFF<br><strong>TONE CURVE<\/strong> H -1,5, S +1<br><strong>COLOR<\/strong> 0<br><strong>SHARPNESS<\/strong> -2<br><strong>HIGH ISO NR<\/strong> 0<br><strong>CLARITY<\/strong> -1<strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For me, \u201cmuted\u201d doesn\u2019t mean dull \u2014 it means intentional. It\u2019s the choice to let light do the talking and to leave enough quiet in the frame that you can actually feel the moment. Muted Moments is my way of leaning into that character. I wanted a FS RECIPE that works both at home and [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":358064,"template":"","category":[2084,1006,1202,13607,1055,3211,13923,320,3162,1986,565,13936,13835,3358],"post_tag":[],"class_list":["post-358059","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-t30-iii","category-xf16-55mmf2-8-r-lm-wr-ii","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-06-09 13:57:17","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story\/358059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media\/358064"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/media?parent=358059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/category?post=358059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/it-it\/wp-json\/wp\/v2\/post_tag?post=358059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]