Velvia FS RECIPE x Rommel Bundalian

Velvia FS RECIPE x Rommel Bundalian

04.10.2026

“Kanto Khromatiks”: My Velvia FS RECIPE

I’ve been shooting long enough to remember Velvia in its original form, a roll of film with colors so rich and saturated it could make a cloudy day look like a postcard. When Fujifilm brought it into the digital age, I was hooked all over again. The colors still had that punch, the contrast still had that drama.

But Velvia is a strong character. Left untamed, it can run away with your highlights, sink your shadows, and push colors a little too far. I wanted to keep its soul but give it a touch of restraint, something I could trust in any light, from the quiet countryside to the vibrant streets of the Philippines. That is how “Kanto Khromatiks” came to be.

The name comes from two words: kanto, the Filipino word for “street corner,” and Khromatics, meaning “colors.” Together, it means “street corner colors,” a nod to the life, movement, and vibrance you find in everyday scenes, whether it is a busy market, a quiet alley, or the glow of streetlights at night.

I keep the Film Simulation on Velvia with DYNAMIC RANGE on AUTO. Highlights are pulled
back just half a step to save the bright spots, shadows lifted a notch to keep depth without losing detail. Color sits at +2, lively but not exaggerated. Noise reduction stays at 0 so the fine textures stay intact. SHARPNESS is at +1, CLARITY at +2 for that crisp, tactile feel that makes an image come alive.

GRAIN EFFECT is WEAK and SMALL, just enough to whisper back to my film days without getting in the way. COLOR CHROME EFFECT and COLOR CHROME FX BLUE are both on WEAK, keeping the colors full but not heavy-handed. WHITE BALANCE stays on AUTO, as Fujifilm gets it right more often than not, whether I am in midday sun, shade, or under warm café lights.

Out in the field, this setup keeps Velvia’s drama but reins it in just enough. Midday shots hold detail in the highlights. Golden hour turns the skies deep and painterly while the greens stay rich. At night, high ISO paired with that subtle grain gives me clean, cinematic frames without harsh noise.

The result is still Velvia: bold, colorful, alive, but with a balance that makes it work anywhere. From bustling street markets to quiet coastal roads, “Kanto Khromatiks” carries the same magic I fell in love with decades ago, now with the control I have learned to appreciate over the years