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Home › X Stories › FUJIFILM & Capture One PRO / Output

FUJIFILM & Capture One PRO / Output

02.01.2019
Written by... Julien Apruzzese

Passionate about art and science, photographer and retoucher, I see myself as an image creator. Like the painter, the realistic rendering hardly pleases me, I prefer a pictorial aesthetic, based on an interpretation of reality.


Since 2013, I have been running a photography and retouching studio dedicated to image creation for brand. Concept, light and post-production, is a full service meeting the needs of different communication poles.


Fujifilm and Profoto ambassador, Capture One Pro and Photoshop expert trainer, I am currently developing a research and development studio specializing in post-production tools.

Passionate about art and science, I first embraced the dream of a career as a sound engineer. After ten years of an exciting life and four awards, the desire had come to turn to another art form.


2012 was the year of the acquisition of my very first camera. But which one to choose? Without any knowledge yet, chance or luck (but this, I will know much later) brought me to a magazine advertisement on the X100. It seemed to match my needs but I could not say why at that point.


This piece of equipment seemed to perfectly embody photography thanks to a clever mix of tradition and modernity. And as I worked harder and harder on my photographic skills, the X100 became my daily companion and my best teacher as it focused on what was essential in photography.


Then I used the X-E1 with the XF35mmF1.4 R lens and in 2013, a revolution – an update featuring the WYSWYG (What You See is What You Get) option – urged me to use the manual mode for good. This same year I opened my photography studio in the south of Paris.


The studio became more and more renowned and in 2014, the X Series was mature enough to release the X-T1 which I was honored to purchase together with the XF56mmF1.2 R and XF23mmF1.4 R lenses.


And shooting in manual mode became like playing the piano, with my right hand on the shutter speed dial and aperture ring, my left hand on the ISO sensitivity dial and my eye to the viewfinder which displayed all my adjustments in real time. In addition, I could view my shot for 0.5s in a revolutionary electronic viewfinder, which made it possible to never take my eyes away from the scene.


Today, the GFX series is an integral part of my photographic work, the GFX 50R, accompanied by the GF63mmF2.8 R and the GF110mmF2 R, opening the doors to the wonderful world of the Medium Format and its unique photographic quality. The Fujifilm brand saw the birth of my photography, did what I am today, so it has my utmost respect.

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The Process Recipes.

Capture One Pro has unique output system. We can create multiple output formats, proof each of them and process all simultaneously ! These are called Process Recipes. For instance, we can create an export in a TIFF 16-bit ProPhoto Size Original, JPEG 8-bit sRGB Size Original and JPEG 8-bit sRGB Size 600px Long Edge formats. For each of them, we can ask Capture One Pro to specify a destination and to organize the exported files in a folder named by the process recipe name. Then select these 3 Process Recipes, press Cmd+D and all is done automatically.

But what makes the Process Recipes so unique is that we can proof the quality output before to process and so adjust the parameters in a precise way, like the ICC profile, the size, the output sharpening and the compression quality.

Image

The Recipe Proofing.

Shift+Cmd+ (by default but I edited my Keyboard Shortcuts for an easier one) and Capture One Pro switches the viewer in proofing mode. As on the images above, we have an output size preview of the different Process Recipes, 1400px, 1000px and 600px Long Edge. Useful when choosing the size of vignettes we send to our client for selection.

Working with a large gamut monitor, we can then proof too the colors in different color space. As we saw on the previous article “Workspace”, I choose to select permanently a Profoto RGB color space, or the more advanced ProStar RGB and eciRGBv2 color spaces, by View > Proof Profile and Relative Colorimetric for the rendering intent, by Preferences > Color (we must not forget I can’t see all these colors, because I am limited by my monitor which can only reproduces 99% of the Adobe RGB Color Space). So by selecting the JPEG 8-bit sRGB Process Recipes and switching in proofing view, Capture One Pro allows me to see the conversion into the sRGB color space. And in my experience, red hues are often a problem.

We are now able to edit our development to control this conversion and I use for this task again the Color Editor tool. And just by pressing the Recipe Proofing keyboard shortcut back and forth, I am able to see clearly where are the problems.

Image

The JPEG Compression Quality.

An additional benefit of the Proofing is that we can see in real time the effect of the JPEG compression quality. As the images above, the left one represents a quality of 85 (approximately equivalent to 11 in Photoshop) and the right one, a quality of 0. Moreover, in the Process Summary tool, we can have an estimate of the final file size.

Image

The Output Sharpening.

Even if I consider the resize algorithm in Capture One Pro one of the best I know, when we resize for instance an image from 6000px to 600px Long Edge, we loose some sharpness.

So here comes the output sharpening inside of the Process Recipe tool, under Adjustments. We can control and add a sharpening after the resize, only applied on the export. Between 1200px and 400px, a sharpening with an amount value between 20 and 80 at a radius of 0.4 is a good starting point.

Happy Capture One Pro 12 to all of you !

Image

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