{"id":64982,"date":"2022-07-12T14:00:41","date_gmt":"2022-07-12T05:00:41","guid":{"rendered":"https:\/\/fujifilmnxtc.wpenginepowered.com\/?post_type=xstories&#038;p=4204874"},"modified":"2024-05-02T00:21:57","modified_gmt":"2024-05-01T15:21:57","slug":"x-h2s-music-video-production-x-kyotaro-hayashi","status":"publish","type":"story","link":"https:\/\/www.fujifilm-x.com\/pl-pl\/stories\/x-h2s-music-video-production-x-kyotaro-hayashi\/","title":{"rendered":"X-H2S: Music Video Production x Kyotaro Hayashi"},"content":{"rendered":"<p><div class=\"embed-responsive\"><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ER_Ec8YbXss\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<h2>Impression of X-H2S\u00a0<\/h2>\n<p>Since I was a child, I had many film cameras at home, and I liked the form and the presence of film cameras as objects. While searching for such a digital camera, I came across the X-Pro1, and since then I have been using X-Pro2, Pro3, and GFX 50R. I like them as objects because I feel they inherit the presence and philosophy of the old film cameras.<\/p>\n<p>My first impression of the new X-H2S after using music video production was a good feeling of grip. It was similar to the feeling I had when using the GFX100S.<\/p>\n<p>I used the X-H2S to shoot two music videos for the musician Strange Reitaro, and I shot them in a cinematic way as if I were shooting a documentary. The video was filmed by placing cameras in a car or on a stabilizer, and the concept was to recreate his joyful singing and live performance. In particular, for the song &#8220;Kasumi Grass,&#8221; I mounted the X-H2S near the bumper of the car and was worried that it would rattle a lot, but it did not shake in an unpleasant way, and I felt the power of the image stabilizer was very satisfactory.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_01.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_01.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_02.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_02.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_03.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_03.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_04.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_04.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<p><p>I also shot in ProRes RAW with an external output, and even if I used color correction to create a somewhat absurd color scheme, I was able to create a beautiful finish without any strange distortions. I was also using X-T4 as a sub, but the resolution was totally different. I could see the advantages of shooting in RAW, such as the fact that bright and dark areas are less likely to be washed out or blacked out.<br \/>\nIn the latter half of the day, the time was running and I had to finish shooting before the sun went down, but it was a very beautiful sunset, so I was glad that I was able to capture it in high resolution.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_05.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_05.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<p><p>As with this piece, I often process images to make them look less digital. When shooting with film, light and dark areas may be smashed, but with a camera that has a wide dynamic range, light and dark areas remain well preserved, which is helpful when I want to add shadows to an image.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_06.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_06.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_07.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_07.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<p><p>Also, I shot in 6K30P this time, and I like the fact that there is room to try cropping the image as shown in the photo, and to be creative later. 3:2 aspect ratio is attractive for me. I have always wondered why I usually shoot in 3:2 or 4:3 when I take photos, but as soon as I switch to video, the angle of view changes to 16:9. 3:2 allows me to use the full pixel sensor, and I was happy to be able to shoot video with the same angle of view as stills.<\/p>\n<\/p>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_08.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_08.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<div class=\"wp-caption\"><a href=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_09.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/fujifilm-x.b-cdn.net\/wp-content\/uploads\/2022\/07\/x-h2s_kyotaro-hayashi-2_09.jpg\" alt=\"Image\" data-recalc-dims=\"1\" loading=\"lazy\"><\/a><\/p>\n<\/div>\n<p><p>Since the age of video with SLR cameras, the distance between still cameras and video focused cameras has been getting closer and closer. The appeal of mirrorless cameras, including the X-H2S, is that they are compact and mobile, yet can seamlessly switch between photography and video.<\/p>\n<p>One of the things I value in my own production is that I want people to feel &#8220;good&#8221; and &#8220;excited&#8221; when they look at my work, without being conscious of &#8220;rawness&#8221; or &#8220;realism. I hope that the X series will continue to provide attractive cameras that users &#8220;want&#8221; and &#8220;want to take pictures with&#8221;.<\/p>\n<h2>\u201cKasumi Grass\u201d Official Music Video<\/h2>\n<div class=\"embed-responsive\"><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mAa2GvyOgyc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>Director,Cinematographer: Kyotaro Hayashi | 1st AC: Ken Yamamura | Focus Puller: Masaki Sato | Key Grip: Takuma Yuki | Transport: On Location | Production Manager: Dante Kuwashima,Kazuya Kawamura,Kaoru Miyachi | Producer: Satoshi Miyata | Production: Flip-book Inc.<\/p>\n<h2>\u201cTamaranai Yokan\u201d Official Music Video<\/h2>\n<div class=\"embed-responsive\"><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zqBD--LiCPM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>Director,Cinematographer: Kyotaro Hayashi | 1st AC: Ken Yamamura | Focus Puller: Masaki Sato | Key Grip: Takuma Yuki | Transport: On Location | Production Manager: Dante Kuwashima,Kazuya Kawamura,Kaoru Miyachi | Producer: Satoshi Miyata | Production: Flip-book Inc.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Impression of X-H2S\u00a0 Since I was a child, I had many film cameras at home, and I liked the form and the presence of film cameras as objects. While searching for such a digital camera, I came across the X-Pro1, and since then I have been using X-Pro2, Pro3, and GFX 50R. I like them [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":64983,"template":"","category":[2084,1006,1202,13039,3211,320,1986,565,7082],"post_tag":[],"b2b-solutions":[],"class_list":["post-64982","story","type-story","status-publish","has-post-thumbnail","hentry","category-be-inspired","category-cameras","category-category","category-mirrorless-digital-cameras","category-x-series-mirrorless","category-products","category-x-series","category-stories","category-x-h2s"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-30 23:23:35","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story\/64982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/story"}],"about":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/types\/story"}],"author":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media\/64983"}],"wp:attachment":[{"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/media?parent=64982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/category?post=64982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/post_tag?post=64982"},{"taxonomy":"b2b-solutions","embeddable":true,"href":"https:\/\/www.fujifilm-x.com\/pl-pl\/wp-json\/wp\/v2\/b2b-solutions?post=64982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}