[{"id":365687,"date":"2026-06-29T01:49:18","date_gmt":"2026-06-29T01:49:18","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=365687"},"modified":"2026-06-29T01:49:33","modified_gmt":"2026-06-29T01:49:33","slug":"szczegolne-momenty-fotografia-podroznicza-z-lukiem-davisem","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/pl-pl\/stories\/szczegolne-momenty-fotografia-podroznicza-z-lukiem-davisem\/","title":{"rendered":"Szczeg\u00f3lne momenty: Fotografia podr\u00f3\u017cnicza z\u00a0Lukiem Davisem"},"content":{"rendered":"\n

Luke Davis, fotograf podr\u00f3\u017cniczy i\u00a0lifestylowy, opowiada o sprz\u0119cie, decyzjach stylistycznych i\u00a0o tym, jak ograniczenia mog\u0105 rozbudza\u0107 kreatywno\u015b\u0107<\/h2>\n\n\n\n

Luke Davis jest fotografem podr\u00f3\u017cniczym i\u00a0lifestylowym z\u00a0Dorset w\u00a0po\u0142udniowo-zachodniej Anglii.\u00a0Ostatni raz kiedy rozmawiali\u015bmy z Lukiem<\/a> opisa\u0142 sw\u00f3j styl fotografowania jako d\u0105\u017cenie do stworzenia ponadczasowego poczucia nostalgii. \u201eNie staram si\u0119 \u015bci\u015ble na\u015bladowa\u0107 filmu, ale zdecydowanie pr\u00f3buj\u0119 wykorzysta\u0107 niekt\u00f3re z\u00a0cech tej formy ekspresji artystycznej\u201d\u00a0\u2014 wyja\u015bnia. \u201eMi\u0119kko\u015b\u0107, ziarniste tekstury, a do tego ciep\u0142a paleta barw\u201d.<\/p>\n\n\n\n

\u201ePowiedzia\u0142bym, \u017ce m\u00f3j styl bardziej sk\u0142ania si\u0119 ku kolorowej i\u00a0\u017cywej estetyce\u00a0\u2014 zdecydowanie w\u00a0ci\u0105gu ostatniego roku czy dw\u00f3ch lat moje zdj\u0119cia sta\u0142y si\u0119 bardziej wyraziste\u201d\u00a0\u2014 dodaje. \u201eAle za\u0142o\u017cenie, \u017ce chc\u0119, aby moje zdj\u0119cia bardziej przypomina\u0142y wspomnienia, jest nadal podstaw\u0105 mojego stylu\u201d.<\/p>\n\n\n\n

\u201eS\u0142owo >>eskapizm<< jest idealnym sposobem na wyra\u017cenie tego. Jest wielu fotograf\u00f3w, kt\u00f3rzy \u015bwietnie radz\u0105 sobie z fotografi\u0105 podr\u00f3\u017cnicz\u0105 w stylu dokumentalnym. Dla mnie jednak najwa\u017cniejsze jest zwr\u00f3cenie uwagi na drobne szczeg\u00f3\u0142y, nadanie poczucia spokoju i przedstawienie \u017cycia w romantycznym wydaniu\u201d.<\/p>\n\n\n\n

\"A
Zdj\u0119cie 2026 \u00a9 Luke Davis | FUJIFILM X-T5 i\u00a0FUJINON XF35mmF2 R WR, 1\/1800\u00a0s przy F6.4, ISO 500<\/figcaption><\/figure>\n\n\n\n

Szerokie spektrum<\/h2>\n\n\n\n

Niekt\u00f3rzy fotografowie podr\u00f3\u017cniczy przyje\u017cd\u017caj\u0105 w\u00a0dane miejsce, aby zrealizowa\u0107 konkretne zlecenie. Podej\u015bcie Luke\u2019a jest znacznie bardziej otwarte. \u201eNie mam \u017cadnego konkretnego zamiaru\u201d\u00a0\u2014 m\u00f3wi. \u201eNie wybieram si\u0119 w\u00a0dane miejsce, \u017ceby opowiedzie\u0107 konkretn\u0105 histori\u0119. Cz\u0119sto po prostu do\u015bwiadczam go po raz pierwszy i sprawdzam, co uda mi si\u0119 dostrzec \u2013 na tym w\u0142a\u015bnie polega ca\u0142a idea\u201d.<\/p>\n\n\n\n

\u201eMoim jedynym prawdziwym celem jest jak najdok\u0142adniejsze przyjrzenie si\u0119 danemu miejscu od g\u00f3ry do do\u0142u\u201d. “Staram si\u0119 nie skupia\u0107 na jednym g\u0142\u00f3wnym uj\u0119ciu. Nie koncentruj\u0119 si\u0119 te\u017c wy\u0142\u0105cznie na drobnych szczeg\u00f3\u0142ach. Chc\u0119 mie\u0107 szeroki wyb\u00f3r zdj\u0119\u0107\u00a0\u2014 zawsze staram si\u0119 to sobie wyobrazi\u0107 tak, jakbym tworzy\u0142 album ze zdj\u0119ciami po\u015bwi\u0119cony temu miejscu\u201d.<\/p>\n\n\n\n

\u201eChc\u0119 mie\u0107 du\u017ce zdj\u0119cie na ok\u0142adk\u0119, ale chcia\u0142bym te\u017c zobaczy\u0107, jacy s\u0105 ludzie, i\u00a0pokaza\u0107 niekt\u00f3re z\u00a0detali, kt\u00f3re \u0142atwo przeoczy\u0107. Staram si\u0119 uchwyci\u0107 zar\u00f3wno du\u017ce, jak i\u00a0ma\u0142e momenty, aby pokaza\u0107 szerokie spektrum\u201d.<\/p>\n\n\n\n

\"An
Zdj\u0119cie 2024 \u00a9 Luke Davis | FUJIFILM X-T5 i\u00a0FUJINON XF23mmF1.4 R LM WR, 1\/20\u00a0000\u00a0s przy F1.4, ISO 500<\/figcaption><\/figure>\n\n\n\n

