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<\/a><\/p>\n<\/div>\nBut then I started to use it, and discovered that it was slow as syrup on a Sunday afternoon. Slow to turn on, slow to turn off, slow to release its shutter, and as for focusing\u2026. Well, there was a rumor it could autofocus. But I liked that it gave me files of excellent quality, and that my pictures didn\u2019t crumble at ISO 6400. I shot a lot at night in those days, so low light handling was important.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nSure, I missed a ton of shots, especially at the beginning, but it forced me to be more disciplined with my shooting, and more deliberate with the pictures I made. I liked the way its shutter sounded: not the gunshot clap I\u2019d been used to from Nikon, but a snick like a twig snapping on a bed of moss. It didn\u2019t kill my back, and returned pleasure to shooting. Most of all, I liked the way it fit in my hand, and how using it didn\u2019t feel like pointing a weapon at people. In fact, once I\u2019d worked my way around its limitations, I ceased to notice I was using it at all. It was a revelation.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nSix months after I got the X-Pro1, I left Australia, where I\u2019d lived for the past 14 years (I was born and raised in Singapore). I\u2019d had enough of the snugly suburban life, cranking the 9-5 at an office, in an environment that promised little change, and a paycheck that came in like clockwork to make sure it stayed that way. I walked away from it all to live as I do now: on the road.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nIn my first year as a nomad, I photographed things I had never encountered, in places I had never been: nature in West Texas, portraiture on the streets in Washington D.C., music in Copenhagen, and a combination of all the above in Mexico City. The camera, in not being able to keep up with situations, taught my reflexes to cope with its lack.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nThe X-Pro1 was an apt companion for a life outside my comfort zone. In taking leave of all the things that anchored me to certainty – lifestyle, environment, work – it was fitting that I would also carry a camera that made me deal with things I never thought about before.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nBy the time I got my hands on the X-E2, which Fujifilm Nordic lent me in the northern summer of 2014, I was so tuned to the X-Pro1 that the newer camera\u2019s improvements in responsiveness were initially bewildering. A retune was in order.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nThat readjustment didn\u2019t take very long at all. I loved that X-Trans II sensor and what it did for low light shooting; the clarity of ISO 6400 frames were delightful. And so was the fact that here was an even smaller, lighter camera than the one I had. It too fit my hand like it was made for it, and was even more discreet, with the same spare, range finding grace of its big sister. It remains, to date, my favorite camera body of them all.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nI swapped the X-E2 for an X-T1, in early 2015. I hadn\u2019t been too interested in this camera when it was launched the year before, mostly owing to the way it looked. It took longer to get used to, as it felt like a camera made for a very different sort of photographer.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nI always know I have an X-T1 in my hands; it demands to be celebrated as the X-series hotrod. Subsequent firmware releases have only made it faster and more versatile.
\nI don\u2019t shoot as comfortably with the X-T1 as I have the other X-series bodies, but it brought video into my life: something I wouldn\u2019t be doing if not for this particular body.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nDespite the X-T1 opening up new directions, and making life easier (for instance, I rare ever find myself manually focusing anymore), I\u2019ve missed the feel of the X-Pro\/X-E series, and how they disappear in hand.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nI\u2019ve been looking forward to the X-Pro 2 for a while. There are some things that are bodily different about it \u2013 the ISO dial, the joystick \u2013 but it still felt overwhelmingly like an old friend. I was suitably blown away by the new X-Trans III sensor, and how it extends native low light capability to a cool 12,800 ISO, and also by the new shutter,which fires like an extension of a nerve.<\/p>\n<\/p>\n
<\/a><\/p>\n<\/div>\nBut most of all, what I love is that it feels like just the X-Pro1. Pulling it out of the box and into my hand was togive in to a heady recognition. This was a camera I understood how to use. It felt, overwhelmingly, like coming home after 4 years away.<\/p>\n<\/p>\n