Digital Imaging Solutions
for Business and Commercial Applications
A Versatile Image Solution
With a 43.8mm x 32.9mm CMOS imaging sensor at the heart of every GFX System camera, getting incredible image quality comes naturally to every frame. This makes the cameras ideal for a broad range of commercial image-making applications that require flexibility and versatility.
Accuracy for Archival and Scientific Needs
For those moments when absolute color accuracy and pixel information matter, using GFX100, GFX100 IR, or GFX100S with Fujifilm’s latest pixel-shift technology will create incredibly detailed images with a maximum resolution of 400MP. This has direct benefits to any institution or organization conducting historical research, archival projects, or scientific studies.
Flexibility for Commercial Studios and Professional Photographers
When absolute flexibility is required from production to output, being able to use a GFX Sytem camera is the only solution because it delivers the perfect balance between performance and image resoution. Everything from the camera’s autofocus capabilities, to its continually expanding selection of FUJINON G Mount lenses, leaves image-makers completely in control of their images from start to finish. In camera, images can be saved as JPEGs, 16bit RAW files, or a combination of the two. 8bit or 16bit TIFF files can also be created through in-camera processing. On a computer, a single, high-resolution image can be cropped multiple times to create different versions of it for separate needs. No matter the workflow, if options are needed, GFX System cameras will certainly deliver them.
In Pursuit for Ultimate Color and Tone for Filmmaking
In a world driven by digital technology, Fujifilm continues to evolve its deep-rooted expertise in imaging, photography, and color. Having shaped the look of countless iconic scenes through its motion picture and still photography film stocks, Fujifilm has long been a pioneer in creating color that resonates.
Built upon this legacy, and now fused with state-of-the-art imaging science, Fujifilm brings its signature color aesthetics into the digital realm—offering creators powerful tools to craft their own visual language. With the launch of 10 Film Simulation LUTs designed for GFX ETERNA 55 log recording, filmmakers can now draw from Fujifilm’s color palette while embracing the flexibility of modern workflows. These LUTs not only open the door to new creative possibilities in color grading, but also streamline post-production—freeing creators to focus on storytelling.
AND More…
GFX System
Camere
This unparalleled image quality is a product of utilising a large 43.8 x 32.9mm CMOS sensor and our image design technology which has grown over the 85 years we have been engineering and manufacturing the highest quality photographic and cinema equipment. This know-how and heritage, combined with the latest digital imaging technologies, allow you to achieve the best quality possible for your needs.
Lentile
Fujinon lenses are designed and engineered to keep pace with the high-resolution imaging sensors found in all GFX System cameras. This means each detail is perfectly resolved and every shift in color is beautifully reproduced. No matter if it’s a prime lens, or a zoom lens, this constantly expanding collection of lenses for GFX System cameras will be sure to support the needs of different commerical image-making applications for years to come.
Image Sensor
Image Sensor
Light Sensitivity
Extended Output : ISO40 / ISO25600 / ISO51200 / ISO102400
Light Sensitivity
Extended Output : ISO40 / ISO25600 / ISO51200 / ISO102400
Size/Weight
152.4mm (W) × 117.4mm (H) × 98.6mm (D)
Approx. 1,030g
[Excluding EVF]
152.4mm (W) × 103.5mm (H) × 73.5mm (D)
Approx. 948g
Size/Weight
Approx. 883g
In-Body Image Stabilization
*1 Based on CIPA standard. Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted.
In-Body Image Stabilization
*1 Based on CIPA standard. Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted.
File Format
| JPEG : | Exif Ver.2.32 |
| HEIF : | 4:2:2 10bit |
| RAW : | 14bit / 16bit RAW (RAF original format) |
| TIFF : | 8bit / 16bit RGB (In-camera Raw Conversion Only) |
File Format
| JPEG : | Exif Ver.2.32 |
| HEIF : | 4:2:2 10bit |
| RAW : | 14bit / 16bit RAW (RAF original format) |
| TIFF : | 8bit / 16bit RGB (In-camera Raw Conversion Only) |
Autofocus
(TTL contrast AF / TTL phase detection AF)
Autofocus
(TTL contrast AF / TTL phase detection AF)
Pixel Shift Multi-Shot
HIGH RESOLUTION + ACCURATE COLOR
Pixel Shift Multi-Shot
HIGH RESOLUTION + ACCURATE COLOR
Movie Feature
29.97p/25p/24p/23.98p
DCI4K(17:9)
59.94p/50p/29.97p/25p/24p/23.98p
4:2:2 10 Bit Internal recording
F-log2 / F-log / HLG Recording
ProRES 422 HQ Internal recording
ProRES RAW / Blackmagic RAW
Movie Feature
29.97p/25p/24p/23.98p
4:2:2 10 Bit External recording /
4:2:0 10Bit Internal recording
F-log / HLG Recording
ProRES RAW / Blackmagic RAW
Compatibility
Compatibility
Case Studies
102MP
Image Size
Sensitivity
Dynamic Range
Aperture
Shutter Speed
Lens Focal Length
White Balance
8736 x 11648
ISO200
100%
F5.6
1/50
80mm
Manual
Download Data
SAMPLE IMAGES
51.4MP
Image Size
Sensitivity
Dynamic Range
Aperture
Shutter Speed
Lens Focal Length
White Balance
8736 x 11648
ISO200
100%
F5.6
1/50
80mm
Manual
Download Data
Pixel Shift
Running your mouse over the work or tapping it on your screen will allow you to see the image.
Image Size
Sensitivity
Dynamic Range
Aperture
Shutter Speed
Lens Focal Length
White Balance
17448×23264
ISO200
100%
F4.5
1/80
120mm
Manual
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