Dobry fotograf podr\u00f3\u017cniczy wie, jak skutecznie wykorzysta\u0107 ograniczony czas w\u00a0danym miejscu. \u201eWarto mie\u0107 og\u00f3lny plan podr\u00f3\u017cy\u201d\u00a0\u2014 m\u00f3wi Luke. \u201eStaram si\u0119 zachowa\u0107 r\u00f3wnowag\u0119 mi\u0119dzy kilkoma obszarami, kt\u00f3re chc\u0119 zg\u0142\u0119bia\u0107, a jednocze\u015bnie pozostawiam sobie swobod\u0119 mi\u0119dzy tymi momentami. To u\u0142atwia mi zachowanie r\u00f3wnowagi. Zazwyczaj masz ograniczony czas i odczuwasz presj\u0119, by w ka\u017cdym miejscu stworzy\u0107 swoje najlepsze dzie\u0142o. Ale ostatnio nauczy\u0142em si\u0119 pr\u00f3bowa\u0107 to odpu\u015bci\u0107\u201d.<\/p>\n\n\n\n

\u201eChodzi o to, bym m\u00f3g\u0142 do\u015bwiadczy\u0107 danego miejsca. Nie powinienem nak\u0142ada\u0107 na siebie zbyt du\u017cej presji, aby tworzy\u0107, poniewa\u017c ostatecznie wp\u0142ynie to na moj\u0105 przyjemno\u015b\u0107 z\u00a0przebywania w\u00a0danym miejscu, a to z\u00a0kolei\u00a0\u2014 na zdj\u0119cia\u201d.<\/p>\n\n\n\n

\u201eZwykle mam palec na spu\u015bcie, gdy docieram do danego miejsca\u00a0\u2014 po prostu chc\u0119 od razu zacz\u0105\u0107 fotografowa\u0107. Ale teraz zacz\u0105\u0142em oswaja\u0107 si\u0119 z\u00a0miejscem, zanim wyjm\u0119 aparat. Dobrze jest po\u015bwi\u0119ci\u0107 chwil\u0119, aby by\u0107 tu i\u00a0teraz, bo dzi\u0119ki temu mo\u017cna nieco lepiej zrozumie\u0107 to miejsce, a to pomo\u017ce nada\u0107 zdj\u0119ciom wi\u0119ksz\u0105 g\u0142\u0119bi\u0119\u201d.<\/p>\n\n\n\n

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Zdj\u0119cie 2024 \u00a9 Luke Davis | FUJIFILM X-T5 i\u00a0FUJINON XF23mmF1.4 R LM WR, 1\/6000\u00a0s przy F4, ISO 500<\/figcaption><\/figure>\n\n\n\n

W\u0142a\u015bciwy sprz\u0119t<\/h2>\n\n\n\n

Luke znalaz\u0142 idealnego kreatywnego towarzysza do realizacji swojej wizji fotografii podr\u00f3\u017cniczej\u00a0\u2014 seri\u0119 X FUJIFILM. \u201eChc\u0119 mie\u0107 obrazy o bardzo wysokiej rozdzielczo\u015bci, ale szukam te\u017c bardziej mi\u0119kkiego, analogowego aspektu\u00a0\u2014 po\u0142\u0105czenia tych dw\u00f3ch \u015bwiat\u00f3w. FUJIFILM jest przyk\u0142adem tego, \u017ce mo\u017cna powi\u0105za\u0107 te dwa obszary i\u00a0znale\u017a\u0107 mi\u0119dzy nimi idealn\u0105 r\u00f3wnowag\u0119\u201d\u00a0\u2014 m\u00f3wi.<\/p>\n\n\n\n

\u201eFUJIFILM czerpie ze swojego dziedzictwa – z\u00a0epoki fotografii analogowej – co wida\u0107 w\u00a0sposobie, w\u00a0jaki firma projektuje aparaty i\u00a0tworzy symulacje filmu. Wk\u0142adaj\u0105 w sprz\u0119t ca\u0142e swoje serce, nie rezygnuj\u0105c przy tym z zalet technologii aparat\u00f3w cyfrowych\u201d.<\/p>\n\n\n\n

\u201eMoim ulubionym aparatem jest\u00a0FUJIFILM X-T5<\/a>. Po prostu ci\u0105gle do niego wracam\u00a0\u2014 to urz\u0105dzenie robi wszystko. Ma rozdzielczo\u015b\u0107, jakiej potrzebuj\u0119, autofokus jest \u015bwietny, ma rewelacyjn\u0105 stabilizacj\u0119 IBIS, nagrywa niesamowite wideo, a do tego nie jest a\u017c tak du\u017cy”. \u201eMoim zdaniem to aparat tak bliski idea\u0142u, jak to tylko mo\u017cliwe\u201d.<\/p>\n\n\n\n

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Zdj\u0119cie 2024 \u00a9 Luke Davis | FUJIFILM X-T5 i\u00a0FUJINON XF18mmF1.4 R LM WR, 1\/18\u00a0s przy F5.6, ISO 500<\/figcaption><\/figure>\n\n\n\n

Luke podkre\u015bla, jak wa\u017cne jest, by powa\u017cnie zastanowi\u0107 si\u0119 nad przeno\u015bno\u015bci\u0105 sprz\u0119tu do fotografii podr\u00f3\u017cniczej. \u201eRozmiar i\u00a0waga s\u0105 kluczowymi czynnikami i\u00a0to jest co\u015b, co znacznie bardziej doceni\u0142em w\u00a0ci\u0105gu ostatniego roku czy dw\u00f3ch\u201d\u00a0\u2014 zauwa\u017ca. \u201eNauczy\u0142em si\u0119 rozumie\u0107, co lubi\u0119 w\u00a0obiektywach, i\u00a0starannie wybiera\u0107 sprz\u0119t, kt\u00f3ry ze sob\u0105 zabieram\u201d.<\/p>\n\n\n\n

\u201eKiedy zaczyna\u0142em robi\u0107 zdj\u0119cia podr\u00f3\u017cnicze, pakowa\u0142em ca\u0142y sprz\u0119t do jednej torby i mia\u0142em wszystko pod r\u0119k\u0105. Obecnie m\u00f3j zestaw jest znacznie bardziej minimalistyczny. Zabieram ze sob\u0105 dwa, mo\u017ce trzy obiektywy. Jeszcze kilka lat temu by\u0142oby ich sze\u015b\u0107 lub siedem\u201d.<\/p>\n\n\n\n

\u201eParali\u017c wyboru to prawdziwe zjawisko. Mo\u017cesz traci\u0107 czas na zmian\u0119 obiektyw\u00f3w i zastanawianie si\u0119, jaka ogniskowa b\u0119dzie pasowa\u0107 do ka\u017cdego scenariusza, albo po prostu pogodzi\u0107 si\u0119 z posiadaniem obiektywu 35 mm i zaakceptowa\u0107 fakt, \u017ce by\u0107 mo\u017ce przegapisz uj\u0119cia, kt\u00f3re uda\u0142oby si\u0119 uchwyci\u0107 przy u\u017cyciu innego obiektywu”.<\/p>\n\n\n\n

