Personal Best vol.11 | Eric Bouvet

25.01.2019

Written by... Eric Bouvet

Французский фотограф Эрик Буве родился в 1961 году. Он начал свою карьеру в 1981 после обучения прикладным графическим технологиям в школе Estienne в Париже.

Его интерес к фотографии стал проявляться в 8 лет, когда он увидел по телевизору первые шаги человека на Луне. Сила прямого вещания, сила изображения этого исторического момента скорее всего стала основным фактором, который сподвигнул его осветить эволюцию мира в более чем 120 странах за последние тридцать лет.

В восьмидесятых Эрик Буве работал фотографом агентства Гамма. С 1990 года он работает внештатным фотографом.

В 1985 - получает международное признание за фотографии извержения вулкана Армеро в Колумбии. Позже он освещает основные конфликты недавнего прошлого, произошедшие в Афганистане, Ираке, Иране, Ливане, Чечне, Судане, Сомали, Югославии, Израиле, Северной Ирландии, Курдистане, Анголе, Суринаме, Руанде и Ливии.

Он также освещает главные международные события, такие как похороны аятоллы Хомейни, китайские протесты на площади Тяньаньмэнь, падение Берлинской стены, бархатную революцию в Чехии, освобождение Нельсона Манделы из тюрьмы и Олимпийские игры.

Он также работает над социальными темами, такими как русские тюрьмы, служба молодых солдат на авианосцах, работа французской полиции в пригородах, последние шахтеры Франции, жизнь больных раком детей в педиатрических отделениях.

В последние три года он работает над двумя долгосрочными документальными проектами, которые называются «Любовь» и «Мир».

Его работы печатались в таких крупных международных журналах как Time, Life, Newsweek, Paris-Match, Stern, the Sunday Times Magazine, NYT Magazine, Der Spiegel, Le Monde.

Он принимал участие в фотопроектах для Организации Объединенных Наций, многих неправительственных и благотворительных организаций, таких как «Врачи без границ», Международный Комитет Красного Креста, «Врачи Мира» и «Борьба с Голодом».

Эрик Буве пять раз был победителем конкурса, проводимого организацией World Press Awards, выиграл фестиваль фотографий в Перпиньяне «Visa d'Or », был удостоен премии Bayeux для военных корреспондентов, премии газеты Paris-Match и золотой медали к 150-летию фотографирования.

Photography a way of life, a constant search, a lifetime investment…

I’m called as a photojournalist because I’ve covered numerous conflicts for important magazines such as Life, Newsweek, Time, Stern, The Sunday Times magazine, Paris Match, etc… But, above all, I love photography itself, this could be street photography, a documentary series, a studio portrait, personal work or a breaking news story. The eye must be curious, it’s good for the mind. Discovering others through my camera allows me to better understand, to accept, to share what is truly photography.

X100

The X100 was my first Fujifilm camera, used in August 2011 the fall of the Kadhafi regime in Tripoli. After a crazy day during the taking of the Dictator’s barracks, I spent a calm day making a few images just for pleasure. The international press was gathered in a nice hotel, a real circus…a reflection through a window, an instinctive image without thinking, the first impression is the good one, you only have to push the button. Technically the camera takes care of everything in aperture priority mode.

X-T1 & XF18-55mmF2.8-4

New York, during a glacial day, a hot tea would be more than welcomed! Immediately after entering to the coffee shop a vision arised, a fully animated Statue of Liberty 🙂 The woman moved her hands a lot, I sat down at the opposite her showing my camera, it didn’t bother her and I waited a few seconds to capture the right moment. Then there was nothing left to do but drink my tea with the satisfaction of having made a successful little image.

X-Pro2 & XF16-55mmF2.8

Beirut, a story about religion, not always easy to manage- but easy photos do not interest me – This one I was looking for, showed half the frame in a mirror. I like these kinds of images where one gets lost. And the camera – like all those proposed in the X Series lineup – allows me to be concentrated on the point of view, the frame, the intention, and, in short, not to worry if my settings are good, because I know the camera, I trust it. It saves precious time.

X-Pro1 & XF35mmF1.4

Maiden, Kiev. A people’s revolution against the president – who fled that same day – but that’s cost a high price of 70 deads. A difficult day in the middle of guns shooting, thinking about staying alive and thinking at the same time to make the best pictures possible. It’s sure that my two X-Pro cameras equipped with a 23mm and a 35mm are perfect for conflict photography. I’m light, rapid, discrete and mobile! These images were awarded by a “Photojournalist Frontline Club Award.”

X-Pro1 & XF56mmF1.2

Kiev. A people’s revolution gathering on Maiden Square. The XF56mmF1.2 lens was the perfect lens for this image with an f/8 aperture. With enough depth of field so that everything seems to be the same plane. Another image full of information where one has to take time to understand it.

GFX 50S

Mosul. Iraq. The Iraqi armed forces surround the last bastion of ISIS. It was street to street, building to building, fighting. It was dark but by pushing the ISO to 12800, hand held and a slow shutter speed (1/15s), the camera captured the sparks. This type of image should be taken very quickly because you must clear out for fear that the snipers of the other side can locate the shooter and rocket the location. I bring the GFX everywhere because it’s not any bigger than a DSLR and has exceptional quality. It’s a real field camera.

GFX 50R

The Champs Elysées Avenue. France is the world champion of soccer (Football). In the noisy crowd, happy, excited, the airplanes pass over rapidly deploying the national colors…barely the time to turn around and I push the shutter release by instinct. As with the X Series cameras, a stolen picture, a flag that flaps right in the middle. The GFX 50R is definitely a camera to carry with you anywhere in any situation…

X-Pro2 & XF35mmF1.4

The Greek-Macedonian border. The migrants are stuck behind barbed wire, in the middle of winter, in the cold weather and the mud, lacking hygiene and food, a horrible situation. The kind of place where one has to be careful to respect the dignity of the people who are fighting to keep it as much as possible. I like to work discretely, in a respectful manner, not aggressively. The X Series cameras suit me well for this manner of working.

X-Pro2 & XF23mmF2

This is typical of a stolen image, the pleasure of an instant, of composition, an instinct frame, sometimes everything falls at the right place, pleasurable photography exists! Everything is there, the decor exists, the nature, the elements, the people and the action, I don’t take anything because everything was given to me.

X-T2 & XF50mmF2, XF23mmF2

For one week I had the honor to be in the middle of a Swiss philharmonic orchestra working to achieve excellence. It’s communicative, I was completely transported into this universe. I only had to observe, reflect, concentrate to be aligned with them, within the same spirit. The X Series, light, small, with its silent shutter, permitted me to sneak and slip from one podium to another, from backstage to the artists dressing rooms. It was a joy to photograph, to experience the magical moments.

My cameras are like hyphens to access these unbelievable, strange, magical, exceptional situations, to meet marvelous, admirable, surprising and extraordinary people.