FUJIFILM Logo
  • PRODUCTS
    PRODUCTS
    • Browse
      • Cameras
      • Lenses
      • Accessories
      • Software
      • Help Me Choose
    • By System
      • GFX Series
        • Cameras
        • Lenses
      • X Series
        • Cameras
        • Lenses
    • Group Items ( Link disabled )
      • Compare
        • Cameras
      • About Our Technology
        • Film Simulation
        • X-Trans CMOS
    • B2B Customers
      • Digital Imaging Solution
    GFX Series View all
    Cameras Mirrorless Digital Camera
    • GFX100 II
      GFX100 II
    • GFX100S II
      GFX100S II
    • GFX50S II
      GFX50S II
    Fixed Lens Camera
    • GFX100RF
      GFX100RF
    GFX Series View all
    Lenses Prime
    • GF23mmF4 R LM WR
      GF23mmF4 R LM WR
    • GF30mmF3.5 R WR
      GF30mmF3.5 R WR
    • GF45mmF2.8 R WR
      GF45mmF2.8 R WR
    • GF50mmF3.5 R LM WR
      GF50mmF3.5 R LM WR
    • GF55mmF1.7 R WR
      GF55mmF1.7 R WR
    • GF63mmF2.8 R WR
      GF63mmF2.8 R WR
    • GF80mmF1.7 R WR
      GF80mmF1.7 R WR
    • GF110mmF2 R LM WR
      GF110mmF2 R LM WR
    • GF120mmF4 R LM OIS WR Macro
      GF120mmF4 R LM OIS WR Macro
    • GF250mmF4 R LM OIS WR
      GF250mmF4 R LM OIS WR
    • GF500mmF5.6 R LM OIS WR
      GF500mmF5.6 R LM OIS WR
    Zoom
    • GF20-35mmF4 R WR
      GF20-35mmF4 R WR
    • GF32-64mmF4 R LM WR
      GF32-64mmF4 R LM WR
    • GF35-70mmF4.5-5.6 WR
      GF35-70mmF4.5-5.6 WR
    • GF45-100mmF4 R LM OIS WR
      GF45-100mmF4 R LM OIS WR
    • GF100-200mmF5.6 R LM OIS WR
      GF100-200mmF5.6 R LM OIS WR
    Tilt-Shift
    • GF30mmF5.6 T/S
      GF30mmF5.6 T/S
    • GF110mmF5.6 T/S Macro
      GF110mmF5.6 T/S Macro
    Teleconverter
    • GF1.4X TC WR
      GF1.4X TC WR
    X Series View all
    Cameras Mirrorless Digital Camera
    • X-H2S
      X-H2S
    • X-H2
      X-H2
    • X-Pro3
      X-Pro3
    • X-T5
      X-T5
    • X-T4
      X-T4
    • X-S20
      X-S20
    • X-T50
      X-T50
    • X-T30 II
      X-T30 II
    • X-E4
      X-E4
    • X-M5
      X-M5
    Fixed Lens Camera
    • X100VI
      X100VI
    X Series View all
    Lenses Prime
    • XF8mmF3.5 R WR
      XF8mmF3.5 R WR
    • XF14mmF2.8 R
      XF14mmF2.8 R
    • XF16mmF1.4 R WR
      XF16mmF1.4 R WR
    • XF16mmF2.8 R WR
      XF16mmF2.8 R WR
    • XF18mmF1.4 R LM WR
      XF18mmF1.4 R LM WR
    • XF18mmF2 R
      XF18mmF2 R
    • XF23mmF1.4 R
      XF23mmF1.4 R
    • XF23mmF1.4 R LM WR
      XF23mmF1.4 R LM WR
    • XF23mmF2 R WR
      XF23mmF2 R WR
    • XF27mmF2.8 R WR
      XF27mmF2.8 R WR
    • XF30mmF2.8 R LM WR Macro
      XF30mmF2.8 R LM WR Macro
    • XF33mmF1.4 R LM WR
      XF33mmF1.4 R LM WR
    • XF35mmF1.4 R
      XF35mmF1.4 R
    • XF35mmF2 R WR
      XF35mmF2 R WR
    • XF50mmF1.0 R WR
      XF50mmF1.0 R WR
    • XF50mmF2 R WR
      XF50mmF2 R WR
    • XF56mmF1.2 R WR
      XF56mmF1.2 R WR
    • XF56mmF1.2 R APD
      XF56mmF1.2 R APD
    • XF60mmF2.4 R Macro
      XF60mmF2.4 R Macro
    • XF80mmF2.8 R LM OIS WR Macro
      XF80mmF2.8 R LM OIS WR Macro
    • XF90mmF2 R LM WR
      XF90mmF2 R LM WR
    • XF200mmF2 R LM OIS WR
      XF200mmF2 R LM OIS WR
    • XC35mmF2
      XC35mmF2
    Zoom
    • XF8-16mmF2.8 R LM WR
      XF8-16mmF2.8 R LM WR
    • XF10-24mmF4 R OIS WR
      XF10-24mmF4 R OIS WR
    • XF16-50mmF2.8-4.8 R LM WR
      XF16-50mmF2.8-4.8 R LM WR
    • XF16-55mmF2.8 R LM WR
      XF16-55mmF2.8 R LM WR
    • XF16-80mmF4 R OIS WR
      XF16-80mmF4 R OIS WR
    • XF18-55mmF2.8-4 R LM OIS
      XF18-55mmF2.8-4 R LM OIS
    • XF18-120mmF4 LM PZ WR
      XF18-120mmF4 LM PZ WR
    • XF18-135mmF3.5-5.6 R LM OIS WR
      XF18-135mmF3.5-5.6 R LM OIS WR
    • XF50-140mmF2.8 R LM OIS WR
      XF50-140mmF2.8 R LM OIS WR
    • XF55-200mmF3.5-4.8 R LM OIS
      XF55-200mmF3.5-4.8 R LM OIS
    • XF70-300mmF4-5.6 R LM OIS WR
      XF70-300mmF4-5.6 R LM OIS WR
    • XF100-400mmF4.5-5.6 R LM OIS WR
      XF100-400mmF4.5-5.6 R LM OIS WR
    • XF150-600mmF5.6-8 R LM OIS WR
      XF150-600mmF5.6-8 R LM OIS WR
    • XC15-45mmF3.5-5.6 OIS PZ
      XC15-45mmF3.5-5.6 OIS PZ
    • XC50-230mmF4.5-6.7 OIS II
      XC50-230mmF4.5-6.7 OIS II
    Teleconverter
    • XF1.4X TC WR
      XF1.4X TC WR
    • XF2X TC WR
      XF2X TC WR
    Cine
    • MKX18-55mmT2.9
      MKX18-55mmT2.9
    • MKX50-135mmT2.9
      MKX50-135mmT2.9
  • Support
    SUPPORT
    • Downloads
      • Firmware
      • Software
      • LUT
    • Manuals
      • Cameras
      • Lenses
      • Accessories
      • Software
    • Compatibility
      • Cameras
      • Lenses
      • Accessories
      • Software
    • More Links
      • FAQ
      • FUJIFILM Service Centre
      • FUJIFILM X | GFX Members
      • FUJIFILM Professional Services (FPS)
  • News
  • Events
  • Promotions
  • Shop
  • X-Photographers
    • Galleries
    • Photographer
  • X Stories
    • X Stories
    • Learning Centre
©FUJIFILM Corporation.