\u201eTakie ograniczenie pobudza kreatywno\u015b\u0107\u00a0\u2014 zmuszaj\u0105c do podej\u015bcia do pracy w\u00a0spos\u00f3b, w\u00a0jaki nie zrobi\u0142by\u015b tego, gdyby\u015b mia\u0142 do dyspozycji wszystkie mo\u017cliwe ogniskowe\u201d.<\/p>\n\n\n\n

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Zdj\u0119cie 2024 \u00a9 Luke Davis | FUJIFILM X-T5 i\u00a0FUJINON XF18mmF1.4 R LM WR, 1\/2000\u00a0s przy F4, ISO 500<\/figcaption><\/figure>\n\n\n\n

Obiektywy z\u00a0serii X do fotografii podr\u00f3\u017cniczej<\/h2>\n\n\n\n

\u201eZawsze preferowa\u0142em obiektywy standardowe\u00a0\u2014 co\u015b w\u00a0rodzaju odpowiednika 50\u00a0mm\u201d\u00a0\u2014 zapewnia Luke. \u201eNie zawsze mam w\u00a0torbie szerokok\u0105tny obiektyw, ale kiedy ju\u017c tam jest, to wybieram perspektyw\u0119 18\u00a0mm. Nie jest zbyt szeroki, ale te\u017c nie jest zbyt skompresowany. W\u00a0przypadku szerokiego k\u0105ta plasuje si\u0119 dok\u0142adnie po\u015brodku\u201d.<\/p>\n\n\n\n

FUJINON XF18mmF1.4 R LM WR<\/a>, to profesjonalny, odporny na wp\u0142yw warunk\u00f3w atmosferycznych obiektyw o ogniskowej odpowiadaj\u0105cej 27 mm w formacie pe\u0142noklatkowym, kt\u00f3ry zapewnia wyj\u0105tkow\u0105 jako\u015b\u0107 optyczn\u0105 przy szerokok\u0105tnej ogniskowej. \u201eDla mnie to \u015bwietny obiektyw do uj\u0119\u0107 wprowadzaj\u0105cych\u201d\u00a0\u2014 m\u00f3wi Luke. \u201eGdybym mia\u0142 stworzy\u0107 album fotograficzny po\u015bwi\u0119cony danemu miejscu, obiektyw XF18mmF1.4 by\u0142by tym, kt\u00f3ry wyobra\u017cam sobie na zdj\u0119ciu na ok\u0142adk\u0119 \u2013 takim, kt\u00f3re po prostu oddaje ca\u0142o\u015b\u0107 tego miejsca\u201d.<\/p>\n\n\n\n

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Zdj\u0119cie 2026 \u00a9 Luke Davis | FUJIFILM X-T5 i\u00a0FUJINON XF18mmF1.4 R LM WR, 1\/1100\u00a0s przy F4.5, ISO 500<\/figcaption><\/figure>\n\n\n\n

FUJINON XF23mmF1.4 R LM WR<\/a>\u00a0oferuje podobn\u0105 jako\u015b\u0107 optyczn\u0105, ale nieco w\u0119\u017csz\u0105 perspektyw\u0119. \u201eOpisa\u0142bym go jako obiektyw uniwersalny\u201d\u00a0\u2014 zauwa\u017ca Luke. \u201eIstnieje pow\u00f3d, dla kt\u00f3rego aparaty takie jak\u00a0FUJIFILM X100VI<\/a>, z\u00a0wbudowanym obiektywem sta\u0142oogniskowym o takiej ogniskowej, s\u0105 tak popularne\u00a0\u2014 to uniwersalny, optymalny wyb\u00f3r. \u201eW razie potrzeby mo\u017cesz przyci\u0105\u0107 zdj\u0119cie, aby uzyska\u0107 nieco bli\u017csze uj\u0119cie, a kompresja jest wystarczaj\u0105ca, aby uzyska\u0107 bardziej p\u0142askie zdj\u0119cia szczeg\u00f3\u0142\u00f3w.\u201d\u00a0 Ale ma te\u017c wystarczaj\u0105co szerokie pole widzenia, \u017ce wystarczy cofn\u0105\u0107 si\u0119 o kilka krok\u00f3w, by uzyska\u0107 bardzo dobre uj\u0119cie wprowadzaj\u0105ce. \u201eGdybym mia\u0142 zabra\u0107 na wycieczk\u0119 tylko jeden obiektyw, to w\u0142a\u015bnie ten\u201d.<\/p>\n\n\n\n

Oba obiektywy XF18mmF1.4 i\u00a0XF23mmF1.4 charakteryzuj\u0105 si\u0119 wyj\u0105tkow\u0105 konstrukcj\u0105 optyczn\u0105, zapewniaj\u0105c\u0105 zadziwiaj\u0105c\u0105 ostro\u015b\u0107 na ca\u0142ym kadrze.<\/p>\n\n\n\n

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Zdj\u0119cie 2024 \u00a9 Luke Davis | FUJIFILM X-T5 i\u00a0FUJINON XF23mmF1.4 R LM WR, 0,8\u00a0s przy F11, ISO 500<\/figcaption><\/figure>\n\n\n\n

\u201eZawsze jestem pod wra\u017ceniem tego, jak ostre s\u0105 te obiektywy przy maksymalnie otwartej przys\u0142onie. Je\u015bli chcesz, mo\u017cesz po prostu ustawi\u0107 przys\u0142on\u0119 na F1.4 i\u00a0o tym zapomnie\u0107. Ta szeroka przys\u0142ona ma oczywiste zalety\u00a0\u2014 dobre parametry przy s\u0142abym o\u015bwietleniu oraz pozwala uzyska\u0107 ma\u0142\u0105 g\u0142\u0119bi\u0119 ostro\u015bci. Ale w\u00a0przesz\u0142o\u015bci u\u017cywa\u0142em obiektyw\u00f3w, kt\u00f3re wymagaj\u0105 przymkni\u0119cia przys\u0142ony, aby uzyska\u0107 optymaln\u0105 wydajno\u015b\u0107. Brak tego ograniczenia jest ogromn\u0105 ulg\u0105\u201d.<\/p>\n\n\n\n

\u201eNajwi\u0119ksz\u0105 korzy\u015bci\u0105 jest mo\u017cliwo\u015b\u0107 pracy przy maksymalnie otwartej przys\u0142onie bez obaw, \u017ce wp\u0142ynie to negatywnie na jako\u015b\u0107 zdj\u0119cia. I\u00a0chocia\u017c s\u0105 nieco wi\u0119ksze, nadal s\u0105 do\u015b\u0107 kompaktowe. W\u00a0ko\u0144cu to wci\u0105\u017c obiektyw APS-C\u00a0\u2014 kiedy zdejmuj\u0119 z\u00a0jednego z\u00a0nich os\u0142on\u0119 obiektywu, jest mniej wi\u0119cej wielko\u015bci puszki napoju\u201d.<\/p>\n\n\n\n

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Zdj\u0119cie 2025 \u00a9 Luke Davis | FUJIFILM X-T5 i\u00a0FUJINON XF18mmF1.4 R LM WR, 1\/1600\u00a0s przy F5.6, ISO 250<\/figcaption><\/figure>\n\n\n\n

Je\u015bli szukasz jeszcze bardziej kompaktowego obiektywu sta\u0142oogniskowego, w\u00a0ofercie obiektyw\u00f3w serii X jest wiele bardzo por\u0119cznych opcji. \u201eOczywi\u015bcie s\u0105 sta\u0142oogniskowe F2, kt\u00f3re s\u0105 jeszcze mniejsze\u201d\u00a0\u2014 dodaje Luke. \u201eMog\u0105 stanowi\u0107 szczeg\u00f3lnie praktyczn\u0105 opcj\u0119 w\u00a0trakcie podr\u00f3\u017cy\u201d. Na przyk\u0142ad odporny na wp\u0142yw warunk\u00f3w atmosferycznych\u00a0FUJINON XF35mmF2 R WR<\/a>\u00a0zapewnia charakterystyczn\u0105 ogniskow\u0105 odpowiadaj\u0105c\u0105 53\u00a0mm, chocia\u017c wa\u017cy zaledwie 170\u00a0g i\u00a0ma jedynie 45,9\u00a0mm d\u0142ugo\u015bci.<\/p>\n\n\n\n

\u201eUwielbiam to pole widzenia\u201d\u00a0\u2014 zachwyca si\u0119 Luke. \u201eChocia\u017c wybra\u0142bym XF23mmF1.4 ze wzgl\u0119du na wszechstronno\u015b\u0107, ostatecznie zdecydowa\u0142bym si\u0119 na co\u015b z\u00a0ogniskow\u0105 35\u00a0mm, poniewa\u017c to moja ulubiona ogniskowa\u00a0\u2014 zabra\u0142bym j\u0105 na bezludn\u0105 wysp\u0119. Daje mi troch\u0119 swobody, gdy mam nieco przestrzeni do pracy. A\u00a0do tego ma p\u0142ask\u0105, niemal malarsk\u0105 kompresj\u0119, kt\u00f3r\u0105 uwielbiam na swoich zdj\u0119ciach. Powiedzia\u0142bym, \u017ce przynajmniej po\u0142owa moich zdj\u0119\u0107 powstaje przy u\u017cyciu tej ogniskowej.\u201d.<\/p>\n\n\n\n

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Zdj\u0119cie 2026 \u00a9 Luke Davis | FUJIFILM X-T5 i\u00a0FUJINON XF35mmF2 R WR, 1\/2000\u00a0s przy F5.6, ISO 500<\/figcaption><\/figure>\n\n\n\n

Aby uzyska\u0107 maksymaln\u0105 elastyczno\u015b\u0107, Luke sugeruje zoom ze sta\u0142\u0105 przys\u0142on\u0105, taki jak FUJINON XF16-80mmF4 R OIS WR<\/a>. Niedawno wr\u00f3ci\u0142 z\u00a0podr\u00f3\u017cy do Japonii, gdzie w\u00a0du\u017cej mierze polega\u0142 na standardowym obiektywie zmiennoogniskowym, aby zachowa\u0107 elastyczno\u015b\u0107 w\u00a0reagowaniu na otoczenie.<\/p>\n\n\n\n

\u201eMy\u015bl\u0119, \u017ce wynik\u0142o to z\u00a0idei wszechstronno\u015bci\u201d\u00a0\u2014 m\u00f3wi. \u201eNie wszystkie moje prace wymagaj\u0105 bardzo szerokiej przys\u0142ony, wi\u0119c w\u00a0tym przypadku\u00a0\u2014 zw\u0142aszcza \u017ce Japonia to dla mnie miejsce, kt\u00f3re koniecznie chcia\u0142em odwiedzi\u0107 \u2013 nie chcia\u0142em niczego przegapi\u0107. Dost\u0119p do ca\u0142ego tego zakresu by\u0142 idealny. Wci\u0105\u017c mia\u0142em przy sobie standardowy obiektyw sta\u0142oogniskowy, na wypadek gdybym chcia\u0142 uzyska\u0107 ma\u0142\u0105 g\u0142\u0119bi\u0119 ostro\u015bci lub znalaz\u0142 si\u0119 w\u00a0s\u0142abszym \u015bwietle. A\u00a0je\u015bli chodzi o zoom w\u00a0aparacie, to w\u0142a\u015bnie tego u\u017cywa\u0142em w\u00a090% przypadk\u00f3w\u201d.<\/p>\n\n\n\n

\"\"
Zdj\u0119cie 2025 \u00a9 Luke Davis | FUJIFILM X-E5 i\u00a0FUJINON XF16-55mmF2.8 R LM WR II, 1\/9000\u00a0s przy F2.8, ISO 500<\/figcaption><\/figure>\n\n\n\n

Zdj\u0119cia z\u00a0portfolio, kt\u00f3re do nas przemawiaj\u0105<\/h2>\n\n\n\n

Zami\u0142owanie Luke\u2019a do fotografii w\u00a0po\u0142\u0105czeniu z\u00a0eksploracj\u0105 nowych miejsc cz\u0119sto sprawia, \u017ce podczas podr\u00f3\u017cy tworzy ogromn\u0105 liczb\u0119 zdj\u0119\u0107. \u201eW\u0142a\u015bciwie zacz\u0105\u0142em selekcjonowa\u0107 na bie\u017c\u0105co\u201d\u00a0\u2014 przyznaje. \u201eKiedy\u015b tego nie robi\u0142em\u00a0\u2014 po prostu robi\u0142em zdj\u0119cie za zdj\u0119ciem, a potem wraca\u0142em do domu z\u00a06000\u00a0zdj\u0119\u0107 do przejrzenia\u201d.<\/p>\n\n\n\n