Learning Centre

  • twitter
  • facebook
© Michael Bulbenko

> 4 minute read

How to Use High Speed Sync Flash

Although flash traditionally cannot be used with shutter speeds faster than your camera’s sync speed, the FP flash mode allows this rule to be broken. Here’s how.

Your camera’s sync speed is the fastest shutter speed at which it can synchronise with flash to produce a properly exposed photograph. Go any faster and you risk seeing black bars across the picture where the very brief burst of flash light has not illuminated the sensor properly.

Close-up of plant with dark shadow from out-of-sync flash

© Michael Bulbenko | Out of flash sync

Close-up of plant

© Michael Bulbenko | High speed sync flash

Close-up of plant with dark shadow from out-of-sync flash

© Michael Bulbenko | Out of flash sync

Close-up of plant

© Michael Bulbenko | High speed sync flash

Close-up of plant with dark shadow from out-of-sync flash

© Michael Bulbenko | Out of flash sync

This can be a problem when using flash outdoors: should you want to restrict depth-of-field by using a large aperture, this can easily push the shutter speed above the 1/180 sec or 1/250 sec sync speed limit of your X Series camera. But there are ways to get past this threshold, so your creativity isn’t curtailed by technological limits.

Before we look at how to do this, however, let’s remind ourselves of how the sync speed limit came about in the first place.

Sync Speed Explained

The origins of sync speed come from the way in which your camera’s focal plane shutter operates. This comprises two metal curtains, the first of which moves out of the way to expose the sensor to light. The second curtain then covers the sensor again to end the exposure. The gap between these two events is the shutter speed. Every camera in the X Series features a focal plane shutter, except for X100 models, which use a leaf shutter.

Man holding FUJIFILM X100V

As we select increasingly faster shutter speeds, the time between the first curtain opening and the second one closing gets less and less, until we reach a point where the second curtain needs to start closing before the first one has opened fully. In this way, the curtains can be thought to be forming a slit that moves across the sensor, exposing it a little bit at a time. The fastest shutter speed where the curtains open fully, and don’t form a moving slit, is the camera’s sync speed.