\u201eDzisiaj pod koniec ka\u017cdego dnia przegl\u0105dam menu odtwarzania na ekranie z\u00a0ty\u0142u aparatu. Je\u015bli naci\u015bniesz przycisk AEL (blokada ekspozycji), pojawi si\u0119 ocena w\u00a0postaci gwiazdek. Potem przechodz\u0119 przez wszystko i\u00a0zaznaczam gwiazdk\u0105 to, co chc\u0119 zachowa\u0107. Oszcz\u0119dza to mn\u00f3stwo czasu po powrocie do domu\u201d.<\/p>\n\n\n\n

\u201eWynika to wy\u0142\u0105cznie z mojej mi\u0142o\u015bci do fotografii. Jestem najzwyczajniej w\u00a0\u015bwiecie podekscytowany, \u017ce mog\u0119 obejrze\u0107 zdj\u0119cia z\u00a0danego dnia. Lubi\u0119 je ogl\u0105da\u0107 i\u00a0zastanawia\u0107 si\u0119, czy trafi\u0105 do mojego portfolio\u201d.<\/p>\n\n\n\n

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Zdj\u0119cie 2026 \u00a9\u00a0Luke Davis | FUJIFILM X-T5 i\u00a0FUJINON XF35mmF2 R WR, 1\/12\u00a0800\u00a0s przy F2, ISO 500<\/figcaption><\/figure>\n\n\n\n

Czy jest co\u015b konkretnego, co definiuje \u201ezdj\u0119cie do portfolio\u201d?\u00a0 \u201eTrudno to dok\u0142adnie okre\u015bli\u0107\u201d\u00a0\u2014 przyznaje. \u201eStaram si\u0119 ocenia\u0107 zdj\u0119cia pod k\u0105tem tego, czy pasuje do \u201emojego stylu\u201d, czy nie. To musi by\u0107 co\u015b, co do mnie przemawia”.<\/p>\n\n\n\n

“By\u0107 mo\u017ce na zdj\u0119ciu by\u0142 cz\u0142owiek z\u00a0wyrazem twarzy, kt\u00f3ry mnie fascynuje. By\u0107 mo\u017ce kompozycja jest satysfakcjonuj\u0105ca pod wzgl\u0119dem geometrycznym. By\u0107 mo\u017ce pora dnia i\u00a0warunki pogodowe sprawi\u0142y, \u017ce \u015bwiat\u0142o u\u0142o\u017cy\u0142o si\u0119 idealnie. W\u00a0gr\u0119 wchodzi mn\u00f3stwo czynnik\u00f3w\u00a0\u2014 musi to by\u0107 suma wszystkich element\u00f3w\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

Luke Davis, fotograf podr\u00f3\u017cniczy i\u00a0lifestylowy, opowiada o sprz\u0119cie, decyzjach stylistycznych i\u00a0o tym, jak ograniczenia mog\u0105 rozbudza\u0107 kreatywno\u015b\u0107 Luke Davis jest fotografem podr\u00f3\u017cniczym i\u00a0lifestylowym z\u00a0Dorset w\u00a0po\u0142udniowo-zachodniej Anglii.\u00a0Ostatni raz kiedy rozmawiali\u015bmy z Lukiem opisa\u0142 sw\u00f3j styl fotografowania jako d\u0105\u017cenie do stworzenia ponadczasowego poczucia nostalgii. \u201eNie staram si\u0119 \u015bci\u015ble na\u015bladowa\u0107 filmu, ale zdecydowanie pr\u00f3buj\u0119 wykorzysta\u0107 niekt\u00f3re z\u00a0cech tej […]<\/p>\n","protected":false},"author":245,"featured_media":361999,"template":"","category":[2084,1006,1202,3211,3260,3309,320,3162,1986,565,7180,13238,13835,9091,8209,8258,7768,3358],"post_tag":[],"class_list":["post-365687","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-x-series-mirrorless","category-x-series-premium-compact","category-x-mount-prime","category-products","category-x-mount","category-x-series","category-stories","category-x-t5","category-x100vi","category-xf16-55mmf2-8-r-lm-wr-ii","category-xf16-80mmf4-r-ois-wr","category-xf18mmf1-4-r-lm-wr","category-xf23mmf14-r-lm-wr","category-xf35mmf2-r-wr","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-06 17:53:48","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story\/365687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/users\/245"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media\/361999"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media?parent=365687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/category?post=365687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/post_tag?post=365687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":365316,"date":"2026-06-26T05:00:00","date_gmt":"2026-06-26T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=365316"},"modified":"2026-06-24T02:36:10","modified_gmt":"2026-06-24T02:36:10","slug":"reala-ace-fs-recipe-x-dice-sales","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/pl-pl\/stories\/reala-ace-fs-recipe-x-dice-sales\/","title":{"rendered":"REALA ACE\u00a0FS RECIPE\u00a0x Dice Sales"},"content":{"rendered":"\n

Reala \u0100ta is a FS RECIPE built around softness, balance, and calm light. The name comes from the M\u0101ori word \u201c\u0101ta,\u201d meaning gentle & slowly. That meaning fits this FS RECIPE perfectly. It was designed for quiet moments, early starts, and fading light at the end of the day.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

The base Film Simulation is REALA ACE, which I find ideal for landscapes and everyday scenes. It offers rich, filmic tones without feeling heavy or oversaturated. Greens stay natural, shadows lean slightly cool, and highlights roll off smoothly, even in difficult light. This makes it a strong all-around choice for travel and landscape photography.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

To keep this FS RECIPE flexible, I relied on the FUJIFILM X-E5\u2019s AUTO WHITE BALANCE. This helps maintain consistent colour and contrast across changing conditions. Lowering HIGHLIGHTS and adding a touch of SHADOW creates images that feel both subtle and punchy. An optional mist filter adds a soft, cinematic mood, especially during golden hour.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

I tested \u201cReala \u0100ta\u201d across Arthur\u2019s Pass, Castle Hill at sunset, and the beaches of Christchurch. It handled open plains, textured rock, and coastal light with ease. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Reala \u0100ta is a FS RECIPE built around softness, balance, and calm light. The name comes from the M\u0101ori word \u201c\u0101ta,\u201d meaning gentle & slowly. That meaning fits this FS RECIPE perfectly. It was designed for quiet moments, early starts, and fading light at the end of the day. The base Film Simulation is REALA […]<\/p>\n","protected":false},"author":135,"featured_media":365447,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,9140,8258,8748,3358],"post_tag":[],"class_list":["post-365316","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf10-24mmf4-r-ois-wr","category-xf23mmf14-r-lm-wr","category-xf50-140mmf2-8-r-lm-ois-wr","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-06 17:53:48","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story\/365316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media\/365447"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media?parent=365316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/category?post=365316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/post_tag?post=365316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":364087,"date":"2026-06-19T05:00:00","date_gmt":"2026-06-19T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=364087"},"modified":"2026-06-15T05:41:27","modified_gmt":"2026-06-15T05:41:27","slug":"reala-ace-fs-recipe-x-sirirat-kongkaew","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/pl-pl\/stories\/reala-ace-fs-recipe-x-sirirat-kongkaew\/","title":{"rendered":"REALA ACE FS RECIPE x Sirirat Kongkaew"},"content":{"rendered":"\n

A Love of Travel, A Love of Seeing<\/strong><\/h2>\n\n\n\n

I am deeply in love with traveling. I believe that every location possesses its own unique beauty, whether it is found in the expansive landscape, the specific color palette, the scents, the atmosphere, or the small details that collectively inspire me to capture them through photography. My interest in travel began at the same time I started using a camera, and my first experience with photography was with a Fujifilm camera.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Photography as a Way to Share What Words Can\u2019t<\/strong><\/h2>\n\n\n\n

Often, the beauty of the places I visit is closely linked to fragments of my personal memories. There have been many occasions when I wanted to share these wonderful feelings with others so they could experience them as well. However, it is often impossible to convey everything through words alone, which is why I chose photography as my primary medium. It has become an essential tool for recording memories, because a photograph can often tell a story more effectively than words.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Why REALA ACE for Landscapes<\/strong><\/h2>\n\n\n\n

When it comes to landscape photography, REALA ACE is my preferred choice. It reproduces natural tones exceptionally well, making every scene feel more meaningful while remaining entirely realistic. The character of REALA ACE is simple, unpretentious, and subtle. It is not flashy, yet it carries a profound depth.<\/p>\n\n\n\n

I recall a clear day when I walked to the beach to photograph the sea. The sky and the water shared very similar tones, and REALA ACE successfully highlighted the special qualities of that moment. It perfectly conveyed my emotions, which were gentle and calm.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Stillness in Nature, Captured in Tone<\/strong><\/h2>\n\n\n\n

When I observed the mountain landscapes, with their beautiful ridges reflected on the water, it brought a sense of true peace. It felt as if nature was waiting to embrace and comfort me, allowing me to breathe more easily after leaving the hustle and bustle of the city behind. Seeing flocks of birds soaring high above the mountains felt like a performance by nature itself. It was a moment of tranquility that made me feel free and light.<\/p>\n\n\n\n

These were the emotions I experienced, and REALA ACE helped me capture their true tones. The balance between the blue of the sky and the soft orange light of the evening harmonized the landscape perfectly, creating a truly memorable moment.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Peace as a Priority<\/strong><\/h2>\n\n\n\n

In my professional life, I encounter various challenges, both difficult and easy. That is why finding moments of peace is incredibly valuable to me. Photography allows me to embrace the joys of life and prioritize my well-being, even if those moments are rare. Combining travel with photography is one of my greatest passions.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

The Look: Premium Realism<\/strong><\/h2>\n\n\n\n

The most impressive aspect of REALA ACE is its premium realism. The tones are soft, deep, and vibrant without being distracting. It is perfectly suited for landscape photography. Whenever you want a tone that feels comfortable, straightforward, and easy to understand, REALA ACE provides the ideal solution.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Preserving Feelings Before They Fade<\/strong><\/h2>\n\n\n\n

In this fast-paced world, things often move too quickly for us to remember every feeling. Time passes, and it cannot be reversed, and many moments quietly fade from our memory. Photography helps preserve these fragments. I can look back at what I saw, the feelings I had, and even the thoughts I did not express.<\/p>\n\n\n\n

The tone of an image plays a vital role in reconstructing memory. REALA ACE helps me recall the specific time of day and, more importantly, reflects my identity, preferences, and mood as someone who loves taking photos.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What REALA ACE Taught Me<\/strong><\/strong><\/h2>\n\n\n\n

REALA ACE has shown me that nature does not require excessive embellishment to be beautiful; it simply needs someone to take the time to truly see it. I also learned that peace is not a frightening silence. This realization came through using REALA ACE, which helped me see more clearly and understand new perspectives.<\/p>\n\n\n\n

solation can be difficult. It can make you feel disconnected, or hesitant to engage with others. However, REALA ACE reminded me that realistic tones remain true regardless of the location. Truth is always beautiful when viewed with love and deep intention. Even mountains that are rarely visited become beautiful in my eyes.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201cReala Stillness\u201d<\/strong><\/h2>\n\n\n\n

I named my REALA ACE FS RECIPE \u201cReala Stillness\u201d, inspired by the serene feeling of the images before me and the beauty hidden in the ordinary moments of my travels. It represents a tranquility that is not empty, where everything unfolds naturally.<\/p>\n\n\n\n

Whether it is the morning light reflecting on the waves or birds soaring under the golden evening sky, I see beauty in this simplicity. Everything I observe is real, and REALA ACE reflects that truth perfectly.<\/p>\n","protected":false},"excerpt":{"rendered":"

A Love of Travel, A Love of Seeing I am deeply in love with traveling. I believe that every location possesses its own unique beauty, whether it is found in the expansive landscape, the specific color palette, the scents, the atmosphere, or the small details that collectively inspire me to capture them through photography. My […]<\/p>\n","protected":false},"author":135,"featured_media":364096,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,7327],"post_tag":[],"class_list":["post-364087","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf56mmf12-r"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-06 17:53:49","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story\/364087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media\/364096"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media?parent=364087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/category?post=364087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/post_tag?post=364087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":359268,"date":"2026-06-12T05:00:00","date_gmt":"2026-06-12T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=359268"},"modified":"2026-06-05T01:41:08","modified_gmt":"2026-06-05T01:41:08","slug":"reala-ace-fs-recipe-x-guillaume-flandre","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/pl-pl\/stories\/reala-ace-fs-recipe-x-guillaume-flandre\/","title":{"rendered":"REALA ACE\u00a0FS RECIPE\u00a0x Guillaume Flandre"},"content":{"rendered":"\n

I created \u201cSteel City\u201d with a clear objective in mind: to translate what London reveals in winter, when the city is cold, dense, and often quiet despite constant movement. A restrained FS RECIPE that reflects the city as it is experienced day to day.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