Close-up of FUJIFILM camera shutter speed dial

If we activate a flash during an exposure where the shutter is fully open, the light from the flash illuminates the whole sensor and gives us a complete picture – no problems there. But if we activate a short burst of flash when only part of the shutter is revealed, then only this part of the sensor is illuminated – the rest will be dark and will give rise to the ominous black band we see when using flash at shutter speeds faster than the sync speed.

The Cure for the Sync Speed Blues

Making images with flash at shutter speeds higher than the sync speed is not possible with ordinary flash equipment, but it is with advanced external flashes, which boast FP mode, also known as high speed sync (HSS). This works by strobing the flash very quickly to provide continuous illumination for the time it takes for both curtains to travel across the sensor.

FP mode works very well indeed, allowing shutter speeds right up to 1/8000 sec (depending on camera model) to be used with flash. This opens up lots of creative doors to photographers – not only using wide apertures to restrict depth-of-field, but also underexposing the ambient-lit background in a photo while correctly lighting objects in the foreground with flash. It’s a very powerful effect that lets bold vibrant colours sing out.

But if you want to use automatic or semiautomatic exposure modes, it’s really important to make sure FP mode is switched on both on the flash and your camera. Refer to your flash unit’s manual to check how to switch the mode on. To activate it on your camera:

  • Attach and switch on an external flash unit.
  • Navigate to the FLASH SETTING menu and select FLASH FUNCTION SETTING.
  • In the window that opens, make sure FP is chosen next to SYNC.
Purple flowers with blurred background

© Michael Bulbenko

Purple flowers with garden behind

© Michael Bulbenko

Purple flowers with blurred background

© Michael Bulbenko

Purple flowers with garden behind

© Michael Bulbenko

Purple flowers with blurred background

© Michael Bulbenko

Now, pick an automatic (P) or semiautomatic mode (A or S) and set exposure compensation on your camera to a negative value, such as -1 or -1.5. This will affect the ambient light exposure (ie the background), but not the flash exposure (ie the foreground), but only works on subjects that are within one to two meters from the camera and flash.

Your Next Steps

  • CHALLENGE Grab yourself a flash that can work in FP mode and make some pictures that underexpose the background but correctly expose the foreground, as described above. Post your favourite images to social media with the hashtag #learnwithfujifilm and #flash. You can also submit your work here for a chance to be featured on our social media channels

Also Try...

Using Negative Space

Which GFX Camera Body Is Right for You?

Specialised for different photographers’ needs, how do GFX bodies compare?

Three Ways to Improve Exposure on Moving Subjects

Discover some FUJIFILM X Series camera tricks to help you create great sports and action images

  • Products
    • Cameras
    • Lenses
    • Accessories
    • Software
    • Help Me Choose
  • Support
    • Download
    • Manual
    • Compatibility
    • FAQ
    • FUJIFILM X | GFX Members
    • FUJIFILM Professional Services (FPS)
    • Product Security Information
  • More
    • X-Photographers
    • X Stories
    • Learning Centre
    • Events
    • News
    • Promotions
    • Shop
Follow Us
  • UK
  • Global
FUJIFILM ©FUJIFILM Corporation.
  • Contact
  • Privacy Policy
  • Terms of Use
  • Cookie Settings
Select Your Country Or Region
  • America
    • pt-br

      Brazil

    • en-ca

      Canada

      • English
      • French
    • en-us

      USA

  • Asia Pacific
    • zh-cn

      China

    • en-in

      India

    • id-id

      Indonesia

    • ja-jp

      Japan

    • ko-kr

      Korea

    • en-my

      Malaysia

    • en-ph

      Philippines

    • en-sg

      Singapore

    • th-th

      Thailand

    • vi-vn

      Vietnam

  • Europe
    • de-at

      Austria

    • fr-be

      Belgium

      • Dutch
      • French
    • hr-hr

      Croatia

    • cs-cz

      Czechia

    • da-dk

      Denmark

    • et-ee

      Estonia

    • fi-fi

      Finland

    • fr-fr

      France

    • de-de

      Germany

    • el-gr

      Greece

    • hu-hu

      Hungary

    • is-is

      Iceland

    • en-ie

      Ireland

    • it-it

      Italy

    • lv-lv

      Latvia

    • lt-lt

      Lithuania

    • nl-nl

      Netherlands

    • no-no

      Norway

    • pl-pl

      Poland

    • pt-pt

      Portugal

    • ro-ro

      Romania

    • ru-ru

      Russia

    • sk-sk

      Slovakia

    • sl-si

      Slovenia

    • es-es

      Spain

    • sv-se

      Sweden

    • fr-ch

      Switzerland

      • French
      • German
    • tr-tr

      Turkey

    • en-gb

      UK

    • uk-ua

      Ukraine

  • Oceania
    • en-au

      Australia

    • en-nz

      New Zealand

  • Other
    • global

      Global