The starting point was REALA ACE. It\u2019s a deliberately understated, almost restrained simulation, and that\u2019s precisely what makes it relevant for urban photography. It doesn\u2019t force colours, doesn\u2019t dramatise scenes, and respects textures. In London, especially around the Southbank, everything is about surfaces: concrete, steel, glass, wet asphalt, low skies, reflections in the Thames. REALA ACE allows this reality to remain intact, without trying to correct it.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

The choice of settings was built around a simple idea: embracing the cold. The images were taken in the heart of the London winter, under grey, diffuse, often uniform light. By shifting the white balance toward cooler, bluish tones and reducing the presence of reds, I aimed to reproduce this visual temperature. The city appears more mineral, more distant, but also more truthful. The people photographed are not isolated from their environment; they are part of it. They move through the city in harmony with it.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Contrast plays an important role. London is a city of passage: people crossing, lingering briefly, then disappearing. By deepening the SHADOWS while keeping HIGHLIGHTS under control, shapes take precedence over details. Silhouettes stand out, bodies become graphic elements within the architecture. The DR200 setting is essential here: it makes it possible to retain both bright skies and fa\u00e7ades, as well as dark areas under bridges or around brutalist buildings, without crushing the image.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Colour is intentionally restrained. London is not devoid of colour, but it appears in touches: a coat, a sign, a reflection, something in motion. By reducing overall saturation, these elements naturally stand out when they appear. Strong COLOR CHROME adds density to mid-tones, gives weight to materials, and reinforces the sense of a \u201csolid\u201d city. Boosting the blues supports the overall atmosphere.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

I slightly reduced clarity to avoid an overly digital harshness. The city is already full of sharp angles and hard textures, there\u2019s no need to add more. This subtle softness helps preserve fluidity, especially in scenes with movement: hurried walkers, skaters, blurred passers-by. Grain is present, discreet, like a texture, to emphasize a natural city that is never perfectly smooth.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Most of these images were taken around the Southbank: a space that is both open and brutal, where people coexist with architecture without necessarily stopping to engage with it. Skaters on concrete, passers-by beneath buildings, silhouettes lost in volumes too large for them. What interested me was the silent interaction between Londoners and their city: how they move through it, occupy it, and gradually make it their own.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201cSteel City\u201d does not try to beautify the city. This FS RECIPE aims to show it as it is: cold, functional, sometimes distant, but inhabited. A city that reveals a great deal to those who take the time to look.<\/p>\n","protected":false},"excerpt":{"rendered":"

I created \u201cSteel City\u201d with a clear objective in mind: to translate what London reveals in winter, when the city is cold, dense, and often quiet despite constant movement. A restrained FS RECIPE that reflects the city as it is experienced day to day. The starting point was REALA ACE. It\u2019s a deliberately understated, almost […]<\/p>\n","protected":false},"author":135,"featured_media":359277,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,8307],"post_tag":[],"class_list":["post-359268","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf33mmf14-r-lm-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-06 17:53:49","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story\/359268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media\/359277"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media?parent=359268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/category?post=359268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/post_tag?post=359268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":359046,"date":"2026-06-05T05:00:00","date_gmt":"2026-06-05T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=359046"},"modified":"2026-06-05T03:59:39","modified_gmt":"2026-06-05T03:59:39","slug":"reala-ace-fs-recipe-x-simon-kim","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/pl-pl\/stories\/reala-ace-fs-recipe-x-simon-kim\/","title":{"rendered":"REALA ACE FS RECIPE x Simon Kim"},"content":{"rendered":"\n

My photography is rooted in the belief of carrying a camera every day<\/em>. Not for special occasions, not for dramatic scenes, but for the quiet in between moments that make up most of life.<\/p>\n\n\n\n

\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF2.8 R WR, 1\/60 sec at f\/8, ISO 500<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/300 sec at f\/5.6, ISO 500<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Living in Vancouver, light and colour are often limited. muted skies, muted streets, concrete surfaces. Because of that, I\u2019ve learned to appreciate light and colour more, not less. When they appear, even subtly, they matter. Soft, di\ufb00used light has become something I pay attention to instinctively, not because it is impressive, but because oftentimes it is rare.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/2000 sec at f\/2, ISO 500<\/figcaption><\/figure>\n\n\n\n

Fuji\ufb01lm cameras enabled that way of seeing for me. The experience of slowing down, framing deliberately, and committing to a moment trained my attention toward what already exists, rather than what needs to be chased. “CLOCKWISE ACE” came out of that habit.<\/p>\n\n\n\n

\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/340 sec at f\/11, ISO 500<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/750 sec at f\/16, ISO 500<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Why I Built This FS Recipe<\/h2>\n\n\n\n

I created “CLOCKWISE ACE” to support how I actually photograph. I wanted a FS RECIPE that stays close to reality while allowing everyday scenes to feel considered and intentional. I chose REALA ACE as the base because it already carried a sense of balance and restraint. It felt neutral without being \ufb02at, and calm without feeling detached. Rather than reshaping it into something else, I treated it as a foundation that could be gently re\ufb01ned.<\/p>\n\n\n\n

The goal was never to impose a look. It was to let light, colour, and texture behave naturally, especially in environments where nothing is exaggerated.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF2.8 R WR, 1\/550 sec at f\/8, ISO 500<\/figcaption><\/figure>\n\n\n\n

Shaping “CLOCKWISE ACE”<\/h2>\n\n\n\n

The adjustments I made to REALA ACE were minimal and deliberate. Highlights were toned down and shadows lifted to soften overall contrast. This allows tones to transition more gently and keeps images from feeling tense or overly de\ufb01ned. Colour was restrained slightly so it remains present without overwhelming the frame.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/4000 sec at f\/2, ISO 500<\/figcaption><\/figure>\n\n\n\n

Because of this softer contrast, I normally compose my images about one third to two thirds of a stop brighter. That exposure approach works with the FS RECIPE, allowing mid tones and subtle colour to settle naturally while preserving detail across the image.<\/p>\n\n\n\n

“CLOCKWISE ACE” is not about adding character. It is about removing friction between what I see and how it is rendered.<\/p>\n\n\n\n

Finding Attention in the Everyday<\/h2>\n\n\n\n

I enjoy creating images that catch attention immediately. What makes them noticeable, however, is not spectacle, but where they come from.<\/p>\n\n\n\n

\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF2.8 R WR, 1\/400 sec at f\/8, ISO 500<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Photo 2025 \u00a9 Simon Kim
| FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/2500 sec at f\/1.4, ISO 500<\/figcaption><\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

Most of the images I make are crafted by noticing small things in everyday life. A shift in light. A colour relationship. A moment that would normally pass without being acknowledged. They stand out because they exist within the mundane, not outside of it. Soft, di\ufb00used light plays a big role in that. It allows details to surface quietly and colours to relate to each other honestly. “CLOCKWISE ACE” supports this by staying responsive rather than dominant, present without overpowering the scene.<\/p>\n\n\n\n

A FS Recipe for Daily Carry<\/h2>\n\n\n\n

“CLOCKWISE ACE” was built for daily use. soft days, window light, streets walked without a destination, interiors lived in rather than styled.<\/p>\n\n\n\n

\"\"
Photo 2025 \u00a9 Simon Kim | FUJIFILM X-E5 and FUJINON XF23mmF1.4 R LM WR, 1\/2200 sec at f\/2.8, ISO 500<\/figcaption><\/figure>\n\n\n\n

It re\ufb02ects how I approach photography as a whole. Carrying a camera. Noticing what is already there. Appreciating light and colour precisely because they are not guaranteed.<\/p>\n\n\n\n

By staying close to REALA ACE and adjusting only what was necessary, this FS RECIPE became a tool that supports attention rather than replacing it. When the simulation fades into the background, what remains is the everyday scene, held carefully in soft light.<\/p>\n\n\n\n

FILM SIMULATION: <\/strong>REALA ACE
MONOCHROMATIC COLOR: <\/strong>N\/A
GRAIN EFFECT: <\/strong>STRONG, SMALL
COLOR CHROME EFFECT: <\/strong>STRONG
COLOR CHROME FX BLUE: <\/strong>WEAK
SMOOTH SKIN EFFECT: <\/strong>OFF
WHITE BALANCE: <\/strong>5500K, R 0, B -1
DYNAMIC RANGE: <\/strong>DR400
D RANGE PRIORITY: <\/strong>OFF
TONE CURVE: <\/strong>H -1, S -1
COLOR: <\/strong>-1
SHARPNESS: <\/strong>-1
HIGH ISO NR: <\/strong>0
CLARITY: <\/strong>0<\/p>\n","protected":false},"excerpt":{"rendered":"

My photography is rooted in the belief of carrying a camera every day. Not for special occasions, not for dramatic scenes, but for the quiet in between moments that make up most of life. Living in Vancouver, light and colour are often limited. muted skies, muted streets, concrete surfaces. Because of that, I\u2019ve learned to […]<\/p>\n","protected":false},"author":135,"featured_media":359058,"template":"","category":[2084,1006,1202,13607,1055,3211,3309,320,13918,3162,1986,565,13898,13899],"post_tag":[],"class_list":["post-359046","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-x-mount-prime","category-products","category-reala-ace","category-x-mount","category-x-series","category-stories","category-x-e5","category-xf23mmf28-r-wr"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-06 17:53:49","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story\/359046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media\/359058"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media?parent=359046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/category?post=359046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/post_tag?post=359046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358592,"date":"2026-06-03T05:00:00","date_gmt":"2026-06-03T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=358592"},"modified":"2026-06-01T09:27:06","modified_gmt":"2026-06-01T09:27:06","slug":"pro-neg-std-fs-recipe-x-gyu-yeon-lee","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/pl-pl\/stories\/pro-neg-std-fs-recipe-x-gyu-yeon-lee\/","title":{"rendered":"PRO Neg.STD\u00a0FS RECIPE\u00a0x Gyu-yeon Lee"},"content":{"rendered":"\n

When I photograph, my attention often turns to the atmosphere that surrounds fleeting moments of everyday life\u2014the impressions shaped by light, and the quiet temperature of the spaces themselves. The subtle resonance that can be felt without explanation is, perhaps, the very reason I continue to make photographs.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

People sometimes say that my photographs resemble me. In a way, that phrase has come to feel like the most accurate way to describe my work. To me, photography is ultimately a mirror that reflects the inner world of the person behind the camera. A photograph carries not only the scene itself, but also the photographer\u2019s way of seeing\u2014their attitude and sensibility\u2014quietly embedded within the frame. Rather than adding more, I have gradually come to search for a sense of simplicity. Through that process, my photographs have naturally found their own inner direction. Perhaps each image quietly reflects my gaze, deepening little by little over time.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

In that sense, PRO Neg. Std felt closely aligned with the intention behind this work. With this FS RECIPE, I wanted to express the atmosphere of subjects, landscapes, and spaces in a quieter, more contemplative way. Instead of pushing saturation or creating dramatic contrast, I was drawn to the way it gently softens color and balances the tones with restraint.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Even under strong light, its soft density prevents the image from becoming harsh. This allowed me to render the natural texture of the subject without exaggeration, while preserving the quiet, mist-like stillness that flows through the entire scene. The process of discovering a resonance between my own way of seeing and the character of this FS RECIPE ultimately became the most meaningful part of this work.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

When I photograph, my attention often turns to the atmosphere that surrounds fleeting moments of everyday life\u2014the impressions shaped by light, and the quiet temperature of the spaces themselves. The subtle resonance that can be felt without explanation is, perhaps, the very reason I continue to make photographs. People sometimes say that my photographs resemble […]<\/p>\n","protected":false},"author":135,"featured_media":359150,"template":"","category":[2084,1006,1202,13607,1055,3211,13923,320,3162,1986,565,13393,13835,3358],"post_tag":[],"class_list":["post-358592","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-film-simulation","category-lenses","category-x-series-mirrorless","category-pro-neg-std","category-products","category-x-mount","category-x-series","category-stories","category-x-t50","category-xf16-55mmf2-8-r-lm-wr-ii","category-zoom"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-06 17:53:49","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story\/358592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/users\/135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media\/359150"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media?parent=358592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/category?post=358592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/post_tag?post=358592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":358124,"date":"2026-06-01T05:00:00","date_gmt":"2026-06-01T05:00:00","guid":{"rendered":"https:\/\/www.fujifilm-x.com\/?post_type=story&p=358124"},"modified":"2026-05-26T03:44:12","modified_gmt":"2026-05-26T03:44:12","slug":"bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/pl-pl\/stories\/bts-gfx-eterna-55-yu-sanbonsuge-x-shortfilm-tomei-na-zawameki\/","title":{"rendered":"[BTS] GFX ETERNA 55: Yu Sanbonsuge x Shortfilm “Tomei Na Zawameki”"},"content":{"rendered":"\n

\"Thumbnail01\"<\/span><\/div><\/div>